Human Being Collection

The Return of the Prodigal Son, c1668. Artist: Rembrandt Harmensz van Rijn
The Return of the Prodigal Son, c1668

Crew Team Rowing

Deux meres ( Two Mothers ), 1888. Artist: Leon-Maxime Faivre
Deux meres ( Two Mothers ), 1888. From the Musee d Orsay, Paris

Noli Me Tangere, c1514. Artist: Titian
Noli Me Tangere, c1514. Saint Mary Magdalene encounters Christ after his resurrection. From the National Gallery, London

The Battle of San Romano, 1432 (c1435-1440). Artist: Paolo Uccello
The Battle of San Romano, 1432 (c1435-1440). The Battle of San Romano was fought between the armies of Siena and Florence

Gibralter, Europe

Nichiren Calming the Storm, 19th century. Artist: Utagawa Kuniyoshi
Nichiren Calming the Storm, 19th century

Whatever I do, I do not Repent, I Keep Pissing against the Moon, c1558-1560. Artist: Pieter Bruegel the Elder
Whatever I do, I do not Repent, I Keep Pissing against the Moon, 1558-1560. One from a series depicting twelve proverbs. From the Museum Mayer van der Berg, Antwerp, Belgium

Arecibo message and decoded key C016 / 6817
Arecibo message and decoded key. Diagram showing the binary transmission (left) known as the Arecibo message, with the message decoded and labelled at centre and right

Virgin and Child, 16th century. From the Benaki Museum, Athens, Greece

The Ellora Caves, temples cut into solid rock, near Aurangabad, Maharashtra, India

Durbar Square, Bhaktapur, Kathmandu valley, Nepal. Guardian lions on the steps of a temple. Foggy winter morning November 2005

Saints Paraskeve, Gregory the Theologian, John Chrysostom and Basil the Great, early 15th century. From the Tretyakov Gallery, Moscow, Russia

Vestibule of Asylum, 1889. Artist: Vincent van Gogh
Vestibule of Asylum, 1889. From the collection of the Rijksmuseum, Amsterdam, Netherlands

Christ Appearing to His Mother, c1440. Artist: Rogier Van der Weyden
Christ Appearing to His Mother, c1496. The scene on the right panel of the Miraflores Altarpiece is the only one in this altarpiece that illustrates two events at once

Perspective
Arlen Keshishian

'L' Andalouse', 1927. Creator: Francis Picabia
'L' Andalouse', 1927. From a private collection.

Presumed portrait of Beatrice Portinari, late 19th/20th century. Artist: Elisabeth Sonrel
Presumed portrait of Beatrice Portinari, late 19th/20th century. Beatrice Portinari (1266-1290) was a profound influence on the medieval Florentine poet Dante Alighieri (1265-1321)

The Meeting, 1884. Artist: Maria Konstantinowka Bashkirtseff
The Meeting, 1884. From the Musee d Orsay, Paris

Female Nude, 17th century. Artist: Rembrandt Harmensz van Rijn
Female Nude, 17th century. From the Museum of Fine Art, Budapest

Reclining Nude, late 19th / early 20th century. Artist: Giovanni Boldini
Reclining Nude, late 19th/early 20th century. From the collection of Marquis de Biron

Seated Female Nude, 1658. Artist: Rembrandt Harmensz van Rijn
Seated Female Nude, 1658. From a private collection

Rocky Landscape with Saint Francis, early 17th century. Artist: Abraham Govaerts
Rocky Landscape with Saint Francis, early 17th century. From a private collection

Portrait of William Merritt Chase, American impressionist painter, c1910. Artist: Annie Traquair Lang
Portrait of William Merritt Chase, American impressionist painter, c1910. From the Metropolitan Museum of Art, New York, USA

Venus and Adonis, 1553. Artist: Titian
Venus and Adonis, 1553. From the Museo del Prado, Madrid, Spain

The Holy Family with a Shepherd, c1510. Artist: Titian
The Holy Family with a Shepherd, c1510. From the National Gallery, London

Louis XVI received by the new Mayor of Paris, July 17 1789, (19th / early 20th century). Artist: Jean-Paul Laurens
Louis XVI is received by the new Mayor of Paris, Jean Sylvain Bailly, July 17 1789 (19th/early 20th century). One of the instigators of the Oath of the Tennis Court

The Excommunication of Robert the Pious, 1875. Artist: Jean-Paul Laurens
The Excommunication of Robert the Pious, 1875. Nicknamed the Pious, Robert II (972-1031) was King of France from 996. He was temporarily excommunicated by Pope Gregory V

Leda and the Swan, 1550-1560. Artist: Jacopo Tintoretto
Leda and the Swan, 1550-1560. In Greek Mythology, Leda, the wife of Tyndareus, King of Sparta, was seduced by Zeus, who disguised himself as a swan. From the Uffizi Gallery, Florence, Italy

Virgin and Child icon, 1664. Artist: Emmanuel Tzanes
Virgin and Child icon, 1664. From the Byzantine Museum, Athens, Greece

Woman with Candle, late 1660s. Artist: Godfried Schalcken
Woman with Candle, late 1660s. From the Pitti Palace Gallery, Florence, Italy

