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Giovanni Battista Collection

"Giovanni Battista: A Master of Artistic Splendor" In the world of art, few names evoke a sense of grandeur and magnificence quite like Giovanni Battista

Background imageGiovanni Battista Collection: Title page: volume IV, The Antiquities of Rome by Giambatista Piranesi

Title page: volume IV, The Antiquities of Rome by Giambatista Piranesi, Venetian Architect. Volume 4, containing the ancient bridges, the remains of theaters, of porticoes

Background imageGiovanni Battista Collection: Saint Thecla Praying for the Plague-Stricken, 1758-59. Creator: Giovanni Battista Tiepolo

Saint Thecla Praying for the Plague-Stricken, 1758-59. Creator: Giovanni Battista Tiepolo
Saint Thecla Praying for the Plague-Stricken, 1758-59

Background imageGiovanni Battista Collection: Allegory of the Planets and Continents, 1752. Creator: Giovanni Battista Tiepolo

Allegory of the Planets and Continents, 1752. Creator: Giovanni Battista Tiepolo
Allegory of the Planets and Continents, 1752

Background imageGiovanni Battista Collection: The Chariot of Aurora, 1760s. Creator: Giovanni Battista Tiepolo

The Chariot of Aurora, 1760s. Creator: Giovanni Battista Tiepolo
The Chariot of Aurora, 1760s

Background imageGiovanni Battista Collection: View of the Facade of the Basilica of S. Croce in Gerusalemme [the Holy Cross in

View of the Facade of the Basilica of S. Croce in Gerusalemme [the Holy Cross in Jerusalem], from Vedute di Roma (Roman Views), ca. 1750

Background imageGiovanni Battista Collection: Stairways adorned by magnificient architecture... (Gruppo di Scale ornato di magnif

Stairways adorned by magnificient architecture... (Gruppo di Scale ornato di magnifica Architettura...), ca. 1750

Background imageGiovanni Battista Collection: St. Peter Enthroned with St. John the Baptist and St. Paul, 1515-1516, (1930). Creator

St. Peter Enthroned with St. John the Baptist and St. Paul, 1515-1516, (1930). Creator
St. Peter Enthroned with St. John the Baptist and St. Paul, 1515-1516, (1930). Saint Peter, the Catholic Churchs first pope, wearing the papal tiara, and fishermans ring

Background imageGiovanni Battista Collection: Woman and infant satyr in a landscape, the woman twisting to look over her left sho

Woman and infant satyr in a landscape, the woman twisting to look over her left shoulder, a horned goat striding toward the background, from the series The Capricci, ca. 1740-42

Background imageGiovanni Battista Collection: Imaginery ancient temple designed in the style of those built in honor of the Goddess

Imaginery ancient temple designed in the style of those built in honor of the Goddess Vesta... (Tempio antico inventato e disegnato alla maniera di quelli che si fabbricavano in onore della Dea)

Background imageGiovanni Battista Collection: A scene of necromancy: a woman bearing a vessel, a turbaned man, and a soldier look

A scene of necromancy: a woman bearing a vessel, a turbaned man, and a soldier look toward a pedestal upon which a skull and limb bone are burning

Background imageGiovanni Battista Collection: Three figures and a snake coiled around a staff, surrounded by a landscape, the ce

Three figures and a snake coiled around a staff, surrounded by a landscape, the central figure rests his left hand on a shield and leans toward a bearded figure holding a book

Background imageGiovanni Battista Collection: Titeplate to series of prints after Poloidoro, title on a shield supported by two putti

Titeplate to series of prints after Poloidoro, title on a shield supported by two putti, 1658

Background imageGiovanni Battista Collection: The Virgin and Child Enthroned with Saint Sebastian and a Franciscan Saint, 1696-1770

The Virgin and Child Enthroned with Saint Sebastian and a Franciscan Saint, 1696-1770

Background imageGiovanni Battista Collection: Bartolomeo Bonghi (died 1584), shortly after 1553. Creator: Giovanni Battista Moroni

Bartolomeo Bonghi (died 1584), shortly after 1553. Creator: Giovanni Battista Moroni
Bartolomeo Bonghi (died 1584), shortly after 1553

Background imageGiovanni Battista Collection: The Battle of Vercellae, 1725-29. Creator: Giovanni Battista Tiepolo

The Battle of Vercellae, 1725-29. Creator: Giovanni Battista Tiepolo
The Battle of Vercellae, 1725-29

Background imageGiovanni Battista Collection: Two Boys, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo

Two Boys, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Two Boys, mid 18th century, (1928). Pencil on paper. At one time known to have been in the collection of G Bellingham Smith, London

