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Gillray Collection

James Gillray (1757-1815) was a renowned British caricaturist and printmaker who left an indelible mark on the world of political satire

Background imageGillray Collection: The Cow-Pock. Satirical etching, 1802, by James Gillray on Edward Jenner and vaccination

The Cow-Pock. Satirical etching, 1802, by James Gillray on Edward Jenner and vaccination
CARTOON: VACCINATION, 1802. The Cow-Pock. Satirical etching, 1802, by James Gillray on Edward Jenner and vaccination

Background imageGillray Collection: A March to the Bank, 1787. Artist: James Gillray

A March to the Bank, 1787. Artist: James Gillray
A March to the Bank, 1787. From A Smile Among Friends. [Alb. Cammermeyers Forlag, Norway, 1949]

Background imageGillray Collection: The Gout. Etching, 1799, by James Gillray

The Gout. Etching, 1799, by James Gillray
GOUT, 1799. The Gout. Etching, 1799, by James Gillray

Background imageGillray Collection: Political Ravishment, or the Old Lady of Threadneedle Street in Danger!, 1797

Political Ravishment, or the Old Lady of Threadneedle Street in Danger!, 1797. Artist: Gillray, James (1757-1815)
Political Ravishment, or the Old Lady of Threadneedle Street in Danger!, 1797. From a private collection

Background imageGillray Collection: The state tinkers, Gillray, James, 1756-1815, engraver, Published Feb y 10th

The state tinkers, Gillray, James, 1756-1815, engraver, Published Feb y 10th 1780 by W. Humphrey, 1780. 1 print : engraving, color. Three men breaking a large bowl which is cracked and patched

Background imageGillray Collection: Tiddy-Doll Great French-Gingerbread-Baker Drawing Out

Tiddy-Doll Great French-Gingerbread-Baker Drawing Out
Artokoloro

Background imageGillray Collection: Cartoon, Britannia between Scylla & Charybdis

Cartoon, Britannia between Scylla & Charybdis, or, the Vessel of the Constitution steered clear of the Rock of Democracy, and the Whirlpool of Arbitrary Power, by James Gillray

Background imageGillray Collection: The Hand-Writing upon the Wall, James Gillray, 1803. Napoleon and Josephine

The Hand-Writing upon the Wall, James Gillray, 1803. Napoleon and Josephine, guarded by French soldiers, enjoy a feast of English riches. Napoleon looks on at writing

Background imageGillray Collection: Election fair, Copenhagen Fields, Islington, London, 1795. Artist: James Gillray

Election fair, Copenhagen Fields, Islington, London, 1795. Artist: James Gillray
Copenhagen House.I tell you, citizens, we mean to new-dress the Constitution and turn it, and set a new nap on it Shakespeare ; showing an election fair in Copenhagen Fields, Islington, London, 1795

Background imageGillray Collection: BROBDINGNAG & GULLIVER. The King of Brobdingnag and Gulliver. Satirical etching

BROBDINGNAG & GULLIVER. The King of Brobdingnag and Gulliver. Satirical etching, 1803, by James Gillray, showing George III with Napoleon

Background imageGillray Collection: A Kick At The Broad Bottoms! I. e. Emancipation Of All The Talents

A Kick At The Broad Bottoms! I. e. Emancipation Of All The Talents
A Kick At The Broad Bottoms! I.e. Emancipation Of All The Talents, Gillray, James, 1756-1815, Engraver, [london], 1807, King George Iii, His Face Hidden By A Pillar

Background imageGillray Collection: Mr James Gillray, from a portrait by himself, c1800. Artist: James Gillray

Mr James Gillray, from a portrait by himself, c1800. Artist: James Gillray
Mr James Gillray, from a portrait by himself, c1800. Self-portrait of British satirical cartoonist Gillray (1756-1815). Engraving after a miniature

Background imageGillray Collection: L assemblee Nationale Or Grand Cooperation Meeting At St. Anns Hill

L assemblee Nationale Or Grand Cooperation Meeting At St. Anns Hill. Respectfully Dedicated To The Admirers Of A Broad-bottom d Administration, Gillray, James, 1756-1815, Artist

