Metamorphoses Collection (page 2)

Cephalus and Procris. Creator: Johann Liss
Cephalus and Procris

Plate 24: Mercury and Aglauros, from Ovids Metamorphoses, 1641. Creator: Johann Wilhelm Baur
Plate 24: Mercury and Aglauros, from Ovids Metamorphoses, 1641

Plate 101: Silenus before King Midas, from Ovids Metamorphoses, 1641. Creator: Johann Wilhelm Baur
Plate 101: Silenus before King Midas, from Ovids Metamorphoses, 1641

Design for a Cartouche and Representation of Smell, Plate 5 from Neu Inv... Printed ca. 1750-56
Design for a Cartouche and Representation of Smell, Plate 5 from Neu Inventierte auf die artigste Facon Sehr nutzliche Schild. Printed ca. 1750-56

Design for a Cartouche and Representation of Hearing, Plate 3 from Neu I... Printed ca. 1750-56
Design for a Cartouche and Representation of Hearing, Plate 3 from Neu Inventierte auf die artigste Facon Sehr nutzliche Schild. Printed ca. 1750-56

Design for a Cartouche and Representation of Sight, Plate 2 from Neu Inv... Printed ca. 1750-56
Design for a Cartouche and Representation of Sight, Plate 2 from Neu Inventierte auf die artigste Facon Sehr nutzliche Schild. Printed ca. 1750-56

Jupiter and Mercury in the House of Philemon and Baucis, 1612. Creator: Hendrik Goudt
Jupiter and Mercury in the House of Philemon and Baucis, 1612

Leda and the Swan (stone) (b / w photo)
ALI267123 Leda and the Swan (stone) (b/w photo) by Greco-Roman; Palazzo Ducale, Venice, Italy; Alinari

Procris impaled by the never erring javelin, Cephalus running towards her and Aurora
2646162 Procris impaled by the never erring javelin, Cephalus running towards her and Aurora and Titone on a chariot pulled by four horses, 1517-18 (fresco) by Peruzzi

Io Changed into a Cow: Mercury Cuts Off Argus Head, 1730 (engraving)
STC134126 Io Changed into a Cow: Mercury Cuts Off Argus Head, 1730 (engraving) by Picart, Bernard (1673-1733); Private Collection; The Stapleton Collection

Procris impaled by the never erring javelin, Cephalus running towards her and Aurora
2646163 Procris impaled by the never erring javelin, Cephalus running towards her and Aurora and Titone on a chariot pulled by four horses, 1517-18 (fresco) (detail of 2646162) by Peruzzi

Pan and Syrinx, c. 1692-1705 (oil on glass, tortoiseshell & ebony)
2459976 Pan and Syrinx, c.1692-1705 (oil on glass, tortoiseshell & ebony) by Garofalo, Carlo (17th-18th centur); 65x85 cm; Private Collection; (add.info)

Io Changed into a Cow: Mercury Cuts Off Argus Head, 1730 (engraving)
STC404058 Io Changed into a Cow: Mercury Cuts Off Argus Head, 1730 (engraving) by Picart, Bernard (1673-1733); Private Collection; The Stapleton Collection

The birth of Helene and Pollux, the union of Leda and the swan (marble)
LRI4699801 The birth of Helene and Pollux, the union of Leda and the swan (marble) by Schiaffino, Bernardo (1678-1725); Musei di Strada Nuova, Palazzo Rosso, Genova, Liguria

Perseus and the Origin of Coral, c. 1671 (black chalk, sepia and black ink, sepia and gray wash with white)
3493262 Perseus and the Origin of Coral, c.1671 (black chalk, sepia and black ink, sepia and gray wash with white) by Claude Lorrain (Claude Gellee) (1600-82)

Cadmus and the Dragon, 1813 (oil on canvas)
ALM394400 Cadmus and the Dragon, 1813 (oil on canvas) by Martin, John (1789-1854); Allen Memorial Art Museum, Oberlin College, Ohio, USA; (add.info.: Cadmos, brother of Europa)

