Impressions Collection

Military Badge
Ulster impressions.Photolithograph after Joan Wanklyn, 1976.Published by Headquarters Northern Ireland, 1976.Shows 18 vignettes of the British Army on operations in Northern Ireland

A poster advertising Daisy Yates, Always Blooming. Date: C. 1913

Autumn impressions
Fusine lakes on a calm autumn day. Ales Krivec

Mr. Charles Dickens reading "Little Dombey", at St Martin's Hall, 1858. Creator: Unknown. Mr
Mr. Charles Dickens reading "Little Dombey", at St Martin's Hall, 1858. It is a good thing when the author can be thus induced to come forth from his library

Mr. W. S. Woodin's Entertainment, "The Olio of Oddities" - scene, "The Lakes", 1856. Self-styled polygraphist, or impressionist, who portrayed

Mike Yarwood impersonating Prince Charles. 19th February 1977

Pink Impressions
jlloydphoto

TV star Mike Yarwood stopping people in the centre of Manchester and asking them to do impressions. Mike Constantiaou does an impression of Elvis. 2nd May 1972

TV star impressionist Mike Yarwood. 19th December 1968

TV star Mike Yarwood. 13th February 1974

Up and coming impersonator Mike Yarwood has enlisted the help of pretty starlet Janet Rowsell after failing his driving test for the third time

British pop stars The Beatles mimicking their screaming fans as they pose before their second preview concert of The Beatles Christmas Show in the north of England

Still Life Impressions No 7
Treechild

Abstract Flower Impressions
Treechild

Landscape, c. 1904 (w / c and crayon on paper)
3614087 Landscape, c.1904 (w/c and crayon on paper) by Cross, Henri-Edmond (1856-1910); 17.5x24.8 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Garden of the Painter at Saint Clair, 1908 (w / c over graphite)
3472263 Garden of the Painter at Saint Clair, 1908 (w/c over graphite) by Cross, Henri-Edmond (1856-1910); 17.1x24.1 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Hyde Park would be much improved (litho)
614720 Hyde Park would be much improved (litho) by English School, (19th century); Private Collection; (add.info.: If London Were Like Venice, Hyde Park would be much improved)

Canale del Regente (litho)
614719 Canale del Regente (litho) by English School, (19th century); Private Collection; (add.info.: Canale del Regente - one time known as Regent Street)

Palazzo Degli Horse Guards (litho)
614717 Palazzo Degli Horse Guards (litho) by English School, (19th century); Private Collection; (add.info.: Palazzo Degli House Guards)

Stazione di Pancras (litho)
614716 Stazione di Pancras (litho) by English School, (19th century); Private Collection; (add.info.: Stazione di Pancras - late St Pancras Station)

Some impressions of Hollywood Beach Parties where film stars and movie magnates entertain, 1927 (2/4) - showing Karl Dane (seen in MGMs Rookies) and some beach beauties and Larry Kent

Impressions of the Mimosa Fete at Cannes, 1925
Impressions of the Mimosa Fete at Cannes, 1926 by Hemjic 2/2 Date: 1925

Thats a Good Girl at the London Hippodrome
Sketches made by Bryan de Grineau at the London Hippodrome, where Thats a Good Girl starring Jack Buchanan and Elsie Randolph was playing

The Florida nightclub by Hynes
Impressions and personalities at the Florida Club in South Bruton Mews, renowned for its glass dance floor, which triggered a craze for them in other clubs in and around London

South view of Queen Elizabeths Free Grammar School, St Saviour s, Southwark (engraving)
586704 South view of Queen Elizabeths Free Grammar School, St Saviour s, Southwark (engraving) by Schnebbelie, Robert Blemell (fl.1803-d.1849); Private Collection; (add.info)

How Her Majestys Theatre Would Look (litho)
614715 How Her Majestys Theatre Would Look (litho) by English School, (19th century); Private Collection; (add.info.: How Her Majestys Theatre would look - if London were like Venice)

The Banco and Palazzo di Royal Exchange (litho)
614714 The Banco and Palazzo di Royal Exchange (litho) by English School, (19th century); Private Collection; (add.info.: The Banco and Palazzo di Royal Exchange)

A Subalterns First Impressions of Malta (chromolitho)
1062464 A Subalterns First Impressions of Malta (chromolitho) by Marie, Adrien Emmanuel (1848-91) (after); Private Collection; (add.info.: A Subalterns First Impressions of Malta)

Valley with Fir (Shade on the Mountain), 1909 (oil on canvas)
3472265 Valley with Fir (Shade on the Mountain), 1909 (oil on canvas) by Cross, Henri-Edmond (1856-1910); 73.7x90.2 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Lago di Piccadily (litho)
614713 Lago di Piccadily (litho) by English School, (19th century); Private Collection; (add.info.: Artists impression of the Lago di Piccadilly - late Piccadilly Circus, London)

The Road, Effect of Winter, 1872 (oil on canvas)
CH12572 The Road, Effect of Winter, 1872 (oil on canvas) by Pissarro, Camille (1830-1903); 26.8x40.5 cm; Private Collection; Photo eChristies Images; French, out of copyright

Presqu ile de banks, pointe dite des Charbonniers, a Akaroa, peche a la seine
2657729 Presqu Ale de banks, pointe dite des Charbonniers, A Akaroa, pche A la seine, illustration from Etchings of the Pacific, 1863 (etching) by Meryon, Charles (1821-68); New York Public Library