Background imageGillray Collection: Napoleon and King George III as Gulliver and the King of Brobdingnag, July 1803

Napoleon and King George III as Gulliver and the King of Brobdingnag, July 1803. Artist: James Gillray
Napoleon and King George III as Gulliver and the King of Brobdingnag, July 1803. James Gillray cartoon representing George III and Napoleon Bonaparte as characters from Gullivers Travels

Background imageGillray Collection: Income Tax, 1798

Income Tax, 1798. John Bull scratches his head at William Pitts (1759-1806) introduction of Income Tax. Pitt is shown as an angel playing a harp. Hand-coloured cartoon in the style of Gillray

Background imageGillray Collection: Cartoon, The Valley of the Shadow of Death

Cartoon, The Valley of the Shadow of Death, by James Gillray. Depicting Napoleon (ironically in the role of John Bunyan's pilgrim, Christian) having to confront an array of problems

Background imageGillray Collection: Cartoon, More Pigs than Teats

Cartoon, More Pigs than Teats, or, the new Litter of hungry Grunters Sucking John Bull's Old Sow to death, by James Gillray

Background imageGillray Collection: Cartoon, Sin, Death, and the Devil

Cartoon, Sin, Death, and the Devil, Vide Milton, by James Gillray. A parody of a scene from John Milton's epic poem, Paradise Lost, showing Prime Minister William Pitt (left) as Death

Background imageGillray Collection: The King of Brobdingnag and Gulliver. James Gillray cartoon of July 1803 showing George III of

The King of Brobdingnag and Gulliver. James Gillray cartoon of July 1803 showing George III of Great Britain viewing a
528661 The King of Brobdingnag and Gulliver. James Gillray cartoon of July 1803 showing George III of Great Britain viewing a miniscule Napoleon through a spy-glass

Background imageGillray Collection: Breathing a Vein Blood letting. Physician bleeding a patient from the arm, 1804

Breathing a Vein Blood letting. Physician bleeding a patient from the arm, 1804
527539 Breathing a Vein Blood letting. Physician bleeding a patient from the arm, 1804. Cartoon by James Gillray (1757-1815) English caricaturist

Background imageGillray Collection: The Hand-Writing upon the Wall, James Gillray, 1803. Napoleon and Josephine

The Hand-Writing upon the Wall, James Gillray, 1803. Napoleon and Josephine, guarded by French soldiers
528679 The Hand-Writing upon the Wall, James Gillray, 1803. Napoleon and Josephine, guarded by French soldiers, enjoy a feast of English riches. Napoleon looks on at writing

Background imageGillray Collection: End of the Irish Invasion - or - The Destruction of the French Armada, James Gillray 1797

End of the Irish Invasion - or - The Destruction of the French Armada, James Gillray 1797
528677 End of the Irish Invasion - or - The Destruction of the French Armada, James Gillray 1797. French ships wrecked in storm blown up by Pitt, top left and his ministers

Background imageGillray Collection: Exit Liberte al Francois Or Buonaparte closing the Farce of Egalite, at St Cloud near Paris

Exit Liberte al Francois Or Buonaparte closing the Farce of Egalite, at St Cloud near Paris, Nov 10th 1799
528271 Exit Liberte al Francois Or Buonaparte closing the Farce of Egalite, at St Cloud near Paris, Nov 10th 1799. Napoleons Coup d Etat of Eighteenth Brumaire

Background imageGillray Collection: Visiting the Sick James Gillray, July 1806. Charles James Fox in armchair

Visiting the Sick James Gillray, July 1806. Charles James Fox in armchair, obviously ill (he died in September)
528672 Visiting the Sick James Gillray, July 1806. Charles James Fox in armchair, obviously ill (he died in September). Mrs Fitzherbert urges him to confess, Prince of Wales wipes away tears

Background imageGillray Collection: The Tree of Liberty - with the Devil tempting John Bull, James Gillray, 1798

