Hell Collection (page 18)

The Last Judgement, 1572-79 (fresco)
BEN177349 The Last Judgement, 1572-79 (fresco) by Vasari, Giorgio (1511-74) and Zuccari, Federico (1540-1609); Duomo, Florence, Tuscany, Italy; Photo eRaffaello Bencini; Italian, out of copyright

Window depicting the Last Judgement with the Life of St. Stephen below (stained glass)
PC347134 Window depicting the Last Judgement with the Life of St. Stephen below (stained glass) by French School, (16th century); Cathedral of St

The spirit of humanity passing into the unknown (pencil & crayon on paper)
CRD349284 The spirit of humanity passing into the unknown (pencil & crayon on paper) by Valda, John Harris (d.1941); 54x38 cm; Croydon Art Collection, Museum of Croydon

Christs Descent into Limbo, 1557 (painted enamel)
XIR414017 Christs Descent into Limbo, 1557 (painted enamel) by Limosin, Leonard (c.1505-77); Musee National de la Renaissance, Ecouen, France; (add.info.: The Descent to Limbo; ); French

Biblia Moralizada de San Luis, Tome II, 7v (vellum)
XJL379455 Biblia Moralizada de San Luis, Tome II, 7v (vellum) by Spanish School, (11th century); Toledo Cathedral, Castilla y Leon

Dantes Inferno (Divine Comedy) - Detail of a fresco by Joseph Anton Koch
LSE4105918 Dantes Inferno (Divine Comedy) - Detail of a fresco by Joseph Anton Koch, Casino Massimo, Rome by Koch, Joseph Anton (1768-1839); Casino Massimo, Rome

Description of hell after a 17th century work
GIA4759092 Description of hell after a 17th century work. by Unknown Artist, (17th century); Private Collection; (add.info)

Portrait of Rodomont, buckwheat heros of the chivalrous poems "
LSE4076637 Portrait of Rodomont, buckwheat heros of the chivalrous poems " Orlando Furioso" (Le Roland Furieux) by Ludovico Ariosto (1474 - 1533)

Underworld Scene with a Man and Woman Enthroned and Death Standing Guard
4073457 Underworld Scene with a Man and Woman Enthroned and Death Standing Guard (w/c and gouache with pen and black ink on wove paper) by Caney

Figure symbolizing the evangelist Saint Luke: a bull associates with the city of Jericho
JLJ4567225 Figure symbolizing the evangelist Saint Luke: a bull associates with the city of Jericho (or Jerusalem), a bunch of grapes, a prophete

The Hay Cart Allegory of the Pass, the Present and the Future
JLJ4651242 The Hay Cart Allegory of the Pass, the Present and the Future. Left panel representing the creation of Adam and Eve, the original sin and Adam and Eve hunts from earthly Paradise

The end of the world. Detail representing the damns. 1499-1504 (fresco)
LRI4611479 The end of the world. Detail representing the damns. 1499-1504 (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria

Dante and Virgil on the Phlegyas boat meet Filippo Argenti (song 8 from Hell
LRI4636752 Dante and Virgil on the Phlegyas boat meet Filippo Argenti (song 8 from Hell, in the Divine Comedy) - miniature, 14th century by Italian School, (14th century); Girolamini Library, Naples

Dante and Virgil get the gates of the hell (song 3 of Hell
LRI4636645 Dante and Virgil get the gates of the hell (song 3 of Hell, in the Divine Comedy) - miniature, 1337 by Unknown Artist, (15th century); Biblioteca del Seminario Vescovile, Padua

The Last Judgment: Hell (tempera on wood, 1432-1435)
LRI4613403 The Last Judgment: Hell (tempera on wood, 1432-1435) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence, Italy; Luisa Ricciarini; Italian

The Last Judgment: Hell (tempera on wood, 1432-1435)
LRI4613351 The Last Judgment: Hell (tempera on wood, 1432-1435) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence, Italy; Luisa Ricciarini; Italian

Etruscan art: "the Lasa, Genie of Death at the entrance of the Hell"
LRI4659094 Etruscan art: " the Lasa, Genie of Death at the entrance of the Hell" Low relief of an urn of Chiusi. 3rd or 2nd century BC

Psyche presenting to Venus the water of the Styx. Drawing a la sanguine by Raffaello
JLJ4686090 Psyche presenting to Venus the water of the Styx. Drawing a la sanguine by Raffaello Sanzio dit Raphael (1483-1520), 16th century. Dim: 0.26 X 0.19m

The Soul and Evil (colour litho)
5227340 The Soul and Evil (colour litho) by Clark, James (1858-1943) (after); Private Collection; (add.info.: The Soul and Evil. Illustration for Bibbys Annual, 1914.); © Look and Learn

The Bapstesel zu Rom (The Papal Asse or The Pope Asse of Rome), by Cranach, Lucas
FIA4713372 The Bapstesel zu Rom (The Papal Asse or The Pope Asse of Rome), by Cranach, Lucas, the Elder (1472-1553). Woodcut, 1523

View of the tympanum of last judgment, detail of hell (sculpture, 1130-1140)
LRI4721011 View of the tympanum of last judgment, detail of hell (sculpture, 1130-1140) by Romanesque, (12th century); Church of St

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno
GIA4723807 The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 29: Virgil reproves Dantes curiosity - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883)

Orpheus in the Underworld asks Minos for his wife Eurydice
GIA4748354 Orpheus in the Underworld asks Minos for his wife Eurydice. Watercolour drawing by Raimondo La Fage. by Lafage

Opening of the fourth seal: Death riding the green horse
JLJ4670933 Opening of the fourth seal: Death riding the green horse. Miniature taken from " The Apocalypse of Cambrai" enluminated by the French School of the 13th century. Ms. 422

