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Gesturing Collection (page 6)

"Gesturing: A Visual Language Spoken by Nature, Art, and History" William Wallace - statue in Aberdeen: As his hand reaches out towards the sky

Background imageGesturing Collection: Rare figure of an exotic dancer, (large silvered bronze and ivory on black marble base)

Rare figure of an exotic dancer, (large silvered bronze and ivory on black marble base)
1195338 Rare figure of an exotic dancer, (large silvered bronze and ivory on black marble base) by Chiparus, Dimitri (1886-1947); 69 cm; Private Collection; Photo © Christies Images

Background imageGesturing Collection: After the Dance; Dopo il Ballo, (oil on canvas)

After the Dance; Dopo il Ballo, (oil on canvas)
653537 After the Dance; Dopo il Ballo, (oil on canvas) by Caputo, Ulisse (1872-1948); 80.6x55.3 cm; Private Collection; (add.info.: After the Dance; Dopo il Ballo. Ulisse Caputo (1872-1948)

Background imageGesturing Collection: Dancers; The Tango, (gouache with oil on paper)

Dancers; The Tango, (gouache with oil on paper)
653229 Dancers; The Tango, (gouache with oil on paper) by Scheiber, Hugo (1873-1950); 42x67.5 cm; Private Collection; (add.info.: Dancers; The Tango. Hugo Scheiber (1873-1950)

Background imageGesturing Collection: Reclining Woman, (watercolour, gouache and charcoal)

Reclining Woman, (watercolour, gouache and charcoal)
828384 Reclining Woman, (watercolour, gouache and charcoal) by Hodgkins, Frances (1869-1947); 44.4x43.2 cm; Private Collection; (add.info.: Reclining Woman. Frances Hodgkins (1869-1947)

Background imageGesturing Collection: Fair Model, 1937 (colour etching and aquatint)

Fair Model, 1937 (colour etching and aquatint)
991062 Fair Model, 1937 (colour etching and aquatint) by Icart, Louis (1888-1950); 54.5x34.6 cm; Private Collection; (add.info.: Fair Model. Louis Icart (1888-1950). Colour etching and aquatint

Background imageGesturing Collection: La Poeme, (drypoint and aquatint)

La Poeme, (drypoint and aquatint)
990997 La Poeme, (drypoint and aquatint) by Icart, Louis (1888-1950); 45.2x54.5 cm; Private Collection; (add.info.: La Poeme. Louis Icart (1888-1950). Drypoint and aquatint. 45.2 x 54.5cm

Background imageGesturing Collection: Nude woman in front of King Pausole, 1930 (coloured print)

Nude woman in front of King Pausole, 1930 (coloured print)
990967 Nude woman in front of King Pausole, 1930 (coloured print) by Brunelleschi, Umberto (1879-1949); Private Collection; (add.info.: Nude woman in front of King Pausole)

Background imageGesturing Collection: Ceremonial Ikat with Wayang figures, Klungrung, Bali

Ceremonial Ikat with Wayang figures, Klungrung, Bali
LIT389572 Ceremonial Ikat with Wayang figures, Klungrung, Bali by Indonesian School; (add.info.: Ikat or Ikkat is the method of weaving that uses a resist dyeing process similar to tie-dye on either)

Background imageGesturing Collection: Lady at the Doctors I; Dame beim Arzt I, 1948 (oil on canvas)

Lady at the Doctors I; Dame beim Arzt I, 1948 (oil on canvas)
1768132 Lady at the Doctors I; Dame beim Arzt I, 1948 (oil on canvas) by Kleinschmidt, Paul (1883-1949); 116.2x73 cm; Private Collection; (add.info.: Lady at the Doctors I; Dame beim Arzt I)

Background imageGesturing Collection: Interior of William Merritt Chases Tenth Street Studio (oil on canvas)

