Huntsmen Collection (page 2)

What so umilliatin as to see a big farmer bullying a little man in leather and scarlet for riding over his seeds
2637916 What so umilliatin as to see a big farmer bullying a little man in leather and scarlet for riding over his seeds, from Mr Jorrocks Lectors published by Hodder & Stoughton

Now my lad mind the untsmans, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho)
2637926 Now my lad mind the untsmans, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho) by Armour

Better for to charge wiggorously, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho)
2637924 Better for to charge wiggorously, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho) by Armour

Tighten your reins, arden your earts, and with elbow and legs, get forward to the ounds
2637923 Tighten your reins, arden your earts, and with elbow and legs, get forward to the ounds, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho) by Armour

He charged it with much wigour, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho)
2637932 He charged it with much wigour, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho) by Armour

Mark ow he runs the covers hutmost limits, from Mr Jorrocks Lectors published by Hodder & Stoughton
2637921 Mark ow he runs the covers hutmost limits, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho) by Armour

The bald- eaded keeper stands at in and at the gate, from Mr Jorrocks Lectors published by Hodder & Stoughton
2637918 The bald- eaded keeper stands at in and at the gate, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho) by Armour

Meanwhile the untsman makes his cast, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho)
2637930 Meanwhile the untsman makes his cast, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho) by Armour

"Vich vay? Vich vay? Are the ounds gone?, from Mr Jorrocks Lectors published by Hodder & Stoughton
2637915 " Vich vay? Vich vay? Are the ounds gone?, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho) by Armour

Some osses don t like strangers, and nothin looks so foolish as a man floored
2637913 Some osses don t like strangers, and nothin looks so foolish as a man floored, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho) by Armour

Mr Gambado, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho)
2637910 Mr Gambado, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho) by Armour, George Denholm (1864-1949); Private Collection; (add.info)

Holdin him abov ethe baying pack, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho)
2637909 Holdin him abov ethe baying pack, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho) by Armour

Front cover, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho)
2637907 Front cover, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho) by Armour, George Denholm (1864-1949); Private Collection; (add.info)

Here comes the Circus, the Circus Carriage, 1894 (litho)
PER437800 Here comes the Circus, the Circus Carriage, 1894 (litho) by Courboin, Eugene (1851-1915); Private Collection; (add.info.: La Voiture du Cirque; )

A publican pouring wine for two gentlemen huntsmen with muskets and hound
6337433 A publican pouring wine for two gentlemen huntsmen with muskets and hound by Scott, J. (19th century); (add.info.: A publican pouring wine for two gentlemen huntsmen with muskets and hound)

One gentl mans oss is to be seen resting, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho)
2637928 One gentl mans oss is to be seen resting, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho) by Armour

Nearly abreast of the pack, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho)
2637927 Nearly abreast of the pack, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho) by Armour

See ow they top the edge, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho)
2637925 See ow they top the edge, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho) by Armour

As soon as ever the eves begin to drop, the would bes put on their red coats and go to the kennel
2637917 As soon as ever the eves begin to drop, the would bes put on their red coats and go to the kennel, from Mr Jorrocks Lectors published by Hodder & Stoughton, 1910 (colour litho) by Armour

The Stag Hunt (pen & w / c on paper)
NP125738 The Stag Hunt (pen & w/c on paper) by Rowlandson, Thomas (1756-1827); 34.9x49.5 cm; Private Collection

Taking a hedge and rail, 1850 (oil on canvas)
OJ378786 Taking a hedge and rail, 1850 (oil on canvas) by Dalby, John (fl.c.1826-53); 30.5x42.5 cm; Private Collection; © Ackermann Johnson

Yuhigaoka, from an untitled series of famous views of the Edo suburbs, c. 1839/40. Creator: Ando Hiroshige
Yuhigaoka, from an untitled series of famous views of the Edo suburbs, c. 1839/40. The