Greek antiquite: the farewell of Orphee to Eurydice which Hermes is prepared to bring
JLJ4676248 Greek antiquite: the farewell of Orphee to Eurydice which Hermes is prepared to bring back to hell. The inscription giving the names of Zethus

First song of Hell, a panthere opposes Dantes passage
JLJ4663961 First song of Hell, a panthere opposes Dantes passage. Illustration of the " Divine Comedie" (Divina Commedia) by Dante Alighieri (1265-1321)

A miniature "A"letter representing the city of the devil
GIA4815081 A miniature " A" letter representing the city of the devil. 14th century manuscript " De Civitate Dei" by Saint Augustine

The Divine Comedy of Dante Alighieri. Hell. Miniature depicting the city of Dity
GIA4816807 The Divine Comedy of Dante Alighieri. Hell. Miniature depicting the city of Dity. 14th century manuscript. Municipal Bibl. of Rimini

Last Judgement, c. 1435 (tempera on oak)
JLJ4690625 Last Judgement, c.1435 (tempera on oak) by Lochner, Stephan (fl.1442-1451); Wallraf Richartz Museum, Cologne, Germany; (add.info)

The Irish Inferno! (colour litho)
3648305 The Irish Inferno! (colour litho) by Morgan, Matthew " Matt" Somerville (1839-90); Private Collection; (add.info.: The Irish Inferno)

View of the Underworld, illustration for Furious Hercules by Seneque (Miniature
LRI4635834 View of the Underworld, illustration for Furious Hercules by Seneque (Miniature, 14th century) by Italian School, (14th century); Biblioteca dei Gerolamini, Naples

The Last Judgement, west portal tympanum (photo)
PWI98087 The Last Judgement, west portal tympanum (photo) by French School, (12th century); Church of St. Foy, Conques, France; ePeter Willi; French, out of copyright

The Descent into Limbo, 1442 (fresco)
BAT94737 The Descent into Limbo, 1442 (fresco) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence, Italy; Photo eNicol Orsi Battaglini; Italian

West Portal, detail of the Last Judgement, right hand side depicting the Weighing of
PWI94649 West Portal, detail of the Last Judgement, right hand side depicting the Weighing of Souls, c.1130-5 (limestone) by Gislebertus, (12th century); Cathedral of St

Doom (detail), 15th century (stained glass)
PC84841 Doom (detail), 15th century (stained glass) by English School, (15th century); Church of St Mary, Ticehurst, E. Sussex

Depiction of the devil with a three-pronged fork (chromolitho)
6030583 Depiction of the devil with a three-pronged fork (chromolitho) by European School, (19th century); Private Collection; (add.info)

Ms Lat. 9471 f. 194 The Last Judgement, from the Grandes Heures de Rohan, c
REV121257 Ms Lat. 9471 f.194 The Last Judgement, from the Grandes Heures de Rohan, c.1418-25 (vellum) (see also 121172) by Master of the Rohan Hours, (fl.1420-30); Bibliotheque Nationale, Paris

The Last Judgement, detail from the cupola of the Duomo, 1572-79 (fresco)
BAT131536 The Last Judgement, detail from the cupola of the Duomo, 1572-79 (fresco) by Vasari, Giorgio (1511-74) and Zuccari, Federico (1540-1609); Duomo, Florence, Tuscany

Demons Armed with Sticks, detail from the reverse of the Isenheim Altarpiece (oil on panel) (see also 17680)
XJL62331 Demons Armed with Sticks, detail from the reverse of the Isenheim Altarpiece (oil on panel) (see also 17680) by Grunewald

The Proud Under their Enormous Loads 1824-27 (pen & ink, pencil, w / c on paper)
BIR99625 The Proud Under their Enormous Loads 1824-27 (pen & ink, pencil, w/c on paper) by Blake, William (1757-1827); 51.9x36.6 cm; Birmingham Museums and Art Gallery; English, out of copyright

All Professionally Made to Order for Quick Shipping

"Journey through the Depths: Exploring the Concept of Hell" Embarking on a spiritual odyssey, Dante's Divine Comedy unveils the eternal struggle between good and evil. The frontispiece of this masterpiece captures Dante's ascent to heavenly realms, illuminating the path towards salvation. Contrasting with divine bliss, Dantes Inferno reveals a haunting woodcut that depicts the horrors of hell. A Venetian edition from centuries ago brings forth vivid imagery, reminding us of the consequences awaiting those who stray from righteousness. Intriguingly, Pieter Bruegel's "The Garden of Earthly Delights" portrays earthly pleasures intertwined with moral decay. This oil painting serves as a cautionary tale about indulgence leading to damnation. Amidst these artistic representations lies an unexpected scene - ice skaters in Pieter II Breugel's winter landscape. It reminds us that even amidst fleeting joys and mundane activities, our choices can shape our ultimate destination. Beyond religious contexts, Thos. Brett Cleveland showcases how even companies like Diebold Safe & Lock Company associate their products with security against potential perils lurking in society. Delving deeper into historical perspectives, we encounter "Fleisch macht Fleisch, " emphasizing how one act begets another - highlighting a perpetual cycle where actions have lasting repercussions. Mad Meg by Pieter Bruegel confronts us with chaos and destruction; it symbolizes humanity's capacity for self-inflicted suffering when succumbing to vice rather than virtue. Sisyphus and his stone epitomize an eternity spent laboring fruitlessly - serving as a reminder that repetitive patterns devoid of growth lead only to despair unless we choose change and redemption instead. Yet hope shines through in "The New Jerusalem. " Painted at the turn of the 20th century, it envisions a celestial city where goodness triumphs over evil – offering solace for those seeking salvation amid life's trials.