Le Primatice Collection

The Banquet of Alexander, 1540-50. Creator: Domenico del Barbiere
The Banquet of Alexander, 1540-50

Juno (from The Muses and the Three Great Goddesses), 1540-56. 1540-56. Creator: Anon
Juno (from The Muses and the Three Great Goddesses), 1540-56

Thalia, ca. 1540-45. ca. 1540-45. Creator: Anon
Thalia, ca. 1540-45

Melpomene, ca. 1540-45. ca. 1540-45. Creator: Anon
Melpomene, ca. 1540-45

Calliope, ca. 1540-45. ca. 1540-45. Creator: Anon
Calliope, ca. 1540-45

Polyhymnia, ca. 1540-45. ca. 1540-45. Creator: Anon
Polyhymnia, ca. 1540-45

Self Portrait, 1525-30 (oil on canvas)
BEN342352 Self Portrait, 1525-30 (oil on canvas) by Primaticcio, Francesco (1504-70); 40.5x28.5 cm; Galleria degli Uffizi, Florence, Tuscany, Italy; Photo eRaffaello Bencini; Italian, out of copyright

The Trojans hauling the wooden horse into Troy, 1545. Creator: Giulio Bonasone
The Trojans hauling the wooden horse into Troy, 1545

The Banquet of Alexander the Great, 1544 / 46. Creator: Domenico del Barbiere
The Banquet of Alexander the Great, 1544/46

The Trojans pulling the wooden horse into the city, 1545. Creator: Giulio Bonasone
The Trojans pulling the wooden horse into the city, 1545

Jupiter and Callisto, 1537-40. Creator: Pierre Milan
Jupiter and Callisto, 1537-40

Concourse of the Gods on Mount Olympus, 1565. Creator: Cornelis Cort
Concourse of the Gods on Mount Olympus, 1565

Hercules dressed as a woman, 1540-45. Creator: Antonio Fantuzzi
Hercules dressed as a woman, 1540-45

Muses at the Foot of Mount Parnassus, 1540-45. Creator: Antonio Fantuzzi
Muses at the Foot of Mount Parnassus, 1540-45

Cadmus Tilling the Field Where He Sowed the Dragons Teeth, 1540-45

Jupiter and Antiope, 1540-45. Creator: Antonio Fantuzzi
Jupiter and Antiope, 1540-45

A Sibyl, 1540-45. Creator: Antonio Fantuzzi
A Sibyl, 1540-45

Woman Full Face, Her Head Slightly to the Left, ca. 1543. Creator: Antonio Fantuzzi
Woman Full Face, Her Head Slightly to the Left, ca. 1543

Woman Turned to the Right, 1540-45. Creator: Antonio Fantuzzi
Woman Turned to the Right, 1540-45

Melpomene, from the Mattei sarcophagus, Rome, 1540-45. Creator: Antonio Fantuzzi
Melpomene, from the Mattei sarcophagus, Rome, 1540-45

The Daughters of Minyas, 1545. Creator: Antonio Fantuzzi
The Daughters of Minyas, 1545

A Grotto, ca. 1545. Creator: Antonio Fantuzzi
A Grotto, ca. 1545. [A Cryptoportico]

The Fall of Phaeton, 1545. Creator: Antonio Fantuzzi
The Fall of Phaeton, 1545

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"Le Primatice: A Master of Renaissance Art" Step into the world of Le Primatice, a renowned artist of the Renaissance period. Known for his exquisite craftsmanship and attention to detail, Le Primatice's works captivate viewers with their beauty and storytelling. One such masterpiece is "The Banquet of Alexander, " created by Domenico del Barbiere between 1540-50. This painting depicts a lavish feast where Alexander the Great indulges in opulence and luxury, surrounded by his loyal companions. In another artwork titled "Juno (from The Muses and the Three Great Goddesses), " an anonymous creator brings Juno, the queen of gods, to life. With intricate brushstrokes and vibrant colors, this piece showcases Juno's regal presence as she stands among other powerful goddesses. Thalia and Melpomene take center stage in two separate paintings from around 1540-45. These anonymous creations portray Thalia as the muse of comedy while Melpomene represents tragedy. Through their expressive faces and graceful poses, these muses embody the essence of their respective art forms. Calliope also makes an appearance in another work attributed to an anonymous artist from ca. 1540-45. As the muse of epic poetry, Calliope exudes wisdom and inspiration through her serene expression. Moving away from mythology-inspired pieces, we encounter a scene titled "People Fleeing a Burning City. " Created anonymously during the 16th century, this artwork captures chaos and desperation as people escape from a raging fire that engulfs their city. Polyhymnia takes us back to mythological realms with her depiction in yet another anonymous creation dating back to ca. 1540-45. As the muse of sacred hymns or religious music, Polyhymnia emanates tranquility through her gentle gaze. Le Primatice himself is immortalized in a self-portrait from 1525-30.