Loving Collection (page 4)

Apollo and Hyacinthus, 1548 circa (marble)
7146184 Apollo and Hyacinthus, 1548 circa (marble) by Cellini, Benvenuto (1500-71); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Apollo and Hyacinthus, 1548 circa)

Jupiter and Ganymede, 18th century (painting)
7129462 Jupiter and Ganymede, 18th century (painting) by Mengs, Anton Raphael (1728-79); Galleria Nazionale d'Arte Antica, Rome, Italy; (add.info.: Jupiter and Ganymede, Anton Raphael Mengs)

Psyche Abandoned, (marble)
7130051 Psyche Abandoned, (marble) by Tenerani, Pietro (1789-1869); Palazzo Pitti, Florence, Italy; (add.info.: Psyche abandoned, 1819, Pietro Tenerani, Pitti palace, Florence)

Representation of a young boy in love in the garden of delights discovering the fountain of Narcissus
AIS5356141 Representation of a young boy in love in the garden of delights discovering the fountain of Narcissus, 14th century (miniature) by Unknown Artist

Group with Bacchus leaning on a Satyr, 130-150 AD (marble)
7146211 Group with Bacchus leaning on a Satyr, 130-150 AD (marble) by Roman, (2nd century); Galleria degli Uffizi, Florence, Tuscany

Bacchus and Ariadne, 17th century (painting)
7352774 Bacchus and Ariadne, 17th century (painting) by Fiasella, Domenico Il Sarzana (1589-1669) ; Private Collection; (add.info.: Artist: Domenico Fiasella (1589-1669)); Luisa Ricciarini

Narcissus, 17th century (oil on canvas)
7129409 Narcissus, 17th century (oil on canvas) by Caravaggio, Michelangelo Merisi da (1571-1610); Galleria Nazionale d'Arte Antica, Rome, Italy; (add.info.: Narcissus, Caravaggio)

Venus mourning the death of Adonis, 16th century (oil on canvas)
7129399 Venus mourning the death of Adonis, 16th century (oil on canvas) by Cambiaso, Luca (1527-85); Galleria Nazionale d'Arte Antica, Rome

Venus and Adonis, 1903, (oil on cardboard)
7129318 Venus and Adonis, 1903, (oil on cardboard) by De Carolis, Adolfo (1874-1928); Galleria Comunale d'Arte Moderna e Contemporanea, Rome, Italy; (add.info.: Venus and Adonis, 1903)

Ganymede and the eagle, 1st/2nd century AD (marble)
7146679 Ganymede and the eagle, 1st/2nd century AD (marble) by Roman, (2nd century); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Ganymede and the eagle, 1st/2nd century AD)

Group of Venus and Mars, 2nd century AD (marble)
7146763 Group of Venus and Mars, 2nd century AD (marble) by Roman, (2nd century); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Group of Venus and Mars, 2nd century AD, roman art)

Ganymede, 18th century (marble)
7146873 Ganymede, 18th century (marble) by Coustou, Guillaume I (1677-1746); Victoria & Albert Museum, London, UK; (add.info.: Ganymede, marble, signed by Guillame Coustou (1716-1777)

Love kissing Venus, 1680s (oil on canvas)
7294320 Love kissing Venus, 1680s (oil on canvas) by Pellegrini, Girolamo (c.1624-c.1700); Fondazione Magnani-Rocca, Parma, Italy; (add.info.: Love kissing Venus, 1680s, Girolamo Pellegrini)

Inside view, northern side altar " altar of Saint Berlindis, 1766, sculpture by Jacob De Koninck ()
7242079 Inside view, northern side altar " altar of Saint Berlindis, 1766, sculpture by Jacob De Koninck (?), detail: image on the right Amor (love) by Koninck

Pygmalion, 1896 (oil on canvas)
7146728 Pygmalion, 1896 (oil on canvas) by Bargellini, Giulio (1875-1936); Galleria Nazionale d'Arte Moderna e Contemporanea, Rome, Lazio, Italy; (add.info.: Pygmalion, 1896, Giulio Bargellini)

Psyche Abandoned, (marble)
7130049 Psyche Abandoned, (marble) by Tenerani, Pietro (1789-1869); Palazzo Pitti, Florence, Italy; (add.info.: Psyche abandoned, 1819, Pietro Tenerani, Pitti palace, Florence)

Young girl and her Bull Terrier c. 1915 (b/w photo)
1126604 Young girl and her Bull Terrier c.1915 (b/w photo) by Harris & Ewing (1905-45); Private Collection; Prismatic Pictures