The Tree of Liberty - with the Devil tempting John Bull, James Gillray, 1798
528670 The Tree of Liberty - with the Devil tempting John Bull, James Gillray, 1798. Serpent, tail in Cap of Liberty, face of Charles James Fox, coiled round dying oak

Background imageGillray Collection: The King of Brobdingnag and Gulliver. James Gillray cartoon of July 1803 showing George III

The King of Brobdingnag and Gulliver. James Gillray cartoon of July 1803 showing George III viewing a miniscule
534156 The King of Brobdingnag and Gulliver. James Gillray cartoon of July 1803 showing George III viewing a miniscule Napoleon

Background imageGillray Collection: The State Tinkers, James Gillray 1780. Lord North, British Prime Minister, kneels

The State Tinkers, James Gillray 1780. Lord North, British Prime Minister, kneels
528671 The State Tinkers, James Gillray 1780. Lord North, British Prime Minister, kneels, Lord Sandwich and assistant patch up the kettle of state. George III looks on, hands raised

Background imageGillray Collection: Cartoon by Gillray, a poor man goes hungry

Cartoon by Gillray, a poor man goes hungry - wages were low and food prices were high, thanks to foreign wars, corn duty and a bad harvest. 1790s

Background imageGillray Collection: Cymon and Iphigenia, May 2, 1796. Creator: James Gillray

Cymon and Iphigenia, May 2, 1796. Creator: James Gillray
Cymon and Iphigenia, May 2, 1796

Background imageGillray Collection: British Tars Towing the Danish Fleet into Harbour; the Broad-Bottom Leviathan t

British Tars Towing the Danish Fleet into Harbour; the Broad-Bottom Leviathan trying Billys Old Boat, and the Little Corsican tottering on the Clouds of Ambition, October 1, 1807

Background imageGillray Collection: The Magnanimous Minister, Chastising Prussian Perfidy. -vide-Morning Chronicle April

The Magnanimous Minister, Chastising Prussian Perfidy. -vide-Morning Chronicle April
The Magnanimous Minister, Chastising Prussian Perfidy.-vide-Morning Chronicle April 28th, May 2, 1806

Background imageGillray Collection: The Bottomless-Pitt, March 16, 1792. Creator: James Gillray

The Bottomless-Pitt, March 16, 1792. Creator: James Gillray
The Bottomless-Pitt, March 16, 1792

Background imageGillray Collection: Enter Cowslip with a Bowl of Cream. - vide Brandenburg Theatricals, June 13, 1795

Enter Cowslip with a Bowl of Cream. - vide Brandenburg Theatricals, June 13, 1795

Background imageGillray Collection: Maecenas, in pursuit of the Fine Arts. -Scene, Pall Mall; a Frosty Morning, May 9, 1808

Maecenas, in pursuit of the Fine Arts. -Scene, Pall Mall; a Frosty Morning, May 9, 1808
Maecenas, in pursuit of the Fine Arts.-Scene, Pall Mall; a Frosty Morning, May 9, 1808

Background imageGillray Collection: L Enfant Trouve: -a Sample of Roman Charity!-or-the Misfortune of Not Being Born wi

L Enfant Trouve: -a Sample of Roman Charity!-or-the Misfortune of Not Being Born wi
L Enfant Trouve:-a Sample of Roman Charity!-or-the Misfortune of Not Being Born with Marks of " the Talents", May 19, 1808

Background imageGillray Collection: Pillars of the Constitution, February 1, 1809. Creator: James Gillray

Pillars of the Constitution, February 1, 1809. Creator: James Gillray
Pillars of the Constitution, February 1, 1809

Background imageGillray Collection: Counsellor O. P. -Defender of our Theatric Liberties, December 5, 1809

Counsellor O. P. -Defender of our Theatric Liberties, December 5, 1809
Counsellor O.P.-Defender of our Theatric Liberties, December 5, 1809

Background imageGillray Collection: A Bravura Air. Mandane, December 22, 1801. Creator: James Gillray

A Bravura Air. Mandane, December 22, 1801. Creator: James Gillray
A Bravura Air. Mandane, December 22, 1801