Background imageGiovanni Battista Collection: The Nile, 1752, (1928). Artist: Giovanni Battista Tiepolo

The Nile, 1752, (1928). Artist: Giovanni Battista Tiepolo
The Nile, 1752, (1928). River-god resting, chalk on paper. Study for the Africa section, frescoes of the staircase-hall in the Wü rzburg Residence, Germany. Staatsgalerie, Stuttgart, Germany

Background imageGiovanni Battista Collection: Nude back, 1751, (1928). Artist: Giovanni Battista Tiepolo

Nude back, 1751, (1928). Artist: Giovanni Battista Tiepolo
Nude back, 1751, (1928). Seated male nude, back view. Chalk on paper. Staatsgalerie, Stuttgartt, Germany. Italian Venetian painter and printmaker Giovanni Battista Tiepolo (1696-1770)

Background imageGiovanni Battista Collection: Nereids and Triton, c1753-1762, (1928). Artist: Giovanni Battista Tiepolo

Nereids and Triton, c1753-1762, (1928). Artist: Giovanni Battista Tiepolo
Nereids and Triton, c1753-1762, (1928). Nereids and a triton with a dolphin, , pen with wash on white paper. British Museum, London

Background imageGiovanni Battista Collection: Saint Peter enthroned with Saints, John the Baptist and Saint Paul, c1516

Saint Peter enthroned with Saints, John the Baptist and Saint Paul, c1516. Artist: Giovanni Battista Cima da Conegliano
Saint Peter enthroned with Saints, John the Baptist and Saint Paul, c1516. Painting held at the Pinacoteca di Brera, Milan. From The Connoisseur Volume 104. [Otto Limited, London, 1939]

Background imageGiovanni Battista Collection: Giovanni Ciprianis painted panels on the Gold State Coach, 1762, (1937)

Giovanni Ciprianis painted panels on the Gold State Coach, 1762, (1937). Detail of the coach which has been used at every British coronation since that of George IV

Background imageGiovanni Battista Collection: Genoa, Duomo (St Lawrence Cathedral), St St John the Baptist Chapel

Genoa, Duomo (St Lawrence Cathedral), St St John the Baptist Chapel: "The Ark of the relics of St St John
6372285 Genoa, Duomo (St Lawrence Cathedral), St St John the Baptist Chapel: " The Ark of the relics of St St John the Baptist - detail of the preaching of St St John the Baptist"

Background imageGiovanni Battista Collection: Genoa, Duomo (St Lawrence Cathedral), St St John the Baptist Chapel

Genoa, Duomo (St Lawrence Cathedral), St St John the Baptist Chapel: "The Ark of the relics of St St John
6372280 Genoa, Duomo (St Lawrence Cathedral), St St John the Baptist Chapel: " The Ark of the relics of St St John the Baptist - detail of Herodias receiving the head of St John

Background imageGiovanni Battista Collection: Cybo chapel (northern arm of the transept), lunette: Arrival of St John the Baptists ashes

Cybo chapel (northern arm of the transept), lunette: Arrival of St John the Baptists ashes, 1910 (fresco)
6372332 Cybo chapel (northern arm of the transept), lunette: Arrival of St John the Baptists ashes, 1910 (fresco) by Pogliaghi, Ludovico (1857-1950); Cattedrale di San Lorenzo, Genoa

Background imageGiovanni Battista Collection: Genoa, Duomo (St Lawrence Cathedral), Chapel of St John the Baptist, canopy of the altar

Genoa, Duomo (St Lawrence Cathedral), Chapel of St John the Baptist, canopy of the altar
6372289 Genoa, Duomo (St Lawrence Cathedral), Chapel of St John the Baptist, canopy of the altar: pillar with the figure of a Prophet, marble sculpture by Guglielmo Della Porta, 1531-1537 by Porta

Background imageGiovanni Battista Collection: Trinity among St. Benedict, St. Francis of Assisi, St. Bartholew and St

Trinity among St. Benedict, St. Francis of Assisi, St. Bartholew and St. John the Baptist, 1461 (tempera on panel)
6366066 Trinity among St. Benedict, St. Francis of Assisi, St. Bartholew and St. John the Baptist, 1461 (tempera on panel) by Bicci, Neri di (1419-91); Santa Croce, Florence

Background imageGiovanni Battista Collection: Genoa, Duomo (St Lawrence Cathedral), St St John the Baptist Chapel