Alexander the Great giving Campaspe to Apelles, 1822 (oil on canvas)
JLJ4598305 Alexander the Great giving Campaspe to Apelles, 1822 (oil on canvas) by Meynier, Charles (1768-1832); 115x145 cm; Musee des Beaux-Arts, Rennes

Guenevere sends her page to Lancelot for help, illustration from The Book of Romance published by Longmans Green
3551773 Guenevere sends her page to Lancelot for help, illustration from The Book of Romance published by Longmans Green and Co, 1919 (litho) by English School

Elaine ties her sleeve around Sir Lancelot's helmet, illustration from The Book of Romance published by Longmans
3551770 Elaine ties her sleeve around Sir Lancelot's helmet, illustration from The Book of Romance published by Longmans Green and Co, 1919 (litho) by English School

Inside view, northern side altar " altar of Saint Berlindis, 1766, sculpture by Jacob De Koninck ()
7242080 Inside view, northern side altar " altar of Saint Berlindis, 1766, sculpture by Jacob De Koninck (?), detail: image on the right Amor (love) by Koninck

Lancelot brings Guenevere to Arthur, illustration from The Book of Romance published by Longmans Green and Co
3551771 Lancelot brings Guenevere to Arthur, illustration from The Book of Romance published by Longmans Green and Co, 1919 (colour litho) by English School

Mother's day, 1925
7267001 Mother's day, 1925 by Nystrom, Jenny (1854-1946); (add.info.: Mother's Day is a celebration honoring the mother of the family or individual, as well as motherhood, maternal bonds)

Cervantes rides a horse with a woman in an oasis, 1876 (engraving)
CUL4893028 Cervantes rides a horse with a woman in an oasis, 1876 (engraving) by Planas, Eusebio (1833-97); (add.info.: Cervantes rides a horse with a woman in an oasis The Prince of Wits)

The Castles of Loves
3785964 The Castles of Loves by French School, (19th century); (add.info.: The Castles of Loves - from miniature in Champion des Dames, 15th century manuscript)

Untitled, 1919 (etching & aquatint)
1067530 Untitled, 1919 (etching & aquatint) by Kolb, Alois (1875-1942); 49x18 cm; Dallas Museum of Art, Texas, USA; (add.info.: artist: Alois Kolb (1875-1942) publisher

Illustration for Rene written by Chateaubriand, 19th century (engraving)
CUL4863870 Illustration for Rene written by Chateaubriand, 19th century (engraving) by Camaron Y Melia, Jose Juan (1761-1819); Biblioteca Nacional, Madrid, Spain; (add.info.: by CAMARON Y MELIA)

Mother and Child, (oil on canvas)
657292 Mother and Child, (oil on canvas) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: Mother and Child. William Lee Hankey (1869-1952). Oil on canvas

Lancelot bears off Guenevere, illustration from The Book of Romance published by Longmans Green and Co
3551749 Lancelot bears off Guenevere, illustration from The Book of Romance published by Longmans Green and Co, 1919 (colour litho) by English School

The garden of love, c. 1370
JLJ4607090 The garden of love, c.1370 by Maestro di Deschi Da Parto (fl.c.1370); 50 cm; Musee de la Chartreuse, Douai, France; (add.info.: The garden of love. Birth tray)

Charger, c. 1750 (porcelain)
XOS5878252 Charger, c. 1750 (porcelain) by Chinese School (18th century); Cleveland Museum of Art, OH, USA; (add.info.: China, Chinese Export)

The garden of love - oil on canvas, 1638
LRI4353846 The garden of love - oil on canvas, 1638 by Rubens, Peter Paul (1577-1640); 198x283 cm; Prado, Madrid, Spain; (add.info.: The garden of love by Pieter Paul Rubens (1577-1640)

Lancelot and Elaine, illustration from The Gateway to Tennyson, publ. 1910 (colour litho)
2915237 Lancelot and Elaine, illustration from The Gateway to Tennyson, publ. 1910 (colour litho) by English School, (20th century); Photo © Hilary Morgan

Joys of Motherhood, detail, 1865 (oil on canvas)
7331973 Joys of Motherhood, detail, 1865 (oil on canvas) by Jonghe, Gustave Leonard de (1829-93); Private Collection; (add.info.: Artist: Leonard Gustave de Jonghe); Ghigo Roli

Joys of Motherhood, 1865 (oil on canvas)
7331951 Joys of Motherhood, 1865 (oil on canvas) by Jonghe, Gustave Leonard de (1829-93); Private Collection; (add.info.: Artist: Leonard Gustave de Jonghe); Ghigo Roli

