Mandylion Collection

The Holy Face, 1200-1250 (tempera on wood)
5948544 The Holy Face, 1200-1250 (tempera on wood) by Russian School (13th century); 104x74 cm; Tretyakov Gallery, Moscow, Russia; Russian, out of copyright

The Holy Face. Found in the Collection of Museo Nacional de Escultura Valladolid

Saint Veronica between Saints Peter and Paul, 1510. Creator: Dürer, Albrecht (1471-1528)
Saint Veronica between Saints Peter and Paul, 1510. Private Collection

The Sudarium held by two angels, 1513. Creator: Dürer, Albrecht (1471-1528)
The Sudarium held by two angels, 1513. Private Collection

The veil of Saint Veronica, Early16th century. Artist: Anonymous
The veil of Saint Veronica, Early16th century. Found in the collection of Ptuj Ormo? Regional Museum

The Flemalle Panels: Saint Veronica. Artist: Campin, Robert (ca. 1375-1444)
The Flemalle Panels: Saint Veronica. Found in the collection of Stadtische Galerie im Stadelschen Kunstinstitut, Frankfurt am Main

Saint Veronica. Artist: El Greco, Dominico (1541-1614)
Saint Veronica. Found in the collection of Museo de Santa Cruz, Toledo

Triptych of The Holy Face. Artist: Master Bertram (ca 1340-ca 1415)
Triptych of The Holy Face. Found in the collection of Thyssen-Bornemisza Collections

Saint Veronica and a Group of Knights. Artist: Baegert, Derick (ca 1440-after 1502)
Saint Veronica and a Group of Knights. Found in the collection of Thyssen-Bornemisza Collections

Holy Mandylion (The Vernicle), 1586-1595. Artist: El Greco, Dominico (1541-1614)
Holy Mandylion (The Vernicle), 1586-1595. Found in the collection of the Museo del Prado, Madrid

Holy Mandylion (The Vernicle), 13th century. Artist: Byzantine icon
Holy Mandylion (The Vernicle), 13th century. Found in the collection of the Notre-Dame de Laon

The Holy Face (Dome painting in the Archangel Michael Cathedral of the Moscow Kremlin), 1652-1666. Found in the collection of the Archangel Michael Cathedral in the Kremlin, Moscow

The Holy Countenance, c. 1500. Artist: Bouts, Aelbrecht, (Circle)
The Holy Countenance, c. 1500. Found in the collection of the Museu Nacional d Art de Catalunya, Barcelona

Holy Mandylion (The Vernicle), 1447. Artist: Russian icon
Holy Mandylion (The Vernicle), 1447. Found in the collection of the State Tretyakov Gallery, Moscow

Holy Mandylion (The Vernicle), 1658. Artist: Ushakov, Simon (Pimen) Fyodorovich (1626-1686)
Holy Mandylion (The Vernicle), 1658. Found in the collection of the State Tretyakov Gallery, Moscow

Holy Mandylion (The Vernicle). Artist: Russian icon
Holy Mandylion (The Vernicle). Found in the collection of Petit Palais, Musee des Beaux-Arts de la Ville de Paris

Saint Veronica (The Crucifixion Triptych), c. 1440. Artist: Weyden, Rogier, van der (ca. 1399-1464)
Saint Veronica (The Crucifixion Triptych), c. 1440. Found in the collection of the Art History Museum, Vienne

Head of Christ, 1525-1528. Artist: Correggio (1489-1534)
Head of Christ, 1525-1528. Found in the collection of the J. Paul Getty Museum, Los Angeles

Saint Veronica with the Sudarium, c. 1420. Artist: Master of Saint Veronica (active 1395?1420)
Saint Veronica with the Sudarium, c.1420. Found in the collection of the National Gallery, London

The veil of Saint Veronica, 1949. Artist: Mellan, Claude (1598-1688)
The veil of Saint Veronica, 1949. Found in the collection of the Rijksmuseum, Amsterdam

Holy Mandylion (The Vernicle), 1130-1200. Russian icon painting. Found in the collection of the State Tretyakov Gallery, Moscow

St. Veronica, from Liber Chronicarum by Hartmann Schedel (1440-1514) 1493
XJF139041 St. Veronica, from Liber Chronicarum by Hartmann Schedel (1440-1514) 1493 (woodcut) (b/w photo) by German School, (15th century); Private Collection; German, out of copyright

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The "mandylion" is a powerful religious symbol that has been depicted by various artists throughout history. Also known as the Holy Face, it holds great significance in Christian tradition. Dating back to the 13th century, Byzantine icons portrayed this sacred relic believed to be an imprint of Christ's face on a cloth. One such depiction is found in the tempera on wood painting titled "The Holy Face, " created between 1200-1250. This early representation showcases the solemnity and reverence associated with the mandylion. Another portrayal of this holy relic can be seen in "The Veil of Saint Veronica, " an anonymous work from the early 16th century. The artist captures Saint Veronica holding up her veil imprinted with Christ's face, emphasizing its importance as a revered artifact. Renowned painters like El Greco and Robert Campin also contributed their interpretations of Saint Veronica and the mandylion. El Greco's works from both 1586-1595 and his earlier period demonstrate his unique style while depicting this sacred object. Master Bertram's triptych artwork called "Triptych of The Holy Face" showcases intricate details surrounding this religious iconography, highlighting its spiritual significance within Christianity. Derick Baegert's piece titled "Saint Veronica and a Group of Knights" depicts not only Saint Veronica but also emphasizes her role as a protector alongside knights who revere the mandylion. Russian artists have also made significant contributions to portraying this holy image. Ancient Russian frescos dating from 1652-1666 adorn the dome painting in Moscow Kremlin's Archangel Michael Cathedral, showcasing their devotion through artistry. Aelbrecht Bouts' painting entitled "The Holy Countenance" portrays another interpretation influenced by circle members during c. 1500s, reflecting their fascination with capturing divine beauty through artistic expression. Lastly, Russian icons like those created in 1447 continue to depict the Holy Mandylion, showcasing its enduring significance in religious practice.