Lovers in an Upstairs Room, from The Poem of the Pillow, 1788. Artist: Kitagawa Utamaro
Lovers in an Upstairs Room, from The Poem of the Pillow, 1788. From the British Museum, London

Writing utensil box, Japanese, early 19th century. From the Victoria & Albert Museum, London

Painting, title unknown, mid 19th century. Artist: Jean Pierre Alexandre Antigna
Painting, title unknown, mid 19th century

Driving Home the Cows, 1881. Artist: Edward Mitchell Bannister
Driving Home the Cows, 1881. From the National Museum of American Art, USA

Saint Anne with the Christ Child, the Virgin, and Saint John the Baptist, c1511. Artist: Hans Baldung
Saint Anne with the Christ Child, the Virgin, and Saint John the Baptist, c1511. From the Washington National Gallery of Art, USA

The Prophet Jeremiah Mourning over the Destruction of Jerusalem, 1630. Artist: Rembrandt Harmensz van Rijn
The Prophet Jeremiah Mourning over the Destruction of Jerusalem, 1630. From the Rijksmuseum, Amsterdam

The Sacrifice of Isaac, 1635. Artist: Rembrandt Harmensz van Rijn
The Sacrifice of Isaac, 1635. God ordered Abraham to sacrifice his son Isaac as a test of his faith (Genesis, XXII: 1-13)

The Departure, 19th / early 20th century. Artist: James Tissot
The Departure, 19th/early 20th century. From a private collection

The Raised Skirt, 1742. Artist: Francois Boucher
The Raised Skirt, 1742. From a private collection

Ulysses Lands on the Isle of Calypso, 1737. Artist: Pierre Charles Tremolieres
Ulysses Lands on the Isle of Calypso, 1737. From the Musee Fabre, Montpellier, France

Cocos Monastery for Men, near Tulcea, Dobruja, Romania
abbey, abbeys, architectural photograph, architectural view, attraction, attractions, balkan, balkan peninsula, belief, believer, believers, building, buildings, christian, church building, churches

Statue of Oscar Spaethe, at the Athenaeum, Bucharest, Romania
alcohol, alcoholic, architectural photograph, architectural view, art work, arts, artwork, artworks, attraction, attractions, balkan, balkan peninsula, building, buildings, bust, busts, celebrity

In the Central Skating Ring in Berlin, Germany, historical wood engraving, ca
1900s, 19th-century, accurate, arts, arts and crafts, central district, close, close up, copy, crafting, crowd, crowds of people, depiction, depictions, digital, digitally, drawing, europe's

Arab University in Cairo, Egypt, historical wood engraving, ca. 1880, digitally restored reproduction of a 19th century
1900s, 19th-century, accurate, african, arab, arabian, arabic, art print, art prints, arts, building, buildings, bunch of, close, close up, college, copy, crowd, crowds of people, depiction

Smugglers in the mountains on a mule track, Italy, historical woodcut, circa 1870
1900s, 19th-century, accurate, alpine landscape, arts, arts and crafts, black, black-and-white, black-white, cliffs, copy, countryside, crafting, criminality, depiction, depictions, deserted

Inn in the time of the Rhine Confederation, Germany, historical woodcut, circa 1870
1900s, 19th-century, accurate, arts, arts and crafts, black, black-and-white, black-white, copy, crafting, depiction, depictions, digital, digitally, drawing, eatery, europe's, exact, frg

Mexico, coffee at the Mexican Central Railroad, woman in Mexican traditional costume offers the traveller typical
1900s, 19th-century, 4 people, america, attire, baked goods, bakery products, beverage, cakes, characteristic, clothes, coffee, coffees, copy, country-specific, deserted, dessert, desserts, digital

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"The Human Being: A Tapestry of Art, Culture, and Resilience" In Rembrandt's masterpiece "The Return of the Prodigal Son, " we witness the profound journey of a human being seeking redemption and forgiveness. Just as in a crew team rowing together towards victory, humans find strength in unity and collaboration to overcome challenges that come their way. Leon-Maxime Faivre's painting "Deux meres (Two Mothers)" showcases the unconditional love and nurturing nature inherent in every human being, transcending cultural boundaries. Titian's powerful artwork "Noli Me Tangere" depicts the vulnerability and complexity of human emotions when faced with separation or loss. Paolo Uccello's epic painting "The Battle of San Romano" reminds us that throughout history, humans have displayed both courage on the battlefield and resilience in times of conflict. Gibraltar stands as a testament to humanity's ability to adapt and thrive amidst diverse landscapes, bridging continents while embracing its European heritage. Utagawa Kuniyoshi captures the essence of compassion in his depiction of Nichiren calming the storm – an inspiring reminder that even during turbulent times, human beings possess immense inner strength to bring peace into their lives. Pieter Bruegel the Elder challenges societal norms with his thought-provoking piece titled "Whatever I do, I do not Repent; I Keep Pissing against the Moon. " It encourages individuals to question conventions and embrace their unique identities fearlessly. From decoding messages like Arecibo message C016/6817 to creating timeless masterpieces such as Virgin and Child from centuries ago - humans' thirst for knowledge has always driven them forward intellectually. Durbar Square in Nepal symbolizes humanity's rich cultural heritage preserved through generations. It serves as a reminder that our collective past shapes our present identity while fostering connections between people across time.