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Marble Collection (page 9)

Marble, a timeless medium that has captivated artists and sculptors throughout history

Background imageMarble Collection: Torso of a satyr, Boncompagni Ludovisi collection, National Roman Museum, Palazzo Altemps, Rome

Torso of a satyr, Boncompagni Ludovisi collection, National Roman Museum, Palazzo Altemps, Rome, Italy
6384460 Torso of a satyr, Boncompagni Ludovisi collection, National Roman Museum, Palazzo Altemps, Rome, Italy; Museo Nazionale Romano, Palazzo Altemps, Rome, Italy; (add.info.: Torso of Polyphemus)

Background imageMarble Collection: Herm of Hercules, Ludovisi collection, pentelic marble, National Roman Museum, Palazzo Altemps

Herm of Hercules, Ludovisi collection, pentelic marble, National Roman Museum, Palazzo Altemps, Rome, Italy
6384449 Herm of Hercules, Ludovisi collection, pentelic marble, National Roman Museum, Palazzo Altemps, Rome, Italy; Museo Nazionale Romano, Palazzo Altemps, Rome

Background imageMarble Collection: Pluto, Ludovisi collection, fine grained marble, National Roman Museum, Palazzo Altemps, Rome, Italy

Pluto, Ludovisi collection, fine grained marble, National Roman Museum, Palazzo Altemps, Rome, Italy
6384444 Pluto, Ludovisi collection, fine grained marble, National Roman Museum, Palazzo Altemps, Rome, Italy; Museo Nazionale Romano, Palazzo Altemps, Rome, Italy; (add.info.: Pluto)

Background imageMarble Collection: Portrait of Crispina, c. 178 AD, from villa Adriana (marble)

Portrait of Crispina, c. 178 AD, from villa Adriana (marble)
6384328 Portrait of Crispina, c. 178 AD, from villa Adriana (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Portrait of Crispina, about 178 AD, from villa Adriana)

Background imageMarble Collection: Portrait of Vespasianus, c. 79 AD (marble)

Portrait of Vespasianus, c. 79 AD (marble)
6384325 Portrait of Vespasianus, c. 79 AD (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Portrait of Vespasianus, about 79 AD)

Background imageMarble Collection: Portrait of Lucius Verus, c. 170 AD, from via Appia (marble)

Portrait of Lucius Verus, c. 170 AD, from via Appia (marble)
6384315 Portrait of Lucius Verus, c. 170 AD, from via Appia (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Portrait of Lucius Verus, around 170 AD, from via Appia)

Background imageMarble Collection: Portrait of Commodus as Sol, c. 190 AD (marble)

Portrait of Commodus as Sol, c. 190 AD (marble)
6384312 Portrait of Commodus as Sol, c. 190 AD (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Portrait of Commodus as Sol, around 190 AD)

Background imageMarble Collection: Statue of Faustina the Younger, from palazzo Sciarra (marble)

Statue of Faustina the Younger, from palazzo Sciarra (marble)
6384310 Statue of Faustina the Younger, from palazzo Sciarra (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Statue of Faustina the Younger, from palazzo Sciarra)

Background imageMarble Collection: Portrait of Faustina the Younger, c. 175 AD (marble)

Portrait of Faustina the Younger, c. 175 AD (marble)
6384307 Portrait of Faustina the Younger, c. 175 AD (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Portrait of Faustina the Younger, 175 AD c)

Portrait of Germanicus, from Mentana (marble)
6384302 Portrait of Germanicus, from Mentana (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Portrait of Germanicus, white marble, from Mentana)

Background imageMarble Collection: Portrait of Diphilus, 1st century AD (marble)

Portrait of Diphilus, 1st century AD (marble)
6384297 Portrait of Diphilus, 1st century AD (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Portrait of Diphilus, first century AD)

Background imageMarble Collection: Head of Philip V, king of Macedonia, after a Pergamene original from around 200 BC (marble)

Head of Philip V, king of Macedonia, after a Pergamene original from around 200 BC (marble)
6384291 Head of Philip V, king of Macedonia, after a Pergamene original from around 200 BC (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Head of Philip V)

Background imageMarble Collection: Alexander the great, after a masterpiece of the greek sculptor Lysippus, 1st century BC (marble)

Alexander the great, after a masterpiece of the greek sculptor Lysippus, 1st century BC (marble)
6384290 Alexander the great, after a masterpiece of the greek sculptor Lysippus, 1st century BC (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Alexander the great)

Background imageMarble Collection: Athena (marble)

Athena (marble)
6384263 Athena (marble); Museo Archeologico Nazionale, Naples, Campania, Italy; (add.info.: Athena); Photo © Stefano Baldini.

