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Hell Collection (page 2)

"Journey through the Depths: Exploring the Concept of Hell" Embarking on a spiritual odyssey, Dante's Divine Comedy unveils the eternal struggle between good and evil

Background imageHell Collection: The Temptation of Christ, ca 1885

The Temptation of Christ, ca 1885. Found in the collection of State Hermitage, St. Petersburg

Background imageHell Collection: The Fall of Ixion, ca 1588. Artist: Haarlem, Cornelis Cornelisz. van (1562-1638)

The Fall of Ixion, ca 1588. Artist: Haarlem, Cornelis Cornelisz. van (1562-1638)
The Fall of Ixion, ca 1588. Found in the collection of the Museum Boijmans Van Beuningen, Rotterdam

Background imageHell Collection: Business-Like by H. M. Bateman

Business-Like by H. M. Bateman
Enthusiastic Member: There, see what magnificent scenery we have to play here! Scotch visitor: Tae hell wi the scenery! Whaurs the furrst tee? Date: 1927

Background imageHell Collection: The Death of Faust

The Death of Faust
When it is time for Faust to die, Mephistopheles hurls him down to Hell from the highest mountain in Saxony, to make his fall as fearful as possible

Background imageHell Collection: Berlioz Faust Liebig 5

Berlioz Faust Liebig 5
The damnation of Faust : he falls into Hell, while Mephistopheles and his demons celebrate another victory

Background imageHell Collection: Damned in Hell

Damned in Hell
Virgil and Dante contemplate some of the damned

Background imageHell Collection: Dante in Hell

Dante in Hell
Virgil shows Dante the condemned suffering in Inferno

Background imageHell Collection: HELL

HELL
Those who were guilty of avarice during their lifetimes are punished by being boiled in cauldrons of burning oil and molten lead

Background imageHell Collection: 'Sisyphus'

"Sisyphus"
AIS5380101 " Sisyphus" by Titian (Tiziano Vecellio) (c.1488-1576); Prado, Madrid, Spain; (add.info.: Representation of Sisyphus who is condemned to roll a stone on a top of a mountain)

Background imageHell Collection: Thence issuing we again beheld the stars, c1890. Creator: Gustave Doré

Thence issuing we again beheld the stars, c1890. Creator: Gustave Doré
The beautiful lights of heav n dawn d through a circular opening in the cave: thus issuing we again beheld the stars, c1890. Dante and the Roman poet Virgil emerge from Hell, and see the stars

Background imageHell Collection: We to those beasts, that rapid strode along, drew near, when Chiron took an arrow forth, c1890

We to those beasts, that rapid strode along, drew near, when Chiron took an arrow forth, c1890. Chiron, leader of the centaurs

Background imageHell Collection: The Hell. Artist: Napoletano, Filippo (1598-1629)

The Hell. Artist: Napoletano, Filippo (1598-1629)
The Hell. Private Collection

Background imageHell Collection: HARROWING OF HELL. St John with Prochoros: manuscript illumination from a Greek Gospel Lectionary

HARROWING OF HELL. St John with Prochoros: manuscript illumination from a Greek Gospel Lectionary, 11th century

Background imageHell Collection: Le Diable de Papefiguiere- in 'Tales et nouvelles en vers'

Le Diable de Papefiguiere- in "Tales et nouvelles en vers"
GIA4782489 Le Diable de Papefiguiere- in " Tales et nouvelles en vers" by Jean La Fontaine. 1762. by Unknown artist

Background imageHell Collection: The Reunion of the Soul and the Body, pl. 13, illustration from The Grave, A

The Reunion of the Soul and the Body, pl. 13, illustration from The Grave, A
XYC290782 The Reunion of the Soul and the Body, pl.13, illustration from The Grave, A, Poem by William Blake (1757-1827), engraved by Luigi Schiavonetti (1765-1810), 1808 (etching) by Blake

Background imageHell Collection: The Devils Hangout Gift Shop, detailed view, Hell, West Bay, Grand Cayman, Cayman Islands

The Devils Hangout Gift Shop, detailed view, Hell, West Bay, Grand Cayman, Cayman Islands

Background imageHell Collection: Stories of Christ: Jesus frees Adam and Eve from the Underworld, 1514 (fresco)

