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Leopard Skin Collection

"Leopard Skin: A Captivating Symbol of Power and Beauty" In Bacchus, 1867 (w/c & bodycolour on paper

Background imageLeopard Skin Collection: Bacchus, 1867 (w / c & bodycolour on paper)

Bacchus, 1867 (w / c & bodycolour on paper)
CH343569 Bacchus, 1867 (w/c & bodycolour on paper) by Solomon, Simeon (1840-1905); Private Collection; Photo eChristies Images; English, out of copyright

Background imageLeopard Skin Collection: Venus Binding her Hair

Venus Binding her Hair
CH35010 Venus Binding her Hair by Godward, John William (1861-1922); Private Collection; Photo eChristies Images; English, out of copyright

Background imageLeopard Skin Collection: George Reinhold Palmstruch, 1753. Creator: Johan Joachim Streng

George Reinhold Palmstruch, 1753. Creator: Johan Joachim Streng
George Reinhold Palmstruch, 1753. Portrait of Georg Reinhold Palmstruch (1686-1757), Cuirass and the Order of the Sword

Background imageLeopard Skin Collection: The International Exhibition - View in the Natal Court, 1862. Creator: Mason Jackson

The International Exhibition - View in the Natal Court, 1862. Creator: Mason Jackson
The International Exhibition - View in the Natal Court, 1862. Visitors inspecting horns, skins, and stuffed animals from South Africa. Note model of covered wagon

Background imageLeopard Skin Collection: Ancient Egypt, Tomb of Inherkhau, Thebes, Inherkhau before his sons performing duties of a priest

Ancient Egypt, Tomb of Inherkhau, Thebes, Inherkhau before his sons performing duties of a priest
3476258 Ancient Egypt, Tomb of Inherkhau, Thebes, Inherkhau before his sons performing duties of a priest, Wearing a leopard skin, Wall painting, Valley of the Nobles

Background imageLeopard Skin Collection: Private, Drummers, Piper, and Bugler - The Black Watch, 1900. Creator: Knight

Private, Drummers, Piper, and Bugler - The Black Watch, 1900. Creator: Knight
Private, Drummers, Piper, and Bugler - The Black Watch, 1900. Black Watch infantry battalion of the Royal Regiment of Scotland were stationed in India from 1896

Background imageLeopard Skin Collection: Lady Emma Hamilton, (1933). Creator: Unknown

Lady Emma Hamilton, (1933). Creator: Unknown
Lady Emma Hamilton, (1933). Portrait of Emma, Lady Hamilton (1765-1815), British model and actress, the mistress of Admiral Lord Nelson and muse of painter George Romney

Background imageLeopard Skin Collection: The Betrothed, 1892. Artist: John William Godward

The Betrothed, 1892. Artist: John William Godward
The Betrothed, 1892; showing a woman lying on a cushion and leopard skin viewing a ring on her left hand

Background imageLeopard Skin Collection: The Confidante, 1910 (oil on canvas)

The Confidante, 1910 (oil on canvas)
658439 The Confidante, 1910 (oil on canvas) by Villegas y Cordero, Jose (1844-1921); 150x150 cm; Private Collection; (add.info.: The Confidante. Jose Villegas Cordero (1848-1921). Oil on canvas

Background imageLeopard Skin Collection: Thais, 1927 (colour etching and aquatint)

Thais, 1927 (colour etching and aquatint)
991058 Thais, 1927 (colour etching and aquatint) by Icart, Louis (1888-1950); 43x53.5 cm; Private Collection; (add.info.: Thais. Louis Icart (1888-1950). Colour etching and aquatint. Etched in 1927

Background imageLeopard Skin Collection: The Sleep of Endymion, 1791 (oil on canvas) (detail)

The Sleep of Endymion, 1791 (oil on canvas) (detail)
XIR285792 The Sleep of Endymion, 1791 (oil on canvas) (detail) by Girodet de Roucy-Trioson, Anne Louis (1767-1824); 198x261 cm; Louvre, Paris, France; (add.info.: (detail of 65897))

Background imageLeopard Skin Collection: Justitia (Justice) from Los Honores, Flanders, 1525 / 32. Creators: Unknown

Justitia (Justice) from Los Honores, Flanders, 1525 / 32. Creators: Unknown
Justitia (Justice) from Los Honores, Flanders, 1525/32. Presumably after a design by Bernard van Orley. Top left corner and center of lower section possibly produced at the workshop of Pieter van

Background imageLeopard Skin Collection: The Offering of the Boars Head, from The Story of Meleager and Atalanta, Brussels