Homer (marble)
6384260 Homer (marble); Museo Archeologico Nazionale, Naples, Campania, Italy; (add.info.: Homer); Photo © Stefano Baldini.

Heraclitus (sculpture)
6384257 Heraclitus (sculpture); Museo Archeologico Nazionale, Naples, Campania, Italy; (add.info.: Heraclitus); Photo © Stefano Baldini.

Background imageMarble Collection: Statuette of a sleeping child (Cucullus) with a lamp, 1st-2nd century AD, white marble

Statuette of a sleeping child (Cucullus) with a lamp, 1st-2nd century AD, white marble
6384419 Statuette of a sleeping child (Cucullus) with a lamp, 1st-2nd century AD, white marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano

Bust of Caracalla, 209-211 AD, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384389 Bust of Caracalla, 209-211 AD, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome, Italy; Photo © Stefano Baldini.

Background imageMarble Collection: Mask of a satyr, 2nd century AD, white marble, National Roman Museum at the Baths of Diocletian

Mask of a satyr, 2nd century AD, white marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384373 Mask of a satyr, 2nd century AD, white marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome

Background imageMarble Collection: Mask of a satyr, 2nd century AD, white marble, National Roman Museum at the Baths of Diocletian

Mask of a satyr, 2nd century AD, white marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384369 Mask of a satyr, 2nd century AD, white marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome

Background imageMarble Collection: Hermes, Ludovisi or Loghios style, 1st century AD (marble)

Hermes, Ludovisi or Loghios style, 1st century AD (marble)
6384352 Hermes, Ludovisi or Loghios style, 1st century AD (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Hermes, Ludovisi or Loghios style, first century AD)

Background imageMarble Collection: Head of Apollo, Lyceum style, 1st century AD (marble)

Head of Apollo, Lyceum style, 1st century AD (marble)
6384350 Head of Apollo, Lyceum style, 1st century AD (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Head of Apollo, Lyceum style, first century AD)

Background imageMarble Collection: Portrait of Balbinus (marble)

Portrait of Balbinus (marble)
6384341 Portrait of Balbinus (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Portrait of Balbinus, national museum of Rome at the Palazzo Massimo, Rome)

Background imageMarble Collection: Sarcophagus with scenes of battle (marble)

Sarcophagus with scenes of battle (marble)
6384336 Sarcophagus with scenes of battle (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Sarcophagus with scenes of battle)

Background imageMarble Collection: Head of Tranquillina (marble)

Head of Tranquillina (marble)
6384334 Head of Tranquillina (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Head of Tranquillina, national museum of Rome at the Palazzo Massimo, Rome)

Background imageMarble Collection: Hera, Ephesus-Vienna type, early 1st century AD, copy of a greek original from the 4th century BC

Hera, Ephesus-Vienna type, early 1st century AD, copy of a greek original from the 4th century BC (marble)
6384115 Hera, Ephesus-Vienna type, early 1st century AD, copy of a greek original from the 4th century BC (marble); Museo Archeologico Nazionale, Naples, Campania, Italy; (add.info.: Hera)

Background imageMarble Collection: Eros, Centocelle style, late 2nd century AD, copy of a greek original from the 4th century BC

Eros, Centocelle style, late 2nd century AD, copy of a greek original from the 4th century BC attributed to Praxiteles
6384104 Eros, Centocelle style, late 2nd century AD, copy of a greek original from the 4th century BC attributed to Praxiteles (marble); Museo Archeologico Nazionale, Naples, Campania

Background imageMarble Collection: Antinous, late 2nd century AD, copy of a greek original of the 4th century BC (marble)

Antinous, late 2nd century AD, copy of a greek original of the 4th century BC (marble)
6384103 Antinous, late 2nd century AD, copy of a greek original of the 4th century BC (marble); Museo Archeologico Nazionale, Naples, Campania, Italy; (add.info.: Antinous, late 2nd century AD)

Pan and Daphne, late 2nd century AD, copy of an original from the late 2nd BC
6384092 Pan and Daphne, late 2nd century AD, copy of an original from the late 2nd BC, attributed to the Rhodian sculptor Heliodoros (marble); Museo Archeologico Nazionale, Naples, Campania

Background imageMarble Collection: Eros with dolphin, 2nd century AD (marble)

Eros with dolphin, 2nd century AD (marble)
6384090 Eros with dolphin, 2nd century AD (marble); Museo Archeologico Nazionale, Naples, Campania, Italy; (add.info.: Eros with dolphin, 2nd century AD); Photo © Stefano Baldini.