Stories of Christ: Jesus frees Adam and Eve from the Underworld, 1514 (fresco)
8832432 Stories of Christ: Jesus frees Adam and Eve from the Underworld, 1514 (fresco) by Botoneri, Giovanni di Cherasco (16th century); Santuario di San Magno, Castelmagno, Cuneo

Background imageHell Collection: Demon and monstrous creatures, detail by an anonymous artist

Demon and monstrous creatures, detail by an anonymous artist, Cathedral of the Assumption of the Virgin
AIS5363807 Demon and monstrous creatures, detail by an anonymous artist, Cathedral of the Assumption of the Virgin, Monastery of St

Background imageHell Collection: Dante Alighieri's Divine Comedy (1265-1321): Dante facing the entrance of Hell

Dante Alighieri's Divine Comedy (1265-1321): Dante facing the entrance of Hell
AIS5349558 Dante Alighieri's Divine Comedy (1265-1321): Dante facing the entrance of Hell, from a 14th century manuscript (miniature); Biblioteca Nacional, Madrid, Spain; © Iberfoto.

Background imageHell Collection: L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore

L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore
PCT4275826 L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861 - Demon - French translation by Pier-Angelo Fiorentino

Background imageHell Collection: Dante and Virgil face the demons. Engraving from The Hell by Dante Alighieri (the Divine Comedie)

Dante and Virgil face the demons. Engraving from The Hell by Dante Alighieri (the Divine Comedie)
PCT4265388 Dante and Virgil face the demons. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. "

Background imageHell Collection: Jesus breaks downn the gates of hell and set free Adam and Eve. Strasbourg cathedral

Jesus breaks downn the gates of hell and set free Adam and Eve. Strasbourg cathedral. (stained glass)
8711203 Jesus breaks downn the gates of hell and set free Adam and Eve. Strasbourg cathedral. (stained glass); (add.info.: Strasbourg Cathedral. Stained glass)

Background imageHell Collection: Paolo Malatesta and Francesca da Rimini, 1905 (marble)

Paolo Malatesta and Francesca da Rimini, 1905 (marble)
8683397 Paolo Malatesta and Francesca da Rimini, 1905 (marble) by Rodin, Auguste (1840-1917); Musee Rodin, Paris, France; (add.info.: "Paolo Malatesta and Francesca da Rimini")

Background imageHell Collection: Count Ugolino in prison, 1897 (engraving)

Count Ugolino in prison, 1897 (engraving)
8683379 Count Ugolino in prison, 1897 (engraving) by Rodin, Auguste (1840-1917) (after); Musee Goupil, Bordeaux, France; (add.info.: "Count Ugolino in prison", after Auguste Rodin, 1897)

Background imageHell Collection: The Descent into Hell, 1287 (watercolour on parchment)

The Descent into Hell, 1287 (watercolour on parchment)
FIA5634212 The Descent into Hell, 1287 (watercolour on parchment); Matenadaran, Mesrop Mashtots Institute of Ancient Manuscripts, Yerevan

Background imageHell Collection: Fragment of Dante Alighieri's 'Divina Comedia', 14th century (engraving)

Fragment of Dante Alighieri's 'Divina Comedia', 14th century (engraving)
5309211 Fragment of Dante Alighieri's 'Divina Comedia', 14th century (engraving); (add.info.: Fragment of Dante Alighieri's "Divina Comedia")

Background imageHell Collection: Mystery play of the type seen by William Shakespeare as a boy (colour litho)

Mystery play of the type seen by William Shakespeare as a boy (colour litho)
8634459 Mystery play of the type seen by William Shakespeare as a boy (colour litho) by Crane, Donn P. (1878-1944); Private Collection; (add.info)

Background imageHell Collection: You never know your luck (colour litho)

You never know your luck (colour litho)
8656486 You never know your luck (colour litho) by English School, (20th century); Private Collection; (add.info.: You never know your luck. Our help in ages past. Our hope in years to come)

Background imageHell Collection: Scene from Dante Alighieri's Divine Comedy (colour litho)

Scene from Dante Alighieri's Divine Comedy (colour litho)
8626253 Scene from Dante Alighieri's Divine Comedy (colour litho) by Italian School, (14th century) (after); Private Collection; (add.info)

Background imageHell Collection: Dante's Divine Comedy, Inferno (Hell), Plate V (litho)

Dante's Divine Comedy, Inferno (Hell), Plate V (litho)
8669615 Dante's Divine Comedy, Inferno (Hell), Plate V (litho) by Schuler, Bernhard (fl. 1890-99); Private Collection; (add.info.: Dante's Divine Comedy, Inferno (Hell), Plate V

