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Impoverished Collection

"Capturing the Essence of Impoverished Lives: A Glimpse into History" Step back in time to the 1970s, where Southbank

Background imageImpoverished Collection: Free to Roam. Southbank, Middlesbrough 1970s

Free to Roam. Southbank, Middlesbrough 1970s 1970s

Background imageImpoverished Collection: Study for Deserted - a Foundling (oil on canvas)

Study for Deserted - a Foundling (oil on canvas)
2956891 Study for Deserted - a Foundling (oil on canvas) by Holl, Frank (1845-88); 55.25x76.2 cm; Private Collection; (add.info.: The scene is Bankside, the London docks)

Background imageImpoverished Collection: New York City Depression

New York City Depression
A scene in New York during the depression following the Wall Street Crash in 1929. Essential supplies are handed out to a line of impoverished citzens

Background imageImpoverished Collection: Horrors of the Irish Union: Botheration of Poor Pat, or A Whisper across the Channel

Horrors of the Irish Union: Botheration of Poor Pat, or A Whisper across the Channel
NCO191290 Horrors of the Irish Union: Botheration of Poor Pat, or A Whisper across the Channel, published by Hannah Humphrey in 1798 (hand-coloured etching) by Gillray

Background imageImpoverished Collection: Rag n Bone man Stockport slum yard

Rag n Bone man Stockport slum yard
A Rag n Bone man pushes his barrow though a slum cummunal yard in Stockport, Cheshire, England. He is watched by small children. The property was demolished shortly afterwards Date: circa 1970

Background imageImpoverished Collection: Slum communal yard, Stockport

Slum communal yard, Stockport
Small children and mongrel dogs beneath the washing lines in the communal back yard of slum property in Stockport, Cheshire, England. The property was demolished shortly afterwards Date: circa 1970

Background imageImpoverished Collection: Irish Life, c.1910 (litho)

Irish Life, c.1910 (litho)
IL433760 Irish Life, c.1910 (litho) by Skinner, Edward Frederick (1865-1924); Private Collection; (add.info.: Portrayal of life in Ireland in the early 18th century)

Background imageImpoverished Collection: Boy in slum housing yard

Boy in slum housing yard
Rear view of small fair-haired boy walking alone past dustbins and washing lines in the communal back yard of slum housing in Brinksway, Stockport, Cheshire, England

Background imageImpoverished Collection: L'Aumone d'un Mendiant (oil on canvas)

L'Aumone d'un Mendiant (oil on canvas)
476730 L'Aumone d'un Mendiant (oil on canvas) by Courbet, Gustave (1819-77); 210.9x175.3 cm; Burrell Collection, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Background imageImpoverished Collection: A Dress Rehearsal, 1868 (oil on panel)

A Dress Rehearsal, 1868 (oil on panel)
MAN277404 A Dress Rehearsal, 1868 (oil on panel) by Barnard, Frederick (1846-96); 76.1x86.3 cm; Manchester Art Gallery, UK

Background imageImpoverished Collection: Mamma Mia Poveretta, 1901-06 (oil on canvas)

Mamma Mia Poveretta, 1901-06 (oil on canvas)
6259441 Mamma Mia Poveretta, 1901-06 (oil on canvas) by Sickert, Walter Richard (1860-1942); 46x38.2 cm; Manchester Art Gallery, UK; © Manchester Art Gallery ; Manchester Art Gallery

Background imageImpoverished Collection: Manchester and Salford Children, 1861 (oil on canvas)

Manchester and Salford Children, 1861 (oil on canvas)
MAN277402 Manchester and Salford Children, 1861 (oil on canvas) by Armstrong, Thomas (1835-1911); 76x61.6 cm; Manchester Art Gallery

Background imageImpoverished Collection: His Only Friend (oil on canvas)

His Only Friend (oil on canvas)
MAN443309 His Only Friend (oil on canvas) by Riviere, Briton (1840-1920); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageImpoverished Collection: No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin)

No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin)
3745585 No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin) by Goya y Lucientes, Francisco Jose de (1746-1828); 25x34 cm; Manchester Art Gallery

Background imageImpoverished Collection: The Penny Sit-up, c. 1895 (b/w photo)

