Gospel Collection (page 7)

The Father Jesuit Thomas Conjer evangelising France, from
CHT164076 The Father Jesuit Thomas Conjer evangelising France, from The Jesuits Martyrology, 1688 (coloured engraving) by German School, (17th century); Bibliotheque Les Fontaines, Chantilly

Ms. Czart. 1207 IV, fol. 9v Life of Christ according to St
CZA228912 Ms. Czart. 1207 IV, fol.9v Life of Christ according to St. Matthew, from The Evangeliarium of the Cathedral of Plock c.1075 (vellum) by German School

Ms. Czart. 1207 IV, fol. 10v The Life of Christ according to St
CZA228911 Ms. Czart. 1207 IV, fol.10v The Life of Christ according to St. Matthew, from The Evangeliarium of the Cathedral of Plock c.1075 (vellum) by German School

Ms. Czart. 1207, IV, fol. V v. Adoration of the Magi, from
CZA228900 Ms. Czart. 1207, IV, fol.V v. Adoration of the Magi, from The Evangeliarium of Plock Cathedral, c.1075 (vellum) by German School, (11th century); Czartoryski Museum, Cracow, Poland; German

St. Patrick showing the people of Ireland the Four Gospels
STC232087 St. Patrick showing the people of Ireland the Four Gospels, from The Trias Thaumaturga, or Three Wonder-Working Saints of Ireland

Book-Shrine or Cumdach of Molaise, c. 1001-25 (bronze plated with silver
XBP228637 Book-Shrine or Cumdach of Molaise, c.1001-25 (bronze plated with silver) (see also 120797 & 228636) by Celtic, (11th century); National Museum of Ireland, Dublin

Gilt and enamel plaque showing St. John the Evangelist, workshop of the Moscow Kremlin
BAL56492 Gilt and enamel plaque showing St. John the Evangelist, workshop of the Moscow Kremlin, 17th century (gold and enamel) by Russian School (17th century); diam: 8.5 cm; Kremlin Museums

St. Mark
HAT43727 St. Mark by Palma Il Giovane (Jacopo Negretti) (1548-1628); Hatton Gallery, University of Newcastle Upon Tyne, UK; eTyne & Wear Archives & Museums; Italian, out of copyright

Illustration of Alfred Le Pete (1841-1909) in Gros-Jean et son cure
ICA4836935 Illustration of Alfred Le Pete (1841-1909) in Gros-Jean et son cure, 1881 - Jesus sends the devil into the body of two thousand pigs - Anticlericalism

Russian baptism An Orthodox pope baptizes a child in front of his parents
JLJ4672307 Russian baptism An Orthodox pope baptizes a child in front of his parents. Painting by Jean Baptiste Leprince (1733-1781) 1765 Sun

Byzantine Art: Evangelical of gold and enamel decorated with gold leaves repels with
LRI4671017 Byzantine Art: Evangelical of gold and enamel decorated with gold leaves repels with filigree crucifix representing the Virgin and Saint John

The Angel received the book of the Lord and handed it to Saint John Miniature from
JLJ4593266 The Angel received the book of the Lord and handed it to Saint John Miniature from the commentaries of " The Revelation according to Saint John" written in 775 by the monk Beatus

Das Reichsevangeliar Angels and symbols of the four evangelists
LRI4645642 Das Reichsevangeliar Angels and symbols of the four evangelists. The Evangelical of Aachen. 8th century Kunsthistorisches Museum, Vienna by German School

One God, one Christ, one Church
LSE4104322 One God, one Christ, one Church. by French School; Private Collection; (add.info.: One God, one Christ, one Church.); Photo eLeonard de Selva; French, out of copyright

Saint Mark carving a pen - in "Aurea Bibbia classica
LSE4102430 Saint Mark carving a pen - in " Aurea Bibbia classica: storia della rivelazione divina nell antico e nel nouvo tesiamento" by Giovanni Ladislao Sykora (vol)

Saint Mark Writing the Gospel - attributed to Veronese, Church of La Turbie
LSE4095904 Saint Mark Writing the Gospel - attributed to Veronese, Church of La Turbie. by Veronese, (Paolo Caliari) (1528-88) (attr)

Babylon ruin - The Fall of Babylon - Babylon in Ruin (vision of Saint John
XEE4161004 Babylon ruin - The Fall of Babylon - Babylon in Ruin (vision of Saint John) - Engraving in " The Bible illustree" by Gustave Dore (1832-1883)