Cameo of Leda and the Swan (agate)
XIR434180 Cameo of Leda and the Swan (agate) by Italian School, (16th century); Palazzo Pitti, Florence, Italy

the sexual union between Leda and the swan driven by Eros, 1st-2nd century
7145294 the sexual union between Leda and the swan driven by Eros, 1st-2nd century by Roman, (1st-2nd Century AD); Archaeological Museum of Heraklion, Crete

The Birth of Venus (detail), c. 1485 (tempera on canvas)
696611 The Birth of Venus (detail), c.1485 (tempera on canvas) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); Galleria degli Uffizi, Florence, Tuscany

Apollo and Diana Kill Niobes Children with their Arrows: She is Turned to Stone, 1730 (engraving)
STC134125 Apollo and Diana Kill Niobes Children with their Arrows: She is Turned to Stone, 1730 (engraving) by Picart, Bernard (1673-1733); Private Collection; The Stapleton Collection

Vertumnus and Pomona: Vertumnus transformed into a pruner. ca. 1550 (tapestry)
CUL4906145 Vertumnus and Pomona: Vertumnus transformed into a pruner. ca. 1550 (tapestry) by Coecke van Aelst, Pieter (1502-50); (add.info.: by COECKE VAN AELST)

Venus instructing Cupid to launch an arrow, 1517-18 (fresco)
2646206 Venus instructing Cupid to launch an arrow, 1517-18 (fresco) by Colle, Raffaello dal (c.1490-1566); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Psiche together with Venus and Juno, 1517-18 (fresco)
2646195 Psiche together with Venus and Juno, 1517-18 (fresco) by Romano, Giulio (1492-1546); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Leda Loved, 1929 (litho)
3643518 Leda Loved, 1929 (litho) by Gill, Eric (1882-1940); Private Collection; (add.info.: Leda Loved, 1929. Illustration for The Engraved Work of Eric Gill (V&A, 1963).); © Look and Learn

Venus on the cart, pulled by white doves, 1517-18 (fresco)
2646192 Venus on the cart, pulled by white doves, 1517-18 (fresco) by Romano, Giulio (1492-1546); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Leda and the Swan (oil on canvas)
3736758 Leda and the Swan (oil on canvas) by Jodi, Casimiro (1886-1948); 60.3x46 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop Unipol); Ghigo Roli

Mercurius, 1517-18 (fresco)
2646204 Mercurius, 1517-18 (fresco) by Romano, Giulio (1492-1546); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Iris visiting the House of Sleep, asking Hypnos to send Orpheus at Alcyon, 1517-18 (fresco)
2646161 Iris visiting the House of Sleep, asking Hypnos to send Orpheus at Alcyon, 1517-18 (fresco) by Peruzzi, Baldassarre (1481-1536) (and workshop); Villa Farnesina, Rome, Italy; (add.info.: Rome)

Scene of flood withe the myth of Alcyone and Ceyx, 1517-1518 (fresco)
2646081 Scene of flood withe the myth of Alcyone and Ceyx, 1517-1518 (fresco) by Peruzzi, Baldassarre (1481-1536) (and workshop); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Danae and the Shower of Gold, 1753 (oil on canvas)
3106577 Danae and the Shower of Gold, 1753 (oil on canvas) by Hoffmann, Jonas (1726-80); 41x53 cm; National Museum, Stockholm

Jupiter consoling Cupid, 1517-18 (fresco)
2646198 Jupiter consoling Cupid, 1517-18 (fresco) by Romano, Giulio (1492-1546); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Council of the Gods, 1517-18 (fresco)
2646189 Council of the Gods, 1517-18 (fresco) by Penni, Giovanni Francesco (il Fattore) (c.1488-1528); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

View of the Loggia of Cupid and Psyche (photo)
2646188 View of the Loggia of Cupid and Psyche (photo) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Villa Farnesina, Rome, Italy; (add.info.: Rome)

