Lower Left Collection

Head of a Young Woman Seen from Below, 1886. Creator: Adolph von Menzel (German, 1815-1905)
Head of a Young Woman Seen from Below, 1886

Design for Decorative Hinges (recto) Border Lines (verso), mid 1500s. Creator: Luzio Romano
Design for Decorative Hinges (recto) Border Lines (verso), mid 1500s

Design for Decorative Hinges (recto), mid 1500s. Creator: Luzio Romano (Italian, active 1528-75)
Design for Decorative Hinges (recto), mid 1500s

Henri Meunier Casino de Blankenberghe paper lithograph
Henri Meunier, Casino de Blankenberghe, paper, lithograph, work: height: 89 cm; width: 125 cm, signed and dated: lower left: in print: HENRI MEUNIER 1896, below handwritten: Henri Meunier, posters

Valentin Zietara G Schuh & Cie Munich F P Glass
Valentin Zietara, G. Schuh & Cie. (Munich), F. P. Glass, F. Heubner, C. Moos, E. Preetorius, M. Schwarzer, W. Zietara Posters of the 6 are printed only by Vereinigte Druckereien G. Schuh & Cie

V Neubert Smichov Alfons Mucha P─øvecke sdru┼¥eni u─ìitel┼» moravskych
V. Neubert Smichov, Alfons Mucha, P─øvecke sdru┼¥eni u─ìitel┼» moravskych, lithography, total: height: 106.50 cm; width: 81.00 cm, signed and dated: lower left in motif: Mucha 1911

Imprimerie E Pichot Gustave de Fraipont Chemins de Fer d Orleans
Imprimerie E. Pichot, Gustave de Fraipont, Chemins de Fer d Orleans: Bains de Mer de Bretagne, paper, lithograph, Total: height: 149 cm; width: 109, 5 cm

Imprimerie Chaix Jules Cheret Le Rappel paper
Imprimerie Chaix, Jules Cheret, Le Rappel, paper, lithography, total: height: 176 cm; width: 123 cm, signed: lower left: JCheret, product advertising (posters), newspapers, magazines, drum

Graph Anstalt J E Wolfensberger Emil Cardinaux
Graph. Anstalt J. E. Wolfensberger, Emil Cardinaux, Jungfrau-Bahn - Berner Oberland Switzerland, paper, lithography, total: height: 101, 3 cm; width: 71, 9 cm

Battle Economy oil panel 36. 5 x 48 cm lower left
Battle in the Economy, oil on panel, 36.5 x 48 cm, lower left: A. Palamedes. Anthonie Palamedesz. Delft 1601-1673 Amsterdam

Portrait widow 1667 oil canvas 75 x 59. 3 cm lower left
Portrait of a widow, 1667, oil on canvas, 75 x 59.3 cm, lower left: AE. 53. /. N. MAES. 1667th, Nicolaes Maes, Dordrecht 1634-1693 Amsterdam

Coronation Virgin Mary early 16th century mixed technique
Coronation of the Virgin Mary, early 16th century, mixed technique on coniferous wood, 51 x 58 cm, not marked (?). On the base plate of the throne bench in the lower left in dark red color Fantasy

Portrait Kathe von Bach garden 1904 oil canvas
Portrait of Kathe von Bach (in the garden), 1904, oil on canvas, 42.2 x 32.6 cm, signed lower right: F. Hodler (indistinct), inscribed on the back of the canvas on the lower left: In the garden. F

Allegory Peace under Stadholder Willem II Peace Time under Stadholder William II
Allegory of the Peace under Stadholder Willem II, Allegory of the Peace Time under Stadholder William II. From the right, the triumphal car of the Eendracht with Frederik Hendrik is pulled in by four

Dionys van Nijmegen Chimney piece allegory True Faith
Dionys van Nijmegen, Chimney piece allegory, possibly on the True Faith, chimney painting painting footage linen oil, At the center of the elevation is woman with wings with in one hand thick book

Olivet Gethsemane Greek church St. Stephen lower left
Olivet and Gethsemane with Greek church of St. Stephen, lower left. 1950, Jerusalem, Israel

Il Dottore Italian theater prints Etching 17th century
Il Dottore, Italian theater prints, Etching, 17th century, Inscription in the plates lower margin: A suon di Campanacci addottorato & Numbered in lower left corner of image: 699

Triumph Constantine detail left side Audran Gerard
Triumph of Constantine: detail left side, Audran, Gerard, 1640-1703, Le Brun, Charles, 1619-1690, Etching, engraving, black-and-white, 1666, Audran fec.--in pencil, lower left. C. Le Brun ex