Empedocle, Dieu suppose. Empedocles, Supposed God, 1929 (engraving)
7315162 Empedocle, Dieu suppose. Empedocles, Supposed God, 1929 (engraving) by Barbier, Georges (1882-1932); Private Collection; (add.info.: Empedocle, Dieu suppose (Empedocles, Supposed God)

Clodia, Matronne impudique (Clodia, Immodest Matron), 1929 (engraving)
7315145 Clodia, Matronne impudique (Clodia, Immodest Matron), 1929 (engraving) by Barbier, Georges (1882-1932); Private Collection; (add.info.: Clodia, Matronne impudique (Clodia, Immodest Matron)

Smuggler's Farewell, 19th century (print)
7315144 Smuggler's Farewell, 19th century (print) by Garcia Ramos, Jose (1852-1912); Private Collection; (add.info.: The Smuggler's Farewell)

Empedocle, Dieu suppose. Empedocles, Supposed God, 1929 (engraving)
7315160 Empedocle, Dieu suppose. Empedocles, Supposed God, 1929 (engraving) by Barbier, Georges (1882-1932); Private Collection; (add.info.: Empedocle, Dieu suppose (Empedocles, Supposed God)

Clodia, Matronne impudique (Clodia, Immodest Matron), 1929 (engraving)
7315150 Clodia, Matronne impudique (Clodia, Immodest Matron), 1929 (engraving) by Barbier, Georges (1882-1932); Private Collection; (add.info.: Clodia, Matronne impudique (Clodia, Immodest Matron)

Ceres and Bacchus, 1600s (oil on canvas)
XOS5887442 Ceres and Bacchus, 1600s (oil on canvas) by Spranger, Bartholomaeus (1546-1611); 197.2x133.7 cm; Cleveland Museum of Art, OH, USA; (add.info.: by Bartholomaeus Spranger (1546-1611))

An Italian Soldier with his Family after Liberation in 1944 (b/w photo)
1761887 An Italian Soldier with his Family after Liberation in 1944 (b/w photo) by Italian Photographer, (20th century); (add.info)

Young boy and a girl with flute and sheep, 1792 (graphite with pen and black and red ink on paper)
7308283 Young boy and a girl with flute and sheep, 1792 (graphite with pen and black and red ink on paper) by Lanfranco, Giovanni (1582-1647); 33.2x24.4 cm; Ashmolean Museum, University of Oxford

Venus and Cupid, 1601-1800 (red and grey chalk on paper)
7308235 Venus and Cupid, 1601-1800 (red and grey chalk on paper) by Rubens, Peter Paul (1577-1640); 13.5x19.1 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Peter Paul Rubens)

Neptune and Amphitrite, 1601-1700 (pen and brown ink over black lead on paper)
7308182 Neptune and Amphitrite, 1601-1700 (pen and brown ink over black lead on paper) by Rubens, Peter Paul (1577-1640); 28.9x116.1 cm; Ashmolean Museum, University of Oxford

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"Loving: A Journey of Passion and Devotion" Love is a timeless masterpiece, just like Rembrandt's "The Return of the Prodigal Son. " It captures the essence of forgiveness and unconditional love, reminding us that no matter how far we stray, love always welcomes us back. Like the passionate embrace in Tango, love dances its way into our hearts. Originating in Argentina, this fiery dance symbolizes the intense connection between two souls moving as one. Just as the Great Pyrenees dog guards with unwavering loyalty, love protects and stands by our side through thick and thin. Their gentle nature mirrors the tenderness found in true love. In Gerard's "Daphnis and Chloe, " we witness young lovers discovering their desires amidst nature's beauty. Love blossoms like wildflowers, untamed yet pure. Marcel Vertes' watercolor painting captures the sensuality of Tango perfectly. The dancers' synchronized movements speak volumes about desire and passion shared between two individuals lost in each other's arms. Edvard Munch's "The Vampire II" portrays a hauntingly seductive kind of love that consumes both body and soul. Love can be both beautiful and dangerous; it has the power to captivate us completely. Antonio Ambrogio Alciati's depiction of "The Kiss" immortalizes an intimate moment frozen in time. It speaks volumes about affectionate connections that transcend words – a language only understood by those deeply in love. As couples gaze towards Paris' iconic Eiffel Tower they can reminded that romance knows no boundaries or borders. Love transcends cultures and continents; it unites hearts from all corners of the world. In Western Ireland, where rugged landscapes meet crashing waves, two souls find solace within each other's arms. Love thrives even amidst adversity; it finds strength when faced with challenges. "Eros & Psyche - 6" tells a tale of love's triumph over adversity.