Jacobean Collection (page 2)

Ceiling, St Peter and St Paul Church (b/w photo)
CLF294296 Ceiling, St Peter and St Paul Church (b/w photo) by Evans, Frederick Henry (1853-1943); Salle, Norfolk, UK; © Country Life

J. S. Henry Ltd Jacobean And Tudor Periods
A Decorative scheme illustration of a living room designed in Jacobean and Tudor style, by J. S. Henry Ltd. Date: circa 1900

Jacobean style Oak Bureau in a furniture catalogue. Date: 1circa 1948

Angel Inn, Guildford
An etching of the Angel Inn, one of Guildford's large coaching inns established in the middle ages, with Jacobean or Tudor timber framing

Oetzmann Advertisement
An advertisement for Oetzmann & Co. Ltd, London based furniture makers. Images show various objects including Jacobean bookcase and tables, an Attwood bedroom suite, a Laindon bedroom suite

Sir Edward Coke, Lord Chief Justice
Sir Edward Coke (1552-1634), Lord Chief Justice, English judge, barrister and politician

Mells Manor, 1917, from The English Manor House (b/w photo)
CLF294554 Mells Manor, 1917, from The English Manor House (b/w photo) by English Photographer, (20th century); (add.info.: Mells Manor was purchased in 1543 by Thomas Horner)

The Gatehouse, Stanway, from The English Manor House (b/w photo)
CLF294595 The Gatehouse, Stanway, from The English Manor House (b/w photo) by English Photographer, (20th century); (add.info)

Oriel, The Perne Library (b/w photo)
CLF294291 Oriel, The Perne Library (b/w photo) by Evans, Frederick Henry (1853-1943); Peterhouse College, Cambridge University

Armchair, c. 1625 (oak)
5244627 Armchair, c.1625 (oak) by Welsh school, (17th century); 142.8x67x56.6 cm; Burrell Collection, Glasgow, Scotland; (add.info.: South Wales, probably Neath)

Armchair, c. 1625 (oak)
5244630 Armchair, c.1625 (oak) by Welsh school, (17th century); 142.8x67x56.6 cm; Burrell Collection, Glasgow, Scotland; (add.info.: South Wales, probably Neath)

Armchair, c. 1625 (oak)
5244626 Armchair, c.1625 (oak) by Welsh school, (17th century); 142.8x67x56.6 cm; Burrell Collection, Glasgow, Scotland; (add.info.: South Wales, probably Neath)

Armchair, c. 1625 (oak)
5244629 Armchair, c.1625 (oak) by Welsh school, (17th century); 142.8x67x56.6 cm; Burrell Collection, Glasgow, Scotland; (add.info.: South Wales, probably Neath)

George Villiers, First Duke of Buckingham, c. 1625 (oil on panel)
3617692 George Villiers, First Duke of Buckingham, c.1625 (oil on panel) by Rubens, Peter Paul (1577-1640); 60.9x47.3 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Lady's jacket, c. 1600-25 (embroidery)
GLS219848 Lady's jacket, c.1600-25 (embroidery) by English School, (17th century); 48.2x45.7 cm; Burrell Collection, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

William Shakespeare, 19th century. Creator: Unknown
William Shakespeare, 19th century

English Parliament in 1623, c. 1623 (engraving)
354828 English Parliament in 1623, c.1623 (engraving) by German School, (17th century); Biblioteca Nacional, Madrid, Spain; Index Fototeca

Bellerophon and the Chimaera, c. 1609 (pen & ink on paper)
CTS407517 Bellerophon and the Chimaera, c.1609 (pen & ink on paper) by Jones, Inigo (1573-1652); The Devonshire Collections

Portrait of Henry Danvers, 1st Earl of Danby, in robes of a Knight of the Garter, c. 1630 (oil on canvas)
710999 Portrait of Henry Danvers, 1st Earl of Danby, in robes of a Knight of the Garter, c.1630 (oil on canvas) by Dyck, Anthony van (1599-1641); State Hermitage Museum, St

Portrait of a gentleman, aged 22, 1616 (oil on canvas)
1065964 Portrait of a gentleman, aged 22, 1616 (oil on canvas) by English School, (17th century); 89.5x59 cm; Private Collection; (add.info)

William Shakespeare, 1856. Creator: John Chester Buttre
William Shakespeare, 1856

Shakespeare Seated Between the Dramatic Muse and the Genius of Painting, 1797. Creator: James Stow
Shakespeare Seated Between the Dramatic Muse and the Genius of Painting, Who is Pointing Him Out as the Proper Subject for Her Pencil, 1797

William Burton, 1604 (oil on panel)
1765254 William Burton, 1604 (oil on panel) by Unknown Artist, (17th century); 90.1x72.4 cm; Society of Antiquaries of London, UK; (add.info.: Portrait of the antiquary William Burton (1575-1645)

Sir Thomas Roes Embassy to the Court of Jehangir (oil & pencil on canvas)
1775082 Sir Thomas Roes Embassy to the Court of Jehangir (oil & pencil on canvas) by Rothenstein, William (1872-1945); 52.5x110.5 cm; Bradford Art Galleries and Museums, West Yorkshire

View of London, 1616 (oil on panel)
SOA235454 View of London, 1616 (oil on panel) by Gipkyn, John (fl.1594-1629); Society of Antiquaries of London, UK; (add.info)

North Court, Isle of Wight, the seat of Mrs. Bennet, 1826 (engraving)
5913018 North Court, Isle of Wight, the seat of Mrs. Bennet, 1826 (engraving) by British School, (19th century); (add.info.: North Court, Isle of Wight, the seat of Mrs)