Dante's Divine Comedy, Inferno (Hell), Plate XXXIX (litho)
8668995 Dante's Divine Comedy, Inferno (Hell), Plate XXXIX (litho) by Schuler, Bernhard (fl. 1890-99); Private Collection; (add.info.: Dante's Divine Comedy, Inferno (Hell), Plate XXXIX

Dante's Divine Comedy, Inferno (Hell), Plate XXXVIII (litho)
8668993 Dante's Divine Comedy, Inferno (Hell), Plate XXXVIII (litho) by Schuler, Bernhard (fl. 1890-99); Private Collection; (add.info.: Dante's Divine Comedy, Inferno (Hell), Plate XXXVIII

Background imageHell Collection: Dante's Divine Comedy, Inferno (Hell), Plate XXXVI (litho)

Dante's Divine Comedy, Inferno (Hell), Plate XXXVI (litho)
8668992 Dante's Divine Comedy, Inferno (Hell), Plate XXXVI (litho) by Schuler, Bernhard (fl. 1890-99); Private Collection; (add.info.: Dante's Divine Comedy, Inferno (Hell), Plate XXXVI

Background imageHell Collection: Dante's Divine Comedy, Inferno (Hell), Plate XXXV (litho)

Dante's Divine Comedy, Inferno (Hell), Plate XXXV (litho)
8668991 Dante's Divine Comedy, Inferno (Hell), Plate XXXV (litho) by Schuler, Bernhard (fl. 1890-99); Private Collection; (add.info.: Dante's Divine Comedy, Inferno (Hell), Plate XXXV

Background imageHell Collection: Dante's Divine Comedy, Inferno (Hell), Plate XXV (litho)

Dante's Divine Comedy, Inferno (Hell), Plate XXV (litho)
8668982 Dante's Divine Comedy, Inferno (Hell), Plate XXV (litho) by Schuler, Bernhard (fl. 1890-99); Private Collection; (add.info.: Dante's Divine Comedy, Inferno (Hell), Plate XXV

Background imageHell Collection: Dante's Divine Comedy, Inferno (Hell), Plate XXII (litho)

Dante's Divine Comedy, Inferno (Hell), Plate XXII (litho)
8668978 Dante's Divine Comedy, Inferno (Hell), Plate XXII (litho) by Schuler, Bernhard (fl. 1890-99); Private Collection; (add.info.: Dante's Divine Comedy, Inferno (Hell), Plate XXII

Background imageHell Collection: Dante's Divine Comedy, Inferno (Hell), Plate XIV (litho)

Dante's Divine Comedy, Inferno (Hell), Plate XIV (litho)
8668971 Dante's Divine Comedy, Inferno (Hell), Plate XIV (litho) by Schuler, Bernhard (fl. 1890-99); Private Collection; (add.info.: Dante's Divine Comedy, Inferno (Hell), Plate XIV

Background imageHell Collection: Dante's Divine Comedy, Inferno (Hell), Plate XII (litho)

Dante's Divine Comedy, Inferno (Hell), Plate XII (litho)
8668970 Dante's Divine Comedy, Inferno (Hell), Plate XII (litho) by Schuler, Bernhard (fl. 1890-99); Private Collection; (add.info.: Dante's Divine Comedy, Inferno (Hell), Plate XII

Background imageHell Collection: Judgment of God on Sin in the form of the Whore of Babylon, with angels above and dragons

Judgment of God on Sin in the form of the Whore of Babylon, with angels above and dragons and demons below in hell
FLO4974714 Judgment of God on Sin in the form of the Whore of Babylon, with angels above and dragons and demons below in hell

Background imageHell Collection: Honore Gabriel (Honore-Gabriel) Riqueti, Count of Mirabeau (1749-1791)

Honore Gabriel (Honore-Gabriel) Riqueti, Count of Mirabeau (1749-1791) inspires by his "private advisor"
JEB4959844 Honore Gabriel (Honore-Gabriel) Riqueti, Count of Mirabeau (1749-1791) inspires by his "private advisor", the devil

Background imageHell Collection: The Last Judgement

The Last Judgement
3479570 The Last Judgement; (add.info.: The Last Judgement, showing the earth and sea opening, and demons falling into the flames of Hell by Jean Cousin)

