Masculine Collection

Saint Anthony of Padua preaching to the fishes, 1779. Painting by Bernardo Rodriguez. Quito School. Colonial baroque. Painting. ECUADOR. PICHINCHA. Quito. Convent of San Francisco

RIVERA, Diego (1886-1957). Dream of a Sunday Afternoon in Alameda Park, detail of mural, 1947-1948. MEXICO. Mexico City. Diego Rivera Web Museum. Central detail. Fresco on portable pannels

PESSOA, Fernando (1888-1935). Portuguese poet. Drawing by Almada Negreiros of 1935. Drawing

Aston Martin V12 Vanquish James Bond

VERNE, Jules (1828-1905). Illustration of 20000
" VERNE, Jules (1828-1905). Illustration of " 20000 Leagues Under the Sea" (1870). Etching."

Tagore, Rabindranath (1861-1941)

Vivaldi, Antonio (1678-1741). Italian school

Persian Manuscript, 1650. Court of a Safavid dynasty prince. Persian art. Safavid period. Miniature Painting. EGYPT. CAIRO. Cairo. Museum of Islamic Arts

RIVERA, Diego. Man, Controller of
RIVERA, Diego (1886-1957). Man, Controller of the Universe. 1934. Right detail. Mexican Mural Painting. Fresco. MEXICO. FEDERAL DISTRICT. Mexico City. Fine Arts Palace

Concert of Collegium. Musicum of Jena
Collegium Musicum of Jena Concert. 1740. German anonymous. Painting. GERMANY. HAMBURG. Hamburg. Museum fur Kunst und Gewerbe (Museum of Art and Craftwork)

CELLINI, Benvenuto (1500-1571). Perseus. 1554

JUANES, Juan de (1523-1579). The Last Supper. ca. 1550. Renaissance art. Oil on wood. SPAIN. Madrid. Prado Museum

LEOPARDI, Giacomo (1798-1837). Italian writer
" LEOPARDI, Giacomo (1798-1837). Italian writer. Drawing according the funerary mask on the frontispiece of his " Opere" (Florence)."

Circus scene. Illustration by G鲡rd Laplau (1938-2009)
Circus scene. Illustration by G鲡 rd Laplau (1938-2009). Naive art. Painting

Athletic young man in shorts with ball lying on a stone floor

HENRY VII of England (1457-1509). King of England (1485-1509), first king from the House of Tudor. Painting. FRANCE. Avignon. Mus饠 Calvet (Calvet Museum)

Horseshoer. Coloured engraving (19th c. )
Horseshoer. Coloured engraving (19th c.)

RAMON Y CAJAL, Santiago (1852-1934). Spanish

RAMON Y CAJAL, Santiago (1852-1934). Spanish doctor and histologist, Nobel Prize in 1906. Portrait in his laboratory

London and the Thames (15th c. ). Gothic art
London and the Thames (15th c.). Gothic art. Miniature Painting

French Revolution (1789). The Storming of the Bastille (July 14). Oil on canvas. FRANCE. Paris. Mus饠 Carnavalet (Carnavalet Museum)

ZURBARAN, Francisco de (1598-1664). Saint Bruno. 17th c. Baroque art. Oil on canvas. SPAIN. Cᤩ z. Museo de Cᤩ z

STEVENSON, Robert Louis (1850-1894). Reproduction of a picture of Stevenson taken in 1885

KIERKEGaRD, Soren (1813-1855). Danish philosopher and theologist, precursor of existencialism. Painting

SRI LANKA. ANURADHAPURA. Sigiriya. Sigiriya Rock. The stairway above the Lion Gate

Bayeux Tapestry. 1066-1077. Making a boat. Romanesque art. Tapestry. FRANCE. Bayeux. Archaeological Museum

London Life front cover, 1966
Front cover of London Life magazine, the cool but short-lived magazine which epitomised the spirit of swinging sixties London

Napoleon reviewing his troops. Litography. SPAIN. Madrid. National Library

Signing Venezuelas independence in Caracas (5th August 1811). Replica of a fresco painting by Tovar y Tovar (1883). Engraving

SMITH, Adam (1723-1790). Oil on canvas

Construction of a wall. Illustration from a Latin compendium of Civil law (14th c.). Gothic art. Miniature Painting

Eve Adamised 1927
Eve Adamised : new woman in a liberated age dons male attire of suit & tie with hair in an Eton crop, but signals her gender with make-up, earings & a cigarette holder

Detail of Aparici󮠤e Cristo a San Ignacio
" Detail of " Aparici󮠤 e Cristo a San Ignacio" (" The Apparition of Christ to Saint Ignatius" ), 1595."

