Jacobean Collection (page 7)

Thomas Tesdale, founder of Pembroke College, Oxford (engraving)
3626713 Thomas Tesdale, founder of Pembroke College, Oxford (engraving) by English School, (19th century); Private Collection; (add.info.: Thomas Tesdale (1547-1610)

Scene de l Alchimiste (engraving)
3644486 Scene de l Alchimiste (engraving) by French School, (19th century); Private Collection; (add.info.: Scene de l Alchimiste. Illustration for Le Magasin Pittoresque (1849)

Portrait in the Council House of Richard Weston, Earl of Portland (pencil & w / c on paper)
2831789 Portrait in the Council House of Richard Weston, Earl of Portland (pencil & w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Portrait in the Council House of Charles, Earl of Dorset (w / c on paper)
2831781 Portrait in the Council House of Charles, Earl of Dorset (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Sir Charles Somerset, his lady and daughters Monument
2832279 Sir Charles Somerset, his lady and daughters Monument, in St Jamess (pencil & w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Portrait of a lady holding a dog and a tulip, c. 1620
RPH74612 Portrait of a lady holding a dog and a tulip, c.1620 by English School, (17th century); 89x69 cm; Private Collection; eRichard Philp, London; English, out of copyright

M. William Shakespeare, his true chronicle history of the life and death of King Lear
2653532 M.William Shakespeare, his true chronicle history of the life and death of King Lear and his three daughters, 1608 by English School

Portrait of a Gentleman, Possibly a Member of the Poulett Family
LST332890 Portrait of a Gentleman, Possibly a Member of the Poulett Family, late 1620s (oil on canvas) by Jackson, Gilbert (fl.1622-58)

An amphitheatre (pen & ink on paper)
CTS407564 An amphitheatre (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English

Interior of the palace, c. 1611 (pen & ink on paper)
CTS407532 Interior of the palace, c.1611 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info.: stage design for Oberon)

Headdress, probably for Anne of Denmark (pen & ink on paper)
CTS407527 Headdress, probably for Anne of Denmark (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections

Design for an elephant pageant (pen & ink on paper)
CTS407522 Design for an elephant pageant (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees;

Polish Knight (pen & ink on paper)
CTS407521 Polish Knight (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English, out of copyright

Bel-Anna, Queen of the Sea, c. 1609 (pen & ink on paper)
CTS407515 Bel-Anna, Queen of the Sea, c.1609 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections

Queen Zenobia, c. 1609 (pen & ink on paper)
CTS407513 Queen Zenobia, c.1609 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info.: Masque of Queens by Ben Jonson; Zenobia)

Queen Candace, c. 1609 (pen & ink on paper)
CTS407512 Queen Candace, c.1609 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info.: Masque of Queens by Ben Jonson; Candace of Meroe)

Camilla, c. 1609 (pen & ink on paper)
CTS407508 Camilla, c.1609 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info)

Torchbearer of Oceania, 1605 (w / c on paper)
CTS407501 Torchbearer of Oceania, 1605 (w/c on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info)

A vintners boy (pen & ink on paper)
CTS407581 A vintners boy (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English

A garden and princely villa (pen & ink on paper)
CTS407569 A garden and princely villa (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info)

Influences of the Stars (pen & ink on paper)
CTS407567 Influences of the Stars (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English

Johphiel, Merefool, Skelton and Scogan, c. 1625 (pen & ink on paper)
CTS407553 Johphiel, Merefool, Skelton and Scogan, c.1625 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections

Apollo (pen & ink on paper)
CTS407549 Apollo (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info.: design for The Masque of Augurs (1622) by Ben Jonson;

A forest (pen & ink on paper)
CTS407547 A forest (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English, out of copyright

Torchbearer: a fiery spirit (w / c on paper)
CTS407540 Torchbearer: a fiery spirit (w/c on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English

The Release of the Daughters of the Morn, c. 1611 (pen & ink on paper)
CTS407537 The Release of the Daughters of the Morn, c.1611 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections

Portrait of William Herbert, 3rd Earl of Pembroke, c. 1620-30 (oil on panel)
470212 Portrait of William Herbert, 3rd Earl of Pembroke, c.1620-30 (oil on panel) by Mytens, Daniel (1590-c.1648); 73x60 cm; Breamore House, Hampshire, UK; (add.info.: William Herbert)

Kensington Palace, 7th October 1693 (pen & ink with wash on paper)
449289 Kensington Palace, 7th October 1693 (pen & ink with wash on paper) by Gasselin, Noel (fl.1677); 9.6x25.4 cm; eThe Devonshire Collections

Shakespeare writing Hamlet, 1936 (colour litho)
473452 Shakespeare writing Hamlet, 1936 (colour litho) by Bull, Rene(1872-1942); Private Collection; (add.info.: William Shakespeare (1564-1616)

Ben Johnson (engraving)
964880 Ben Johnson (engraving) by English School, (18th century); Private Collection; (add.info.: Ben Johnson. English playwright, poet, and literary critic (circa 11 June 1572 - 6 August 1637)

