Ink Drawing Collection

Mappa Mundi, ink and colors on parchment, created in London about 1265
Cartography, 13th century. Mappa Mundi, Medieval map, London about 1265. Ink and colors on parchment. The maps diameter is 9 cm

Abraham Lincoln, signed carte-de-visite, 1864 (vignette, mount, gold-ruled border, ink)
985820 Abraham Lincoln, signed carte-de-visite, 1864 (vignette, mount, gold-ruled border, ink) by Berger, Anthony (fl.1861-65); 10.1x6.1 cm; Private Collection; (add.info.: Abraham Lincoln)

Mappa Mundi by Sawley or Enrico di Magonza, ink and colors on parchment, 12th Century
Cartography, 12th century. Mappa Mundi, Medieval world map by Sawley or Enrico di Magonza, from the end of the 12th century. Ink and colors on parchment, 29.5 x 20.5 cm

Kittens Playing on Desk, (oil on canvas)
1197583 Kittens Playing on Desk, (oil on canvas) by Neuville, Alfred Brunel de (1852-1941); 55.8x66. cm; Private Collection; Photo eChristies Images; French, out of copyright

Scene from The Mad Hatters Tea Party, c. 1865 (pen and brown ink)
985961 Scene from The Mad Hatters Tea Party, c.1865 (pen and brown ink) by Tenniel, John (1820-1914); 12.5x9.9 cm; Private Collection; (add.info.: Scene from The Mad Hatters Tea Party)

Austria, Stagecoach travel, ink drawing 20th century, Historisches Museum der Stadt Wien (History Museum)

Forceps
2626788 Forceps; (add.info.: Forceps. 1878. Japanese ink drawing.); Universal History Archive/UIG.

Two Magpies on Red Leafed Tree, 1939 (hanging scroll, ink and colour on paper)
1764872 Two Magpies on Red Leafed Tree, 1939 (hanging scroll, ink and colour on paper) by Xu Beihong (1895-1953); 11.5x38 cm; Private Collection; (add.info.: Two Magpies on Red Leafed Tree)

In the Piazza San Marco, (gouache, chalk and pen and brown ink)
827280 In the Piazza San Marco, (gouache, chalk and pen and brown ink) by Dulac, Edmund (1882-1953); 30.5x24.2 cm; Private Collection; (add.info.: In the Piazza San Marco. Edmund Dulac (1882-1953)

Both sides of the river
Payman Mollaie

Tinsel Toes, 1914 (pastel, watercolour, brush and black ink on board)
650536 Tinsel Toes, 1914 (pastel, watercolour, brush and black ink on board) by Shinn, Everett (1876-1953); 68.8x75.4 cm; Private Collection; (add.info.: Tinsel Toes. Everett Shinn (1876-1953)

Galloping Horse, 1944-45 (ink on paper)
1764897 Galloping Horse, 1944-45 (ink on paper) by Xu Beihong (1895-1953); Private Collection; (add.info.: Galloping Horse. Xu Beihong (1895-1953). Ink on paper

The Ghost of Christmas Yet to Come: Ebeneezer Scrooge, 1938 (pen and black and blue ink wash on board)
823342 The Ghost of Christmas Yet to Come: Ebeneezer Scrooge, 1938 (pen and black and blue ink wash on board) by Shinn, Everett (1876-1953); 43.5x38.2 cm; Private Collection; (add.info)

The Ghost of Christmas Past: Scrooge at the Schoolhouse, 1938 (watercolour, pen and black ink and pencil on board)
823341 The Ghost of Christmas Past: Scrooge at the Schoolhouse, 1938 (watercolour, pen and black ink and pencil on board) by Shinn

Galloping Horse, 1937 (ink and colour on paper)
1764898 Galloping Horse, 1937 (ink and colour on paper) by Xu Beihong (1895-1953); 52.5x73.7 cm; Private Collection; (add.info.: Galloping Horse. Xu Beihong (1895-1953). Ink and colour on paper

Feeding the Pheasants, (pencil, pen and black ink and watercolour heightened with bodyco)
651423 Feeding the Pheasants, (pencil, pen and black ink and watercolour heightened with bodyco) by Sonrel, Elisabeth (1874-1953); 31.7x49.5 cm; Private Collection; (add.info.: Feeding the Pheasants)