NOSTRADAMUS, Michel de Notre Dame (1503-1566). French physician and astrologer, author of book of predictions Astrological Centuries (1555). Illustration in card of 18th century. Drawing

Ramon Berenguer II. Count of Barcelona (1076-1082). Painting. SPAIN. Barcelona. Montjuic Castle Military Museum

Spanish Civil War (1936-1939). El analfabetismo ciega el espiritu. Soldado instruyete (Spirit is blinded by analphabetism. Soldier, get instructed). Poster edited by the Militia of Culture. SPAIN

Etruscan warrior. 4th c. BC. Etruscan art. Sculpture on bronze. ITALY. TUSCANY. Florence. National Museum of Archaeology

GENGIS KHAN (1162-1227). Emperor founder of the first Mongol Empire in 1206. Fol. 44v. Mongols tributing to Genghis Khan. Illustration of the first section with the history of the Mongols

South Africa (XIX). Zulu Kingdom (1883). Restoration Cettewayo, king of the Zulus. Cetewayo attends the ceremony indaba conference to meet the Induna (Zulu and Xhosa leaders)

RIVERA, Diego (1886-1957). Zapotec Civilization. 1947. Mural Pre-Hispanic Mexico and Colony in the corridor of the north wall. Detail

Gallo-Roman low-relief. Ferrying wine barrels and amphorae. Roman art. Early Empire. Relief on rock. FRANCE. PROVENCE ALPES CԔ E D AZUR. VAUCLUSE. Avignon. Mus饠 Calvet (Calvet Museum)

GREECE. Daphni. Dapni Monastery. Christ Pantocrator inside the dome (early Comnenian period, ca. 1100). Byzantine art. Mosaic

Tomb of Tutankhamun Egyptian painting
Tomb of Tutankhamun. s.XIV BC. EGYPT. Dayr al-Bahri. Valley of the Kings. Tomb of Tutankhamun. Tutankhamun and his wife Ankhesenpaaten. Egyptian art. New Kingdom. Painting

Standard of Ur Babylonian art
The Standard of Ur. 2600 -2400 BC. Peace panel. Babylonian art. Mosaic. UNITED KINGDOM. ENGLAND. London. The British Museum. Proc: IRAQ. Ur

Statue of Djoser. Egyptian art
Seated statue of King Djoser. 2611 BC. Detail. Egyptian art. Old Kingdom. Sculpture on rock. EGYPT. CAIRO. Cairo. Egyptian Museum. Proc: EGYPT. CAIRO. Saqqara

Portrait of Tupac Amaru II. Painting
TUPAC AMARU II, Jos頇 abriel Condorcanqui (1741-1781). Portrait of Tupac Amaru II. Painting

Audience of Darius I. Persian art
DARIUS I the Great (550 BC-486BC). Persian Emperor (522-486 BC) of the Achaemenid dynasty. Representation of the king on his throne during hearing with officers Medes. Treasury Hall of the palace

Ares and Aphrodite. Greek art
Votive relief dedicated to Ares and Aphrodite. 5th c.BC. Classical Greek art. Relief on marble. ITALY. VENETO. Venice. Archaeological Museum

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"Exploring the Depths of Masculinity: From Saint Anthony of Padua Preaching to the Fishes to Rivera's Artistic Expression" In a mesmerizing painting by Diego Rivera, we witness Saint Anthony of Padua captivating an unlikely audience - a river full of fishes. This intriguing portrayal reminds us that true masculinity lies in the power to connect with all living beings. Just as James Bond effortlessly maneuvers his Aston Martin V12 Vanquish through daring adventures, masculinity is not limited to physical strength but encompasses courage and resilience in facing life's challenges head-on. Fernando Pessoa, the renowned Portuguese poet, delved into the depths of his emotions and thoughts, reminding us that masculinity embraces vulnerability and introspection, and is about embracing one's inner self without fear or judgment. Jules Verne takes us on a thrilling journey with his illustration from "20, 000 Leagues Under the Sea, " showcasing how masculine curiosity drives exploration and discovery. The thirst for knowledge knows no bounds when it comes to understanding our world. Tagore's profound words remind us that masculinity goes beyond societal expectations; it is about nurturing compassion and empathy towards others. True strength lies in fostering meaningful connections and understanding between individuals. Juan de Juanes immortalizes "The Last Supper, " emphasizing how leadership can be rooted in humility and service rather than dominance. Masculinity finds its essence in guiding others with love, respect, and selflessness. Antonio Vivaldi's enchanting melodies evoke emotions that transcend gender stereotypes; music has no boundaries when it comes to expressing oneself fully. Masculinity embraces artistic expression as a means of connecting with one's soul. Benvenuto Cellini masterfully sculpted Perseus holding Medusa's severed head high above him—a symbol of triumph over adversity. This artwork exemplifies how masculine strength manifests itself not only physically but also mentally and emotionally.