Hunter Gatherers Collection

Mesolithic man, gathering around fire in family groups and building dwellings

San Hunter-gatherers in Africa
Carlo Kaminski

The original Italians - Cave men
LLM456901 The original Italians - Cave men by Scarpelli, Tancredi (1866-1937); Private Collection; (add.info.: The original Italians - Cave men)

Men Hunting Rabbits, 20th century. Creator: Unknown
Men Hunting Rabbits, 20th century

Yucca, Hair, Cotton, Feathers (mural study), ca. 1933-1943. Creator: Unknown
Yucca, Hair, Cotton, Feathers (mural study), ca. 1933-1943

Sinew, Fiber, Reed, Bark (mural study), ca. 1933-1943. Creator: Unknown
Sinew, Fiber, Reed, Bark (mural study), ca. 1933-1943

The heavily wrinkled skin of a very old N!!S hunter-gatherer The N!!S are a part of the San people, often referred to as Bushmen

Two N!!S hunter-gatherers make a bark carrier for an ostrich egg, which will be used as a water container. The N!!S are a part of the San people, often referred to as Bushmen

Stereoview card from circa 1900 for viewing through a stereoscope. A group of Andamanese in their native jungle in India, 1896, by J.F.Jarvis; Andaman Islands, India

A band of !Kung hunter-gatherers makes a stealthy approach towards an antelope, their bows & arrows at the ready. The !Kung are a part of the San of Southern Africa who are often referred to as

!Kung women sing and clap their hands to the rhythm of their menfolk. The !Kung are San hunter-gatherers, often referred to as Bushmen

San bushmen rain dance, artwork
San bushmen rain dance. Artwork of rock art showing San bushmen in southern Africa performing a rain dance with a hippopotamus

!Kung hunter-gatherers pause to check a distant wild animal in the early morning. The !Kung are a part of the San of Southern Africa who are often referred to as Bushmen

A woman from the N!!S hunter-gatherer band enjoys a smoke. The N!!S are a part of the San people, often referred to as Bushmen

A N!!S hunter-gatherer. The N!!S are a part of the San people, often referred to as Bushmen. They differ in appearance from the rest of black Africa having yellowish skin and being lightly boned

A N!!S hunter-gatherer lights his pipe to relax having collected several baobab fruits, which he will use as food. The pith surrounding the seeds can be made into an appetising drink.; The N!

Palaeolithic plant gathering, artwork C016 / 8299
Palaeolithic plant gathering. Artwork of humans in palaeolithic (Stone Age) Europe, with a woman gathering flowering plants, and a man gathering wood for a fire

Palaeolithic food gathering, artwork C016 / 8286
Palaeolithic food gathering. Artwork of humans gathering, scavenging and looking for food in palaeolithic (Stone Age) Europe

Petroglyphs, South Africa
Petroglyphs. San (bushman) paintings on a rock in the Cederberg Mountains, South Africa. The San are indigenous people of southern Africa that span areas of South Africa, Zimbabwe, Lesotho

Libyan peoples, 17th century
Libyan peoples. 17th-century artwork showing Libyans (men and a child) crossing the desert on camels (top) and Libyan women (with a child) gathering fish and ostrich eggs (bottom)

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Hunter-gatherers, also known as Mesolithic man, were the original pioneers of survival and community. They would gather around a crackling fire in family groups, sharing stories and warmth amidst the vast wilderness. These resilient individuals built dwellings that provided shelter from harsh elements and served as a sanctuary for their loved ones. One notable group of hunter-gatherers was the San people in Africa. With their deep connection to nature, they navigated through the expansive landscapes with remarkable skill and knowledge. Their existence intertwined seamlessly with the natural world surrounding them. In France's Pech-Merle Cave, astonishing horse paintings dating back to 2500-2000BC depict these majestic creatures alongside early human life. These captivating artworks offer glimpses into the lives of our ancient ancestors who coexisted harmoniously with animals. The caves also reveal insights into "the original Italians" - cave men who left behind evidence of their resourcefulness and adaptability. Through intricate drawings etched onto cave walls, they documented their hunting techniques and daily rituals. Fast forward to more recent times, where an unknown artist captured men hunting rabbits in a powerful image from the 20th century. This artwork serves as a reminder that despite advancements in technology, some traditions remain unchanged throughout history. Mural studies showcasing Yucca, Hair, Cotton, Feathers; Sinew Fiber Reed Bark shed light on how hunter-gatherers utilized various materials for practical purposes such as clothing or tools. The creativity displayed by these unknown artists highlights humanity's ability to adapt using available resources. A glimpse into indigenous cultures reveals fascinating aspects of hunter-gatherer lifestyles too. Two N. S tribespeople meticulously crafting a bark carrier for an ostrich egg showcases their craftsmanship passed down through generations. Traveling further east to India's Andaman Islands brings us face-to-face with native jungle-dwelling Andamanese people captured on stereoview cards from circa 1900.