Maid Collection (page 7)

The Kitchen Maid (oil on panel)
3471319 The Kitchen Maid (oil on panel) by Valckenborch, Lucas van (c.1535-97); 115.8x133.5 cm; Museum voor Schone Kunsten, Ghent, Belgium; © Art in Flanders

Portrait of a family, 1642 (w/c on paper)
471112 Portrait of a family, 1642 (w/c on paper) by Fruytiers, Philip (1610-66); 33x48 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Portrait of a Bruges Family (oil on canvas)
490126 Portrait of a Bruges Family (oil on canvas) by Oost, Jacob van (1601-71); 150.5x255.5 cm; Groeningemuseum, Bruges, Belgium; (add.info)

Afternoon Tea, 1778 (oil on canvas)
490050 Afternoon Tea, 1778 (oil on canvas) by Garemyn, Jan-Anton (1712-99); 59x93.5 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

The Bat, 1860 (oil on panel)
LAF470805 The Bat, 1860 (oil on panel) by Braekeleer, Ferdinand de (1792-1883); 105.6x142.7 cm; Museum voor Schone Kunsten, Ghent, Belgium; © Art in Flanders

Gaston and his Sister, 1923 (oil on canvas)
471205 Gaston and his Sister, 1923 (oil on canvas) by Woestyne, Gustave van de (1881-1947); 204x204 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; (add.info.: Depicts Bertha)

Remembering the National Festivities of 1880, 1880 (oil on canvas)
471234 Remembering the National Festivities of 1880, 1880 (oil on canvas) by Cap, Constant Aime Marie (1842-1915); 97x156 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Cleopatra Testing Out Poison on Condemned Prisoners, 1887 (oil on canvas)
3470265 Cleopatra Testing Out Poison on Condemned Prisoners, 1887 (oil on canvas) by Cabanel, Alexandre (1823-89); 165x290 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

The Chocolate Girl, copy after the original by Jean-Etienne Liotard (1702-89), 1920-42 (painted porcelain)
BAT254011 The Chocolate Girl, copy after the original by Jean-Etienne Liotard (1702-89), 1920-42 (painted porcelain) by Liotard

Fishing boats of Chioggia, 1865-99 (watercolour)
7308293 Fishing boats of Chioggia, 1865-99 (watercolour) by Schladermandt, W.J. (1850-99); 17.4x24.9 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Verso W.J)

Bearded man with plumed hat, a flag and a sword, 1501-1600 (pen and black ink on paper)
7308243 Bearded man with plumed hat, a flag and a sword, 1501-1600 (pen and black ink on paper) by Amman, Jost (1539-91); 17.5x13.4 cm; Ashmolean Museum, University of Oxford

Henry, Prince of Wales (1594-1612), 1594-1612 (oil on canvas)
7305596 Henry, Prince of Wales (1594-1612), 1594-1612 (oil on canvas) by Peake, Robert, the Elder (c.1551-1619); 229x220 cm; Parham House, West Sussex, UK; (add.info.: Robert Peake (c)

Servant carrying a seat bench, a seat and a vase (Low relief)
7308559 Servant carrying a seat bench, a seat and a vase (Low relief) by Mesopotamian; Louvre, Paris, France; (add.info.: Low relief. Oriental antiquities. Mesopotamia. Assyrie, Khorsabad)

The Annunciation, 1510-1600 (pen and black ink on paper)
7308278 The Annunciation, 1510-1600 (pen and black ink on paper) by Durer or Duerer, Albrecht (1471-1528); 16.1x13.1 cm; Ashmolean Museum, University of Oxford

A grotesque man kneeling, holding a tall beer glass at its base, 1529-62 (pen and dark brown ink on paper)
7308188 A grotesque man kneeling, holding a tall beer glass at its base, 1529-62 (pen and dark brown ink on paper) by Durer or Duerer, Albrecht (1471-1528); 15.3x10.2 cm; Ashmolean Museum

In the Servants Hall, 1877 (oil on canvas)
7305512 In the Servants Hall, 1877 (oil on canvas) by Backer, Harriet (1845-1932); Nasjonalmuseet, Oslo, Norway; (add.info.: by Harriet Backer (1845-1932))

Pilate washing his hands, 1486-1528 (pen and black ink on paper)
7308324 Pilate washing his hands, 1486-1528 (pen and black ink on paper) by Durer or Duerer, Albrecht (1471-1528); 16.6x13.4 cm; Ashmolean Museum, University of Oxford