Satan presents a black book to followers in exchange for the book of the Gospels - "
XEE4148175 Satan presents a black book to followers in exchange for the book of the Gospels - " Compendium Maleficarum", deals with witches

Consolation, 1859 (oil on canvas)
CH401902 Consolation, 1859 (oil on canvas) by Brooks, Thomas (1818-92); 71.2x91.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Raising of Lazarus, (pencil and watercolour heightened with white)
659800 The Raising of Lazarus, (pencil and watercolour heightened with white) by Shields, Frederic James (1833-1911); 274.5x142.3 cm; Private Collection; (add.info.: The Raising of Lazarus)

Silver Gilt Binding, Depicting the Crucifixion of Christ
986210 Silver Gilt Binding, Depicting the Crucifixion of Christ, with the Holy Mother of God and Holy Mary on Either Side, 1669 (silver gilt repousse binding, red leather)

St. Luke the Evangelist (oil on canvas)
780674 St. Luke the Evangelist (oil on canvas) by Bijlert or Bylert, Jan van (1603-71); 93.6x77.4 cm; Private Collection; Photo eChristies Images; Dutch, out of copyright

"Evangelist points out the way to the Wicket Gate"from The Pilgrim
5615798 " Evangelist points out the way to the Wicket Gate" from The Pilgrims Progress From This World, To That Which Is To Come by John Bunyan (1628-1688)

Venerable Bede finishing his translation of St Johns Gospel into Anglo-Saxon, not long before he died. Date: 735

St. John the Evangelist, from The Coronation of the Virgin (Altarpiece of St. Mark, c
BEN44381 St. John the Evangelist, from The Coronation of the Virgin (Altarpiece of St. Mark, c.1488-90 (tempera on panel) (detail of 44363) by Botticelli

Shrine of the Stowe Missal, Lorrha, County Tipperary (oak decorated with silver plates)
XBP390442 Shrine of the Stowe Missal, Lorrha, County Tipperary (oak decorated with silver plates) by Celtic, (11th century); height: 18.7 cm; National Museum of Ireland, Dublin

Ms65 f30r, Commentary on the Apocalypse of St John, late 13th century
833771 Ms65 f30r, Commentary on the Apocalypse of St John, late 13th century (pen & ink and tempera on vellum) by French School, (13th century); Courtesy of the Warden and Scholars of New College

Ms65 f27v, Commentary on the Apocalypse of St John, late 13th century
833770 Ms65 f27v, Commentary on the Apocalypse of St John, late 13th century (pen & ink and tempera on vellum) by French School, (13th century); Courtesy of the Warden and Scholars of New College

Ms65 f29v, Commentary on the Apocalypse of St John, late 13th century
833768 Ms65 f29v, Commentary on the Apocalypse of St John, late 13th century (pen & ink and tempera on vellum) by French School, (13th century); Courtesy of the Warden and Scholars of New College

Six Apostles, c. 1390 (fresco)
KAB148350 Six Apostles, c.1390 (fresco) by Florentine School, (14th century); Church of St. Peter, Galciana, Prato, Italy; eDario Grimaldi; Italian, out of copyright

St. Peter (oil on canvas)
BWM150055 St. Peter (oil on canvas) by Fracanzano, Francesco (1612-56); 237.5x115.6 cm; The Bowes Museum, Barnard Castle, County Durham

Title page from the four Gospels of Isaac Birev, 1531 (ink, vermillion, paint
REV131205 Title page from the four Gospels of Isaac Birev, 1531 (ink, vermillion, paint, and gold on paper) by Russian School (16th century); 31.6x20 cm; V.I

Fol. 220 Carpet page, from the Lichfield Gospels, c. 720 (vellum)
BAL5011 Fol.220 Carpet page, from the Lichfield Gospels, c.720 (vellum) by English School, (8th century); Lichfield Cathedral, Staffordshire, UK; (add.info.: also known as the Chad Gospels)

St. John the Divine in Silence, 1679 (egg temepera on gesso, linen, wood)
BOO74361 St. John the Divine in Silence, 1679 (egg temepera on gesso, linen, wood) by Kulyuksin, Nektary (17th century); 109x85 cm; State Hermitage Museum, St

St. John the Evangelist, detail from the San Martino polyptych (tempera on panel
BAT76670 St. John the Evangelist, detail from the San Martino polyptych (tempera on panel) (see 76669) by Crivelli, Carlo (c.1430/35-1495); San Martino, Monte San Martino

