Iconographic Collection

Our Lady of Vladimir. beg. 12th c. Icon moved from Constantinople to Kiev in 1136 and Vladimir in 1155. Iconographic type Eleusa or Virgin of Tenderness. Byzantine art. Tempera on wood. RUSSIA

Skeleton on a penny farthing. Composite x-ray of a skeleton riding a penny farthing bicycle represented by the coins it is named after

Orthodox icons, St. Petersburg, Russia, Europe

Roman tombstone with Christian iconography. Representation w
Early Christian Art. Italy. Early Christians. Roman tombstone with Christian iconography. Representation woman with a Chi Roho and a dove with olive branch (symbol of the soul of the dead)

Ring with the Virgin and Child and Saints Margaret and Catherine, England, c. 1425-c. 1480

Guerre A La Guerre (colour litho)
3643330 Guerre A La Guerre (colour litho) by Ten Kate, Jan Jacob Lodewiks (1850-1929); Private Collection; (add.info.: Guerre A La Guerre. Postcard, early 20th century. War to War)

Asia noviter delineata, detail of
Map of Asia 1617

Church of St. Clement of Tahull. Pantocrator by the Master of Taull. Main apse.12th century. National Art Museum of Catalonia. Barcelona. Spain

Roman tombstone with Christian iconography. Amias Licinia de
Early Christian Art. Italy. Early Christians. Roman tombstone with Christian iconography. Amias Licinia deceased. Representation of fish. Detail. Vatican Necropolis. Early third century A.D

Roman tombstone depicting the Good Shepherd. Baths of Diocle
Early Christian Art. Italy. Roman tombstone depicting the Good Shepherd. Baths of Diocletian, part of the National Roman Museum Rome. Italy

Spain. Extremadura. Zafra. Tower and gate (Cubos Arch). 17th century. Saint James the Moor-slayer. Statue

Christ on the cross, Louis Bernard Coclers, 1756

Chemistry allegory, 18th-century artwork
Chemistry allegory. 18th-century artwork representing chemistry. At top is an eagle above crowned figures with a lion and a griffin

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"Exploring the Iconographic World: From Our Lady of Vladimir to Orthodox Icons in St. Petersburg" Step into a world of rich symbolism and religious devotion as we delve into the fascinating realm of iconography. Journey back to the 12th century, where the renowned Our Lady of Vladimir icon first captivated hearts with its ethereal beauty and spiritual significance. But it's not just ancient icons that hold our attention – imagine a skeleton gracefully riding a penny farthing, an unexpected blend of whimsy and mortality. This juxtaposition reminds us that even in death, life can still be celebrated. Traveling further east, we find ourselves in St. Petersburg, Russia, surrounded by an array of Orthodox icons that showcase centuries-old traditions and artistic mastery. Each brushstroke tells a story steeped in faith and cultural heritage. Venturing back to ancient Rome, we stumble upon a tombstone adorned with Christian iconography – symbols representing eternal salvation amidst earthly tribulations. The Good Shepherd watches over his flock while Amias Licinia declares her unwavering devotion through art carved in stone. The Church of St. Clement of Tahull beckons us with its Pantocrator masterpiece created by the Master oozing divine authority and compassion simultaneously. It serves as a reminder that spirituality transcends time and place. Crossing borders once again, we encounter an exquisite ring from 15th-century England featuring depictions of the Virgin Mary cradling baby Jesus alongside Saints Margaret and Catherine – wearable devotion for those seeking solace during turbulent times. In Guerre A La Guerre (colour litho), war is depicted as futile through powerful imagery; it urges humanity to seek peace instead. Art becomes a voice against violence when words fail us. An iconic projection transports us to Venice before Napoleon's occupation – Arsenal stands tall amidst serene waters, reminding us how architecture can shape history itself while reflecting societal values at large.