The Offering of the Boars Head, from The Story of Meleager and Atalanta, Brussels, 1673/86. Woven at the workshop of Jan II Leyniers, after a design by Charles Le Brun

Background imageLeopard Skin Collection: Castrorum Praefectus Americanus, from Courses de Testes et de Bagues Faittes par Roy

Castrorum Praefectus Americanus, from Courses de Testes et de Bagues Faittes par Roy et par les Princes et Signeurs de sa Cour, en l annee 1662 (Grand Carrousel), 1662-70

Background imageLeopard Skin Collection: Programme for Cafe Zanzibar, ca. 1945. Creator: Unknown

Programme for Cafe Zanzibar, ca. 1945. Creator: Unknown
Home of the Stars; Program; Cafe Zanzibar, Broadway at 49th, New York. The programme a single sheet of paper, folded in half

Background imageLeopard Skin Collection: The Sleep of Endymion, 1791 (oil on canvas) (for copy see 62246)

The Sleep of Endymion, 1791 (oil on canvas) (for copy see 62246)
XIR65897 The Sleep of Endymion, 1791 (oil on canvas) (for copy see 62246) by Girodet de Roucy-Trioson, Anne Louis (1767-1824); 198x261 cm; Louvre, Paris

Background imageLeopard Skin Collection: Bacchanal, 1871 (oil on canvas)

Bacchanal, 1871 (oil on canvas)
1262846 Bacchanal, 1871 (oil on canvas) by Alma-Tadema, Lawrence (1836-1912); 42.5x82.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageLeopard Skin Collection: Mischief and Repose, 1909 (oil on canvas)

Mischief and Repose, 1909 (oil on canvas)
1772135 Mischief and Repose, 1909 (oil on canvas) by Godward, John William (1861-1922); 38.4x76.9 cm; Private Collection; (add.info.: Mischief and Repose. John William Godward (1861-1922)

Background imageLeopard Skin Collection: Allegorical portrait of a lady as Diana, 1777 (pastel on paper)

Allegorical portrait of a lady as Diana, 1777 (pastel on paper)
1769627 Allegorical portrait of a lady as Diana, 1777 (pastel on paper) by Vigee-Lebrun, Elisabeth Louise (1755-1842); 62.5x52.1 cm; Private Collection; Photo eChristies Images; French

Background imageLeopard Skin Collection: Odalisque, c. 1895 (oil on canvas)

Odalisque, c. 1895 (oil on canvas)
CH469038 Odalisque, c.1895 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 41.2x32.7 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageLeopard Skin Collection: Ancient Celtic warriors dressed for battle, c. 1800-18 (coloured engraving)

Ancient Celtic warriors dressed for battle, c. 1800-18 (coloured engraving)
468770 Ancient Celtic warriors dressed for battle, c.1800-18 (coloured engraving) by Italian School, (19th century); Private Collection; The Stapleton Collection; Italian, out of copyright

Background imageLeopard Skin Collection: Furrier, illustration from High Street by J. M

Furrier, illustration from High Street by J. M
STC411905 Furrier, illustration from High Street by J.M. Richards, printed by the Curwen Press, pub. by Country Life, 1938 (colour litho) by Ravilious

Background imageLeopard Skin Collection: Abyssinian Priest and Warrior, illustration from The Valley of the Nile

Abyssinian Priest and Warrior, illustration from The Valley of the Nile
STC89030 Abyssinian Priest and Warrior, illustration from The Valley of the Nile, engraved by Lemoine, pub. by Lemercier, 1848 (litho) by Prisse d Avennes

Background imageLeopard Skin Collection: Bacchante, 1895 (oil on canvas)

Bacchante, 1895 (oil on canvas)
CH378507 Bacchante, 1895 (oil on canvas) by Leighton, Frederic (1830-96); Private Collection; Photo eChristies Images; English, out of copyright

Background imageLeopard Skin Collection: La Force, a personification of Fortitude, 1743 (oil on canvas)

La Force, a personification of Fortitude, 1743 (oil on canvas)
752342 La Force, a personification of Fortitude, 1743 (oil on canvas) by Nattier, Jean-Marc (1685-1766); 130.8x113.6 cm; Private Collection; (add.info)

Background imageLeopard Skin Collection: Adam and Eve, 1916-17 (oil on canvas)

Adam and Eve, 1916-17 (oil on canvas)
6219380 Adam and Eve, 1916-17 (oil on canvas) by Klimt, Gustav (1862-1918); 173x60 cm; Osterreichische Galerie Belvedere, Vienna, Austria; Austrian, out of copyright

