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Loving Collection (page 3)

"Loving: A Journey of Passion and Devotion" Love is a timeless masterpiece, just like Rembrandt's "The Return of the Prodigal Son

Background imageLoving Collection: Loving bears

Loving bears
Helena GARCIA HUERTAS

Background imageLoving Collection: The Loving No 2

The Loving No 2
Treechild

Background imageLoving Collection: The Loving No 1

The Loving No 1
Treechild

Background imageLoving Collection: White Star Line, RMS Titanic - Charles Crumplin letter

White Star Line, RMS Titanic - Charles Crumplin letter
White Star Line, RMS Titanic - First Class Bedroom Steward and victim Charles Crumplin, handwritten letter on Titanic stationery with White Star Line watermark, undated but written from Queenstown

Background imageLoving Collection: Letter from Captain Edward Smith to his daughter

Letter from Captain Edward Smith to his daughter
Future Titanic Captain Edward J. Smith, from RMS Baltic - a unique handwritten letter to his daughter Helen, dated 29 November 1906: My Dear Daughter

Background imageLoving Collection: Two young couples sharing a seaside cuddle

Two young couples sharing a seaside cuddle
It's a bit crushy here but I rather like it. Two amorous young couple sharing some quality time at a British coastal resort. Date: 1909

Background imageLoving Collection: Funerary Monument - Headstone, In Loving Memory

Funerary Monument - Headstone, In Loving Memory. circa 1900s

Background imageLoving Collection: Victorian mourning card, Edgar George Pottle

Victorian mourning card, Edgar George Pottle
Victorian mourning card, In Loving Remembrance of Edgar George Pottle, MRCS LRCP, who died April 9th, 1880, aged 40, interred in the family grave, at Highgate Cemetery

Background imageLoving Collection: Mother with baby, smiling

Mother with baby, smiling
1955, Two People, Baby Girls, Baby, Young Women, Young Adult, Indoors, Day, Colour, Photography, Square, Caucasian Appearance, Side View, Head And Shoulders, Three Quarter Length, Casual, Ponytail

Background imageLoving Collection: 3673479

3673479

Background imageLoving Collection: 3673798

3673798

Background imageLoving Collection: 3673762

3673762

Background imageLoving Collection: 3673486

3673486

Background imageLoving Collection: 3673027

3673027

Background imageLoving Collection: 3673438

3673438

Background imageLoving Collection: 3673906

3673906

Background imageLoving Collection: 3673822

3673822

Background imageLoving Collection: 3673787

3673787

Background imageLoving Collection: 3673768

3673768

Background imageLoving Collection: 3673576

3673576

Background imageLoving Collection: 3672434

3672434

Background imageLoving Collection: A lady on horseback and a soldier, 1495-99 (engraving)

A lady on horseback and a soldier, 1495-99 (engraving)
7414928 A lady on horseback and a soldier, 1495-99 (engraving) by Durer or Duerer, Albrecht (1471-1528); 10.8--7.7 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: by Albrecht Durer)

Background imageLoving Collection: 3673806

3673806

Background imageLoving Collection: 3673823

3673823

Background imageLoving Collection: 3673820

3673820

Background imageLoving Collection: 3671842

3671842

Background imageLoving Collection: Loving glances

Loving glances
Magnus Renmyr

Background imageLoving Collection: Whitsun Bride in the Thuringian Forest, Germany, Whitsun customs, Historical

Whitsun Bride in the Thuringian Forest, Germany, Whitsun customs, Historical
1900s, 19th-century, affection, black, black-and-white, black-white, brides, celebrate, celebrating, celebrations, ceremonial, ceremonialy, contemporary, depiction, depictions, digital, digitally

Background imageLoving Collection: Liebenstein in Thuringia, Germany, in 1870, digitally restored reproduction of an original

Liebenstein in Thuringia, Germany, in 1870, digitally restored reproduction of an original 19th-century painting
2 people, affection, archive, black, black-and-white, black-white, commemorating, commemoration, contemporary, depiction, depictions, digital, digitally, drawing, drawings, drawn, early

Background imageLoving Collection: Study of Guinevere for Sir Launcelot in the Queen's Chamber, 1857 (pencil & w/c on paper)

