Mcallister Collection

Looking from Ardsbeg, Co. Donegal (1921). McAllister, John Alphonsus 1896 - 1925. Date: 1921

Waterfoot Harbour, Co. Antrim (1924). McAllister, John Alphonsus 1896 - 1925. Date: 1924

Samuel Ward McAllister (1827 - 1895), arbiter and social commentator, United States and Europe. Renowned for his published commentary on social class and customs, Society as I have found it

P. Mcallister
P.Mcallister Amateur Rider 17 February 1998 Date: 17 February 1998

Mired Confederate mortar in Fort McAlister, near Savannah, Georgia, 1864 (b / w photo)
867769 Mired Confederate mortar in Fort McAlister, near Savannah, Georgia, 1864 (b/w photo) by Cooley, Samuel A. (fl.1864); Private Collection; (add.info)

DAGUERREOTYPE: BABY, 1844. Portrait of William Mitchell McAllister as an infant. Daguerreotype by William Young McAllister, 1844

JOHN SCHOFIELD (1831-1906). John McAllister Schofield. American army officer. Wood engraving, 1887

Ellen McAllister, ninety-one years old, the oldest resident of Shawneetown, Illinois, is a flood refugee at Tent City camp. Date 1937 Apr

CHILDREN, 1851. Portrait of Lizzie, John, Annie, and Mitchell McAllister. Daguerreotype by Marcus Aurelius Root, 1851

FLOOD REFUGEE, 1937. Ellen McAllister, a ninety-year-old flood refugee at Tent City camp in Shawneetown, Illinois. Photograph by Russell Lee, April 1937

The Brickfield. McAllister, John Alphonsus 1896 - 1925

W. J. Coombes
W.J. Coombes 1893 - 1981 (1919). McAllister, John Alphonsus 1896-1925. Date: 1919

CIVIL WAR: GEORGIA, 1864. General William Tecumseh Shermans troops removing an 8-inch Columbiad gun from Fort McAllister, near Savannah, Georgia, December 1864

CIVIL WAR: FORT McALLISTER. Union troops removing a Columbiad cannon from Fort McAllister near Savannah, Georgia, after their victory over Confederate troops, December 1864. Photograph by Samuel A

SAMUEL WARD MCALLISTER (1827-1895). American lawyer and social leader. Mr. Ward McAllister as the Count de la Nolle, lover of Marguerite of Valois. Wood engraving, 1890

Savannah, Ga. vicinity. Shermans troops removing ammunition from Fort McAllister in wheelbarrows. Photograph of the War in the West. These photographs are of Sherman at the sea, December 1864

The Civil war in America. Attack by Federal gun boats on For
Federal gun boats attacking Confederate Fort McAllister, reflecting the increasing success of the Unionist Navy under Flag Officer Farragut

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"McAllister: A Name Woven into History and Landscapes" From the serene waters of Waterfoot Harbour, Co. Antrim to the captivating view from Ardsbeg, Co. Donegal, McAllister's presence is felt across diverse landscapes. Samuel Ward McAllister (1827 - 1895), an arbiter and social commentator in both United States and Europe, left an indelible mark with his published commentary on social class and customs in "Society as I have found it, " subtitled The Cuisine. P. McAllister's legacy intertwines with history, as seen through the lens of a mired Confederate mortar in Fort McAlister near Savannah, Georgia captured in a timeless black-and-white photo from 1864. John McAllister Schofield (1831-1906), an esteemed American army officer, stands tall in a wood engraving from 1887 by John Schofield himself. Ellen McAllister, at ninety-one years old, holds the distinction of being the oldest resident—a testament to endurance and resilience that defines the McAllisters' spirit. In a portrait dating back to 1851, Lizzie, John, Annie, and Mitchell McAllister embody youthful innocence while representing another chapter of this storied family's lineage. A precious daguerreotype from 1844 captures William Mitchell Mcallister as an infant—an image frozen in time that encapsulates generations past. During times of hardship like the devastating flood of 1937 at Tent City Refugee Camps—ninety-year-old Ellen Mcallister becomes a symbol of strength amidst adversity—a beacon for hope. The Brickfield bears witness to countless stories etched within its walls—a place where memories are forged by those who bear the name "McAllister. " W. J. Coombes' artistry brings these fragments together—painting vivid pictures that connect us to the rich tapestry of McAllister's history.