Gospel Collection (page 2)

Granada TV films their Blues and Gospel Train music show at the derelict railway station of Wilbraham Road, Manchester. Sister Rosetta Tharpe pictured in the middle. 7th May 1964

Sacha Distel and Dionne Warwick at the BBC TV theatre, Shepherds Bush, London. They were there to appear in the Billy Cotton Band show series. 21st September 1964

Burt Bacharach and Dionne Warwick recording a song at the Pye studios in London. At the control panels, Dionne and Burt listen to the recording. 29th November 1964

Russian manuscript painting, (1898). Creator: Unknown
Russian manuscript painting, (1898). Fig 1: From a Gospel of the 14th century in the Imperial Public Library. Figs 3, 12 and 13: From Psalteries in the library of the Trinity Cloister near Moscow

Painted wooden ceiling in St. Martins Church, Zillis, Switzerland, (1928). Creator: Unknown
Painted wooden ceiling in St. Martins Church, Zillis, Switzerland, (1928). 2nd Half of 12th Century...Detail of a painted wooden ceiling in St. Martins at Zillis (Grisons)

By whose stripes ye were healed, mid 19th century. Creator:s Freeman
By whose stripes ye were healed, mid 19th century. Biblical scene, from 1 Peter 2: 24: Who his own self bare our sins in his own body on the tree, that we, being dead to sins

They cried out, saying, Crucify him, crucify him, c1840. Creator: George Presbury
They cried out, saying, Crucify him, crucify him, c1840. Biblical scene, from John 19: 6: When the chief priests therefore and officers saw him, they cried out, saying, Crucify him, crucify him

Herod being reproved by him... shut up John in prison, mid 19th century. Creator
Herod being reproved by him for many evils, shut up John in prison, mid 19th century. Biblical scene from Luke 3: 19 & 20

Baptism of Jesus by St John the Baptist, 1305. Artist: Simeon Artchichetski
Baptism of Jesus by St John the Baptist, 1305. After an Armenian Evangelistary, a book containing parts of the Christian Gospels which was used during the liturgy

Italy, Umbria, catholic priest during the wedding liturgy

Musician Portrait Series
Hans ML Spiegel

Four Japanese children - Society for the Propagation of the Gospel in Foreign Parts Date: circa 1910

Pounding corn in Korea - Society for the Propagation of the Gospel in Foreign Parts Date: circa 1910

Korean children at play in the street - Society for the Propagation of the Gospel in Foreign Parts Date: circa 1910

Japanese pilgrims with hats, gongs and rosaries - Society for the Propagation of the Gospel in Foreign Parts Date: circa 1910

Three Japanese farmers - the man on the right is holding the large radish from which the famous Japanese pickle is made - Society for the Propagation of the Gospel in Foreign Parts Date: circa 1910

Chinese workmen at tiffin (a light afternoon snack) - Society for the Propagation of the Gospel in Foreign Parts Date: circa 1910

Hear No Evil, Speak No Evil, See No Evil, Nikko, Japan
Hear No Evil, Speak No Evil, See No Evil (Three Wise Monkeys), oak carving outside a Shinto stable, Nikko, Japan - Society for the Propagation of the Gospel in Foreign Parts Date: circa 1910

Church at Kanghoa, Korea
Church at Kanghoa (Kanghwa), Korea - Society for the Propagation of the Gospel in Foreign Parts Date: circa 1910

Chingenji, Nikko, Japan, a favourite summer resort - Society for the Propagation of the Gospel in Foreign Parts Date: circa 1910

Missionary School for Chinese Boys
A Missionary School for Chinese Boys - Society for the Propagation of the Gospel in Foreign Parts Date: circa 1910

Noted Breviary (Fragment)
Leaf from a noted breviary, parchment. The text is a series of lessons based on the Gospel of John (identified passages include John 7)

Gregory Homilia in Evangelia (Fragment)
Single leaf of parchment, cut to size for use as a binding cover. The text is from Homilia in Evangelia by Pope Gregory I

Bible Fragments
Three non-consecutive leaves from the same manuscript, possibly a bible. Contains extracts from Zachariah 14 and the Book of Malachi 1-2 (f.1); Matthew 27-28 and the Prologue to Mark (f.2)

Gospel of St Mark: Summaries of Chapters (Fragment)
Fragment of a leaf, parchment, with text from the Capitula to the Gospel according to Mark. Date: Late 7th Century

The Church Army Waggon, Cambridgeshire
The Peterborough evangelist Church Army waggon at Barnack near Stamford. These horse drawn vans toured the district often staying for a few days in some villages

Resurrection of Lazarus - John 11. circa 1688

Jesus laid in the Sepulchre - Matthew 27. circa 1688

The mockery of the people and soldiers to Jesus. Colored eng
Luke 23. The mockery of the people and soldiers to Jesus. Colored engraving

Pink flowers with blue and gold cross on an Easter card
Pink flowers and red berries with a blue and gold cross on an Easter card, with a Biblical quotation. Date: circa 1890s

The Coronation Book of Henry I - a 12th century manuscript of St John's Gospel, said to have been used for the taking of the Coronation Oath from Henry I to Henry VIII

Christ and the Adulteress, c. 1508-10 (oil on canvas)
2650250 Christ and the Adulteress, c.1508-10 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); Art Gallery and Museum, Kelvingrove, Glasgow