Background imageMarble Collection: Warrior, the so called Vulneratus deficiens, also known as the Farnese gladiator

Warrior, the so called Vulneratus deficiens, also known as the Farnese gladiator, roman copy of 190--199 AD
6384086 Warrior, the so called Vulneratus deficiens, also known as the Farnese gladiator, roman copy of 190--199 AD, after a Greek original of the 5th century BC (marble)

Background imageMarble Collection: Herm of Hercules with cornucopia, 2nd century AD (marble)

Herm of Hercules with cornucopia, 2nd century AD (marble)
6384082 Herm of Hercules with cornucopia, 2nd century AD (marble); Museo Archeologico Nazionale, Naples, Campania, Italy; (add.info.: Herm of Hercules with cornucopia)

So called Zeus Ammon, 2nd century AD (marble)
6384068 So called Zeus Ammon, 2nd century AD (marble); Museo Archeologico Nazionale, Naples, Campania, Italy; (add.info.: So called Zeus Ammon, 2nd century AD); Photo © Stefano Baldini.

Background imageMarble Collection: Septimius Severus, c. 204 AD (marble)

Septimius Severus, c. 204 AD (marble)
6384181 Septimius Severus, c. 204 AD (marble); Museo Archeologico Nazionale, Naples, Campania, Italy; (add.info.: Septimius Severus, c. 204 AD); Photo © Stefano Baldini.

Background imageMarble Collection: Marcus Aurelius as a young man, 147-151 AD (marble)

Marcus Aurelius as a young man, 147-151 AD (marble)
6384177 Marcus Aurelius as a young man, 147-151 AD (marble); Museo Archeologico Nazionale, Naples, Campania, Italy; (add.info.: Marcus Aurelius as a young man)

Background imageMarble Collection: Marcus Aurelius as a young man, 147-151 AD (marble)

Marcus Aurelius as a young man, 147-151 AD (marble)
6384176 Marcus Aurelius as a young man, 147-151 AD (marble); Museo Archeologico Nazionale, Naples, Campania, Italy; (add.info.: Marcus Aurelius as a young man)

Background imageMarble Collection: Commodus, 16th century creation set on an unrelated ancient bust (marble)

Commodus, 16th century creation set on an unrelated ancient bust (marble)
6384174 Commodus, 16th century creation set on an unrelated ancient bust (marble); Museo Archeologico Nazionale, Naples, Campania, Italy; (add.info.: Commodus)

Background imageMarble Collection: Figure in military uniform with a modern head of Julius Caesar

Figure in military uniform with a modern head of Julius Caesar, late 2nd century-early 3rd century AD (marble)
6384173 Figure in military uniform with a modern head of Julius Caesar, late 2nd century-early 3rd century AD (marble); Museo Archeologico Nazionale, Naples, Campania

Background imageMarble Collection: Caracalla as a young man set in a modern alabaster bust, 196-204 AD (marble)

Caracalla as a young man set in a modern alabaster bust, 196-204 AD (marble)
6384170 Caracalla as a young man set in a modern alabaster bust, 196-204 AD (marble); Museo Archeologico Nazionale, Naples, Campania

Background imageMarble Collection: Athena, 2nd century AD (marble)

Athena, 2nd century AD (marble)
6384145 Athena, 2nd century AD (marble); Museo Archeologico Nazionale, Naples, Campania, Italy; (add.info.: Athena, 2nd century AD); Photo © Stefano Baldini.

Background imageMarble Collection: Aphrodite, from Santa Maria Capia Vetere, amphitheatre marble, first half of the 2nd century AD

Aphrodite, from Santa Maria Capia Vetere, amphitheatre marble, first half of the 2nd century AD
6384143 Aphrodite, from Santa Maria Capia Vetere, amphitheatre marble, first half of the 2nd century AD, copy of a greek original from the 4th century BC (marble); Museo Archeologico Nazionale

Background imageMarble Collection: So called Tiberius, end of 2nd century AD (marble)

So called Tiberius, end of 2nd century AD (marble)
6384131 So called Tiberius, end of 2nd century AD (marble); Museo Archeologico Nazionale, Naples, Campania, Italy; (add.info.: So called Tiberius, end of 2nd century AD); Photo © Stefano Baldini.