King James VI and I, c. 1605 (oil on panel)
3928564 King James VI and I, c.1605 (oil on panel) by Critz, John de, the Elder (c.1552-1642); Private Collection; (add.info.: King James (1566-1625) VI of Scotland

Midlesex described with the most famous cities of London and Westminster, from Speeds Theatre of the Empire of Great
XCF186893 Midlesex described with the most famous cities of London and Westminster, from Speeds Theatre of the Empire of Great Britain, 1611-12 (hand coloured copper engraving) by Speed

Queen Anne of Denmark, c. 1605 (oil on panel)
3928565 Queen Anne of Denmark, c.1605 (oil on panel) by Critz, John de, the Elder (c.1552-1642)(attr. to); Private Collection; (add.info.: Anne of Denmark (1574-1619)

Fire Fans, France, 17th century. Creator: Unknown
Fire Fans, France, 17th century

Jacobean Armchair, c. 1940. Creator: Lawrence Phillips
Jacobean Armchair, c. 1940

E-2: English Bedchamber of the Jacobean or Stuart Period, 1603-88, United States, c. 1937

E-4: English Drawing Room of the Late Jacobean Period, 1680-1702, United States, c. 1937

E-3: English Reception Room of the Jacobean Period, 1625-55, United States, c. 1937

Wind rose from a maritime compass, 1596 (copper)
LRI3930753 Wind rose from a maritime compass, 1596 (copper) by Dudley, Robert (1574-1649); diam: 34 cm; Istituto e Museo di Storia della Scienza, Florence, Italy; Luisa Ricciarini; British

A fine blackwork coif, 1620-40 (linen) (see also 1616684)
1616683 A fine blackwork coif, 1620-40 (linen) (see also 1616684) by English School, (17th century); Private Collection; (add.info)

Detail of the Southern Barbarians Come to Trade, pair of six-panel screens
1191876 Detail of the Southern Barbarians Come to Trade, pair of six-panel screens, early 17th century (ink, colour, gold & gold leaf on paper) (see also 1152500) by Kano Naizen (1570-1616) (attr)

Detail of the Southern Barbarians Come to Trade, pair of six-panel screens
1191873 Detail of the Southern Barbarians Come to Trade, pair of six-panel screens, early 17th century (ink, colour, gold & gold leaf on paper) (see also 1152500) by Kano Naizen (1570-1616) (attr)

Portrait of George Villiers, 1st Duke of Buckingham (1592-1628) (oil on copper)
CH141093 Portrait of George Villiers, 1st Duke of Buckingham (1592-1628) (oil on copper) by Mytens, Daniel (1590-c.1648); 26.9x18.8 cm; Private Collection; Photo eChristies Images; Dutch

Portrait of a Lady Called Alathea, Countess Of Arundel, 1619 (oil on panel)
CH137837 Portrait of a Lady Called Alathea, Countess Of Arundel, 1619 (oil on panel) by Janssen van Ceulen, Cornelius (1593-1661); Private Collection; Photo eChristies Images; English

Portrait of a girl, bust-length, in a scarlet embroidered dress and lace collar
3482851 Portrait of a girl, bust-length, in a scarlet embroidered dress and lace collar (oil on panel) by Peake, Robert (c.1551-1619) (circle of)

Portrait of a Nobleman said to be 7th Earl of Shrewsbury in Garter Robes
CH42477 Portrait of a Nobleman said to be 7th Earl of Shrewsbury in Garter Robes by Somer, Paul van (c.1576-1621); Private Collection; (add.info.: Gilbert Talbot)

The Duchess Of Malfi by John Webster: A Dead Mans Hand (litho)
5988815 The Duchess Of Malfi by John Webster: A Dead Mans Hand (litho) by Keen, Henry Weston (1899-1935); Private Collection; (add.info.: A Dead Mans Hand)

William Shakespeare, English playwright (engraving)
5999584 William Shakespeare, English playwright (engraving) by Menzel, Adolph Friedrich Erdmann von (1815-1905) (after); Private Collection; (add.info.: William Shakespeare, English playwright)

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Step back in time and immerse yourself in the captivating world architecture and history. From the haunting ruins of Brambletye House, near East Grinstead, Sussex, to the grandeur of Hatfield House and Wroxton Abbey, these structures stand as testaments to an era long gone. Transport yourself to a pivotal moment in British history with "The Capture Of Guy Fawkes" painting from 1605. This dramatic scene captures the tension and intrigue surrounding the infamous Gunpowder Plot. Theatrical performances were also a significant part culture, as depicted by David Garrick alongside William Burton and John Palmer in Ben Jonson's play "The Alchemist. " Charlton House, a stunning C18 mansion, showcases the opulence that defined this period. Its intricate details and elegant design are truly awe-inspiring. Plas Teg in Wales is another remarkable example architecture owned by Cornelia Bayley—an enchanting house steeped in tales from centuries past. Delve into local history at Hertford Castle and Castle Yard—surveyed meticulously by Symon Basyll—a glimpse into life within its fortified walls during this era. Aston Hall Gateway Birmingham offers a snapshot of wartime Britain with its image captured in 1941—a reminder that even amidst turmoil, beauty endures. Nature lovers will marvel at the vibrant Crimson Jacobean lily (Sprekelia formosissima), showcasing nature's own interpretation of this historical period's rich color palette. And for art enthusiasts, Queen Artemisia's pen & ink portrait transports us directly to her regal presence circa 1609. Finally, we have Joseph Cundall's depiction of The Alms House from 1855—an enduring symbol of compassion during times when societal support was crucial. Jacobean hints scattered across different realms invite exploration into an age marked by architectural splendor, political intrigue, artistic expression, and natural beauty.