Interior of William Merritt Chases Tenth Street Studio (oil on canvas)
1767668 Interior of William Merritt Chases Tenth Street Studio (oil on canvas) by Wiles, Irving Ramsay (1861-1948); 66x91.4 cm; Private Collection; (add.info)

Background imageGesturing Collection: Ulysses and Circe, detail from the Room of Polyphemus, 1550-1551 (fresco)

Ulysses and Circe, detail from the Room of Polyphemus, 1550-1551 (fresco)
2655120 Ulysses and Circe, detail from the Room of Polyphemus, 1550-1551 (fresco) by Tibaldi, Pellegrino (1527-96); Palazzo Poggi, Bologna, Italy; (add.info.: Bologna Palazzo Poggi)

Background imageGesturing Collection: The Departure of the Master of the House (oil on canvas)

The Departure of the Master of the House (oil on canvas)
989931 The Departure of the Master of the House (oil on canvas) by Forti, Ettore (fl.c.1870-1910); 59x100 cm; Private Collection; (add.info)

Background imageGesturing Collection: The Death of Cleopatra, 1887 (oil on canvas)

The Death of Cleopatra, 1887 (oil on canvas)
989485 The Death of Cleopatra, 1887 (oil on canvas) by Bouchard, Paul Louis (1853-1937); 274.3x365.5 cm; Private Collection; (add.info.: The Death of Cleopatra. Paul Louis Bouchard (1853-1937)

Background imageGesturing Collection: Apocalyptic Virgin of Quito, c. 1775 (oil on canvas)

Apocalyptic Virgin of Quito, c. 1775 (oil on canvas)
988078 Apocalyptic Virgin of Quito, c.1775 (oil on canvas) by Alcocer, Jose Cortez de (fl.18th century); 105.4x81 cm; Private Collection; (add.info.: Apocalyptic Virgin of Quito)

Background imageGesturing Collection: The Visit to the Grandparents; Besoget Hos Bedsteforaeldrene, 1859 (oil on canvas)

The Visit to the Grandparents; Besoget Hos Bedsteforaeldrene, 1859 (oil on canvas)
659687 The Visit to the Grandparents; Besoget Hos Bedsteforaeldrene, 1859 (oil on canvas) by Tidemand, Adolph (1814-76); 95x79 cm; Private Collection; (add.info)

Background imageGesturing Collection: Peasant Girl and White Cockerel, (gouache and pencil)

Peasant Girl and White Cockerel, (gouache and pencil)
657475 Peasant Girl and White Cockerel, (gouache and pencil) by Meninsky, Bernard (1891-1950); Private Collection; (add.info.: Peasant Girl and White Cockerel. Bernard Meninsky (1891-1950)

Background imageGesturing Collection: Woman in a Car with Two Pekinese, (etching and aquatint)

Woman in a Car with Two Pekinese, (etching and aquatint)
990994 Woman in a Car with Two Pekinese, (etching and aquatint) by Icart, Louis (1888-1950); 37x44.5 cm; Private Collection; (add.info.: Woman in a Car with Two Pekinese. Louis Icart (1888-1950)

Background imageGesturing Collection: Motherly Love, (watercolour on paper)

Motherly Love, (watercolour on paper)
659633 Motherly Love, (watercolour on paper) by Tommasi, Publio de (1849-1914); 86.2x64.8 cm; Private Collection; (add.info.: Motherly Love. Publio de Tommasi (1849-1914). Watercolour on paper

Background imageGesturing Collection: The trench exit for attack, 1915 (litho)

The trench exit for attack, 1915 (litho)
STC407197 The trench exit for attack, 1915 (litho) by Jonas, Lucien Hector (1880-1947); Private Collection; The Stapleton Collection

Background imageGesturing Collection: Study of a Female Nude, (pencil on paper)

Study of a Female Nude, (pencil on paper)
1199595 Study of a Female Nude, (pencil on paper) by Gill, Eric (1882-1940); 33.1x18.5 cm; Private Collection; Photo © Christies Images

Background imageGesturing Collection: A Man Seen from Behind Wearing a Cloak, (black chalk, pen and brown ink)

