Medioevale Collection

Inferno, Canto 2 : Beatrice and Virgil, illustration from The Divine Comedy
GIA745722 Inferno, Canto 2 : Beatrice and Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 31 : The saintly throng form a rose in the empyrean (rose celeste)
GIA745614 Paradiso, Canto 31 : The saintly throng form a rose in the empyrean (rose celeste), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 4 : Homer, the poets, and heroes in Limbo
GIA745727 Inferno, Canto 4 : Homer, the poets, and heroes in Limbo, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 19 : Dante rebukes Pope Nicholas III (Nicolas III) in the fourth bolgia
GIA745709 Inferno, Canto 19 : Dante rebukes Pope Nicholas III (Nicolas III) in the fourth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 9 : Dante, in a dream, is carried off by an eagle
GIA745663 Purgatorio, Canto 9 : Dante, in a dream, is carried off by an eagle, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Joan of Arc at the Siege of Orleans
XEE556981 Joan of Arc at the Siege of Orleans. by Lix, Frederic Theodore (1830-97); Private Collection; (add.info.: From " Histoire de Jeanne d Arc" by Louis Moland)

Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx
GIA745738 Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 22 : Ciampolo escapes the demon Alichino in the fifth bolgia
GIA745712 Inferno, Canto 22 : Ciampolo escapes the demon Alichino in the fifth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 13 : The suicides flee the forest, illustration from
GIA745701 Inferno, Canto 13 : The suicides flee the forest, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 17 : The descent into the abyss on Geryons back
GIA745705 Inferno, Canto 17 : The descent into the abyss on Geryons back, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 21 : The demons threaten Virgil, illustration from
GIA745711 Inferno, Canto 21 : The demons threaten Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 26 : The flaming spirits of Ulysses and Diomedes (Diomede)
GIA745695 Inferno, Canto 26 : The flaming spirits of Ulysses and Diomedes (Diomede), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante
GIA745673 Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante and Virgil into the last circle, illustration from The Divine Comedy by Dante Alighieri

Purgatorio, Canto 12 : Dante views the soul of Arachne, illustration from
GIA745655 Purgatorio, Canto 12 : Dante views the soul of Arachne, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Rocca Calascio at sunset, Calascio, L Aquila, Abruzzo, Italy, Southern Europe

The miracle of the child grabs between the fangs of a wolf. Part of the triptych History of Hermit of St
LRI4608561 The miracle of the child grabs between the fangs of a wolf. Part of the triptych History of Hermit of St. Augustine (Tempera on wood, 1325-1328) by Martini

Our Lady and the child with donor, detail ( circa 1377, Fresco placed on canvas)
LRI4608326 Our Lady and the child with donor, detail ( circa 1377, Fresco placed on canvas) by Master of Mocchirolo (fl.c.1350); Pinacoteca di Brera, Milan

Spiritual marriage of Christ with Saint Mary Magdalene, detail. (circa 1377, Fresco placed on canvas)
LRI4608298 Spiritual marriage of Christ with Saint Mary Magdalene, detail. (circa 1377, Fresco placed on canvas) by Master of Mocchirolo (fl.c.1350); Pinacoteca di Brera, Milan

"The Guidonian hand"Page from "De musica tractatus"by Bartolomeo Ramos de Pareia (1440-1491)
LRI557785 " The Guidonian hand" Page from " De musica tractatus" by Bartolomeo Ramos de Pareia (1440-1491) by Italian School

"The Guidonian hand"Frontispiece from "Tractatus musices"
LRI557783 " The Guidonian hand" Frontispiece from " Tractatus musices". by Italian School, (15th century); Museo internazionale e biblioteca della musica, Bologna, Emilia-Romagna

Polyptych of the life of Beata Umilta - Detrempe on wood, 1316
LRI4573002 Polyptych of the life of Beata Umilta - Detrempe on wood, 1316 by Lorenzetti, Pietro (c.1280-1348); Galleria degli Uffizi, Florence, Tuscany

The descent of the cross (deposition). The body of Jesus Christ is carried by three men
LRI4608879 The descent of the cross (deposition). The body of Jesus Christ is carried by three men, including Joseph of Arimathia (left) and Nicodema (right)

The miracle of the child falls from his cradle: the three women talking at the bottom of
LRI4608576 The miracle of the child falls from his cradle: the three women talking at the bottom of the scene. Part of the triptych History of Hermit of St

Virgin and Child (tempera on wood, 1321)
LRI4608536 Virgin and Child (tempera on wood, 1321) by Martini, Simone (1284-1344); Pinacoteca Nazionale, Siena, Tuscany, Italy; (add.info.: Madonna di Lucignano. Virgin and Child (Madonna)

The Virgin and Child between Saint John and Saint Francois Fresco by Pietro Lorenzetti
LRI4607953 The Virgin and Child between Saint John and Saint Francois Fresco by Pietro Lorenzetti (1280-1348) in Assisi (Assisi), Lower Basilica, Orsini Chapel

Entry of Christ into Jerusalem - Fresco by Pietro Lorenzetti (1280-1348), 1335
LRI4607946 Entry of Christ into Jerusalem - Fresco by Pietro Lorenzetti (1280-1348), 1335. Lower church of the Basilica of Saint Francois of Assisi

