Inferno Collection

DANTEs INFERNO, c1520. Woodcut from a Venetian edition of the Divine Comedy, c1520

DANTE: DIVINE COMEDY. Frontispiece of Dantes Divine Comedy, showing Dante (in a red robe) being led by Virgil (in a blue robe) through the agonies of hell. Italian manuscript illumnination

The Mouth of Hell of engraving
Engraving by Gustave Dore

Charon the ferryman engraving
Charon the ferryman of Hell engraving by Gustave Dore

Dante & Virgil on Ice
Virgil is Dantes guide on a tour of Inferno; they come across some evildoers punished by being placed up to their necks in ice

Charon / Styx / Dante / Virgil
Charon ferries Dante and Virgil across the Styx, the river which separates this world of ours from the infernal regions

Dante & Virgil in Hell
Sinners stand in a frozen lake, with only the tops of their heads above the ice; the rest of their bodies are subjected to a permanent cold bath: Dante & Virgil look on

Dantes Inferno, suicides and the Harpies
Dantes Inferno. Canto XIII, line 11: Here [suicide tree] the brute Harpies make their nest (at right: Dante and Virgil). Italian poet Dante Alighieri (1265-1321)

Dante and Virgil in Inferno, crossing the cocytus, 1885 (engraving)
XEE746645 Dante and Virgil in Inferno, crossing the cocytus, 1885 (engraving) by Dore, Gustave (1832-83); Private Collection; (add.info.: Inferno)

Inferno, Canto 2 : Beatrice and Virgil, illustration from The Divine Comedy
GIA745722 Inferno, Canto 2 : Beatrice and Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Satan and Beelzebub engraving
Satan and Beelzebub

Fall of the Rebel Angels of engraving
Engraving by Gustave Dore

The fall of the rebel angels engraving 1885
Engraving by Gustave Dore

DANTE: INFERNO. Charon, ferryman of the river Styx. Wood engraving, 1861, after Gustave Dore

Satan in council engraving 1885
Engraving by Gustave Dore

Firemen Hosing 1940
Firemen using hoses on the inferno at Eastcheap, London EC, at the height of the Blitz

Arrival of souls purgatory engraving 1870
The Dore Gallery by Edmund Ollier - Cassel, Petter and Galpin (London-New York) 1870

CENTAURS IN INFERNO - 2
A band of Centaurs seen by Virgil and Dante in the course of their tour of Inferno

Dante in Hell
Virgil shows Dante the condemned suffering in Inferno

Firefighting Marines battle a huge blaze
December 7, 2011 - Aircraft Rescue and Firefighting Marines battle a huge blaze during a pit fuel fires training exercise at the burn pit

Firemen neutralize a fire
May 23, 2007 - Firemen neutralize a fire during a field training exercise at Shaw Air Force Base, South Carolina

Fragment of Dante Alighieri's 'Divina Comedia', 14th century (engraving)
5309211 Fragment of Dante Alighieri's 'Divina Comedia', 14th century (engraving); (add.info.: Fragment of Dante Alighieri's "Divina Comedia")

Lambeth Gasworks, 19th century, engraving
530403 Lambeth Gasworks, 19th century, engraving; (add.info.: From Gustave Dore and Blanchard Jerrold London: A Pilgrimage, London, 1872)

Dante and Virgil at the edge of the abyss from which a foetid smell steamed up: Canto XI
536434 Dante and Virgil at the edge of the abyss from which a foetid smell steamed up: Canto XI. Illustration by Gustave Dore for Dante Inferno, 1863

Depicting a fire in Arbos, Spain (engraving)
2910864 Depicting a fire in Arbos, Spain (engraving); (add.info.: Hand-coloured engraving depicting a fire in Arbos, Spain. Dated 18th Century.); Universal History Archive/UIG.

Paolo and Francesca
3078093 Paolo and Francesca; (add.info.: Print of the painting 'Paolo and Francesca' taken from Dante Alighieri's (1265-1321) Inferno, Canto V

Dante protected by Virgil from harm by demons
534378 Dante protected by Virgil from harm by demons. by Dore, Gustave (1832-83); (add.info.: Dante protected by Virgil from harm by demons)

Dante and Virgil beset by demons on their passage through the eighth circle
532226 Dante and Virgil beset by demons on their passage through the eighth circle. Illustration (1861) by Gustave Dore for Dante Inferno, Canto XXI

Hell: the city of Dis, Roman god of the underworld, Dante's Ingerno, 1863 (engraving)
536407 Hell: the city of Dis, Roman god of the underworld, Dante's Ingerno, 1863 (engraving); (add.info.: Hell: the city of Dis, Roman god of the underworld)

Charon the ferryman rowing to collect Dante and his guide, Virgil, to carry them across the Styx, 1861 (engraving)
536563 Charon the ferryman rowing to collect Dante and his guide, Virgil, to carry them across the Styx, 1861 (engraving); (add.info.: Charon the ferryman rowing to collect Dante and his guide)