Sir George Croke (etching)
1071425 Sir George Croke (etching) by White, Robert (1645-1703); 20x13 cm; Dallas Museum of Art, Texas, USA; (add.info.: Sir George Croke (1560-1642)

Anne of Denmark, Queen to James I of England (coloured engraving)
972911 Anne of Denmark, Queen to James I of England (coloured engraving) by English School, (19th century); Private Collection; (add.info.: Anne of Denmark (1574-1619)

Portrait of Lady Harbord, c. 1630 (oil on canvas)
1066108 Portrait of Lady Harbord, c.1630 (oil on canvas) by English School, (17th century); 193x131.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Three Eldest Children of King Charles I (w / c on ivory)
dog, metal, stuart, costume, princes, princess of orange, duke of york, rulers, eldest, princess, spaniels, royal, spaniel, great britain, dogs, child, wood, royalty, england, burr, britain, british

Frontispiece to The Maids Tragedy by Sir Francis Beaumont (1584-1616
XJF137421 Frontispiece to The Maids Tragedy by Sir Francis Beaumont (1584-1616) and John Fletcher (1579-1625) 1622 (woodcut) (b/w photo) by English School

Portrait of a Lady, here called Arabella Stuart (oil on canvas)
LMG108840 Portrait of a Lady, here called Arabella Stuart (oil on canvas) by Gheeraerts, Marcus (c.1561-1635) (attr. to); 203.2x127 cm; Leeds Museums and Art Galleries (Temple Newsam House)

Portrait of Elizabeth Vernon, Countess of Southampton, c. 1603 (oil on canvas)
FIT63104 Portrait of Elizabeth Vernon, Countess of Southampton, c.1603 (oil on canvas) by English School, (17th century); 188x109 cm; Fitzwilliam Museum, University of Cambridge

Temple Newsam, Leeds, Yorkshire, 1816 (engraving)
5233442 Temple Newsam, Leeds, Yorkshire, 1816 (engraving) by English School, (19th century); Private Collection; (add.info.: Temple Newsam, Leeds, Yorkshire, 1816)

George Villiers Duke of Buckingham, English courtier, politician and favourite of King James I (engraving)
6014816 George Villiers Duke of Buckingham, English courtier, politician and favourite of King James I (engraving) by Miereveldt

The White Devil by John Webster: The Ghost of Isabella (litho)
5988816 The White Devil by John Webster: The Ghost of Isabella (litho) by Keen, Henry Weston (1899-1935); Private Collection; (add.info.: The Ghost of Isabella)

The White Devil by John Webster: The White Devil (litho)
5988829 The White Devil by John Webster: The White Devil (litho) by Keen, Henry Weston (1899-1935); Private Collection; (add.info.: The White Devil)

The White Devil by John Webster: The Ghost of Brachiano (litho)
5988823 The White Devil by John Webster: The Ghost of Brachiano (litho) by Keen, Henry Weston (1899-1935); Private Collection; (add.info.: The Ghost of Brachiano)

The Duchess Of Malfi by John Webster: The Cardinals Window (litho)
5988822 The Duchess Of Malfi by John Webster: The Cardinals Window (litho) by Keen, Henry Weston (1899-1935); Private Collection; (add.info.: The Cardinals Window)

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Step back in time and immerse yourself in the captivating world architecture and history. From the haunting ruins of Brambletye House, near East Grinstead, Sussex, to the grandeur of Hatfield House and Wroxton Abbey, these structures stand as testaments to an era long gone. Transport yourself to a pivotal moment in British history with "The Capture Of Guy Fawkes" painting from 1605. This dramatic scene captures the tension and intrigue surrounding the infamous Gunpowder Plot. Theatrical performances were also a significant part culture, as depicted by David Garrick alongside William Burton and John Palmer in Ben Jonson's play "The Alchemist. " Charlton House, a stunning C18 mansion, showcases the opulence that defined this period. Its intricate details and elegant design are truly awe-inspiring. Plas Teg in Wales is another remarkable example architecture owned by Cornelia Bayley—an enchanting house steeped in tales from centuries past. Delve into local history at Hertford Castle and Castle Yard—surveyed meticulously by Symon Basyll—a glimpse into life within its fortified walls during this era. Aston Hall Gateway Birmingham offers a snapshot of wartime Britain with its image captured in 1941—a reminder that even amidst turmoil, beauty endures. Nature lovers will marvel at the vibrant Crimson Jacobean lily (Sprekelia formosissima), showcasing nature's own interpretation of this historical period's rich color palette. And for art enthusiasts, Queen Artemisia's pen & ink portrait transports us directly to her regal presence circa 1609. Finally, we have Joseph Cundall's depiction of The Alms House from 1855—an enduring symbol of compassion during times when societal support was crucial. Jacobean hints scattered across different realms invite exploration into an age marked by architectural splendor, political intrigue, artistic expression, and natural beauty.