Background imageGillray Collection: Blowing-up the Pic-Nic s; -or-Harlequin Quixote Attacking the Puppets, vide Totten

Blowing-up the Pic-Nic s; -or-Harlequin Quixote Attacking the Puppets, vide Tottenham Street Pantomime, April 2, 1802

Background imageGillray Collection: Uncorking Old Sherry, March 10, 1805. Creator: James Gillray

Uncorking Old Sherry, March 10, 1805. Creator: James Gillray
Uncorking Old Sherry, March 10, 1805

Background imageGillray Collection: Temperance Enjoying a Frugal Meal, July 28, 1792. Creator: James Gillray

Temperance Enjoying a Frugal Meal, July 28, 1792. Creator: James Gillray
Temperance Enjoying a Frugal Meal, July 28, 1792

Background imageGillray Collection: The Pic-Nic Orchestra, April 23, 1802. Creator: James Gillray

The Pic-Nic Orchestra, April 23, 1802. Creator: James Gillray
The Pic-Nic Orchestra, April 23, 1802

Background imageGillray Collection: A Pair of Polished Gentlemen, March 10, 1801. Creator: James Gillray

A Pair of Polished Gentlemen, March 10, 1801. Creator: James Gillray
A Pair of Polished Gentlemen, March 10, 1801

Background imageGillray Collection: Characters in High Life, June 20, 1795. Creator: James Gillray

Characters in High Life, June 20, 1795. Creator: James Gillray
Characters in High Life, June 20, 1795

Background imageGillray Collection: Les Invisibles (The Invisible Ones), 1810. Creator: William Brocas

Les Invisibles (The Invisible Ones), 1810. Creator: William Brocas
Les Invisibles (The Invisible Ones), 1810

Background imageGillray Collection: Cartoon, Dilettanti Theatricals

Cartoon, Dilettanti Theatricals
Contemporary society. Cartoon, Dilettanti Theatricals, or, a Peep at the Green Room, Vide Pic-Nic Orgies, by James Gillray

Background imageGillray Collection: Cymon and Iphigenia, 1796. Creator: James Gillray

Cymon and Iphigenia, 1796. Creator: James Gillray
Cymon and Iphigenia, 1796

Background imageGillray Collection: Destruction of the French Colossus, 1798. Creator: Gillray, James (1757-1815)

Destruction of the French Colossus, 1798. Creator: Gillray, James (1757-1815)
Destruction of the French Colossus, 1798. Found in the Collection of Bibliotheque Nationale de France



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James Gillray (1757-1815) was a renowned British caricaturist and printmaker who left an indelible mark on the world of political satire. His satirical etchings, such as "The Cow-Pock" and "Political Ravishment, " showcased his sharp wit and keen observation of society. In "The Cow-Pock, " created in 1802, Gillray depicted Edward Jenner, the pioneer of vaccination, in a humorous light. Through this artwork, he not only highlighted the significance of Jenner's work but also playfully commented on the fears surrounding vaccination at that time. Another notable piece by Gillray is "A March to the Bank" from 1787. This artwork humorously portrays people rushing to withdraw their money from the bank during a financial crisis. With his characteristic exaggeration and attention to detail, Gillray captured both the panic and absurdity of such situations. Gillray's talent for capturing social commentary extended beyond financial matters. In works like "The Gout, " he used satire to mock societal vices and indulgences. By portraying gout as a grotesque figure tormenting its victims, Gillray shed light on issues related to excesses in food consumption prevalent among certain classes during that era. One cannot discuss James Gillray without mentioning his iconic cartoon titled "Britannia between Scylla & Charybdis. " This piece symbolizes Britain's precarious position during times of political turmoil when it had to navigate between conflicting interests represented by two mythical sea monsters. Through this image, Gillray cleverly critiqued politicians' struggles with making difficult decisions while maintaining national stability. Gillray's artistry was not limited solely to politics; he also delved into cultural events like elections or public gatherings. In works such as "Election fair" or "L assemblee Nationale Or Grand Cooperation Meeting At St.