A Cat Sitting on a Rock, 1938 (hanging scroll, ink and colour on paper)
1764865 A Cat Sitting on a Rock, 1938 (hanging scroll, ink and colour on paper) by Xu Beihong (1895-1953); 108.5x47 cm; Private Collection; (add.info.: A Cat Sitting on a Rock)

They Overran the House Without Loss of Time, 1910 (pen, black ink and watercolour)
986004 They Overran the House Without Loss of Time, 1910 (pen, black ink and watercolour) by Dulac, Edmund (1882-1953); 31.12x25.4 cm; Private Collection; (add.info)

Circe, 1911 (w/c, gouache and pen and ink on paper)
989765 Circe, 1911 (w/c, gouache and pen and ink on paper) by Dulac, Edmund (1882-1953); 35.8x28.5 cm; Private Collection; (add.info.: by Edmund Dulac); Photo © Christie's Images.

Blind Man's Bluff
EC Mazur

Midnight Disco
EC Mazur

Peasant woman and peasant, (c1900s). Creator: Albert Engstrom
Peasant woman and peasant, (c1900s)

"Wessle, sugar baker". Vaxholm, 1874. Creator: Fritz von Dardel. "Wessle, sugar baker"
"Wessle, sugar baker". Vaxholm, 1874

Count Emanuel Gyldenstolpe plays Listz on the piano. (c1850s) Creator: Fritz von Dardel
"Le Liszt Suedois. Manne Gyldenstolpe". Count Emanuel Gyldenstolpe plays Listz on the piano. (c1850s)

"Edman! Which ball do you want scored". Pool scene. (c1850s) Creator: Fritz von Dardel
"Edman! Which ball do you want scored". Pool scene. (c1850s)

"The English legacy". The English Diplomatic Corps. (c1850s) Creator: Fritz von Dardel
"The English legacy". The English Diplomatic Corps. (c1850s)

Hummingbird Erum Khalili.png
Erum Khalili

Poppies
Petra Holíková

Wild Flowers
Petra Holíková

Connections
Aniko Hencz

The Fishing Pond
Aniko Hencz

The Round Tree
Aniko Hencz

Marstrand Castle; Marstrands Fastning, 1893 (charcoal, pen and black ink
659590 Marstrand Castle; Marstrands Fastning, 1893 (charcoal, pen and black ink and watercolour on paper) by Larsson, Carl (1853-1919); 74.3x128.9 cm; Private Collection; (add.info)

Santa Maria della Salute, Venice, (pencil, pen and brown ink and watercolour)
658718 Santa Maria della Salute, Venice, (pencil, pen and brown ink and watercolour) by Prosdocini or Prosdocimi, Alberto (1852-1925); 56.5x40 cm; Private Collection; (add.info)

The Corner of the Kitchen, (pen, black ink and watercolour)
657258 The Corner of the Kitchen, (pen, black ink and watercolour) by Ginner, Charles (1878-1952); 35x23 cm; Private Collection; (add.info.: The Corner of the Kitchen. Charles Ginner (1878-1952)

Very large historiated initial S, showing Saint Stephen, c. 1350-1400 (coloured inks and gold leaf on vellum)
986165 Very large historiated initial S, showing Saint Stephen, c.1350-1400 (coloured inks and gold leaf on vellum) by Gherarducci

Hydrangea and Rock, 1946 (hanging scroll, ink and colour on paper)
1764937 Hydrangea and Rock, 1946 (hanging scroll, ink and colour on paper) by Gao Jianfu (1879-1952); Private Collection; (add.info.: Hydrangea and Rock. Gao Jianfu (1879-1951)

Saint Anthony Beaten by the Devils, (pen and brown ink, brown wash)
827546 Saint Anthony Beaten by the Devils, (pen and brown ink, brown wash) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 21x26.5

A Male Nude Pulled by Another Male, (pencil and brown ink on brown paper)
658726 A Male Nude Pulled by Another Male, (pencil and brown ink on brown paper) by Gericault, Theodore (1791-1824); 12.6x19.8 cm; Private Collection; (add.info.: A Male Nude Pulled by Another Male)

The Young Krishna Kills the Demon Vatsasura, who came in the Guise of a Calf, c
1196882 The Young Krishna Kills the Demon Vatsasura, who came in the Guise of a Calf, c.1730-1740 (w/c & ink on orange paper) by Indian School

