Jacobean Collection (page 9)

Jove with the Senate of the Gods, c. 1622 (pen & ink on paper)
CTS407550 Jove with the Senate of the Gods, c.1622 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections

Palace in a cavern, c. 1611 (pen & ink on paper)
CTS407531 Palace in a cavern, c.1611 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info.: stage design for Oberon)

Winged masquer (w / c on paper)
CTS407502 Winged masquer (w/c on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English, out of copyright

Memorial to Hugo Barker, 1632 (marble)
NCO403561 Memorial to Hugo Barker, 1632 (marble) by Stone, Nicholas (1586/87-1647); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: see also 403559 to 403562; ); English

Memorial to Hugo Barker, 1632 (marble)
NCO403559 Memorial to Hugo Barker, 1632 (marble) by Stone, Nicholas (1586/87-1647); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: see also 403560 to 403562; ); English

Ben Jonson (oil on canvas)
HEH416365 Ben Jonson (oil on canvas) by Blyenberch, Abraham van (fl.1617-22) (after); 55.9x50.8 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Titlepage of The Revengers Tragedy by Thomas Middleton, 1607
2653539 Titlepage of The Revengers Tragedy by Thomas Middleton, 1607 by English School, (17th century); Private Collection; (add.info)

An Unknown Lady, c. 1610 (oil on canvas)
MHB276662 An Unknown Lady, c.1610 (oil on canvas) by English School, (17th century); Private Collection; (add.info.: Black dress with long-waisted bodice, low-cut neckline, long)

Masquer: a Daughter of Niger, c. 1608 (w / c on paper)
CTS311204 Masquer: a Daughter of Niger, c.1608 (w/c on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info)

Portrait of a Gentlema, traditionally identified as Sir Robert Sidney (1563-1626
CH249881 Portrait of a Gentlema, traditionally identified as Sir Robert Sidney (1563-1626) later 1st Earl of Leicester (oil on panel) by English School

Batemans Burwash, Sussex, home of Rudyard Kipling, from Something of Myself
KW271332 Batemans Burwash, Sussex, home of Rudyard Kipling, from Something of Myself, published in 1937 (b/w photo) by English Photographer

A Street in Ludlow (b / w photo)
STC135818 A Street in Ludlow (b/w photo) by Turner, Benjamin Brecknell (1815-94); Private Collection; (add.info.: Feathers Hotel and Posting House; finest example of half-timbering in UK;)

Portrait of Hester Crispe (nee Ireland), c. 1620
RPH74610 Portrait of Hester Crispe (nee Ireland), c.1620 by English School, (17th century); 110x90 cm; Private Collection; eRichard Philp, London; English, out of copyright

Ben Jonson (1573-1637), engraved by George Vertue (1684-1756), 1730 (engraving)
CWA98177 Ben Jonson (1573-1637), engraved by George Vertue (1684-1756), 1730 (engraving) by Honthorst, Gerrit van (1590-1656) (after); City of Westminster Archive Centre, London

Thomas Sydenham (1624-89) from Gallery of Portraits
KW189054 Thomas Sydenham (1624-89) from Gallery of Portraits, published in 1833 (engraving) by English School, (19th century); Private Collection; (add.info.: Thomas Sydenham, 1624-1689)

Elizabeth, Queen of Bohemia, c. 1615, (gouache on card)
5671985 Elizabeth, Queen of Bohemia, c.1615, (gouache on card) by Oliver, Isaac (c.1565-1617); 5.7 x 4.8 cm; Yale Center for British Art, Paul Mellon Collection

James I of England and VI of Scotland, c. 1610 (w / c, gouache and gold
5671984 James I of England and VI of Scotland, c.1610 (w/c, gouache and gold, pen and black ink on vellum) by Hilliard, Nicholas (1547-1619); 6.7 x 5.4 cm; Yale Center for British Art

Wothorpe Towers, ruins of a Jacobean lodge, Cambridgeshire (photo)
5999801 Wothorpe Towers, ruins of a Jacobean lodge, Cambridgeshire (photo) by English Photographer, (20th century); Private Collection; (add.info.: Wothorpe Towers, ruins of a Jacobean lodge)

Portrait of a Woman, c. 1600-17 (parchment, metal and glass)
5670579 Portrait of a Woman, c.1600-17 (parchment, metal and glass) by Oliver, Isaac (c.1565-1617) (attr. to); 5.2x4.1 cm; Rijksmuseum, Amsterdam, The Netherlands; English, out of copyright

Portrait of a Man, c. 1600 (w / c on vellum with a gold border in a gilt metal frame)
5670897 Portrait of a Man, c.1600 (w/c on vellum with a gold border in a gilt metal frame) by Hilliard, Nicholas (1547-1619) (manner of); 5x4.1 cm; Cleveland Museum of Art, OH

Portrait of a Man, c. 1590 (w / c on vellum in a later gilt metal frame)
5670895 Portrait of a Man, c.1590 (w/c on vellum in a later gilt metal frame) by Hilliard, Nicholas (1547-1619); 5.5x4.6 cm; Cleveland Museum of Art, OH, USA; English, out of copyright

Portrait of Charles Howard, 2nd Baron Howard of Effingham
5670889 Portrait of Charles Howard, 2nd Baron Howard of Effingham, 1576 (w/c on vellum in a gilt metal frame) by Hilliard, Nicholas (1547-1619); 5.2x4.8 cm; Cleveland Museum of Art, OH

Jewelled frame for a portrait miniature of Queen Anne of Denmark, c
5672335 Jewelled frame for a portrait miniature of Queen Anne of Denmark, c.1611 (enamel, gold & table diamonds) (see also 109671 and 69710) by English School

