Men Only Collection (page 9)

In Front of the Painter (oil on canvas)
989840 In Front of the Painter (oil on canvas) by Bogliani, Enrico (fl.1892-98); 83.9x161.4 cm; Private Collection; (add.info.: In Front of the Painter; Devant le Peintre)

Arab Warriors on Horseback, (oil on canvas)
989791 Arab Warriors on Horseback, (oil on canvas) by Schreyer, Adolf (1828-99); 87x119.4 cm; Private Collection; (add.info.: Arab Warriors on Horseback. Adolf Schreyer (1828-1899). Oil on canvas

A Full Company of Bluecoats in Winter Quarters, c. 1861-1865 (half-plate tintype
991460 A Full Company of Bluecoats in Winter Quarters, c.1861-1865 (half-plate tintype, hand coloured, in leather case) by American Photographer

Quartet, 1865 (quarter-plate tintype, leather case)
991457 Quartet, 1865 (quarter-plate tintype, leather case) by American Photographer, (19th century); Private Collection; (add.info.: Quartet. Quarter-plate tintype, leather case. Printed in 1865)

The Procession, 1893 (oil on canvas)
824451 The Procession, 1893 (oil on canvas) by Corbould, Edward Henry (1815-1905); 121.9x152.4 cm; Private Collection; (add.info.: The Procession. Edward Henry Corbould (1815-1905). Oil on canvas

Two Men in the Consideration of the Moon; Zwei Manner in Betrachtung des Mondes, c
824290 Two Men in the Consideration of the Moon; Zwei Manner in Betrachtung des Mondes, c.1830 (oil on canvas) by Friedrich

The Lake of Thun, Switzerland, c. 1802-10 (watercolour)
824106 The Lake of Thun, Switzerland, c.1802-10 (watercolour) by Turner, Joseph Mallord William (1775-1851); 27.7x39 cm; Private Collection; (add.info.: The Lake of Thun, Switzerland)

Waiting in Vain; Vaine Attente, (oil on canvas)
823519 Waiting in Vain; Vaine Attente, (oil on canvas) by Cogghe, Remy (1854-1935); 92.7x69.9 cm; Private Collection; (add.info.: Waiting in Vain; Vaine Attente. Remy Cogghe (1854-1935)

The Blacksmiths Forge, (oil on panel)
823516 The Blacksmiths Forge, (oil on panel) by Soyer, Paul (1823-1903); 29.7x45.7 cm; Private Collection; (add.info.: The Blacksmiths Forge. Paul Constant Soyer (1823-1903). Oil on panel

The Harvesters Rest, Montfoucault; Le Repos des Moissoneurs, Monfoucault
825860 The Harvesters Rest, Montfoucault; Le Repos des Moissoneurs, Monfoucault, 1875 (oil on canvas) by Pissarro, Camille (1830-1903); 46x55 cm; Private Collection; (add.info.: The Harvesters Rest)

Passing the Rubicon, c. 1853 (lithograph printed in colours)
828375 Passing the Rubicon, c.1853 (lithograph printed in colours) by Heine, Peter Bernhard Wilhelm (1827-85); 69.8x97.1 cm; Private Collection; (add.info.: Passing the Rubicon. Lieut. S)

The Howitzer in Action, c. 1917 (pencil and watercolour)
826710 The Howitzer in Action, c.1917 (pencil and watercolour) by Orpen, William (1878-1931); 38.1x47 cm; Private Collection; (add.info.: The Howitzer in Action. Sir William Orpen (1878-1931)

A Group Portrait of Twelve Gentlemen in an Interior, 166- (oil on canvas)
827788 A Group Portrait of Twelve Gentlemen in an Interior, 166- (oil on canvas) by Tilborgh, Gillis van (1625-78); 139x209.5 cm; Private Collection; (add.info)

The Battle of the Horatii, (black chalk, pen and brown ink
827549 The Battle of the Horatii, (black chalk, pen and brown ink, brown wash heightened with white) by Romano, Giulio (1492-1546); 27.1x47.6 cm; Private Collection; (add.info)

Two Men, Bust Length, Looking Down: a Cartoon for a Tapestry, (black chalk
827611 Two Men, Bust Length, Looking Down: a Cartoon for a Tapestry, (black chalk, pen and brown ink, watercolour and bodycolour) by Romano

The Academia Clementina, Bologna, with a Nude being Positioned by the Drawing Master
827583 The Academia Clementina, Bologna, with a Nude being Positioned by the Drawing Master, the Farnese Hercules beyond (black chalk, pen and brown ink with brown wash) by Zanotti

Waiting for his Eminence, 1902 (oil on panel)
827222 Waiting for his Eminence, 1902 (oil on panel) by Gallegos Arnosa, Jose (1859-1917); 22.9x30.5 cm; Private Collection; (add.info.: Waiting for his Eminence. Jose Gallegos Y Arnosa (1859-1917)