Genoa, Duomo (St Lawrence Cathedral), St St John the Baptist Chapel: "The Ark of the relics of St St John
6372282 Genoa, Duomo (St Lawrence Cathedral), St St John the Baptist Chapel: " The Ark of the relics of St St John the Baptist - detail of Herodias receiving the head of St John the Baptist

Background imageGiovanni Battista Collection: Genoa, Duomo (St Lawrence Cathedral), inside, apse, choir, North side

Genoa, Duomo (St Lawrence Cathedral), inside, apse, choir, North side: "Salome with the head of the Baptist"
6372490 Genoa, Duomo (St Lawrence Cathedral), inside, apse, choir, North side: " Salome with the head of the Baptist"

Background imageGiovanni Battista Collection: Genoa, Duomo (St Lawrence Cathedral), inside, Baptistery (formerly Church of St John the Old)

Genoa, Duomo (St Lawrence Cathedral), inside, Baptistery (formerly Church of St John the Old): "St Benedict
6372245 Genoa, Duomo (St Lawrence Cathedral), inside, Baptistery (formerly Church of St John the Old): " St Benedict, St John the Baptist, and St Luke", by Luca Cambiaso, oil painting

Background imageGiovanni Battista Collection: St. John the Baptist, detail of 1630085 Polyptych with Saints, 1358

St. John the Baptist, detail of 1630085 Polyptych with Saints, 1358
1630094 St. John the Baptist, detail of 1630085 Polyptych with Saints, 1358 by Veneziano, Paolo (fl.1333-62); Pinacoteca Comunale, San Severino Marche, Marche, Italy; (add.info.: San Severino Marche)

Background imageGiovanni Battista Collection: Genoa, Duomo (St Lawrence Cathedral), inside, Cybo chapel (northern arm of the transept)

Genoa, Duomo (St Lawrence Cathedral), inside, Cybo chapel (northern arm of the transept)
6372351 Genoa, Duomo (St Lawrence Cathedral), inside, Cybo chapel (northern arm of the transept), Funerary Monument of Archbishop Giuliano Cybo: from the left, statues of Abraham in the foreground

Background imageGiovanni Battista Collection: Genoa, Duomo (St Lawrence Cathedral), Chapel of St John the Baptist, canopy of the altar

Genoa, Duomo (St Lawrence Cathedral), Chapel of St John the Baptist, canopy of the altar
6372293 Genoa, Duomo (St Lawrence Cathedral), Chapel of St John the Baptist, canopy of the altar: pillar with the figure of Moses, marble sculpture by Guglielmo Della Porta, 1531-1537 by Porta

Background imageGiovanni Battista Collection: Genoa, Duomo (St Lawrence Cathedral), Chapel of St John the Baptist, canopy of the altar

Genoa, Duomo (St Lawrence Cathedral), Chapel of St John the Baptist, canopy of the altar
6372288 Genoa, Duomo (St Lawrence Cathedral), Chapel of St John the Baptist, canopy of the altar: pillar with the figure of a Prophet, marble sculpture by Guglielmo Della Porta, 1531-1537 by Porta

Background imageGiovanni Battista Collection: St. John the Baptist and St. Francis of Assisi, c. 1450-60 (detached wall painting)

St. John the Baptist and St. Francis of Assisi, c. 1450-60 (detached wall painting)
6366116 St. John the Baptist and St. Francis of Assisi, c.1450-60 (detached wall painting) by Veneziano, Domenico (c.1400-61); Santa Croce, Florence

Background imageGiovanni Battista Collection: St John the Baptist, 1602 (oil on canvas)

St John the Baptist, 1602 (oil on canvas)
703211 St John the Baptist, 1602 (oil on canvas) by Caravaggio, Michelangelo Merisi da (1571-1610); 129x94 cm; Pinacoteca Capitolina, Palazzo Conservatori, Rome, Italy; Italian, out of copyright

Background imageGiovanni Battista Collection: The Portico and Facade of an Elaborate Neo-Classical Building (pen and brown ink)

The Portico and Facade of an Elaborate Neo-Classical Building (pen and brown ink)
1766782 The Portico and Facade of an Elaborate Neo-Classical Building (pen and brown ink) by Piranesi, Giovanni Battista (1720-78); 24.6x29.1 cm; Private Collection; (add.info)

Background imageGiovanni Battista Collection: Magnificent Bridge with Loggia, 1753-1837 (etching and engraving)

Magnificent Bridge with Loggia, 1753-1837 (etching and engraving)
986173 Magnificent Bridge with Loggia, 1753-1837 (etching and engraving) by Piranesi, Giovanni Battista (1720-78); about 40x60 cm; Private Collection; (add.info)