The Little Resurrection of Lazarus, 1642 (Etching)
7393417 The Little Resurrection of Lazarus, 1642 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15, 7 x 12, 1 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

The Pilgrims of Emmaus, 1654 (Etching)
7393368 The Pilgrims of Emmaus, 1654 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 21 x 15, 8 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

The Tribut, also called Le Denier de Cesar, 1635 (Etching)
7393367 The Tribut, also called Le Denier de Cesar, 1635 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 7, 3 x 10, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Bible manuscript, Codex Sinaiticus, facsimile, published in 1882
Sample of Greek Bible manuscript, Codex Sinaiticus, Hebrew 13, 9. Facsimile, published in 1882

Swearing an oath on the Bible, 15th century - The judge wears a crimson cap called a mortar
FLO4676419 Swearing an oath on the Bible, 15th century - The judge wears a crimson cap called a mortar, simar in gold brocade lined with ermine - The athtaker wears a simar and hood

St. Paul writing, from an early 9th century manuscript version of St. Paul's letters (vellum)
529522 St. Paul writing, from an early 9th century manuscript version of St. Paul's letters (vellum) by Unknown Artist, (9th century); Wuerttembergische Landesbibliothek, Stuttgart

Epitaph of Jan Michielsen and his wife Maria Maes, 1618 (oil on panel)
471134 Epitaph of Jan Michielsen and his wife Maria Maes, 1618 (oil on panel) by Rubens, Peter Paul (1577-1640); 138x178 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Advanced Ritual in the Church of England, High Celebration: The Deacon Sings the Gospel
7279383 Advanced Ritual in the Church of England, High Celebration: The Deacon Sings the Gospel by Unknown Artist, (19th century); Private Collection; (add.info)

Saint Jerome. In "France in the 9th century"
LSE4085173 Saint Jerome. In " France in the 9th century". by French School, (19th century); Private Collection; (add.info.: Saint Jerome)

Elias (fragment) from The Transfiguration of Christ, Flanders, 1460 / 70. Creator: Unknown
Elias (fragment) from The Transfiguration of Christ, Flanders, 1460/70. Detail from a larger artwork

Moses (fragment) from The Transfiguration of Christ, Flanders, 1460 / 70. Creator: Unknown
Moses (fragment) from The Transfiguration of Christ, Flanders, 1460/70. Detail from a larger artwork

The Seven Liberal Arts and the Four Evangelists
LSE4106558 The Seven Liberal Arts and the Four Evangelists by German School, (12th century) (after); Private Collection; (add.info)

The Denial of Saint Peter, 1626-29 (oil on canvas)
5860841 The Denial of Saint Peter, 1626-29 (oil on canvas) by Terbrugghen, Hendrick Jansz (1588-1629); 132.3--178 cm; The Art Institute of Chicago, IL

Ms 144 p. 119rv St. Mark (vellum)
IND49135 Ms 144 p.119rv St. Mark (vellum) by Spanish School; Tarazona Cathedral Archives, Zaragoza, Aragon, Spain; Index Fototeca

Saint Jerome explaining the Gospel to Eustochia and Paule, 9th century
LSE4085180 Saint Jerome explaining the Gospel to Eustochia and Paule, 9th century. by French School, (19th century); Private Collection; (add.info)

St John and his disciple Prochorus (Miniature, 1236)
LRI4670600 St John and his disciple Prochorus (Miniature, 1236) by Armenian School (13th Century); Armenian Museum, Isfahan

All Professionally Made to Order for Quick Shipping

"Gospel: A Journey Through Time and Art" The concept of the gospel, derived from the Greek word "euangelion, " meaning good news or glad tidings, has been a source of inspiration for centuries. Illustrated in various forms throughout history, it continues to captivate hearts and minds. One such captivating illustration is found in the Book of Kells, an illuminated manuscript dating back to around 800 AD. The intricate depiction of St. Matthew showcases the meticulous craftsmanship that went into creating this masterpiece. Similarly, the Lindisfarne Gospels offer a glimpse into early medieval artistry with its beautifully adorned pages. One page stands out as it features The Lord's Prayer written in gold lettering, showcasing devotion and reverence. The Ms - Lindisfarne Gospel further emphasizes the significance of these ancient texts by preserving their delicate beauty. Its careful preservation allows us to appreciate not only their religious importance but also their artistic value. Moving forward through time, we encounter Christ Pantocrator encaustic on panel—a powerful representation of Jesus as ruler and judge—reminding us of his divine authority over all creation. In contrast to these grand depictions are intimate moments captured within illuminated texts like that from St Luke's Gospel circa 700 AD. This page transports us back in time, allowing us to witness scenes from Jesus' life with awe-inspiring detail. Beyond illustrations lie real-life embodiments music's power—the Jubilee Singers at Fisk University in the USA—a group photo capturing their harmonious voices spreading hope during challenging times. Returning once again to sacred texts, we find solace in witnessing Jesus praying fervently amidst anguish in the Garden—an emotional reminder that even he sought strength through prayer during trying moments. Finally, another remarkable example comes from the Book of Kells where St John’s symbol is depicted on folio 27v—a testament to Hiberno-Saxon creativity merging Christian symbolism with intricate designs.