Background imageLeopard Skin Collection: Portrait of a Woman as Diana, 1752 (oil on canvas)

Portrait of a Woman as Diana, 1752 (oil on canvas)
491252 Portrait of a Woman as Diana, 1752 (oil on canvas) by Nattier, Jean-Marc (1685-1766); 100.4x79.5 cm; Cleveland Museum of Art, OH, USA; Bequest of John L. Severance; French, out of copyright

Background imageLeopard Skin Collection: Autumn: Vintage Festival, 1877 (oil on canvas)

Autumn: Vintage Festival, 1877 (oil on canvas)
BIR99631 Autumn: Vintage Festival, 1877 (oil on canvas) by Alma-Tadema, Lawrence (1836-1912); 74.9x38 cm; Birmingham Museums and Art Gallery; English, out of copyright

Background imageLeopard Skin Collection: The Women of Amphissa, 1887 (oil on canvas)

The Women of Amphissa, 1887 (oil on canvas)
CLK339996 The Women of Amphissa, 1887 (oil on canvas) by Alma-Tadema, Lawrence (1836-1912); 122.5x184.2 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Background imageLeopard Skin Collection: Angelica and Medoro, 1763 (oil on canvas)

Angelica and Medoro, 1763 (oil on canvas)
3492918 Angelica and Medoro, 1763 (oil on canvas) by Boucher, Francois (1703-70); 66.7 x 56.2 cm; Metropolitan Museum of Art, New York

Background imageLeopard Skin Collection: An Inmutef priest making an offering, from the Tomb of Ramesses IX (r

An Inmutef priest making an offering, from the Tomb of Ramesses IX (r
XIR216930 An Inmutef priest making an offering, from the Tomb of Ramesses IX (r.1126-1108 BC) New Kingdom (wall painting) by Egyptian 20th Dynasty (1200-1085 BC); Valley of the Kings, Thebes

Background imageLeopard Skin Collection: The African Native Choir, 1891 (woodburytype)

The African Native Choir, 1891 (woodburytype)
MGS172131 The African Native Choir, 1891 (woodburytype) by English School, (19th century); 9.8x14.6 cm; Private Collection; (add.info.: singers from Cape Colony, South Africa)

Background imageLeopard Skin Collection: Bacchus Reclining, detail from The Punishment of Lycurgus, 2rd-3rd century (mosaic)

Bacchus Reclining, detail from The Punishment of Lycurgus, 2rd-3rd century (mosaic)
XIR212982 Bacchus Reclining, detail from The Punishment of Lycurgus, 2rd-3rd century (mosaic) by Roman; Musee Archeologique, Saint-Romain-en-Gal, France; out of copyright

Background imageLeopard Skin Collection: The Holy Family (oil on canvas)

The Holy Family (oil on canvas)
BAT97482 The Holy Family (oil on canvas) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Galleria Palatina & Appartamenti Reali di Palazzo Pitti, Florence, Tuscany

Background imageLeopard Skin Collection: Mars and Venus (oil on board)

Mars and Venus (oil on board)
AGN125631 Mars and Venus (oil on board) by Etty, William (1787-1849); 24.8x17.5 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageLeopard Skin Collection: Decius Mus Addressing the Legions, c. 1616 (oil on hardboard

Decius Mus Addressing the Legions, c. 1616 (oil on hardboard
5954191 Decius Mus Addressing the Legions, c.1616 (oil on hardboard, transferred from wood and canvas) by Rubens, Peter Paul (1577-1640); 80.7x84.7 cm; National Gallery of Art, Washington DC

Background imageLeopard Skin Collection: Akasini, King of Assinie, 1780 (coloured engraving)

Akasini, King of Assinie, 1780 (coloured engraving)
468730 Akasini, King of Assinie, 1780 (coloured engraving) by Duflos, Pierre (1742-1816); Private Collection; (add.info.: Ruler of a kingdom near Ouidah in the Benin region of the Gold Coast)

Background imageLeopard Skin Collection: Horsekeepers, or Ghorawallahs, c. 1860s (b / w photo)

Horsekeepers, or Ghorawallahs, c. 1860s (b / w photo)
495535 Horsekeepers, or Ghorawallahs, c.1860s (b/w photo) by Hooper, Willoughby Wallace (1837-1912); Private Collection; (add.info)

Background imageLeopard Skin Collection: Music, c. 1883-85 (oil on canvas) (detail of 250639)

Music, c. 1883-85 (oil on canvas) (detail of 250639)
LGH250637 Music, c.1883-85 (oil on canvas) (detail of 250639) by Leighton, Frederic (1830-96); 84x231 cm; Leighton House Museum, Kensington & Chelsea, London, UK; eLeighton House; English