Background imageGiovanni Battista Collection: Interior of St. Pauls basilica outside the walls, 1753-1837 (etching and engraving)

Interior of St. Pauls basilica outside the walls, 1753-1837 (etching and engraving)
986172 Interior of St. Pauls basilica outside the walls, 1753-1837 (etching and engraving) by Piranesi, Giovanni Battista (1720-78); about 40x60. cm; Private Collection; (add.info.: Interior of St)

Background imageGiovanni Battista Collection: Veduta del Porto di Ripa Grande, c. 1760 (engraving)

Veduta del Porto di Ripa Grande, c. 1760 (engraving)
986090 Veduta del Porto di Ripa Grande, c.1760 (engraving) by Piranesi, Giovanni Battista (1720-78) (after); 37.9x61 cm; Private Collection; (add.info.: Veduta del Porto di Ripa Grande)

Background imageGiovanni Battista Collection: Birds Eye Views of: the Balbo and Marcello Theatres

Birds Eye Views of: the Balbo and Marcello Theatres
985981 Birds Eye Views of: the Balbo and Marcello Theatres, the Pantheon and Surrounding Area, and the Statilio Tauro Amphitheatre, 1762 (etching) by Piranesi

Background imageGiovanni Battista Collection: Leonora, Wife of Giovanni Battista Cambi, called Bombarda, the Medallist

Leonora, Wife of Giovanni Battista Cambi, called Bombarda, the Medallist, late 16th century

Background imageGiovanni Battista Collection: Armour of Giovanni Battista Bourbon del Monte (1541-1614), Italian, possibly Brescia, ca

Armour of Giovanni Battista Bourbon del Monte (1541-1614), Italian, possibly Brescia, ca. 1590

Background imageGiovanni Battista Collection: Scene from Ancient History, c. 1750. Creator: Giovanni Battista Tiepolo

Scene from Ancient History, c. 1750. Creator: Giovanni Battista Tiepolo
Scene from Ancient History, c. 1750

Background imageGiovanni Battista Collection: Queen Zenobia Addressing Her Soldiers, 1725 / 1730. Creator: Giovanni Battista Tiepolo

Queen Zenobia Addressing Her Soldiers, 1725 / 1730. Creator: Giovanni Battista Tiepolo
Queen Zenobia Addressing Her Soldiers, 1725/1730

Background imageGiovanni Battista Collection: Study for a Ceiling with the Personification of Counsel, before c. 1762

Study for a Ceiling with the Personification of Counsel, before c. 1762

Background imageGiovanni Battista Collection: Madonna of the Goldfinch, c. 1767 / 1770. Creator: Giovanni Battista Tiepolo

Madonna of the Goldfinch, c. 1767 / 1770. Creator: Giovanni Battista Tiepolo
Madonna of the Goldfinch, c. 1767/1770

Background imageGiovanni Battista Collection: Wealth and Benefits of the Spanish Monarchy under Charles III, 1762

Wealth and Benefits of the Spanish Monarchy under Charles III, 1762



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"Giovanni Battista: A Master of Artistic Splendor" In the world of art, few names evoke a sense of grandeur and magnificence quite like Giovanni Battista. Renowned for his breathtaking works, this Italian artist left an indelible mark on the artistic landscape. As we delve into Volume IV of "The Antiquities of Rome" by Giambatista Piranesi, we are transported to a realm where ancient ruins come alive with intricate details and vibrant colors. Among these pages, we encounter Tiepolo's masterpiece "Saint Thecla Praying for the Plague-Stricken. " With each brushstroke, he captures not only the saint's fervent devotion but also the anguish and hope in her eyes. Moving forward, we find ourselves mesmerized by "The Chariot of Aurora, " a celestial scene that seems to transcend time itself. Tiepolo's skillful hand brings forth an ethereal beauty as dawn breaks across the canvas, and is here that we witness his ability to create harmonious compositions filled with light and movement. In "Allegory of the Planets and Continents, " Tiepolo showcases his mastery over both mythological symbolism and architectural precision. As planets align above majestic continents, his attention to detail transports us into a world where imagination reigns supreme. Continuing our journey through Giovanni Battista's oeuvre, we stumble upon "View of the Facade of Basilica S. Croce in Gerusalemme. " Here, stairways adorned with magnificent architecture beckon us towards sacred spaces steeped in history and reverence. Tiepolo's genius extends beyond religious subjects; it encompasses scenes from mythology as well. In "Woman and Infant Satyr in a Landscape, " he captures a moment frozen in time – a woman twisting her body to catch sight of something unseen while an infant satyr curiously observes their surroundings.