Gian Jacopo Caraglio Collection

Ixion attempting to seduce Juno, surrounded by clouds with ruins below, ca. 1520-39

The martyrdom of Saint Paul and the condemnation of Saint Peter, 1524-27

The marriage of Alexander and Roxana; Alexander surrounded by putti, offering a crown to Roxana who is seated at right, 1520-39

Mercury carrying Psyche to Olympus, after Raphaels composition in the Villa Farnesina, Rome, ca. 1520-39

Hercules defeating the river god Achelous in the form of a bull, with three women t... ca. 1526-27
Hercules defeating the river god Achelous in the form of a bull, with three women to his left holding cornucopias, from a series of six engravings of Herculean Subjects, ca. 1526-27

Diogenes seated with his barrel behind him, and reading a book while holding a stick that rests on a geometry book to his right, ca. 1526-27

Marriage of the Virgin, ca. 1525-26. Creator: Giovanni Jacopo Caraglio
Marriage of the Virgin, ca. 1525-26

The Annunciation, 1537. Creator: Giovanni Jacopo Caraglio
The Annunciation, 1537

Plate 11: Apollo riding his chariot in a niche, facing right, from a series of mythological gods and goddesses, 1526

Plate 12: Diana standing in a niche, twisting to her left and pulling an arrow out of a quiver, with a deer to her right, from a series of mythological gods and goddesses, 1526

Plate 10: Venus in a niche, standing on a conch shell, with Cupid to her right, from a series of mythological gods and goddesses, 1526

Assembly of the Gods after the ceiling composition in the Loggia di Psiche, Villa Farnesina, Rome, 1527

Fury personified as an old man riding a monster, holding a skull in his left hand, ca.1520-39

Aeneas rescuing Anchises, a young boy carrying a lantern at left, ca. 1525. ca. 1525
Aeneas rescuing Anchises, a young boy carrying a lantern at left, ca. 1525

The Martyrdom of St. Peter and St. Paul, ca. 1527. Creator: Giovanni Jacopo Caraglio
The Martyrdom of St. Peter and St. Paul, ca. 1527

Diogenes, ca. 1527. Creator: Giovanni Jacopo Caraglio
Diogenes, ca. 1527

The Adoration of the Shepherds. Creator: Giovanni Jacopo Caraglio
The Adoration of the Shepherds, .n.d

Gian Jacopo Caraglio after Raphael (Italian, c. 1500 - 1565), Pentecost, engraving

Gian Jacopo Caraglio after Titian (Italian, c. 1500 - 1565), The Annunciation, engraving

Gian Jacopo Caraglio after Parmigianino (Italian, c. 1500-1565), The Marriage of the Virgin, c. 1526, engraving on laid paper

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Gian Jacopo Caraglio was a renowned Italian engraver and artist who flourished during the 16th century. His works showcased his exceptional talent and mastery of the medium, leaving an indelible mark on art history. One of Caraglio's notable pieces is "Ixion attempting to seduce Juno, surrounded by clouds with ruins below" created between 1520-39. This captivating artwork depicts the Greek mythological figure Ixion trying to allure Juno, the queen of gods. The ethereal setting with swirling clouds and crumbling ruins adds an air of mystique to this scene. In "The martyrdom of Saint Paul and the condemnation of Saint Peter, " crafted from 1524-27, Caraglio showcases his ability to convey intense emotions through intricate engravings. The dramatic portrayal captures the suffering endured by these saints as they face their respective fates. Caraglio's artistic prowess extends beyond mythology and religion; he also delves into historical events such as "The marriage of Alexander and Roxana. " In this piece, Alexander stands amidst cherubic figures offering him a crown while celebrating his union with Roxana. The attention to detail in capturing both regality and tenderness is truly remarkable. Inspired by Raphael's composition in Villa Farnesina, Caraglio creates "Mercury carrying Psyche to Olympus. " This enchanting engraving portrays Mercury whisking away Psyche towards Mount Olympus - a symbolization of her ascension into divine realms after enduring numerous trials. Another masterpiece by Caraglio is "Hercules defeating the river god Achelous in the form of a bull. " Crafted around 1526-27, this artwork showcases Hercules' strength as he overpowers Achelous while three women observe from afar. It exemplifies Caraglio's ability to capture dynamic action scenes with precision.