La Chasse aRouen (Hunting at Rouen) (Furnishing Fabric), Rouen, 1840
La Chasse a Rouen (Hunting at Rouen) (Furnishing Fabric), Rouen, 1840. Deer hunting: huntsmen shooting a stag, deerhounds. Designed by Horace Vernet

Pluto and Proserpina with Falconry, Flanders, c. 1600. Creator: Erasmus de Pannemaker
Pluto and Proserpina with Falconry, Flanders, c. 1600. Woven at the workshop of Erasmus I de Pannemaker, after an engraving by Adriaen Collaert after Hans Bol

Venus and Adonis (?) with the Duck Hunt, Flanders, c. 1600. Presumably woven at the workshop of Jacques I Geubels or his widow Catharina van den Eynde

Diana and Actaeon, 1585 / 92. Creator: Jacopo Bassano il vecchio
Diana and Actaeon, 1585/92

Landscape with Tournament and Hunters, 1519 / 20. Creator: Jan van Scorel
Landscape with Tournament and Hunters, 1519/20

The education of Achilles, 1650-55. Creator: Giovanni Cesare Testa
The education of Achilles, 1650-55

Sheet 2 of figures for Chinese shadow puppets, 1859. Creator: Juan Llorens
Sheet 2 of figures for Chinese shadow puppets, 1859

An Imperial Hunt, Late Ming dynasty, 16th-17th century. Creator: Unknown
An Imperial Hunt, Late Ming dynasty, 16th-17th century. Formerly attributed to Zhao Mengfu

The Shanglin Park: Imperial Hunt, Ming or Qing dynasty, 17th century. Creator: Unknown
The Shanglin Park: Imperial Hunt, Ming or Qing dynasty, 17th century. Formerly attributed to Qiu Ying

Hunting Hares, 1615 (fresco)
870178 Hunting Hares, 1615 (fresco) by Guercino (Giovanni Francesco Barbieri) (1591-1666); Pinacoteca Civica, Cento, Italy; (add.info.: originally found in Casa Pannini); Alinari

Mounted huntsmen watching as hounds find a hare
6337430 Mounted huntsmen watching as hounds find a hare by Howitt, Samuel (1756-1822) (after); (add.info.: Mounted huntsmen watching as hounds find a hare. Hare Hunting: Plate 3. Finding the Hare)

Huntsmen and women watch the fox-hounds let out of a pen before a hunt, 19th century
6337304 Huntsmen and women watch the fox-hounds let out of a pen before a hunt, 19th century by Browne, Hablot Knight (Phiz) (1815-92) (after); (add.info)

Away! Away! (oil on canvas)
719113 Away! Away! (oil on canvas) by Blinks, Thomas (1860-1912); 41.3x61.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Indians hunting the buffalo under a wolf-skin mask, from
3964037 Indians hunting the buffalo under a wolf-skin mask, from Illustrations of the Manners, Customs & Conditions of the North American Indians, London, 1845 (hand-coloured engraving) by Catlin

Folio from a Khamsa (Quintet) by Nizami (d. 1209); recto
5892469 Folio from a Khamsa (Quintet) by Nizami (d.1209); recto: Alexander and his army hunting on the plain of China, 1548 (ink)

"Rustam Pained Before Kai Kavus", Folio 146r from the Shahnama (Book of Kings
5892466 " Rustam Pained Before Kai Kavus", Folio 146r from the Shahnama (Book of Kings) of Shah Tahmasp, by Abu l Qasim Firdausi, c.1525-30 (opaque w/c, ink)

Maharana Jagat Singh II hawking and boar hunting, c. 1740 (opaque w / c
5857964 Maharana Jagat Singh II hawking and boar hunting, c.1740 (opaque w/c, silver & gold on paper) by Indian School, (18th century); 30.2x65.2 cm; San Diego Museum of Art