Background imageHell Collection: Literature. The Hell. Miniature in: De Casibus Virorum Illustrium, by Giovanni Boccaccio

Literature. The Hell. Miniature in: De Casibus Virorum Illustrium, by Giovanni Boccaccio. Manuscript, Italy, XVth cent
3434373 Literature. The Hell. Miniature in: De Casibus Virorum Illustrium, by Giovanni Boccaccio. Manuscript, Italy, XVth cent. Bibl. Mazarine, Paris.; (add.info.: Litterature)

Background imageHell Collection: John Wesley (1703-1791) and George Whitefield (1714-1770), English evangelists

John Wesley (1703-1791) and George Whitefield (1714-1770), English evangelists and founders of Methodism
535772 John Wesley (1703-1791) and George Whitefield (1714-1770), English evangelists and founders of Methodism, urging sinners to turn from the Broad Way to hell

Background imageHell Collection: The New Jerusalem. Christ who has redeemed the world through his Crucifixion waits at the entrance

The New Jerusalem. Christ who has redeemed the world through his Crucifixion waits at the entrance to The New Jerusalem
542803 The New Jerusalem. Christ who has redeemed the world through his Crucifixion waits at the entrance to The New Jerusalem to welcome the saved

Background imageHell Collection: Line drawing of a fresco from Torcello

Line drawing of a fresco from Torcello
1578298 Line drawing of a fresco from Torcello; (add.info.: Line drawing of a fresco from Torcello. It is divided into five levels. The first: Christ releases Adam from Limbo)

Background imageHell Collection: Line drawing of the Last Judgement tympanum at Rheims

Line drawing of the Last Judgement tympanum at Rheims
1578301 Line drawing of the Last Judgement tympanum at Rheims; (add.info.: Line drawing of the Last Judgement tympanum at Rheims. Christ, the judge, is the apex f the composition)

Background imageHell Collection: Purgatory: Dante and Virgil at the entrance of Hell. Miniature from 'The Divine Comedie'

Purgatory: Dante and Virgil at the entrance of Hell. Miniature from "The Divine Comedie" (Divina commedia)
AIS5386203 Purgatory: Dante and Virgil at the entrance of Hell. Miniature from "The Divine Comedie" (Divina commedia) by the Italian poet Dante Alighieri (1265-1321)

Background imageHell Collection: Romanesque Art: Episode of the Life of Christ: ' The descent to limbo' Fresco of the 12th century

Romanesque Art: Episode of the Life of Christ: " The descent to limbo" Fresco of the 12th century
JEB4931030 Romanesque Art: Episode of the Life of Christ: " The descent to limbo" Fresco of the 12th century. Church of Saint Quitterie



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"Journey through the Depths: Exploring the Concept of Hell" Embarking on a spiritual odyssey, Dante's Divine Comedy unveils the eternal struggle between good and evil. The frontispiece of this masterpiece captures Dante's ascent to heavenly realms, illuminating the path towards salvation. Contrasting with divine bliss, Dantes Inferno reveals a haunting woodcut that depicts the horrors of hell. A Venetian edition from centuries ago brings forth vivid imagery, reminding us of the consequences awaiting those who stray from righteousness. Intriguingly, Pieter Bruegel's "The Garden of Earthly Delights" portrays earthly pleasures intertwined with moral decay. This oil painting serves as a cautionary tale about indulgence leading to damnation. Amidst these artistic representations lies an unexpected scene - ice skaters in Pieter II Breugel's winter landscape. It reminds us that even amidst fleeting joys and mundane activities, our choices can shape our ultimate destination. Beyond religious contexts, Thos. Brett Cleveland showcases how even companies like Diebold Safe & Lock Company associate their products with security against potential perils lurking in society. Delving deeper into historical perspectives, we encounter "Fleisch macht Fleisch, " emphasizing how one act begets another - highlighting a perpetual cycle where actions have lasting repercussions. Mad Meg by Pieter Bruegel confronts us with chaos and destruction; it symbolizes humanity's capacity for self-inflicted suffering when succumbing to vice rather than virtue. Sisyphus and his stone epitomize an eternity spent laboring fruitlessly - serving as a reminder that repetitive patterns devoid of growth lead only to despair unless we choose change and redemption instead. Yet hope shines through in "The New Jerusalem. " Painted at the turn of the 20th century, it envisions a celestial city where goodness triumphs over evil – offering solace for those seeking salvation amid life's trials.