The Penny Sit-up, c. 1895 (b/w photo)
476227 The Penny Sit-up, c.1895 (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Run by the Salvation Army this pioneering homeless shelter in Blackfriars)

Background imageImpoverished Collection: Beggars and Street Characters, 1516 (handscroll, ink and light colour on paper) (detail)

Beggars and Street Characters, 1516 (handscroll, ink and light colour on paper) (detail)
3935967 Beggars and Street Characters, 1516 (handscroll, ink and light colour on paper) (detail) by Zhou Chen (16th century); Cleveland Museum of Art, OH

Background imageImpoverished Collection: The Starving, 1886 (oil on canvas)

The Starving, 1886 (oil on canvas)
ALG329491 The Starving, 1886 (oil on canvas) by Geoffroy, Henri Jules Jean (1853-1924); Museo Civico Revoltella, Trieste, Italy; (add.info.: Les Affames; )

Background imageImpoverished Collection: The Steerage, 1907 (small-format photogravure)

The Steerage, 1907 (small-format photogravure)
CH469011 The Steerage, 1907 (small-format photogravure) by Stieglitz, Alfred (1864-1946); 19x15 cm; Private Collection; (add.info.: from Camera Work, number 36, 1911; ); Photo © Christies Images

Background imageImpoverished Collection: The Steerage, 1907 (photogravure)

The Steerage, 1907 (photogravure)
3492961 The Steerage, 1907 (photogravure) by Stieglitz, Alfred (1864-1946); Metropolitan Museum of Art, New York, USA; (add.info)

Background imageImpoverished Collection: The Steerage, 1907 (photogravure on Japanese vellum)

The Steerage, 1907 (photogravure on Japanese vellum)
3949696 The Steerage, 1907 (photogravure on Japanese vellum) by Stieglitz, Alfred (1864-1946); 33.3x26.4 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageImpoverished Collection: The seamstress, 1881 (oil on canvas)

The seamstress, 1881 (oil on canvas)
OVR390568 The seamstress, 1881 (oil on canvas) by Krohg, Christian (1852-1925); 130x166 cm; Gothenburg Art Museum, Sweden; Photo © O. Vaering

Background imageImpoverished Collection: Al-Arm (oil on panel)

Al-Arm (oil on panel)
6334999 Al-Arm (oil on panel) by Venne, Adriaen Pietersz. van de (1589-1662); 36.8x28.8 cm; Private Collection; (add.info.: This humorous)

Background imageImpoverished Collection: Rue Champlain, a group of huts, 1858-78 (b / w photo)

Rue Champlain, a group of huts, 1858-78 (b / w photo)
XIR182904 Rue Champlain, a group of huts, 1858-78 (b/w photo) by Marville, Charles (1816-79); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageImpoverished Collection: From Morn Til Night, 1889 (oil on canvas)

From Morn Til Night, 1889 (oil on canvas)
1074089 From Morn Til Night, 1889 (oil on canvas) by Mulready, Augustus Edward (1844-c.1905); 47x31.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageImpoverished Collection: At Romsey Abbey, 1899 (oil on panel)

At Romsey Abbey, 1899 (oil on panel)
746489 At Romsey Abbey, 1899 (oil on panel) by Bateman, Robert (1842-1922); 40.6x30.5 cm; Private Collection; Photo eChristies Images; British, out of copyright

Background imageImpoverished Collection: Calling for the Ferry, 1871 (oil on canvas)

Calling for the Ferry, 1871 (oil on canvas)
487582 Calling for the Ferry, 1871 (oil on canvas) by Salentin, Hubert (1822-1910); 81x64.8 cm; Private Collection; Photo eChristies Images; German, out of copyright

Background imageImpoverished Collection: Beggar Boy, about 1780 (black chalk and stump, heightened with white, on pale buff paper)

Beggar Boy, about 1780 (black chalk and stump, heightened with white, on pale buff paper)
1217701 Beggar Boy, about 1780 (black chalk and stump, heightened with white, on pale buff paper) by Gainsborough, Thomas (1727-88); 24.9x19.4 cm; Ashmolean Museum, University of Oxford

Background imageImpoverished Collection: Needle Money, illustration from Punch Magazine

