Gruchy Collection

The Sower, after Millet, c. 1881-82 (lithograph)
5642994 The Sower, after Millet, c.1881-82 (lithograph) by Maris, Matthijs (1839-1917); 19.5x16.3 cm; Rijksmuseum, Amsterdam

The Sower, 1851 (lithograph)
5643005 The Sower, 1851 (lithograph) by Millet, Jean-Francois (1814-75); 19.4 x 13.3 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Garden Scene, 1854. Creator: Jean Francois Millet
Garden Scene, 1854

Moonlight n. d Woodcut Image 5 13 / 16 7 1 / 16 14. 8
Artokoloro

Shepherdess Knitting 1862 Etching brown ink wove paper
Artokoloro

Garden Scene 1854 Oil canvas 6 3 / 4 x 8 3 / 8 17. 1 21. 3 cm
Artokoloro

Sheepshearing Beneath Tree ca 1854 Conte crayon
Artokoloro

Roadworkers Lunch ca 1850-52 Conte crayon
Artokoloro

Shepherdess Knitting 1862 Etching brown ink laid paper
Artokoloro

Cooling Porridge 1861 etching third state five
Artokoloro

Landscape Vichy ca 1866-67 Pen brown ink graphite
Artokoloro

Sower 1851 Lithograph thin laid paper second
Artokoloro

Girl Sewing Lamplight 1911 Wood engraving Image
Artokoloro

Peasant Pushing Wheelbarrow 1855 Etching printed
Artokoloro

Digger 1863 Woodcut brown ink laid paper second
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Maternal Care 1862 reprinted 1921 Heliogravure
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Woman Churn 1854 Conte crayon wove paper 11 1 / 4 x 7 5 / 16
Artokoloro

Woman Burning Weeds 1830-75 Pen brown iron gall
Artokoloro

Seated Shepherd Dog Sheep 1830-75 Conte crayon
Artokoloro

Angelus 1881 Etching thin wove paper simili-vellum
Artokoloro

Spring pastel Millet 1887 Etching ninth state
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Peasants Going Work 1863 Etching brown ink laid paper
Artokoloro

Lesson Horsemanship 1913 Wood engraving Image
Artokoloro

Churner ca 1886 Etching sheet 9 7 / 16 x 6 5 / 8
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Simon Butler Indian Trails vol II 1852 Lithograph printed
Artokoloro

Sheepshearer 19th century Woodcut Prints Henry Linton
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Sewing Lamplight 19th century Etching Sheet 5 11 / 16
Artokoloro

Farmer Grafting Tree 1881 Etching thin wove paper
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Young Man Seated Bent Reclining Figure ca 1845-50
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Digger 1863 Woodcut laid paper second final state
Artokoloro

Peasants Going Work 1863 Etching brown / black ink
Artokoloro

Man Spade ca 1855-58 Conte crayon laid paper
Artokoloro

Sewer 1855 Etching brown / black ink laid paper
Artokoloro

Retreat Storm ca 1846 Oil canvas 18 1 / 4 x 15
Artokoloro

Cooling Porridge 1861 Etching laid paper fifth state
Artokoloro

Two Women Sewing Lamplight ca 1853 Zinc plate etching
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Shepherdess Flock ca 1852 Conte crayon stumping
Artokoloro

Woodcutter Trimming Faggots 1853-54 Conte crayon
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Shepherdess Flock Shade Trees 1854-55 Conte crayon
Artokoloro

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"Gruchy: A Glimpse into the Artistic World of Jean Francois Millet" Step into the enchanting world of Jean Francois Millet, where his masterpieces come to life. From "The Sower, after Millet" lithograph in c. 1881-82 to the iconic "Garden Scene" oil canvas from 1854, each artwork tells a captivating story. In "The Sower, " we witness the laborious task of sowing seeds, symbolizing hope and abundance. The lithograph version from 1851 showcases Millet's attention to detail and skillful use of lines. Millet's love for nature is evident in his various works like "Moonlight, " a mesmerizing woodcut image that transports us under a serene night sky. And then there's "Shepherdess Knitting, " an etching depicting tranquility as she weaves her woolen creations amidst peaceful surroundings. "Garden Scene" takes us on a journey through lush greenery and vibrant blossoms, capturing the essence of rural life during that era. With its small size yet immense beauty, this oil canvas truly captivates our hearts. As we delve deeper into Millet's portfolio, we encounter scenes like "Sheepshearing Beneath Tree" and "Roadworkers Lunch. " These conte crayon drawings showcase everyday moments with remarkable precision and evoke a sense of nostalgia for simpler times. Millet's mastery extends beyond traditional mediums; he also experimented with etchings such as "Cooling Porridge. " This piece invites us to explore domesticity while admiring intricate details rendered by brown ink on laid paper. "Landscape Vichy" reveals another facet of Millet's talent as he effortlessly combines pen work with brown ink and graphite strokes. It transports us to picturesque landscapes filled with serenity and natural beauty. Finally, let us not forget about the second state lithograph edition of "Sower.