Background imageMarble Collection: Unidentified portrait with an idealised body of the Meleager type

Unidentified portrait with an idealised body of the Meleager type, end of the 1st century AD (marble)
6384126 Unidentified portrait with an idealised body of the Meleager type, end of the 1st century AD (marble); Museo Archeologico Nazionale, Naples, Campania

Background imageMarble Collection: Bust of Dante, 19th century, unknown artist (marble)

Bust of Dante, 19th century, unknown artist (marble)
7064253 Bust of Dante, 19th century, unknown artist (marble); Museo di Capodimonte, Naples, Campania, Italy; (add.info.: Bust of Dante, 19th century, unknown artist, marble)

Background imageMarble Collection: Art romain: Livia Drusilla (ou Iulia Augusta, 58 avant JC-29 apres JC), imperatrice romaine

Art romain: Livia Drusilla (ou Iulia Augusta, 58 avant JC-29 apres JC), imperatrice romaine
AIS5386344 Art romain: Livia Drusilla (ou Iulia Augusta, 58 avant JC-29 apres JC), imperatrice romaine, troisieme epouse d'Auguste

Background imageMarble Collection: Saint Thecle of Iconium (1st century AD) near Saint Paul, 13th century (marble)

Saint Thecle of Iconium (1st century AD) near Saint Paul, 13th century (marble)
AIS5377885 Saint Thecle of Iconium (1st century AD) near Saint Paul, 13th century (marble); Cathedral of Pamplona, Navarre, Spain; © Iberfoto.

Background imageMarble Collection: Children's games: the marbles. J. Langlume, publisher, Paris, c. 1840. Decoupted images

Children's games: the marbles. J. Langlume, publisher, Paris, c. 1840. Decoupted images. Dimensions: 5 x 5 cm
DUV4218195 Children's games: the marbles. J. Langlume, publisher, Paris, c. 1840. Decoupted images. Dimensions: 5 x 5 cm.; 05x05 cm; (add.info.: Children's games: the marbles. J)

Background imageMarble Collection: Letter B: BONTE that a noble heart translates into charity, conquers us friends; never BRUTALITE

Letter B: BONTE that a noble heart translates into charity, conquers us friends; never BRUTALITE
DUV4206535 Letter B: BONTE that a noble heart translates into charity, conquers us friends; never BRUTALITE. Engraving in " ABC. Alphabet of good advice and mistakes to avoid". Ch



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Marble, a timeless medium that has captivated artists and sculptors throughout history. From the intricate details of the Bust of the Roman emperor Marcus Aurelius to the delicate beauty of Michelangelo's Pieta, it has been transformed into masterpieces that continue to awe us. The Winged Victory of Samothrace or Nike of Samothrace stands proudly, its flowing drapery frozen in time, showcasing the skill and artistry involved in carving this magnificent sculpture. Similarly, The Pazzi Madonna by Donatello exudes grace and elegance as it depicts the Virgin and Child in flawless white marble. Giovanni Lorenzo Bernini's Pluto captures a moment frozen in eternity - a testament to his ability to breathe life into stone. Meanwhile, Michelangelo's David stands tall with every muscle meticulously carved, embodying strength and perfection. In Barga, Italy, marble adorns buildings with its ethereal beauty - a reminder of its versatility beyond sculptures. And speaking of Michelangelo again, his Madonna of Bruges enchants viewers with her serene expression and tender embrace. Bernini returns with another masterpiece - his rendition of David showcases not only his technical prowess but also an emotional depth rarely seen in stone. Auguste Rodin's The Kiss evokes passion and intimacy through its smooth marble forms locked together forever. From India's Golden Temple shimmering on Amrit Sagar lake to Malta's St. John the Baptist church adorned with a Holy Sacrament monstrance made from precious marble; these architectural wonders remind us how this material can elevate sacred spaces. Marble is more than just rock; it is an embodiment of human creativity and ingenuity. Its enduring allure continues to inspire generations as we marvel at what can be achieved when talent meets this remarkable stone.