Arabian Patrol, (oil on canvas)
827212 Arabian Patrol, (oil on canvas) by Schreyer, Adolf (1828-99); 69.9x102.2 cm; Private Collection; (add.info.: Arabian Patrol. Adolf Schreyer (1828-1899). Oil on canvas

The Simoom; Le Simoom, (oil on canvas)
827196 The Simoom; Le Simoom, (oil on canvas) by Fromentin, Eugene (1820-76); 55.2x65.4 cm; Private Collection; (add.info.: The Simoom; Le Simoom. Eugene Fromentin (1820-1876). Oil on canvas

A Dispute Among Arabs; Dispute d Arabes, 1872 (oil on panel)
827045 A Dispute Among Arabs; Dispute d Arabes, 1872 (oil on panel) by Gerome, Jean Leon (1824-1904); 29.2x23.5 cm; Private Collection; (add.info.: A Dispute Among Arabs; Dispute d Arabes)

Tending the Lobster Traps, Early Morning, (oil on panel)
651084 Tending the Lobster Traps, Early Morning, (oil on panel) by Bellows, George Wesley (1882-1925); 42.6x50.4 cm; Private Collection; (add.info.: Tending the Lobster Traps, Early Morning)

On the Beach, (watercolour and pencil on buff paper)
650957 On the Beach, (watercolour and pencil on buff paper) by Demuth, Charles (1883-1935); 20.3x27.3 cm; Private Collection; (add.info.: On the Beach. Charles Demuth (1883-1935)

Buffalo Hunt, 1897 (oil on canvas)
650440 Buffalo Hunt, 1897 (oil on canvas) by Russell, Charles Marion (1865-1926); 60.3x90.8 cm; Private Collection; (add.info.: Buffalo Hunt. Charles Marion Russell (1865-1926). Oil on canvas

Le Havre, seen from the old dock, 1823-1826 (hand-coloured aquatint)
986399 Le Havre, seen from the old dock, 1823-1826 (hand-coloured aquatint) by Fielding, Thales (1793-1837); 28.6x46 cm; Private Collection; (add.info.: Le Havre, seen from the old dock; (Le) Havre

Plate XII from The Stolen Pail (La Secchia Rapita) by Alessandro Tassoni
986331 Plate XII from The Stolen Pail (La Secchia Rapita) by Alessandro Tassoni, 1744 (engraving) by Zucchi (18th century); Private Collection; (add.info)

Christ presents the mission to St. Peter, c. 1320 (paint on vellum)
986264 Christ presents the mission to St. Peter, c.1320 (paint on vellum) by Valkenburg, Johannes von (fl.1299) (attr.to); 9.2x10.3 cm; Private Collection; (add.info)

The Challenge, 1843 (hand coloured lithograph)
985987 The Challenge, 1843 (hand coloured lithograph) by Nixon, James Henry (1802-57); Private Collection; (add.info.: The Challenge)

Pan appears at Brixia ordering him not to take Chloe, 1757 (engraving)
985929 Pan appears at Brixia ordering him not to take Chloe, 1757 (engraving) by Orleans, Philippe d (1674-1723) (after); Private Collection; (add.info)

Caught by Surprise, (oil on canvas)
985106 Caught by Surprise, (oil on canvas) by Goodwin, Philip Russell (1882-1935); 61.5x91.5 cm; Private Collection; (add.info.: Caught by Surprise. Philip Russell Goodwin (1882-1935). Oil on canvas

The Fourth Man, (oil on canvas)
984857 The Fourth Man, (oil on canvas) by Wyeth, Newell Convers (1882-1945); 66x132.1 cm; Private Collection; (add.info.: The Fourth Man. Newell Convers Wyeth (1882-1945). Oil on canvas

Trappers Following the Trail: At Fault, 1851 (oil on canvas)
985381 Trappers Following the Trail: At Fault, 1851 (oil on canvas) by Tait, Arthur Fitzwilliam (1819-1905); 91.5x127 cm; Private Collection; (add.info.: Trappers Following the Trail: At Fault)

A Close Call, 1870 (pencil and watercolour heightened with white)
658723 A Close Call, 1870 (pencil and watercolour heightened with white) by Camphausen, Wilhelm (1818-85); 30.5x50.3 cm; Private Collection; (add.info.: A Close Call. Wilhelm Camphausen (1818-1885)

The Pit at the Old Bedford, c. 1889 (oil on panel)
657696 The Pit at the Old Bedford, c.1889 (oil on panel) by Sickert, Walter Richard (1860-1942); 20x25 cm; Private Collection; (add.info.: The Pit at the Old Bedford)

Hauling in the Catch, 1884 (oil on canvas)
657446 Hauling in the Catch, 1884 (oil on canvas) by Bartlett, William H. (1858-1932); Private Collection; (add.info.: Hauling in the Catch. William Henry Bartlett (1858-1932). Oil on canvas