A Man Seen from Behind Wearing a Cloak, (black chalk, pen and brown ink)
990026 A Man Seen from Behind Wearing a Cloak, (black chalk, pen and brown ink) by Cardi Cigoli, Ludovico (1559-1613); 42.7x27.8 cm; Private Collection; (add.info)

Background imageGesturing Collection: Singing Lesson, (etching and aquatint, printed in colours)

Singing Lesson, (etching and aquatint, printed in colours)
1195028 Singing Lesson, (etching and aquatint, printed in colours) by Icart, Louis (1888-1950); 48.5x65 cm; Private Collection; Photo © Christies Images

Background imageGesturing Collection: Girl with Doves, (etching, printed in colours)

Girl with Doves, (etching, printed in colours)
1195024 Girl with Doves, (etching, printed in colours) by Icart, Louis (1888-1950); 27x33 cm; Private Collection; Photo © Christies Images

Background imageGesturing Collection: Swallows, (etching and aquatint, printed in colours)

Swallows, (etching and aquatint, printed in colours)
1195016 Swallows, (etching and aquatint, printed in colours) by Icart, Louis (1888-1950); 47.5x27 cm; Private Collection; Photo © Christies Images

Background imageGesturing Collection: The Nightclub Hostess; Die Animierdame, 1938 (oil on canvas)

The Nightclub Hostess; Die Animierdame, 1938 (oil on canvas)
824355 The Nightclub Hostess; Die Animierdame, 1938 (oil on canvas) by Kleinschmidt, Paul (1883-1949); 115x75.5 cm; Private Collection; (add.info.: The Nightclub Hostess; Die Animierdame)

Background imageGesturing Collection: Dancer of Kapurthala, early 20th century (parcel-gilt, cold-painted bronze, ivory)

Dancer of Kapurthala, early 20th century (parcel-gilt, cold-painted bronze, ivory, brown and green onyx ba)
991183 Dancer of Kapurthala, early 20th century (parcel-gilt, cold-painted bronze, ivory, brown and green onyx ba) by Chiparus

Background imageGesturing Collection: A Sheep Lane near Woburn, Bedfordshire, (pencil and watercolour)

A Sheep Lane near Woburn, Bedfordshire, (pencil and watercolour)
652080 A Sheep Lane near Woburn, Bedfordshire, (pencil and watercolour) by Stannard, Henry John Sylvester (1870-1951); 25.4x35.6 cm; Private Collection; (add.info.: A Sheep Lane near Woburn)

Background imageGesturing Collection: Sunshine and Shadow, c. 1912 (oil on canvas)

Sunshine and Shadow, c. 1912 (oil on canvas)
985473 Sunshine and Shadow, c.1912 (oil on canvas) by Benson, Frank Weston (1862-1951); 77x64 cm; Private Collection; (add.info.: Sunshine and Shadow. Frank Weston Benson (1862-1951). Oil on canvas

Background imageGesturing Collection: Mortella and her seven brothers, from Italian Fairy Tales, by Lilia E. Romano

Mortella and her seven brothers, from Italian Fairy Tales, by Lilia E. Romano
IL262845 Mortella and her seven brothers, from Italian Fairy Tales, by Lilia E. Romano, published by Raphael Tuck & Sons (colour litho) by Davie

Background imageGesturing Collection: The youngest sons farewell, 1867 (oil on canvas)

The youngest sons farewell, 1867 (oil on canvas)
OVR390588 The youngest sons farewell, 1867 (oil on canvas) by Tidemand, Adolph (1814-76); 82x70.6 cm; Bergen Art Museum, Norway; Photo © O. Vaering

Background imageGesturing Collection: The Snake Charmer, (oil on canvas)

The Snake Charmer, (oil on canvas)
1197520 The Snake Charmer, (oil on canvas) by Fabbi, Fabio (1861-1946); 77.8x57 cm; Private Collection; Photo © Christies Images