Head and shoulders of a bearded man with a hat, in profile, 1701-1900 (graphite on paper)
7308282 Head and shoulders of a bearded man with a hat, in profile, 1701-1900 (graphite on paper) by Holbein the Younger, Hans (1497/8-1543); 27.7x17.6 cm; Ashmolean Museum, University of Oxford

The Adoration of the Magi, 1588-1611 (pen and brown ink on paper)
7308196 The Adoration of the Magi, 1588-1611 (pen and brown ink on paper) by Durer or Duerer, Albrecht (1471-1528); 21.5x16.7 cm; Ashmolean Museum, University of Oxford

A Stag, 1551-1600 (pen and brush in brown and black ink with brown and black wash and white bodycolour on paper)
7308211 A Stag, 1551-1600 (pen and brush in brown and black ink with brown and black wash and white bodycolour on paper) by Durer or Duerer, Albrecht (1471-1528); 22.4x18 cm; Ashmolean Museum

Charles I (1600-1649), 1600-49 (oil on canvas)
7305688 Charles I (1600-1649), 1600-49 (oil on canvas) by Dyck, Anthony van (1599-1641) (after); 97x84 cm; Parham House, West Sussex

Henry, Prince of Wales (1594-1612), 1594-1612 (oil on canvas)
7305597 Henry, Prince of Wales (1594-1612), 1594-1612 (oil on canvas) by Peake, Robert, the Elder (c.1551-1619); 229x218 cm; Parham House, West Sussex, UK; (add.info.: Robert Peake (c)

Hunting party with the Royal Family of Naples (painting)
886853 Hunting party with the Royal Family of Naples (painting) by Palizzi, Giuseppe (1813-88); Galleria d'Arte Moderna, Palazzo Pitti, Florence, Tuscany

Pages of the third of The four volumes on architecture, 1570
7292587 Pages of the third of The four volumes on architecture, 1570 by Palladio, Andrea (1508-80); (add.info.: by Andrea Palladio, Venice, 1570)

Henry, Prince of Wales (1594-1612), 1594-1612 (oil on canvas)
7305628 Henry, Prince of Wales (1594-1612), 1594-1612 (oil on canvas) by Peake, Robert, the Elder (c.1551-1619); 229x218 cm; Parham House, West Sussex, UK; (add.info.: Robert Peake (c)

Lady of the nobility in the 18th century, in a chair with porters receiving the kiss hand, 1895 (Illustration)
7304347 Lady of the nobility in the 18th century, in a chair with porters receiving the kiss hand, 1895 (Illustration) by Job, pseudonym for Onfray de Breville

The Miracles of a Saint, 1571-1630 (pen and brown ink with grey and brown wash on paper)
7308290 The Miracles of a Saint, 1571-1630 (pen and brown ink with grey and brown wash on paper) by Rottenhammer, Hans I or Johann (1564-1625); 29.4x20.3 cm; Ashmolean Museum, University of Oxford

Wagon scene and a moneylender, 1701-1800 (pen and black ink with watercolour and white bodycolour on paper)
7308268 Wagon scene and a moneylender, 1701-1800 (pen and black ink with watercolour and white bodycolour on paper) by German School, (18th century); 14.5x19.2 cm; Ashmolean Museum

Head and shoulders of a woman in a headdress, in profile to the left, 1601-1700 (graphite on paper)
7308248 Head and shoulders of a woman in a headdress, in profile to the left, 1601-1700 (graphite on paper) by German School, (17th century); 22x14.7 cm; Ashmolean Museum, University of Oxford

Old man and young woman, in Arabian Nights, c. 1850 (engraving)
7298949 Old man and young woman, in Arabian Nights, c.1850 (engraving) by Unknown Artist, (19th century); (add.info.: Engraving illustrating a volume from " 1001 Nights")

Woman of Abyssinia, 1845 (engraving)
7293209 Woman of Abyssinia, 1845 (engraving) by Lefebvre, Theophile (1811-1860); (add.info.: Geography. Eritrea. Woman in the Tigre country)

Washington and His Family, 1865 (engraving)
7298482 Washington and His Family, 1865 (engraving) by Sartain, William (1843-1924); 34.9 x 49 cm; American Art Museum, Smithsonian Institute

King of England William III, (print)
1755666 King of England William III, (print) by Kneller, Godfrey (1646-1723) (after); (add.info.: King of England William III, prince of Orange and Nassau (1650-1702, king in 1689-1702)

Schwertleite, Ritterschlag, Germany, ca 1200
7280035 Schwertleite, Ritterschlag, Germany, ca 1200 by Unknown Artist, (19th century); Private Collection; (add.info.: Schwertleite, Ritterschlag, Germany, ca 1200, Historic)