Purgatorio, Canto 5 : Dante speaks with Pia de Tolomei (Tolommei)
GIA745748 Purgatorio, Canto 5 : Dante speaks with Pia de Tolomei (Tolommei), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 5 : The late repenters singing the Miserere
GIA745746 Purgatorio, Canto 5 : The late repenters singing the Miserere, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 1 : The she-wolf appears, illustration from The Divine Comedy
GIA745743 Inferno, Canto 1 : The she-wolf appears, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 5 : Paolo and Francesca, illustration from The Divine Comedy
GIA745732 Inferno, Canto 5 : Paolo and Francesca, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 3 : The doomed souls embarking to cross the Acheron
GIA745725 Inferno, Canto 3 : The doomed souls embarking to cross the Acheron, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 12 : Nessus (Nessos) and the centaurs, illustration from
GIA745721 Inferno, Canto 12 : Nessus (Nessos) and the centaurs, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 17 : Geryon, symbol of deceit, illustration from
GIA745704 Inferno, Canto 17 : Geryon, symbol of deceit, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 29 : The forgers tormented in the valley
GIA745685 Inferno, Canto 29 : The forgers tormented in the valley, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 9 : Dante and Virgil at the portals of Purgatory
GIA745659 Purgatorio, Canto 9 : Dante and Virgil at the portals of Purgatory, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 27 : Dantes dream of Leah in the meadow
GIA745639 Purgatorio, Canto 27 : Dantes dream of Leah in the meadow, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 33 : Dante drinks of the River Eunoe, illustration from
GIA745638 Purgatorio, Canto 33 : Dante drinks of the River Eunoe, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 3 : The first realm : Piccarda Donati and the souls whose vows had been
GIA745632 Paradiso, Canto 3 : The first realm : Piccarda Donati and the souls whose vows had been broken, illustration from The Divine Comedy by Dante Alighieri

Paradiso, Canto 31 : The queen of heaven - by Dante Alighieri (1265-1321)
GIA745615 Paradiso, Canto 31 : The queen of heaven - by Dante Alighieri (1265-1321), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 28 : The scintillating host of heaven, illustration from
GIA745612 Paradiso, Canto 28 : The scintillating host of heaven, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Joan of Arc Interrogated
XEE556992 Joan of Arc Interrogated. by Lix, Frederic Theodore (1830-97); Private Collection; (add.info.: Cardinal Henry Beaufort, Bishop of Winchester, interrogates Joan of Arc)

Joan of Arc is taken prisoner on May 23rd 1430 and is handed over to the English at
XEE556990 Joan of Arc is taken prisoner on May 23rd 1430 and is handed over to the English at Compiegne. by Lix, Frederic Theodore (1830-97); Private Collection; (add.info)

Portrait of Theobald I (1201-1253), Count of Champagne (as Theobald IV
XEE556790 Portrait of Theobald I (1201-1253), Count of Champagne (as Theobald IV) from birth and King of Navarre from 1234

Portrait of Joan I of Navarre (1273-1305) queen regnant of Navarre
XEE556517 Portrait of Joan I of Navarre (1273-1305) queen regnant of Navarre and queen consort of France. by French School

Portrait of Robert de Hauteville known as Guiscard (1015-1085)
XEE556292 Portrait of Robert de Hauteville known as Guiscard (1015-1085), Duke of Apulia and Calabria. by French School, (19th century); Private Collection; (add.info)

Portrait of Pope Sylvester II (or Silvester II) (c. 938-1003)
XEE556177 Portrait of Pope Sylvester II (or Silvester II) (c. 938-1003). by French School, (19th century); Private Collection; (add.info)

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Step into the medieval world and immerse yourself in its captivating tales. From Dante's Paradiso, Canto 31, where a celestial rose blooms with saintly souls, to Inferno, Canto 4, where Homer and other great minds reside in Limbo. Witness Dante's bold rebuke of Pope Nicholas III in Inferno, Canto 19, as he confronts corruption head-on. Inferno continues to enthrall as Ciampolo cunningly escapes the clutches of the demon Alichino in the fifth bolgia (Canto 22). Explore Rocca Calascio at sunset, an enchanting fortress nestled in L'Aquila's picturesque landscape of Abruzzo. Marvel at the triptych 'History of Hermit of St. Augustine, ' featuring a miraculous moment when a child is snatched from danger by a wolf (1325-1328). Joan of Arc takes center stage as she faces her fate at the stake in 1430. The Divine Comedy comes alive through vivid illustrations like Inferno, Canto 14 - depicting tormented souls amidst rainfire (1885 engraving). Bertran de Born's severed head speaks hauntingly to Dante in Inferno, Canto 28 (1885 engraving). Delve into religious artistry with Our Lady and Child with Donor - an exquisite fresco on canvas from circa 1377. Experience profound emotion through Crucifixion and witness Christ's spiritual union with Saint Mary Magdalene (circa 1377). Let these glimpses into medioevale transport you back to an era filled with mystique and grandeur.