Detail of the Southern Barbarians Come to Trade, pair of six-panel screens
1191874 Detail of the Southern Barbarians Come to Trade, pair of six-panel screens, early 17th century (ink, colour, gold & gold leaf on paper) (see also 1152500) by Kano Naizen (1570-1616) (attr)

Map of New England, from Historia Mundi: or Mercators Atlas, London
3964030 Map of New England, from Historia Mundi: or Mercators Atlas, London, 1635 (engraving) by Mercator, Gerardus (1512-94)

Lord Howard of Effingham, 17th century (oil on canvas)
3744301 Lord Howard of Effingham, 17th century (oil on canvas) by Mytens, Daniel (c.1590-c.1648) (studio of); 243x155 cm; Nottingham City Museums and Galleries (Nottingham Castle); (add.info)

Robert Devereux, 2nd Earl of Essex (vellum with tortoiseshell frame & gold mount)
4820464 Robert Devereux, 2nd Earl of Essex (vellum with tortoiseshell frame & gold mount) by Oliver, Isaac (c.1565-1617); 20.8x12.9 cm; Private Collection; (add.info.: Robert Devereux)

Portrait of a gentleman, aged 28, 1632 (oil on canvas)
2560007 Portrait of a gentleman, aged 28, 1632 (oil on canvas) by Peake, Robert (fl.1580-1626) (follower of); 80x62.8 cm; Private Collection; Photo eChristies Images; British, out of copyright

Sir Edward Coke, Lord Chief Justice (engraving)
964920 Sir Edward Coke, Lord Chief Justice (engraving) by English School, (18th century); Private Collection; (add.info.: Sir Edward Coke, Lord Chief Justice)

Royal Military Academy, Woolwich (colour photo)
3094782 Royal Military Academy, Woolwich (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Royal Military Academy, Woolwich)

Montacute House, Somerset (b / w photo)
3094876 Montacute House, Somerset (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Montacute House, Somerset. Postcard, early 20th century.); © Look and Learn

Sir Henry Wotton, English diplomat and politician (engraving)
820627 Sir Henry Wotton, English diplomat and politician (engraving) by English School, (19th century); Private Collection; (add.info.: Sir Henry Wotton (1568-1639)

Chilham Castle, Chilham, Kent. 12th December 1961

The gatehouse at Stokesay Castle in Stokesay, Shropshire. 21st April 1961

Stepping out in time... These youngsters from Helme Junior and Infants school joined teacher Mrs Linda Tebb on a trip back to the 17th century to see at first hand how people coped with life during

The Feathers Hotel, Ludlow, Shropshire. c. 1965. Local Caption watscan
The Feathers Hotel, Ludlow, Shropshire. c.1965. watscan - - 05/05/2010

Knole House, English country house in Sevenoaks, west Kent. Circa 1920

A Scene from The Maid of the Mill, 1765. Creator: John Inigo Richards
A Scene from The Maid of the Mill, 1765

Aston Hall From The Park, 1891. Creator: Charles Ashmore
Aston Hall From The Park, 1891

Lady Of The Brereton Family, 1600-1625. Creator: Unknown
Lady Of The Brereton Family, 1600-1625. Portrait is possibly of Jane Brereton

Aston Hall The East Front, 1854. Creator: John Joseph Hughes
Aston Hall The East Front, 1854

View Of The Long Gallery At Aston Hall, 1870-1880. Creator: Cecilia C Foster
View Of The Long Gallery At Aston Hall, 1870-1880

Portrait Of A Lady With A Fan, 1600-1650. Creator: Unknown
Portrait Of A Lady With A Fan, 1600-1650

Portrait of a Lady, 1600-1700. Creator: Unknown
Portrait of a Lady, 1600-1700

Sir Thomas Holte (1571-1654), 1st Baronet of Aston Hall, 1600-1625. Creator: Unknown
Sir Thomas Holte (1571-1654), 1st Baronet of Aston Hall, 1600-1625

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Step back in time and immerse yourself in the captivating world architecture and history. From the haunting ruins of Brambletye House, near East Grinstead, Sussex, to the grandeur of Hatfield House and Wroxton Abbey, these structures stand as testaments to an era long gone. Transport yourself to a pivotal moment in British history with "The Capture Of Guy Fawkes" painting from 1605. This dramatic scene captures the tension and intrigue surrounding the infamous Gunpowder Plot. Theatrical performances were also a significant part culture, as depicted by David Garrick alongside William Burton and John Palmer in Ben Jonson's play "The Alchemist. " Charlton House, a stunning C18 mansion, showcases the opulence that defined this period. Its intricate details and elegant design are truly awe-inspiring. Plas Teg in Wales is another remarkable example architecture owned by Cornelia Bayley—an enchanting house steeped in tales from centuries past. Delve into local history at Hertford Castle and Castle Yard—surveyed meticulously by Symon Basyll—a glimpse into life within its fortified walls during this era. Aston Hall Gateway Birmingham offers a snapshot of wartime Britain with its image captured in 1941—a reminder that even amidst turmoil, beauty endures. Nature lovers will marvel at the vibrant Crimson Jacobean lily (Sprekelia formosissima), showcasing nature's own interpretation of this historical period's rich color palette. And for art enthusiasts, Queen Artemisia's pen & ink portrait transports us directly to her regal presence circa 1609. Finally, we have Joseph Cundall's depiction of The Alms House from 1855—an enduring symbol of compassion during times when societal support was crucial. Jacobean hints scattered across different realms invite exploration into an age marked by architectural splendor, political intrigue, artistic expression, and natural beauty.