Christ the Redeemer (panel)
AII78371 Christ the Redeemer (panel) by Diana, Benedetto (Rusconi) (c.1460-1525); Galleria e Museo Estense, Modena, Italy; Italian, out of copyright

"Suffer the little children to come unto me, and forbid them not", 1746
CF71803 " Suffer the little children to come unto me, and forbid them not", 1746 by Wills, Rev. James (fl.1740-77); 172.7x209

Correggio, Italian artist, with detail from St John
Antonio Allegri da Correggio (1489 - 1534), Italian artist, with an engraving of his fresco painting of St John the Evangelist in the church of San Giovanni Evangelista, Parma

Elizabeth, illustration from Women of the Bible
IL281088 Elizabeth, illustration from Women of the Bible, published by The Religious Tract Society, 1927 (colour litho) by Copping

Saints John the Evangelist and Mark discussing their Writings (oil on canvas)
CRS225660 Saints John the Evangelist and Mark discussing their Writings (oil on canvas) by Strozzi, Bernardo (1581-1644); Corsham Court, Wiltshire; Italian, out of copyright

Ms Plt 1 56 The Ascension, from the Rabula Gospels, 586 AD (vellum)
ALI216959 Ms Plt 1 56 The Ascension, from the Rabula Gospels, 586 AD (vellum) by Byzantine School, (6th century); Biblioteca Medicea-Laurenziana, Florence

St. John the Evangelist, c. 1525 (oil on wood)
623037 St. John the Evangelist, c.1525 (oil on wood) by Italian School, (16th century); Capponi Chapel, Santa Felicita, Florence

St Matthew, 1862 (stained glass)
3474770 St Matthew, 1862 (stained glass) by Bayne, Robert Turnill (1837-1915); Church of St Mary, Whittlesey, UK; (add.info.: Manufactured by Heaton, Butler & Bayne); eAlastair Carew-Cox; English

Kitchen Scene, with Jesus in the House of Martha and Mary in the background
3472149 Kitchen Scene, with Jesus in the House of Martha and Mary in the background, 1569 (oil on panel) by Beuckelaer or Bueckelaer, Joachim (c.1530-73) (circle of); 110x140 cm; Rijksmuseum

Peter denies knowing Jesus a third time - Bible
3780530 Peter denies knowing Jesus a third time - Bible by Hole, William Brassey (1846-1917); (add.info.: Peter denies knowing Jesus a third time. And the Lord turned, and looked upon Peter)

Jesus enters Jerusalem - Bible
3780521 Jesus enters Jerusalem - Bible by Hole, William Brassey (1846-1917); (add.info.: Jesus enters Jerusalem on a white donkey and is praised by the crowds)

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"Gospel: A Journey Through Time and Art" The concept of the gospel, derived from the Greek word "euangelion, " meaning good news or glad tidings, has been a source of inspiration for centuries. Illustrated in various forms throughout history, it continues to captivate hearts and minds. One such captivating illustration is found in the Book of Kells, an illuminated manuscript dating back to around 800 AD. The intricate depiction of St. Matthew showcases the meticulous craftsmanship that went into creating this masterpiece. Similarly, the Lindisfarne Gospels offer a glimpse into early medieval artistry with its beautifully adorned pages. One page stands out as it features The Lord's Prayer written in gold lettering, showcasing devotion and reverence. The Ms - Lindisfarne Gospel further emphasizes the significance of these ancient texts by preserving their delicate beauty. Its careful preservation allows us to appreciate not only their religious importance but also their artistic value. Moving forward through time, we encounter Christ Pantocrator encaustic on panel—a powerful representation of Jesus as ruler and judge—reminding us of his divine authority over all creation. In contrast to these grand depictions are intimate moments captured within illuminated texts like that from St Luke's Gospel circa 700 AD. This page transports us back in time, allowing us to witness scenes from Jesus' life with awe-inspiring detail. Beyond illustrations lie real-life embodiments music's power—the Jubilee Singers at Fisk University in the USA—a group photo capturing their harmonious voices spreading hope during challenging times. Returning once again to sacred texts, we find solace in witnessing Jesus praying fervently amidst anguish in the Garden—an emotional reminder that even he sought strength through prayer during trying moments. Finally, another remarkable example comes from the Book of Kells where St John’s symbol is depicted on folio 27v—a testament to Hiberno-Saxon creativity merging Christian symbolism with intricate designs.