Triumph Constantine detail right side Audran
Triumph of Constantine: detail right side, Audran, Gerard, 1640-1703, Le Brun, Charles, 1619-1690, Etching, engraving, black-and-white, 1666, Audran fec.--in pencil, lower left. C. Le Brun ex

arch shell ornament Carceri d invenzione Piranesi
The arch with a shell ornament, Carceri d invenzione, Piranesi, Giovanni Battista, 1720-1778, Etching, engraving, scratching, sulphur tint or open bite, drypoint, black-and-white, 1761

No 2 Plate 158 Incidents travel Central America
No. 2, Plate 158, Incidents of travel in Central America, Chiapas, and Yucatan, Catherwood, Frederick, Stephens, John Lloyd, 1805-1852, Engraving, 1853, Inscribed at lower right, F

Upright Grand Entrance Court Temple ruins Palmyra
Upright of the Grand Entrance to the Court of the Temple, The ruins of Palmyra, otherwise Tedmor, in the desert, Borra, Giovanni Battista, 1713-1770, Engraving, 1753, Plate 4, inscribed

Capital Entablature Pilaster Foregoing Plate
Capital and Entablature of the Pilaster, in the Foregoing Plate, Base, Capital and Entablature of the Pilaster, in the Foregoing Plate, The ruins of Palmyra, otherwise Tedmor, in the desert, Borra

View West Temple Minerva Polias Pandrosium antiquities
A View of the West End of the Temple of Minerva Polias, and of the Pandrosium, The antiquities of Athens, Newton, W. Stuart, James, 1713-1788, Engraving, 1762-1816, Plate 2

Julius Antiochus Philopappus a Athenes Vue d
Julius Antiochus, Philopappus; a Athenes, Vue d un Monument triomphal eleve en l honneur de Caius, Julius Antiochus, Philopappus; a Athenes

De L Ordre Caryatide Les ruines des plus beaux
De L Ordre Caryatide, Les ruines des plus beaux monuments de la Grece: ouvrage divise en deux parties, ou l on considere, dans la premiere, ces monuments du cote de l histoire: et dans la seconde

Index view Vatican Nuova pianta di Roma Nolli
Index and view of the Vatican, Nuova pianta di Roma, Nolli, Giambattista, ca. 1692-1756, Etching, 1748, Lower left portion of print

Seven draped female statues Paradigmata graphices
Seven draped female statues, Paradigmata graphices variorum artificum, Bisschop, Jan de, 1628-1671, Heemskerk, Martin van, 1498-1574, Etching, between 1731 and 1741?, Heemskerk ex marmore antiq

La Jalousie et la Discorde Engravings frescoes
La Jalousie et la Discorde, Engravings of frescoes at Versailles and St. Cloud, Audran, Ganderard, 1640-1703, Audran, Jean, 1667-1756, Mignard, Pierre, 1612-1695, black-and-white, 169

Tableaux de la voute de la galerie du petit apartement du roy a Versailles, Engravings of frescoes at Versailles and St. Cloud, Audran, Gerard, 1640-1703, Mignard, Pierre, 1612-1695, black-and-white

Academia d pitori Alberti Pietro Francesco 1584-1638
Academia d pitori, Alberti, Pietro Francesco, 1584-1638, Etching, black-and-white, ca. 1600, Romae Super. permissu--lower left; Petrus Franciscus Albertus Inuentor et fecit--on stool in lower center;

Fabriques pour l ornement des jardins Plans raisonne
Fabriques pour l ornement des jardins, Plans raisonnes de toutes les especes de jardin, Motte, Charles Etienne Pierre, 1785-1836, Thouin, Gabriel, 1747-1829, Lithograph, hand-colored, 1828

Pandora illustrata illuminata I. M Fausty M. D
Pandora illustrata et illuminata I.M Fausty M.D. Joh. Michaelis Faustij Compendium alchymist. novum, sive, Pandora explicata and figuris jllustrata, das ist, Die edelste Gabe Gottes, oder

Frontispiece Relation voyage mer du Sud cotes du Chili
Frontispiece, Relation du voyage de la mer du Sud aux cotes du Chili, du Perou, et du Bresil, fait pendant les annees 1712, 1713 and 1714, Frezier, Amedee Francois, 1682-1773, Picart, Bernard

Cours des chemins de fer orientaux vue generale
Cours des chemins de fer orientaux: vue generale des batiments, Constantinople and Bosporus: views and people, Pierre de Gigord collection of photographs of the Ottoman Empire

Unterer Bosporus vorne Yeni Dschami Constantinople
Unterer Bosporus: vorne Yeni Dschami, Constantinople and Bosporus: views and people, Pierre de Gigord collection of photographs of the Ottoman Empire and the Republic of Turkey, Sebah and Joaillier