Studies of Two Men, (red chalk)
659232 Studies of Two Men, (red chalk) by Lancret, Nicolas (1690-1743); 18.6x25.3 cm; Private Collection; (add.info.: Studies of Two Men. Nicolas Lancret (1690-1743). Red chalk

Breton Fishermen; Les Pecheurs Bretons, (oil on canvas)
656490 Breton Fishermen; Les Pecheurs Bretons, (oil on canvas) by Raffaelli, Jean Francois (1850-1924); 50.5x61.8 cm; Private Collection; (add.info.: Breton Fishermen; Les Pecheurs Bretons)

Before the Hunt, (oil on canvas)
658290 Before the Hunt, (oil on canvas) by Wright, George (1860-1942); 25.5x40.5 cm; Private Collection; (add.info.: Before the Hunt. George Wright (1860-1942). Oil on canvas

Noreddin Ali Leaving Cairo, (watercolour, gouache and pencil)
658054 Noreddin Ali Leaving Cairo, (watercolour, gouache and pencil) by Orpen, William (1878-1931); 37.5x46.4 cm; Private Collection; (add.info.: Noreddin Ali Leaving Cairo)

Three Studies of a Standing Male Nude, (oil on canvas laid on board)
657326 Three Studies of a Standing Male Nude, (oil on canvas laid on board) by Philpot, Glyn Warren (1884-1937); 80x67 cm; Private Collection; (add.info.: Three Studies of a Standing Male Nude)

The Building Sites of Paris, Boulevard de la Madeleine; Les Chantiers de Paris
656731 The Building Sites of Paris, Boulevard de la Madeleine; Les Chantiers de Paris, Boulevard de la Madeleine, (oil on canvas) by Luce

Double Portrait of Thomas Somers Cocks and Richard Cocks of Castleditch
652129 Double Portrait of Thomas Somers Cocks and Richard Cocks of Castleditch, Both Small Full-Length, the Former in a Blue Coat and Waistcoat Holding a Black Tricorn

Hotel de Bellevue and Cafe d Amitie Seen from the Park, Brussels, 1830 (watercolour)
651931 Hotel de Bellevue and Cafe d Amitie Seen from the Park, Brussels, 1830 (watercolour) by Boys, Thomas Shotter (1803-74); 17.1x26.6 cm; Private Collection; (add.info)

The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage
651921 The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage, (pencil, pen and ink and watercolour) by Rowlandson

St, 1917 (oil on canvas)
653154 St, 1917 (oil on canvas) by Loiseau, Gustave (1865-1935); 50.8x61.6 cm; Private Collection; (add.info.: St. Ouen l Aumone. Gustave Loiseau (1865-1935). Oil on canvas. Signed and dated 1917

At First, for Some Time, I Was Not Able to Answer Him One Word
1767414 At First, for Some Time, I Was Not Able to Answer Him One Word; But as He Had Taken Me in His Arms, I Held Fast by Him, or I Should Have Fallen to the Ground, 1920 (oil on canvas) by Wyeth

A set of six Italian Siena marble relief profile busts of Roman Emperors
1764797 A set of six Italian Siena marble relief profile busts of Roman Emperors, incised with the names Octavius, Galbin, Titus, Claudius, Julius and Nero (marble) by Italian School

Rush to the Fire, c. 1900 (oil en grisaille on board)
1767761 Rush to the Fire, c.1900 (oil en grisaille on board) by Gaul, Gilbert (1855-1919); 55.9x40.6 cm; Private Collection; (add.info.: Rush to the Fire. William Gilbert Gaul (1855-1919)

The Last Farewell (oil on canvas)
1767580 The Last Farewell (oil on canvas) by Lorenz, Richard (1858-1915); 153.7x238.8 cm; Private Collection; (add.info.: The Last Farewell. Richard Lorenz (1858-1915). Oil on canvas

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"Men Only: A Glimpse into Diverse Moments of Masculinity" "The Battle of Trafalgar: Capturing the Essence of Heroic Men on Canvas" "Khrushchev And Castro: The Powerful Bond Between Two Influential Men" "Procession for Christian Festival in Axum: Celebrating Tradition and Brotherhood" "Eclipse, a Dark Chestnut Racehorse: Uniting Groom, Jockey, and the Spirit of Sportsmanship" "Bob Paisley at Anfield: Witnessing the Passionate Dedication of Liverpool's Manager" "Drummer Gene Krupa: The Rhythm that Echoes Masculine Energy and Creativity" "Dean Martin & Jerry Lewis Golfing Together: When Friendship Transcends Entertainment" "Alan Birchenall and Tony Currie Embrace Unity on Leicester City's Field" "Stilt Fishermen at Welligama: Balancing Skill, Strength, and Serenity by the Sea" "Cavaliers Heading to Bois de Boulogne: Elegance in Motion as Horse-Riders Converge" "'Checkmate' in 1896 Chess Game Painting - Masterful Minds Engaged in Strategic Battles. " "The Wiltshire Great Coursing Meeting 1847 - A Gathering Reflecting Sporting Excellence among Men.