Background imageLeopard Skin Collection: Portrait of the Artists Wife Marian Huxley in her Wedding Dress

Portrait of the Artists Wife Marian Huxley in her Wedding Dress
658684 Portrait of the Artists Wife Marian Huxley in her Wedding Dress, 1880 (oil on canvas) by Collier, John (1850-1934); 112x91.5 cm; Private Collection; (add.info)

Background imageLeopard Skin Collection: Relief depicting the deceased seated before an offering table with bread (painted stone)

Relief depicting the deceased seated before an offering table with bread (painted stone)
XIR185984 Relief depicting the deceased seated before an offering table with bread (painted stone) by Egyptian, Old Kingdom (c.2613-2181 BC); Saqqara

Background imageLeopard Skin Collection: Jupiter, in the Guise of Diana, and Callisto, 1763 (oil on canvas)

Jupiter, in the Guise of Diana, and Callisto, 1763 (oil on canvas)
3492917 Jupiter, in the Guise of Diana, and Callisto, 1763 (oil on canvas) by Boucher, Francois (1703-70); 64.8 x 54.9 cm; Metropolitan Museum of Art, New York

Background imageLeopard Skin Collection: Mademoiselle de Migieu as Diana, 1742 (oil on canvas)

Mademoiselle de Migieu as Diana, 1742 (oil on canvas)
HEH416432 Mademoiselle de Migieu as Diana, 1742 (oil on canvas) by Nattier, Jean-Marc (1685-1766); 101x81 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Background imageLeopard Skin Collection: Noon-Day Rest, 1910 (oil on canvas)

Noon-Day Rest, 1910 (oil on canvas)
NUL48850 Noon-Day Rest, 1910 (oil on canvas) by Godward, John William (1861-1922); Private Collection; English, out of copyright

Background imageLeopard Skin Collection: Ancient Sport (oil on canvas)

Ancient Sport (oil on canvas)
BON110513 Ancient Sport (oil on canvas) by Kilburne, George Goodwin (1839-1924); 106.5x132 cm; Private Collection; Photo eBonhams, London, UK; English, out of copyright

Background imageLeopard Skin Collection: The Judgement of Paris, from The Childrens Hour: Stories from the Classics

The Judgement of Paris, from The Childrens Hour: Stories from the Classics
IL262816 The Judgement of Paris, from The Childrens Hour: Stories from the Classics, published by the Waverley Book Company (colour litho) by Brock

Background imageLeopard Skin Collection: Nude on Leopard Skin, Le Cannet, 1926 (oil on canvas)

Nude on Leopard Skin, Le Cannet, 1926 (oil on canvas)
1196086 Nude on Leopard Skin, Le Cannet, 1926 (oil on canvas) by Lebasque, Henri (1865-1937); 97x162 cm; Private Collection; Photo eChristies Images; French, out of copyright



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"Leopard Skin: A Captivating Symbol of Power and Beauty" In Bacchus, 1867 (w/c & bodycolour on paper), the artist skillfully captures the allure as it adorns the god of wine and revelry. The vibrant colors bring to life the sensuality associated with this exotic pattern. Venus Binding her Hair showcases a goddess draped in elegance, enhancing her divine beauty with a touch of leopard print. This timeless depiction highlights how even celestial beings are drawn to its captivating charm. David and Goliath (oil on canvas) portrays David's triumph over his formidable foe, but amidst the battle scene lies an intriguing detail - David's sling is adorned with a strip of leopard skin. It symbolizes his courage and determination in facing insurmountable odds. Cleopatra, scene from Anthony and Cleopatra by William Shakespeare (1564-1616) (litho) presents Egypt's legendary queen wrapped in luxurious garments that include hints of leopard print. Her regal attire reflects her seductive power over both men and empires alike. Interior of a Brazilian Rancho in the Province of Santa Paulo with a Travelling Merchant, his Slaves, and Merchandise (oil on board) depicts an enchanting tableau where even amid rustic surroundings, leopard skins add an air of opulence to this bustling marketplace. Female Slaves Presented to Octavian, 1883 (oil on canvas) unveils ancient Rome's decadence as female slaves are presented before Octavian while wearing delicate veils embellished with touches of leopard print. It represents their subjugation yet also hints at their untamed spirit within. The Confidante, 1910 (oil on canvas), shows two women engaged in intimate conversation while one drapes herself languidly across a chaise lounge covered in sumptuous leopard fabric. The painting exudes an aura both mysterious and alluring.