Background imageGesturing Collection: Flower Sellers, (oil on canvas)

Flower Sellers, (oil on canvas)
988099 Flower Sellers, (oil on canvas) by Ramos Martinez, Alfredo (1871-1946); 71.1x61.3 cm; Private Collection; (add.info.: Flower Sellers; Vendedoras de Flores. Alfredo Ramos Martinez (1872-1946)

Background imageGesturing Collection: Kora, an Exotic Dancer, early 20th century (ilt and cold-painted bronze, onyx base)

Kora, an Exotic Dancer, early 20th century (ilt and cold-painted bronze, onyx base)
985665 Kora, an Exotic Dancer, early 20th century (ilt and cold-painted bronze, onyx base) by Chiparus, Dimitri (1886-1947); 62.8 (approx)

Background imageGesturing Collection: Portrait of Karl Gerhard as Thesbis, standing full length, 1941 (oil on canvas)

Portrait of Karl Gerhard as Thesbis, standing full length, 1941 (oil on canvas)
659701 Portrait of Karl Gerhard as Thesbis, standing full length, 1941 (oil on canvas) by Grunwald, Isaac (1889-1946); 196x122 cm; Private Collection; (add.info.: Portrait of Karl Gerhard as Thesbis)

Background imageGesturing Collection: Interior, 1912 (oil on canvas)

Interior, 1912 (oil on canvas)
651138 Interior, 1912 (oil on canvas) by Benson, Frank Weston (1862-1951); 76.5x64.1 cm; Private Collection; (add.info.: Interior. Frank Weston Benson (1862-1951). Oil on canvas

Background imageGesturing Collection: Boyars, (oil on canvas)

Boyars, (oil on canvas)
1195692 Boyars, (oil on canvas) by Stelletsky (Stelletskij), Dmitry (Dmitrij) (1875-1947); 80x114 cm; Private Collection; Photo © Christies Images

Background imageGesturing Collection: Dancing figures on a terrace, 1911 (oil on canvas)

Dancing figures on a terrace, 1911 (oil on canvas)
1194924 Dancing figures on a terrace, 1911 (oil on canvas) by Barbier, Georges (1882-1932); 36x23 cm; Private Collection; Photo © Christies Images

Background imageGesturing Collection: Philip V of Spain gives the Golden Fleece to the Marshal of Tesse as French Ambassador to Spain in

Philip V of Spain gives the Golden Fleece to the Marshal of Tesse as French Ambassador to Spain in 1724
XIR429015 Philip V of Spain gives the Golden Fleece to the Marshal of Tesse as French Ambassador to Spain in 1724, 1725 (oil on canvas) (see 429016 for detail) by Laumosnier

Background imageGesturing Collection: Portrait of Rene de Froulay, Count of Tesse, c. 1703 (oil on canvas)

Portrait of Rene de Froulay, Count of Tesse, c. 1703 (oil on canvas)
XIR429014 Portrait of Rene de Froulay, Count of Tesse, c.1703 (oil on canvas) by Laumosnier, Jacques (c.1669-c.1744); 60x39 cm; Musee de Tesse, Le Mans

Background imageGesturing Collection: Mousehole, 1908 (oil on canvas)

Mousehole, 1908 (oil on canvas)
657037 Mousehole, 1908 (oil on canvas) by Harvey, Harold (1874-1941); Private Collection; (add.info.: Mousehole. Harold Harvey (1874-1941). Oil on canvas. Dated 1908

Background imageGesturing Collection: A Bishop, from the Codex Capodilista (vellum)

A Bishop, from the Codex Capodilista (vellum)
488822 A Bishop, from the Codex Capodilista (vellum) by Italian School, (15th century); Biblioteca Civica, Padua, Italy; (add.info.: A Bishop)

Background imageGesturing Collection: English Camel Corps, Sudan, 1884 / 5 (pencil & w / c on paper)