2020 Bahrain GP
BAHRAIN INTERNATIONAL CIRCUIT, BAHRAIN - NOVEMBER 29: Romain Grosjean, Haas VF-20 Ferrari, emerges from flames after a horrific accident on the opening lap of the race

2020 Bahrain GP
BAHRAIN INTERNATIONAL CIRCUIT, BAHRAIN - NOVEMBER 29: Romain Grosjean, Haas VF-20 Ferrari, emerges from flames after a horrific accident on the opening lap of the race

2020 Bahrain GP
BAHRAIN INTERNATIONAL CIRCUIT, BAHRAIN - NOVEMBER 29: Romain Grosjean, Haas VF-20 Ferrari, emerges from flames after a horrific accident on the opening lap of the race

2020 Bahrain GP
BAHRAIN INTERNATIONAL CIRCUIT, BAHRAIN - NOVEMBER 29: Romain Grosjean, Haas VF-20 Ferrari, emerges from flames after a horrific accident on the opening lap of the race

2020 Bahrain GP
BAHRAIN INTERNATIONAL CIRCUIT, BAHRAIN - NOVEMBER 29: Romain Grosjean, Haas VF-20 Ferrari, emerges from flames after a horrific accident on the opening lap of the race

2020 Bahrain GP
BAHRAIN INTERNATIONAL CIRCUIT, BAHRAIN - NOVEMBER 29: Romain Grosjean, Haas VF-20 Ferrari, emerges from flames after a horrific accident on the opening lap of the race

2020 Bahrain GP
BAHRAIN INTERNATIONAL CIRCUIT, BAHRAIN - NOVEMBER 29: Romain Grosjean, Haas VF-20 Ferrari, emerges from flames after a horrific accident on the opening lap of the race

2020 Bahrain GP
BAHRAIN INTERNATIONAL CIRCUIT, BAHRAIN - NOVEMBER 29: Romain Grosjean, Haas VF-20 Ferrari, emerges from flames after a horrific accident on the opening lap of the race

We wanted to sleep in the mountains
Tomáš Hudolin

Lonely peak of mountains
Tomáš Hudolin

Full of snow
Tomáš Hudolin

Charon's Bark with Souls Crossing the Styx, plate two from Darstellungen aus Dante's... 1808-09
Charon's Bark with Souls Crossing the Styx, plate two from Darstellungen aus Dante's Holle, 1808-09

Studies for a Scene from Dante's "Inferno". Creator: George Hayter
Studies for a Scene from Dante's "Inferno"

Paolo and Francesca, c1820. Creator: Pierre Claude François Delorme
Paolo and Francesca, c1820

Dante and Virgil encounter Paolo and Francesca, 1846. Creator: Frascheri, Giuseppe (1809-1886)
Dante and Virgil encounter Paolo and Francesca, 1846. Found in the collection of the Pinacoteca Civica, Savona

Revolutionary satirical allegory: the triumph of Marat in the underworld, c1790 — 1800. Creator: Nicolas Antoine Taunay
Revolutionary satirical allegory: the triumph of Marat in the underworld, c1790 -- 1800

Dante Swoons before the Soaring Souls of Paolo and Francesca, Virgil at his Side, c.1818. Creator: Henry Fuseli
Dante Swoons before the Soaring Souls of Paolo and Francesca, Virgil at his Side, c.1818

Ugolino and His Sons in Prison, n.d. Creator: Carlo Arienti
Ugolino and His Sons in Prison, n.d

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"Inferno: A Journey through the Depths of Hell" Step into the haunting world of Dante's Divine Comedy, where darkness reigns and souls are tormented. The frontispiece of this timeless masterpiece captures the essence of Inferno, with Dante himself at its center, embarking on a treacherous quest. As we delve deeper into this infernal realm, a woodcut from a Venetian edition transports us to the very mouth of hell. Its fiery jaws beckon sinners towards their eternal damnation, while Charon stands as an ominous figure ready to ferry them across the river Styx. Dante and Virgil navigate through icy terrain in their harrowing journey. Their presence amidst frozen landscapes symbolizes their resilience against evil forces that lurk within these depths. Together they face unimaginable horrors as they traverse through each circle of hell. The suicides and Harpies stand as a chilling reminder of the consequences faced by those who took their own lives. Their souls forever trapped in twisted forms, serving as an everlasting testament to despair and regret. But it is Satan himself who commands attention with his imposing presence. Engravings depict him alongside Beelzebub, fallen angels forever condemned for rebelling against heaven's order. These illustrations capture both awe-inspiring power and profound sorrow. In Gustave Doré's wood engraving from 1861, Charon takes center stage once again - his skeletal frame embodying death itself as he ferries lost souls across Styx's black waters. This image serves as a visual representation of mankind's inevitable journey towards judgment. Through these captivating artworks spanning centuries, we witness Dante Alighieri's vivid imagination brought to life – an exploration into humanity’s darkest impulses and divine justice intertwined within Inferno’s intricate tapestry.