Needle Money, illustration from Punch Magazine
LIS384761 Needle Money, illustration from Punch Magazine, December 1849 (engraving) (for pair see 384762) by English School, (19th century); Museum of London, UK; eLiss Fine Art; English

Background imageImpoverished Collection: Boys playing knuckle bones (oil on canvas)

Boys playing knuckle bones (oil on canvas)
450180 Boys playing knuckle bones (oil on canvas) by Barker, Thomas (1769-1847); 77.2x63.2 cm; The Holburne Museum, Bath, UK; eHolburne Museum; British, out of copyright

Background imageImpoverished Collection: Jo, illustration from Character Sketches from Charles Dickens, c. 1890 (colour litho)

Jo, illustration from Character Sketches from Charles Dickens, c. 1890 (colour litho)
LLM405117 Jo, illustration from Character Sketches from Charles Dickens, c.1890 (colour litho) by Clarke, Joseph Clayton (Kyd) (1856-1937); Private Collection; (add.info)

Background imageImpoverished Collection: The Poor Poet, 1839 (oil on canvas)

The Poor Poet, 1839 (oil on canvas)
AKV406790 The Poor Poet, 1839 (oil on canvas) by Spitzweg, Carl (1808-85); 26.3x44.7 cm; Nationalgalerie, Berlin, Germany; (add.info.: Der Arme Poet; ); eAckermann Kunstverlag; German

Background imageImpoverished Collection: City Guard, Peking, c. 1867-72 (b / w photo)

City Guard, Peking, c. 1867-72 (b / w photo)
468597 City Guard, Peking, c.1867-72 (b/w photo) by Thomson, John (1837-1921); Private Collection; (add.info.: Thomson described this night watchman, called Old Wang, as " One of the city guard)

Background imageImpoverished Collection: Edgar Degas, the Diogenial Painter (litho)

Edgar Degas, the Diogenial Painter (litho)
CHT468177 Edgar Degas, the Diogenial Painter (litho) by Barrere, Adrien (1877-1931); Bibliotheque des Arts Decoratifs, Paris

Background imageImpoverished Collection: Mountain Hut, Province of Huzeh, c. 1867-72 (b / w photo)

Mountain Hut, Province of Huzeh, c. 1867-72 (b / w photo)
473729 Mountain Hut, Province of Huzeh, c.1867-72 (b/w photo) by Thomson, John (1837-1921); Private Collection; Scottish, out of copyright

Background imageImpoverished Collection: A Saka, plate 59 from Collection of One Hundred Prints Representing the Different

A Saka, plate 59 from Collection of One Hundred Prints Representing the Different
STC409024 A Saka, plate 59 from Collection of One Hundred Prints Representing the Different Nations of the Levant by Charles de Ferriol, engraved by Gerard Scotin (1671-1716)

Background imageImpoverished Collection: Refugees stream into Constantinople, waiting for a ship to Asia during the Turkish

Refugees stream into Constantinople, waiting for a ship to Asia during the Turkish
JHL390999 Refugees stream into Constantinople, waiting for a ship to Asia during the Turkish Revolution, 1909 (b/w photo) by Grant, Thomas E

Background imageImpoverished Collection: A Banquet To A Thousand Poor People Of Rome For The Jubilee Of Leo XIII

A Banquet To A Thousand Poor People Of Rome For The Jubilee Of Leo XIII, The Diners Enter The Vatican (colour litho)
2798640 A Banquet To A Thousand Poor People Of Rome For The Jubilee Of Leo XIII, The Diners Enter The Vatican (colour litho) by Beltrame

Background imageImpoverished Collection: A new way to pay the National Debt, pub. 21st April, 1786 (hand coloured engraving)

A new way to pay the National Debt, pub. 21st April, 1786 (hand coloured engraving)
2636952 A new way to pay the National Debt, pub. 21st April, 1786 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageImpoverished Collection: 'A General Fast in consequence of the War!!'... c.1794 (coloured etching)

"A General Fast in consequence of the War!!"... c.1794 (coloured etching)
1273704 " A General Fast in consequence of the War!!"... c.1794 (coloured etching) by Cruikshank, Isaac (1756-1811); 24x34 cm; London Metropolitan Archives