Facsimile of a page from the oldest manuscript of the Avesta
7279999 Facsimile of a page from the oldest manuscript of the Avesta by Unknown Artist, (19th century); Private Collection; (add.info.: Facsimile of a page from the oldest manuscript of the Avesta)

Cleopatra VII Philopator was the last active ruler of the Ptolemaic Kingdom of Egypt, Historical
7279604 Cleopatra VII Philopator was the last active ruler of the Ptolemaic Kingdom of Egypt, Historical by Unknown Artist

The painter's studio. Young woman painting a picture, 19th century (oil on canvas)
7299010 The painter's studio. Young woman painting a picture, 19th century (oil on canvas) by French School, (19th century); Musee des Beaux-Arts, Carcassonne

Clothing, Fashion, Europe, Middle Ages 3rd-10th century, from left, a 10th century nobleman
7278094 Clothing, Fashion, Europe, Middle Ages 3rd-10th century, from left, a 10th century nobleman by Unknown Artist, (19th century); Private Collection; (add.info.: Clothing, Fashion, Europe)

Portrait of Louis Constant Wairy, 1813 (pastel)
1757753 Portrait of Louis Constant Wairy, 1813 (pastel) by Schmidt, Johann Heinrich (1749-1829); Musee National du Chateau de Malmaison, Rueil-Malmaison

Finding of Moses, 1580 (oil on canvas)
7292645 Finding of Moses, 1580 (oil on canvas) by Veronese, (Caliari, Paolo) (1528-88); Prado, Madrid, Spain; (add.info.: by Paolo Caliari, known as Veronese, 1580, oil painting on canvas)

Finding of Moses, 1580 (oil on canvas)
7292588 Finding of Moses, 1580 (oil on canvas) by Veronese, (Caliari, Paolo) (1528-88); Prado, Madrid, Spain; (add.info.: by Paolo Caliari, known as Veronese, 1580, oil painting on canvas)

Theodora, ca 500, 548
7278660 Theodora, ca 500, 548 by Unknown Artist, (19th century); Private Collection; (add.info.: Theodora, ca 500, 548, was the wife of the Eastern Roman emperor Justinian)

Toilet of an Egyptian lady in Thebes, at the time of the Ramessides, ca 1100 BC, Egypt
7278691 Toilet of an Egyptian lady in Thebes, at the time of the Ramessides, ca 1100 BC, Egypt by Unknown Artist, (19th century); Private Collection; (add.info.: Toilet of an Egyptian lady in Thebes)

Scene from Mozarts opera The Marriage of Figaro. (Le Nozze di Figaro), comic opera (opera buffa)
538237 Scene from Mozarts opera The Marriage of Figaro. (Le Nozze di Figaro), comic opera (opera buffa) with libretto by Lorenzo da Ponte (1749-1838) after Beaumarchais

Bedroom Scene, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) pub
3025984 Bedroom Scene, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) pub. 1934 (pochoir print) by Barbier

The Flight of Antony and Cleopatra from the Battle of Actium, 1897 (Oil on canvas)
7291005 The Flight of Antony and Cleopatra from the Battle of Actium, 1897 (Oil on canvas) by Pringle, Agnes (1853-1934); 99.6x198.7 cm; Tyne & Wear Archives & Museums; (add.info.: [TWCMS)

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In the midst of historical masterpieces and iconic characters, the maid emerges as a silent but significant figure. Between Two Fires, c1892, captures her essence with delicate strokes by Francis Davis Millet. Judi Trott embodies Maid Marion's grace and strength in her portrayal alongside Errol Flynn as Robin Hood. As Les Miserables' publication is advertised through an enchanting poster, we catch a glimpse of a maid who may have played a pivotal role in this tale of revolution and redemption. Traveling back to 1935, we encounter the Female Type/Maid - an embodiment of elegance and professionalism. A Meet of the New Forest Buck-Hounds at Fountain Court, Broo transports us to an era where maids were not only caretakers but also witnesses to grand events. Music takes center stage as we explore Mikado's music sheet; even amidst cultural performances like Il noce di Benevento ballet sketch from Milan or scenes from Mozart's opera The Marriage of Figaro (Le Nozze di Figaro), maids find their place within these artistic narratives. Yet amidst all their duties, even French maids deserve moments to rest and rejuvenate. Taking a break from their demanding roles, they remind us that self-care is essential for everyone. The Kennel Maid stands tall among her furry companions in Leatherhead's Church Street - showcasing how love extends beyond humans into the animal kingdom. In every corner of history and artistry alike, maids leave indelible imprints on our collective memory - reminding us that their contributions are woven intricately into society's fabric.