Venice-The Giudecca, 1903 (w / c, graphite, and charcoal on heavy, white wove paper)
3472268 Venice-The Giudecca, 1903 (w/c, graphite, and charcoal on heavy, white wove paper) by Cross, Henri-Edmond (1856-1910); 17.1x24.8 cm; Metropolitan Museum of Art, New York, USA; French

Landscape with Stars, c. 1905-08 (w / c over graphite on white wove paper)
3472264 Landscape with Stars, c.1905-08 (w/c over graphite on white wove paper) by Cross, Henri-Edmond (1856-1910); 24.4x32.1 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Venice: Night of the Festival of the Redeemer, 1903 (w / c over pencil on white wove paper)
3472262 Venice: Night of the Festival of the Redeemer, 1903 (w/c over pencil on white wove paper) by Cross, Henri-Edmond (1856-1910); 14x24.3 cm; Metropolitan Museum of Art, New York, USA; French

The Brighton Road (engraving)
1056429 The Brighton Road (engraving) by Staniland, Charles J. (1838-1916) (after); Private Collection; (add.info.: The Brighton Road)

The Trial of M Zola, Sketches in Court (engraving)
1039401 The Trial of M Zola, Sketches in Court (engraving) by Renouard, Charles Paul (1845-1924) (after); Private Collection; (add.info.: The Trial of M Zola, Sketches in Court)

Cathedral and Piazza di St Pauls (litho)
614718 Cathedral and Piazza di St Pauls (litho) by English School, (19th century); Private Collection; (add.info.: Cathedral and Piazza di St Paul s)

The Snow Track; or, the Impressions We leave behind Us (engraving)
6008183 The Snow Track; or, the Impressions We leave behind Us (engraving) by English School, (19th century); Private Collection; (add.info.: The Snow Track; or, the Impressions We leave behind Us)

The Artists Garden at Saint-Clair, 1904-5 (w / c)
5667139 The Artists Garden at Saint-Clair, 1904-5 (w/c) by Cross, Henri-Edmond (1856-1910); 26.6 x 35.8 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Amar bulla (clay)
1220336 Amar bulla (clay) by Jewish School; (add.info.: Bulla found in the Temple Mount dump excavations. The Hebrew inscription, when reconstructed)

An artists wanderings notes on a journey to New York (litho)
959177 An artists wanderings notes on a journey to New York (litho) by May, Phil (1864-1903); Private Collection; (add.info.: An artists wanderings notes on a journey to New York)

Marine Scene (Boats near Venice), 1903 (w / c over graphite on white wove paper dry-mounted)
3472267 Marine Scene (Boats near Venice), 1903 (w/c over graphite on white wove paper dry-mounted on heavy wove card) by Cross, Henri-Edmond (1856-1910); 17.1x24.6 cm; Metropolitan Museum of Art

Pines Along the Shore, 1896 (oil on canvas)
3472266 Pines Along the Shore, 1896 (oil on canvas) by Cross, Henri-Edmond (1856-1910); 54x65.4 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Spring trees in blossom
38040 Spring trees in blossom by Cross, Henri-Edmond (1856-1910); Ny Carlsberg Glyptotek, Copenhagen, Denmark; French, out of copyright

Greniers indigenes et habitations a Akaroa, presqu ile de banks
2657730 Greniers indigAnes et habitations A Akaroa, presqu Ale de banks, illustration from Etchings of the Pacific, 1863 (etching) by Meryon, Charles (1821-68); New York Public Library

A Subalterns First Impressions of Malta (chromolitho)
1062466 A Subalterns First Impressions of Malta (chromolitho) by Marie, Adrien Emmanuel (1848-91) (after); Private Collection; (add.info.: A Subalterns First Impressions of Malta)

TV star Mike Yarwood outside the Houses of Parliament. 7th November 1975

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"Capturing the Essence: A Kaleidoscope of Impressions" From military badges to iconic posters, they have a way of leaving their mark on us. Whether it's the distinguished honor symbolized by a Military Badge or the allure of Daisy Yates in an advertising poster, impressions hold power. Artistic expressions also leave lasting impressions. "Still Life Impressions No 7" and "Abstract Flower Impressions" transport us into vibrant worlds where colors and shapes evoke emotions beyond words. These visual masterpieces invite us to see life through a different lens and are take on a playful tone. On February 19th, 1977, Mike Yarwood entertained audiences with his spot-on impersonation of Prince Charles. Known for his incredible mimicry skills, Yarwood brought laughter and joy as he imitated various personalities throughout his career. But they can not limited to art or entertainment alone; they encompass our daily experiences too. The changing hues of autumn leaves create breathtaking landscapes that imprint themselves in our memories as "Autumn Impressions. " Similarly, H. M Bateman's works titled "First and Second Impressions" humorously capture relatable moments from everyday life. Even famous figures like The Beatles couldn't resist indulging in playful mimicry as they posed before their screaming fans – mimicking the very enthusiasm that propelled them to stardom. Impressions extend beyond artistic realms; they permeate all aspects of society. TV star Mike Yarwood stopped people in Manchester's center during one occasion while showcasing his talent for imitation – connecting with ordinary individuals through shared laughter and recognition. Whether it be through art, entertainment, or personal interactions, these glimpses into different perspectives remind us how powerful first they are be. They shape our perceptions and allow us to connect with others on deeper levels than we may initially realize. In this vast tapestry called life, let us cherish every impression encountered – for they are the threads that weave together our collective human experience.