English Camel Corps, Sudan, 1884 / 5 (pencil & w / c on paper)
622709 English Camel Corps, Sudan, 1884/5 (pencil & w/c on paper) by British School, (19th century); 30.5x39 cm; Private Collection; © Michael Graham-Stewart

Background imageGesturing Collection: Detail of a cassone showing the story of Saladin and Torello of Istria

Detail of a cassone showing the story of Saladin and Torello of Istria, by Giovanni Boccaccio (tempera on panel)
XIR444281 Detail of a cassone showing the story of Saladin and Torello of Istria, by Giovanni Boccaccio (tempera on panel) (see also 444280 & 444282) by Italian School

Background imageGesturing Collection: Detail of a cassone showing the story of Saladin and Torello of Istria

Detail of a cassone showing the story of Saladin and Torello of Istria, by Giovanni Boccaccio (tempera on panel)
XIR444280 Detail of a cassone showing the story of Saladin and Torello of Istria, by Giovanni Boccaccio (tempera on panel) (see also 444281-82) by Italian School

Background imageGesturing Collection: Odalisque, (oil on canvas)

Odalisque, (oil on canvas)
652990 Odalisque, (oil on canvas) by Robertson, Eric Harald Macbeth (1887-1941); 75.5x68.5 cm; Private Collection; (add.info.: Odalisque. Eric Harald Macbeth Robertson (1887-1941). Oil on canvas

Background imageGesturing Collection: The Martyrdom of Saint Placidus in Messina (fresco)

The Martyrdom of Saint Placidus in Messina (fresco)
828717 The Martyrdom of Saint Placidus in Messina (fresco) by Italian School, (15th century); Monastero di San Benedetto (Santuario Sacro Spero), Subiaco, Rome, Lazio

Background imageGesturing Collection: Don Quixote - Sancho Panze alone was vexed

Don Quixote - Sancho Panze alone was vexed
Vintage engraving by Gustave Dore from the story The Ingenious Gentleman Don Quixote of La Mancha by Miguel de Cervantes. Sancho Panze alone was vexed, fretted himself to death

Background imageGesturing Collection: Quest for the Holy Grail - Study for the Summons, 1894 (watercolour & gouache on paper)

Quest for the Holy Grail - Study for the Summons, 1894 (watercolour & gouache on paper)
451295 Quest for the Holy Grail - Study for the Summons, 1894 (watercolour & gouache on paper) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info)



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"Gesturing: A Visual Language Spoken by Nature, Art, and History" William Wallace - statue in Aberdeen: As his hand reaches out towards the sky, William Wallace's gesture symbolizes defiance and unwavering determination. Polar bear (Ursus maritimus) young bear rolling around in the snow, on newly formed ice: With playful gestures of joy, this young polar bear embraces the wintry landscape as if inviting us to join its frolicsome dance. Rosa Luxemburg (1871 - 1919): In her passionate speeches and writings, Rosa Luxemburg's gesturing hands became a powerful tool for expressing her revolutionary ideas and fighting for social justice. A signed photograph of Sigmund Freud, c. 1921 (sepia photo): Through subtle hand movements and facial expressions captured in this sepia-toned image, Sigmund Freud reveals his deep understanding of human psychology without uttering a single word. Night and Her Daughter Sleep, 1902. Creator: Mary L. Macomber: In this ethereal painting filled with tranquility, Night gently cradles her daughter Sleep with tender gestures that lull the world into peaceful slumber. The Sortie Made by the Garrison of Gibraltar, 1789. Creator: John Trumbull: Amidst chaos and battle cries depicted on canvas through vivid gestures of bravery and sacrifice stands a testament to human resilience during times of conflict. Edward refuses succour to his son at Crecy, 1346 (1864). Artist: James William Edmund Doyle: With an anguished expression on his face combined with a resolute gesture denying aid to his wounded son amidst medieval warfare captures both tragedy and paternal duty within one poignant scene. Saint Nicholas of Lipna, 1294. Artist : Alexa Petrov .