Meleager and Atalanta, c. 1770 (pen & ink with wash on paper)
746670 Meleager and Atalanta, c.1770 (pen & ink with wash on paper) by Wilson, Richard (1713/14-82); Bolton Museum and Art Gallery, Lancashire, UK; © Bolton Museum and Art Gallery

Dogs, from the Room of Diana and Actaeon, detail of 2384753, 1524
2384766 Dogs, from the Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma, Italy; (add.info.: Parma, Fontanellato)

Actaeon, turned into a stag, is eaten by his own dogs, from the Room of Diana and Actaeon, the Northern Wall
2384770 Actaeon, turned into a stag, is eaten by his own dogs, from the Room of Diana and Actaeon, the Northern Wall, detail of 2384753

Room of Diana and Actaeon, detail of 2384753, 1524
2384758 Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma, Italy; (add.info.: Parma, Fontanellato)

Scene from the Metamorphoses of Apuleius from the Hall of the Golden Ass, Rocca dei Rossi, San Secondo, Parma, Italy
2384742 Scene from the Metamorphoses of Apuleius from the Hall of the Golden Ass, Rocca dei Rossi, San Secondo, Parma, Italy by Tamagni, Vincenzo (1492-c.1530) (attr.to); Rocca dei Rossi

Spring, 1685-95 (oil on canvas)
5973993 Spring, 1685-95 (oil on canvas) by Rasio, Antonio (fl.1677-c.1695); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Inspired by the Metamorphoses by Ovid)

Statue of Leda, Aetolian princess later Queen of Sparta, seduced by Zeus in the form of a swan
5323765 Statue of Leda, Aetolian princess later Queen of Sparta, seduced by Zeus in the form of a swan by David, Francois-Anne (1741-1824); (add.info.: Statue of Leda)

Psyche coming back from the underworld, carried by cupids, 1517-18 (fresco)
2646193 Psyche coming back from the underworld, carried by cupids, 1517-18 (fresco) by Romano, Giulio (1492-1546); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

View of the vaults of the Loggia of Cupid and Psyche
2646190 View of the vaults of the Loggia of Cupid and Psyche, by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Diana bathing, from the Room of Diana and Actaeon, detail of 2384753, 1524
2384761 Diana bathing, from the Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma, Italy; (add.info.: Parma)

Putto, from the Room of Diana and Actaeon, detail of 2384753, 1524
2384769 Putto, from the Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma, Italy; (add.info.: Parma, Fontanellato)

Room of Diana and Actaeon, detail of 2384753, 1524
2384755 Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma, Italy; (add.info.: Parma, Fontanellato)

Psyche submitting Venus the urn containing the beauty of Proserpine, 1517-18 (fresco)
2646194 Psyche submitting Venus the urn containing the beauty of Proserpine, 1517-18 (fresco) by Romano, Giulio (1492-1546); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

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"Metamorphoses: A Journey Through Transformations in Art and Nature" Step into a world of enchantment as we explore the captivating theme of metamorphoses. From ancient myths to intricate artworks, this collection unravels the essence of transformation. In Caravaggio's masterpiece "Narcissus and Echo, " witness the tragic tale of self-obsession and unrequited love. Michelangelo's brushstrokes immortalize Narcissus' longing gaze, forever trapped by his own reflection. Marvel at the marble sculpture "Apollo and Daphne, " frozen in time as Apollo reaches out for his beloved nymph who transforms into a laurel tree before his very eyes. The delicate details capture both beauty and anguish in this mythological metamorphosis. The fresco "Marriage of Cupid and Psyche" transports us to a realm where mortal meets divine. Admire their union amidst celestial beings, symbolizing the transformative power of love that transcends all boundaries. Nature too reveals its wonders through metamorphosis. Behold the vibrant Cinnabar moth gracefully perched on ragwort, showcasing nature's ability to change form with grace and elegance. Satirical artwork depicting animal magnetism humorously explores transformations beyond physicality. Delve into these witty illustrations that challenge our perception of reality with their whimsical take on transformation. