Italianate Collection

George Square, Glasgow
George Square in the centre of Glasgow, Lanarkshire, Scotland. This fine square in dominated by the Italianate Municipal Chambers and the Sir Walter Scott memorial column

Osborne House J030057
OSBORNE HOUSE, East Cowes, Isle of Wight. View towards the pavilion from the lower terrace

Osborne House J030054
OSBORNE HOUSE, East Cowes, Isle of Wight. View of the lower terrace from the upper terrace

Home Office, 1908. The Home Office, London

Mona Lisa (oil on canvas)
WLT430767 Mona Lisa (oil on canvas) by Vinci, Leonardo da (1452-1519) (after); 100.3x81.9 cm; Walters Art Museum, Baltimore, USA; Acquired by Henry Walters, before 1909; Italian, out of copyright

Belle Grove, Louisiana, 1938 (b / w photo)
5672319 Belle Grove, Louisiana, 1938 (b/w photo) by Johnston, Frances Benjamin (1864-1952); Private Collection; (add.info)

Marble Balustrades of the Staircase in the Foreign Office, c1935. Creator: King
Marble Balustrades of the Staircase in the Foreign Office, c1935. The Italianate interior of the Foreign Office in King Charles Street, off Whitehall, in central London

Middlesex Pauper Lunatic Asylum, 1849
The Italianate exterior of the New Middlesex Pauper Lunatic Asylum at Colney Hatch, near Friern Barnet, Middlesex (North London). The foundation stone was laid in 1849 by Prince Albert

Wales / Portmeirion
A girl stands by an iron gateway at PORTMEIRION, the village that Clough Williams- Ellis built between 1925 and 1975 on his own private penninsula in Snowdonia

Earl of Crawford tomb robbed, 1881
Four scenes relating to the tomb robbery of Alexander William Crawford Lindsay(1812-1880), 25th Earl of Crawford, 8th Earl of Balcarres. 1. Dunecht House, near Aberdeen. 2. The Chapel. 3

Plymouth Guildhall, Devon, England, was designed by local architects Alfred Norman and James Hine in the Victorian Gothic style. Rebuilt after the World War Two Blitz. Date: 1873 and 1959

Ron and Pam Williams - Brodsworth Hall, near Doncaster
Ron and Pam Williams last private owners of Brodsworth Hall, near Doncaster, Yorkshire. They are pictured in Brodsworth Hall drawing room Date: 1989

The boat bed at Brodsworth Hall, Doncaster, England. Photographed in 1989 with full permission of then owners Ron and Pam Williams in 1989 Date: 1989

Italian Classical Landscape (oil on canvas)
NGW238918 Italian Classical Landscape (oil on canvas) by Marko, Karoly I (1791-1860); National Museum Wales; National Museums & Galleries of Wales

The Bay of Naples, c.1778 (oil on canvas)
NGW238896 The Bay of Naples, c.1778 (oil on canvas) by Jones, Thomas (1743-1803); 103.2x156.8 cm; National Museum Wales; National Museums & Galleries of Wales

The Falls of Terni, 1767 (oil on canvas)
NGW239400 The Falls of Terni, 1767 (oil on canvas) by Patch, Thomas (1720-82); National Museum Wales; National Museums & Galleries of Wales

The main facade of the Casa Rosada with the equestrian monument to General Manuel Belgrano in foreground, Plaza de Mayo, Buenos Aires, Argentina

Alexandra Theatre NWC01_01_1388
Alexandra Theatre, Market Street, Newton Abbot, Teignbridge, Devon. The Alexandra Theatre viewed from the east. The Alexandra Theatre, later Alexandra Cinema

Decorative floor tiles DP262114
Retford Train Station Station Road, Retford, Bassettlaw, Nottinghamshire. Detail of decorative ceramic floor tiling in the refreshment room at Retford Station, probably by Minton

A colourful detail on the main facade of the "Nuestra Senora de la Candelaria de la Vina" church, Salta, Argentina. The church has a mixed architectural style: Baroque and Italianate

San Giorgio Monastery, Venice, Veneto, Italy. The garden and the Palladian cloister

Villa Taranto, lake Maggiore, Piedmont, Italy. Tulips labyrinth in bloom

Villa Melzi, Bellagio, Como lake, Lombardy, Italy. Japanese garden

Villa Carlotta, Tremezzo, Como lake, Lombardy, Italy. Details of the villas garden in bloom

The east front and part of the grounds at Deepdene, from England's Lost Houses by Giles Worsley (1961-2006)
CLF311754 The east front and part of the grounds at Deepdene, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

The Annunciation, c. 1490 (tempera on panel)
580562 The Annunciation, c.1490 (tempera on panel) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); 49.5x58.5 cm; Art Gallery and Museum, Kelvingrove, Glasgow

The Olive Gatherers, 1889 (oil on canvas)
3620065 The Olive Gatherers, 1889 (oil on canvas) by Swynnerton, Annie Louisa (1844-1933); 39x71 cm; Manchester Art Gallery

Erminia and the Shepherds, c. 1600 (pen & ink on paper)
2956581 Erminia and the Shepherds, c.1600 (pen & ink on paper) by Carracci, Ludovico (1555-1619); Manchester Art Gallery, UK; (add.info.: uv photo of original); © Manchester Art Gallery

Landscape with Fishermen, 1753 (oil on canvas)
3622304 Landscape with Fishermen, 1753 (oil on canvas) by Wootton, John (c.1682-1765); 98x120 cm; Manchester Art Gallery, UK; (add.info.: Italianate landscape with ruined castle to the left)