Las Monjas Chichen Itza East facade Augustus
Las Monjas, Chichen Itza, East facade, Las Monjas, Chichen Itza, Augustus and Alice Dixon Le Plongeon papers, 1763-1937, bulk 1860-1910, Le Plongeon, Augustus, 1826-1908, Albumen, 1876

House Confucius Plans elevations sections perspective views
The House of Confucius, Plans, elevations, sections, and perspective views of the gardens and buildings at Kew, in Surry, Chambers, William Sir, 1723-1796, Haberkorn, J

Chinese Pavilion Pheasant Ground Plans elevations
Chinese Pavilion in the Pheasant Ground, Plans, elevations, sections, and perspective views of the gardens and buildings at Kew, in Surry, Chambers, William Sir, 1723-1796, Haberkorn, J

Minerva Pierres antiques gravees sur lesquelles
Minerva, Pierres antiques gravees, sur lesquelles les graveurs ont mis leurs noms, Picart, Bernard, 1673-1733, Stosch, Philipp, Baron von, 1691-1757, Engraving, 1724, plate 13, portrait of Minerva

Mercury Pierres antiques gravees sur lesquelles
Mercury, Pierres antiques gravees, sur lesquelles les graveurs ont mis leurs noms, Picart, Bernard, 1673-1733, Stosch, Philipp, Baron von, 1691-1757, Engraving, 1724, plate 28, portrait of Mercury

Plate 3 Le cabinet de la Bibliotheque Sainte
Plate 3, Le cabinet de la Bibliotheque de Sainte Genevieve: divise en deux parties: contenant les antiquitez de la religion des chretiens, des Egyptiens, and des Romains; des tombeaux

Plate I Le cabinet de la Bibliotheque Sainte
Plate I, Le cabinet de la Bibliotheque de Sainte Genevieve: divise en deux parties: contenant les antiquitez de la religion des chretiens, des Egyptiens, and des Romains; des tombeaux

Histoire naturelle generale et particuliere
Histoire naturelle, generale et particuliere: avec la description du cabinet de roi, Histoire naturelle, generale et particuliere: avec la description du cabinet de roi, Baquoy, Jean Charles

Tavola XXI Delle antichita di Ercolano Engraving
Tavola XXI, Delle antichita di Ercolano, Engraving, 1757-1792, Plate 21, located on page 111. Inscribed at lower left, Vanni delin. and inscribed at lower right, Aloja incis

Delle antichita di Ercolano Baiardi Ottavio Antonio
Delle antichita di Ercolano, Baiardi, Ottavio Antonio, 1694-1764, Engraving, 1757-1792, View of illustration on page 243 only; not an overall view of the page

Tavola XXIV Delle antichita di Ercolano Baiardi
Tavola XXIV, Delle antichita di Ercolano, Baiardi, Ottavio Antonio, 1694-1764, Engraving, 1757-1792, Plate 24 on page 125. This is not an overall view of the page

Tavola XIX Delle antichita di Ercolano Baiardi
Tavola XIX, Delle antichita di Ercolano, Baiardi, Ottavio Antonio, 1694-1764, Engraving, 1757-1792, Plate 19, located on page 101, volume 1. This is not an overall view of page 101

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"Lower Left: Exploring Perspectives and Artistic Expressions" In the world of art, the lower left corner often holds hidden treasures that captivate our imagination. From Adolph von Menzel's captivating "Head of a Young Woman Seen from Below" to Luzio Romano's intricate "Design for Decorative Hinges, " this collection showcases diverse creations that have stood the test of time. Traveling back in time to the mid-1500s, we encounter Luzio Romano once again, with his mesmerizing "Design for Decorative Hinges. " The delicate lines and meticulous details transport us to an era where craftsmanship reigned supreme. As we delve deeper into artistic realms, Henri Meunier's Casino de Blankenberghe paper lithograph catches our eye. Its vibrant colors and lively atmosphere invite us to immerse ourselves in a world of entertainment and excitement. Valentin Zietara takes us on a different journey with G Schuh & Cie Munich F P Glass. Through his artwork, he invites us to appreciate the beauty found in everyday objects, reminding us that even functional items can be works of art. V Neubert Smichov Alfons Mucha Přívecke sdružení učitelů moravských introduces us to another renowned artist - Alfons Mucha. His distinctive style shines through as he captures moments frozen in time, evoking emotions within each stroke. Imprimerie E Pichot Gustave de Fraipont Chemins de Fer d'Orleans transports us into a realm where railways intertwine with artistic expression. Gustave de Fraipont masterfully combines two worlds - industry and creativity - creating a harmonious blend that leaves an indelible mark on our minds. Jules Cheret's Le Rappel paper from Imprimerie Chaix adds another layer of intrigue with its bold colors and dynamic composition. Cheret revolutionized the world of advertising, infusing it with artistry and elegance.