Study of Guinevere for Sir Launcelot in the Queen's Chamber, 1857 (pencil & w/c on paper)
5858706 Study of Guinevere for Sir Launcelot in the Queen's Chamber, 1857 (pencil & w/c on paper) by Rossetti, Dante Gabriel Charles (1828-82); 49.3x41.2 cm; Manchester Art Gallery

Background imageLoving Collection: Man and a woman in a palace, 19th century (gouache with gold on paper)

Man and a woman in a palace, 19th century (gouache with gold on paper)
7394129 Man and a woman in a palace, 19th century (gouache with gold on paper) by Indian School, (19th century); 55.3x40.4 cm; Ashmolean Museum, University of Oxford

Background imageLoving Collection: Tray, 1772 (soft paste porcelain)

Tray, 1772 (soft paste porcelain)
7394065 Tray, 1772 (soft paste porcelain) by Boucher, Francois (1703-70) (after); Ashmolean Museum, University of Oxford, UK; (add.info.: Associated person(s)

Background imageLoving Collection: Tea canister, 1768-1769 (silver)

Tea canister, 1768-1769 (silver)
7394049 Tea canister, 1768-1769 (silver) by British School, (18th Century); Ashmolean Museum, University of Oxford, UK; (add.info.: Associated person(s)

Background imageLoving Collection: Illustration of 'The Pastoral Loves of Daphnis and Chloe' by Longus (Longos), 1906 (print)

Illustration of "The Pastoral Loves of Daphnis and Chloe" by Longus (Longos), 1906 (print)
AIS5368598 Illustration of "The Pastoral Loves of Daphnis and Chloe" by Longus (Longos), 1906 (print) by Mayol, Jose Triado (1870-1929); Biblioteca de Catalunya, Barcelona

Background imageLoving Collection: Abraham caressing Isaac, 1637 (Etching)

Abraham caressing Isaac, 1637 (Etching)
7393359 Abraham caressing Isaac, 1637 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 11, 8 x 10, 1 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageLoving Collection: Ganymede, 1560 circa (bronze)

Ganymede, 1560 circa (bronze)
7146182 Ganymede, 1560 circa (bronze) by Ammannati, Bartolomeo (1511-92) (attr. to); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Ganymede, 1560 circa)

Background imageLoving Collection: Ganymede, 1548-1550 (marble)

Ganymede, 1548-1550 (marble)
7146180 Ganymede, 1548-1550 (marble) by Cellini, Benvenuto (1500-71); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Ganymede, 1548-1550, Benvenuto Cellini, marble)

Background imageLoving Collection: Bacchus and Ampelos, 1548-50 circa, (marble)

Bacchus and Ampelos, 1548-50 circa, (marble)
7146205 Bacchus and Ampelos, 1548-50 circa, (marble) by Vinci, Pierino da (1530-1553); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Bacchus and Ampelos, 1548-50 circa)

Background imageLoving Collection: Sacred and profane love, 1602, (painting)

Sacred and profane love, 1602, (painting)
7129421 Sacred and profane love, 1602, (painting) by Baglione, Giovanni (1571-1644); Galleria Nazionale d'Arte Antica, Rome, Italy; (add.info.: Sacred and profane love, 1602, Giovanni Baglione)

Background imageLoving Collection: Rinaldo and Armida, 1601 circa, Annibale Carracci (oil on canvas)

Rinaldo and Armida, 1601 circa, Annibale Carracci (oil on canvas)
7064222 Rinaldo and Armida, 1601 circa, Annibale Carracci (oil on canvas) by Carracci, Annibale (1560-1609); Museo di Capodimonte, Naples, Campania, Italy; (add.info.: Rinaldo and Armida, 1601 circa)

Background imageLoving Collection: Mother and Child, (oil on canvas)

Mother and Child, (oil on canvas)
826921 Mother and Child, (oil on canvas) by Hankey, William Lee (1869-1952); 45.7x38 cm; Private Collection; (add.info.: Mother and Child. William Lee-Hankey. (1869-1952). Oil on canvas

Background imageLoving Collection: Rinaldo and Armida, Andrea Vaccaro (oil on canvas)