The Romans attacking Augsburg, c. 1490 (brown ink and pale coloured washes on paper)
986278 The Romans attacking Augsburg, c.1490 (brown ink and pale coloured washes on paper) by German School, (15th century); 19.7x14.5 cm; Private Collection; (add.info)

The Battle of Cosa, (black chalk, pen and brown ink. )
990023 The Battle of Cosa, (black chalk, pen and brown ink.) by Zuccari, Taddeo (1529-66); 42.9x32 cm; Private Collection; (add.info.: The Battle of Cosa. Taddeo Zuccaro (1529-1566)

The Recalcitrant Donkey, 1798 (pen and grey ink and watercolour)
652084 The Recalcitrant Donkey, 1798 (pen and grey ink and watercolour) by Ibbetson, Julius Caesar (1759-1817); 21.5x27.9 cm; Private Collection; (add.info.: The Recalcitrant Donkey)

Rustem Killing Arjang Div, c. 1630 (pen & ink, heightened with colour, on paper)
1196814 Rustem Killing Arjang Div, c.1630 (pen & ink, heightened with colour, on paper) by Mughal School, (17th century); 19.1x12 cm; Private Collection; Photo © Christies Images

A Satyr and a Young Girl, c. 1917 (black ink and watercolour on an oval card, framed)
985608 A Satyr and a Young Girl, c.1917 (black ink and watercolour on an oval card, framed) by Wegener, Gerda Marie Frederike (1885-1940); 18 (approx.width) cm; Private Collection; (add.info)

Tullie in his Chariot; Tullie sur son Char, (pen and brown ink, grey wash heightened with white on brown pape)
827614 Tullie in his Chariot; Tullie sur son Char, (pen and brown ink, grey wash heightened with white on brown pape) by Cades

An Old Woman Wearing a Rosary Cursing a Seated Man; Possibly Queen Margaret Cursing the Duke of Gloucester, (pencil)
651822 An Old Woman Wearing a Rosary Cursing a Seated Man; Possibly Queen Margaret Cursing the Duke of Gloucester, (pencil, pen and brown ink, grey wash) by Fuseli, Henry (Fussli)

After the Battle, (ink and wash on paper laid on board)
651007 After the Battle, (ink and wash on paper laid on board) by Remington, Frederic (1861-1909); 44.5x69.7 cm; Private Collection; (add.info.: After the Battle. Frederic Remington (1861-1909)

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"Ink Drawing: A Timeless Artistic Expression" In the realm of art, it has stood the test of time as a captivating and expressive medium. From ancient manuscripts to modern masterpieces, this technique has been utilized by artists throughout history to create intricate and mesmerizing works. One such example is the Mappa Mundi, an awe-inspiring map created in London around 1265. Executed with meticulous precision using ink and colors on parchment, it offers a glimpse into medieval cartography and showcases the skillful craftsmanship of its creator, whether it be Sawley or Enrico di Magonza. Moving forward in time, we encounter diverse subjects brought to life through ink drawings. "Kittens Playing on Desk" captures the playful innocence of these furry creatures on canvas with oil-based pigments. In contrast, Abraham Lincoln's signed carte-de-visite from 1864 portrays his dignified presence against a vignette backdrop adorned with gold-ruled borders meticulously rendered in ink. Delving further into imagination, "Scene from The Mad Hatters Tea Party" transports us to Lewis Carroll's whimsical world through pen and brown ink strokes. This depiction invites viewers to join Alice in her surreal adventures while showcasing the artist's ability to convey fantastical narratives. Beyond illustrations lies architectural beauty captured within delicate lines. An exquisite example is "Santa Maria della Salute, " where pencil, pen, brown ink, and watercolor blend seamlessly to portray Venice's iconic landmark with remarkable detail and depth. Meanwhile, other artists explore different mediums alongside ink drawing techniques. Marstrand Castle comes alive through charcoal accents combined with pen and black ink strokes that evoke a sense of mystery within its walls. Similarly intriguing is "The Corner of the Kitchen, " which employs black ink alongside watercolor washes for added vibrancy in depicting everyday scenes. Historiated initials like Saint Stephen grace illuminated manuscripts dating back centuries; their colored inks and gold leaf on vellum showcase the opulence and devotion of their time.