Background imageImpoverished Collection: Beggars receiving alms at the door of a house, 1648 (drypoint engraving)

Beggars receiving alms at the door of a house, 1648 (drypoint engraving)
FIT290435 Beggars receiving alms at the door of a house, 1648 (drypoint engraving) by Rembrandt Harmensz. van Rijn (1606-69); 16.5x12.9 cm; Fitzwilliam Museum, University of Cambridge

Background imageImpoverished Collection: Morning, or the Benevolent Sportsman, 1792 (oil on canvas)

Morning, or the Benevolent Sportsman, 1792 (oil on canvas)
FIT167225 Morning, or the Benevolent Sportsman, 1792 (oil on canvas) by Morland, George (1763-1804); 101.6x137.2 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Background imageImpoverished Collection: Cincinnatus in Retirement, published by E. D Archery in 1782 (hand-coloured etching)

Cincinnatus in Retirement, published by E. D Archery in 1782 (hand-coloured etching)
NCO191714 Cincinnatus in Retirement, published by E. D Archery in 1782 (hand-coloured etching) by Gillray, James (1757-1815); 22.5x31.5 cm; Courtesy of the Warden and Scholars of New College

Background imageImpoverished Collection: Georgey in the Coal-Hole, published by Hannah Humphrey in 1801 (hand-coloured etching)

Georgey in the Coal-Hole, published by Hannah Humphrey in 1801 (hand-coloured etching)
NCO190196 Georgey in the Coal-Hole, published by Hannah Humphrey in 1801 (hand-coloured etching) by Gillray, James (1757-1815); 25.1x20.1 cm; Courtesy of the Warden and Scholars of New College

Background imageImpoverished Collection: Democracy, or a Sketch of the Life of Buonaparte, published by Hannah Humphrey in 1800

Democracy, or a Sketch of the Life of Buonaparte, published by Hannah Humphrey in 1800
NCO189769 Democracy, or a Sketch of the Life of Buonaparte, published by Hannah Humphrey in 1800 (hand-coloured etching) by Gillray

Background imageImpoverished Collection: The Happy Family (oil on canvas)

The Happy Family (oil on canvas)
476574 The Happy Family (oil on canvas) by Zampighi, Eugenio (1859-1944); 56.2x76.8 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageImpoverished Collection: The Bohemian, 1890 (oil on canvas)

The Bohemian, 1890 (oil on canvas)
694498 The Bohemian, 1890 (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); 124.4x149.8 cm; Private Collection; Photo eChristies Images; French, out of copyright



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"Capturing the Essence of Impoverished Lives: A Glimpse into History" Step back in time to the 1970s, where Southbank, Middlesbrough becomes a canvas for the struggles faced by the impoverished. "Free to Roam" depicts their daily battles against poverty and adversity. In "Study for Deserted - a Foundling, " we witness an abandoned child left to fend for themselves amidst New York City's Depression era. The painting serves as a haunting reminder of the hardships endured during this challenging period. "The Horrors of the Irish Union: Botheration of Poor Pat, or A Whisper across the Channel" sheds light on Ireland's impoverished population and their plight. This thought-provoking piece reflects both despair and resilience within its brushstrokes. "L'Aumone d'un Mendiant" transports us to another world through oil on canvas, revealing a beggar's vulnerability while highlighting society's indifference towards those less fortunate. It urges us to question our own compassion and empathy. "A Dress Rehearsal, 1868" captures an unsettling scene where destitution intertwines with desperation. The artist portrays individuals caught in a cycle of poverty that seems impossible to escape from. "Mamma Mia Poveretta, 1901-06" evokes emotions through its vivid portrayal of hardship. This poignant artwork invites viewers into an intimate moment between mother and child as they navigate life's challenges together. With "Manchester and Salford Children, 1861, " we are confronted with innocent faces marked by deprivation. Their eyes tell stories untold but deeply felt – reminding us that childhood should be filled with joy rather than struggle. Through "His Only Friend, " we glimpse into loneliness experienced by many living in poverty-stricken conditions. This powerful depiction reminds us that human connection can bring solace even in dire circumstances. The rag-and-bone man depicted in Stockport slum yard captures the resourcefulness of those living in destitution.