Rinaldo and Armida, Andrea Vaccaro (oil on canvas)
7064275 Rinaldo and Armida, Andrea Vaccaro (oil on canvas) by Vaccaro, Andrea (1598-1670); Museo di Capodimonte, Naples, Campania, Italy; (add.info.: Rinaldo and Armida, Andrea Vaccaro)

Background imageLoving Collection: Rinaldo and Armida, 1593, Ludovico Carracci (oil on canvas)

Rinaldo and Armida, 1593, Ludovico Carracci (oil on canvas)
7064215 Rinaldo and Armida, 1593, Ludovico Carracci (oil on canvas) by Carracci, Ludovico (1555-1619); Museo di Capodimonte, Naples, Campania, Italy; (add.info.: Rinaldo and Armida, 1593)

Background imageLoving Collection: Zephyr and Flora, 1719-1723, (marble)

Zephyr and Flora, 1719-1723, (marble)
7130169 Zephyr and Flora, 1719-1723, (marble) by Corradini, Antonio (1668-1752); Victoria & Albert Museum, London, UK; (add.info.: Zephyr and Flora, 1719-1723, Antonio Corradini, marble, V&A Museum)

Background imageLoving Collection: Iseult's treating Tristan, 1892-1894 (engraving)

Iseult's treating Tristan, 1892-1894 (engraving)
AIS5356028 Iseult's treating Tristan, 1892-1894 (engraving) by Beardsley, Aubrey (1872-98); (add.info.: Engraving in "The Death of Arthur" by Sir Thomas Malory)

Background imageLoving Collection: Vertumnus and Pomona, 1725, (marble)

Vertumnus and Pomona, 1725, (marble)
7130153 Vertumnus and Pomona, 1725, (marble) by Delvaux, Laurent (c.1695-1773); Victoria & Albert Museum, London, UK; (add.info.: Vertumnus and Pomona, 1725, Laurent Delvaux, marble, V&A Museum)

Background imageLoving Collection: Group with Cupid and Psyche, 150-200 AD (marble)

Group with Cupid and Psyche, 150-200 AD (marble)
7146647 Group with Cupid and Psyche, 150-200 AD (marble) by Roman, (2nd century); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Group with Cupid and Psyche, 150-200 AD, roman art)

Background imageLoving Collection: Apollo and Hyacinthus, 1548 circa (marble)

Apollo and Hyacinthus, 1548 circa (marble)
7146184 Apollo and Hyacinthus, 1548 circa (marble) by Cellini, Benvenuto (1500-71); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Apollo and Hyacinthus, 1548 circa)



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"Loving: A Journey of Passion and Devotion" Love is a timeless masterpiece, just like Rembrandt's "The Return of the Prodigal Son. " It captures the essence of forgiveness and unconditional love, reminding us that no matter how far we stray, love always welcomes us back. Like the passionate embrace in Tango, love dances its way into our hearts. Originating in Argentina, this fiery dance symbolizes the intense connection between two souls moving as one. Just as the Great Pyrenees dog guards with unwavering loyalty, love protects and stands by our side through thick and thin. Their gentle nature mirrors the tenderness found in true love. In Gerard's "Daphnis and Chloe, " we witness young lovers discovering their desires amidst nature's beauty. Love blossoms like wildflowers, untamed yet pure. Marcel Vertes' watercolor painting captures the sensuality of Tango perfectly. The dancers' synchronized movements speak volumes about desire and passion shared between two individuals lost in each other's arms. Edvard Munch's "The Vampire II" portrays a hauntingly seductive kind of love that consumes both body and soul. Love can be both beautiful and dangerous; it has the power to captivate us completely. Antonio Ambrogio Alciati's depiction of "The Kiss" immortalizes an intimate moment frozen in time. It speaks volumes about affectionate connections that transcend words – a language only understood by those deeply in love. As couples gaze towards Paris' iconic Eiffel Tower they can reminded that romance knows no boundaries or borders. Love transcends cultures and continents; it unites hearts from all corners of the world. In Western Ireland, where rugged landscapes meet crashing waves, two souls find solace within each other's arms. Love thrives even amidst adversity; it finds strength when faced with challenges. "Eros & Psyche - 6" tells a tale of love's triumph over adversity.