"Let me try then"said Lucy (coloured engraving)
957801 " Let me try then" said Lucy (coloured engraving) by Leech, John (1817-64) (after); Private Collection; (add.info.: " Let me try then" said Lucy)

"Rot the Beggar"exclaims Romford (coloured engraving)
957789 " Rot the Beggar" exclaims Romford (coloured engraving) by Browne, Hablot Knight (Phiz) (1815-92) (after); Private Collection; (add.info)

Most Pernicious Woman! (coloured engraving)
957788 Most Pernicious Woman! (coloured engraving) by Browne, Hablot Knight (Phiz) (1815-92) (after); Private Collection; (add.info.: Most Pernicious Woman)

Fox hunting (colour litho)
961072 Fox hunting (colour litho) by English School, (19th century); Private Collection; (add.info.: Plate 1. Europe: fox hunting)

Persian huntsmen at play during the chase (engraving)
967311 Persian huntsmen at play during the chase (engraving) by English School, (19th century); Private Collection; (add.info.: Persian huntsmen at play during the chase)

The Finish, c. 1840 (oil on canvas)
OJ379543 The Finish, c.1840 (oil on canvas) by Alken, Henry Thomas (1785-1851); 30.5x40.6 cm; Private Collection; (add.info.: Set of 4 with 379540, 379541 and 379542; ); eAckermann Johnson; English

Full Cry, c. 1840 (oil on canvas)
OJ379540 Full Cry, c.1840 (oil on canvas) by Alken, Henry Thomas (1785-1851); 30.48x40.6 cm; Private Collection; (add.info.: Set of 4 with 379541, 379542 and 379543; ); eAckermann Johnson; English

Better to Have It than Hear of It, 1911 (woodcut)
BSA408892 Better to Have It than Hear of It, 1911 (woodcut) by Fothergill, George Algernon (1868-1945); 16.5x30.5 cm; Private Collection; eThe British Sporting Art Trust; English, out of copyright

Hunting scene (litho)
BSA408886 Hunting scene (litho) by Bevan, Robert Polhill (1865-1925); 25.4x33 cm; Private Collection; eThe British Sporting Art Trust; English, out of copyright

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"Huntsmen: A Glimpse into the World of Fox Hunting" Step back in time to the enchanting era of fox hunting, where tradition and elegance intertwined with nature's raw beauty. The year is 1935, and at The Bull Hotel in Farningham, a gathering of passionate hunters eagerly await the R A Draghounds meet. Illustrated by Cecil Aldin, a renowned handler at Peterborough Show, this captivating scene captures the anticipation that fills the air. As dawn breaks on another exhilarating hunt, silhouettes dance across the landscape in H. L. Oakley's masterpiece "Silhouettes of the Chase. " Huntsmen mounted on noble steeds lead their loyal companions - foxhounds - through sprawling countryside and dense forests. Together they form an unbreakable bond built upon trust and instinct. The thrill of the chase echoes throughout history as we witness scenes from Imperial Stag Hunt to Royal Artillery Draghunt at Eynsford. These grand hunts bring together men and women from all walks of life who share a common love for this age-old sport. In Newlands, Keswick, nestled amidst Lake District's breathtaking scenery in Cumbria, a lively fox hunting party unfolds. Amidst laughter and camaraderie, riders gallop across rolling hills while hounds eagerly follow their scent trails. Sir Francis Grant immortalizes one cherished tradition - The Melton Breakfast - where hunters gather before setting off on their daring escapades. This vibrant painting depicts an atmosphere brimming with excitement as riders prepare themselves for what lies ahead. Even gamekeepers play a crucial role in ensuring successful hunts by providing directions to eager couples seeking adventure alongside these magnificent creatures. Their knowledge guides them through treacherous terrains while respecting nature's delicate balance. A Victorian greeting card transports us further back in time; it portrays fox hunters racing past as a cunning fox seeks refuge high up within a tree canopy—a reminder that nature's resilience often outwits human pursuit.