Lombardy Poplars (oil on canvas)
NCO412329 Lombardy Poplars (oil on canvas) by Hankey, William Lee (1869-1952); Courtesy of the Warden and Scholars of New College, Oxford

Union headquarters at 26 South Battery Street in occupied Charleston, South Carolina, 1865 (b / w photo)
867771 Union headquarters at 26 South Battery Street in occupied Charleston, South Carolina, 1865 (b/w photo) by American Photographer, (19th century); Private Collection; (add.info.: Union Maj.-Gen)

Banks of the Tiber, Rome (oil on canvas)
780774 Banks of the Tiber, Rome (oil on canvas) by Wilson, Richard (1713/14-82); 44.5x61 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; Leeds Museums and Galleries, UK; Welsh

Banks of the Tiber, Rome (chalk on paper)
780571 Banks of the Tiber, Rome (chalk on paper) by Wilson, Richard (1713/14-82); Leeds Museums and Galleries (Leeds Art Gallery) U.K.; Leeds Museums and Galleries, UK

Italian Town above a stream (chalk on paper)
780572 Italian Town above a stream (chalk on paper) by Wilson, Richard (1713/14-82); Leeds Museums and Galleries (Leeds Art Gallery) U.K.; Leeds Museums and Galleries, UK; Welsh, out of copyright

Cicero and his Friends, Atticus and Quintus, at his Villa at Arpinum, 18th century (oil on canvas)
AMO367645 Cicero and his Friends, Atticus and Quintus, at his Villa at Arpinum, 18th century (oil on canvas) by Wilson, Richard (1713/14-82); Ashmolean Museum, University of Oxford

Landscape with Figures (oil on canvas)
715560 Landscape with Figures (oil on canvas) by Wilson, Richard (1713/14-82); Bradford Art Galleries and Museums, West Yorkshire, UK; © Bradford Museums & Galleries; Welsh, out of copyright

The Alban Hills (oil on canvas)
474357 The Alban Hills (oil on canvas) by Wilson, Richard (1713/14-82); 101.4x73.6 cm; Sunderland Museum & Winter Gardens, Tyne & Wear, UK; © Sunderland Museums

Italianate landscape with Diana and Callisto with a goatherd near a ruined castle
1123878 Italianate landscape with Diana and Callisto with a goatherd near a ruined castle (oil on panel) by Poelenburgh or Poelenburch

Portrait of a Lady, seated three-quarter length, with her Dog before an Open Window
990415 Portrait of a Lady, seated three-quarter length, with her Dog before an Open Window, an Italianate Landscape Beyond, (oil on canvas-oval) by Gascar

Piazza Barberini, Rome, 1830 (oil on canvas)
829001 Piazza Barberini, Rome, 1830 (oil on canvas) by Bergen, Karl von (1794-1835); 101x139 cm; Private Collection; Photo eChristies Images; Dutch, out of copyright

Villa D Este, Tivoli, c. 1870 (oil on canvas)
3928646 Villa D Este, Tivoli, c.1870 (oil on canvas) by La Cour, Janus (1837-1909); Private Collection; Danish, out of copyright

A Wooded Italianate River Landscape with Peasants in a Barge and a Bridge Beyond, c
5984002 A Wooded Italianate River Landscape with Peasants in a Barge and a Bridge Beyond, c.1770 (watercolour) by Marlow, William (1740-1813); Private Collection; English, out of copyright

The Villa of Maecenas Tivoli, c. 1770 (watercolour)
5984003 The Villa of Maecenas Tivoli, c.1770 (watercolour) by Marlow, William (1740-1813); Private Collection; (add.info.: Gaius Cilnius Maecenas (c.70-8 BC) friend and political advisor to Octavian

Italian landscape, with Monte Socrate, 1635-41 (oil on canvas)
5938183 Italian landscape, with Monte Socrate, 1635-41 (oil on canvas) by Both, Jan (c.1618-52); 146.7x206 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Dutch

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"Exploring the Italianate Influence: From Glasgow's George Square to Osborne House J030057" Immerse yourself in the captivating world architecture as you wander through George Square, Glasgow. Admire the grandeur and elegance of buildings inspired by this style, transporting you to a different era. Venture further to Osborne House J030057, where Queen Victoria herself sought solace within its Italianate walls. Feel like royalty as you stroll through its opulent rooms and marvel at the intricate details that make this architectural gem truly unique. As your journey continues, let your eyes be drawn to Mona Lisa (oil on canvas) - an iconic masterpiece that embodies the essence of Italian artistry. Its enigmatic smile echoes throughout history, leaving a lasting impression on all who gaze upon it. Delve into history with tales from Earl of Crawford tomb robbed in 1881. Uncover secrets and mysteries surrounding this unfortunate event that shook society during those times. Travel across continents to Africa House - a magnificent mansion built on an estate reminiscent of Italy's charm. Marvel at its grandeur and imagine yourself transported to another world altogether. Discover how even institutions such as Middlesex Pauper Lunatic Asylum embraced the allure design in 1849. Witness firsthand how beauty was incorporated into every aspect, providing solace for those seeking refuge within these walls. Wales' Portmeirion beckons with its own interpretation architecture amidst stunning natural surroundings. Lose yourself in its whimsical charm and picturesque landscapes that seem straight out of a fairytale. Plymouth Guildhall stands proudly as yet another testament to Italy's influence on British architecture. Its imposing presence commands attention while showcasing exquisite craftsmanship synonymous with the Italianate style. The east front and part of the grounds at Deepdene offer glimpses into England's Lost Houses by Giles Worsley (1961-2006), published in 2002.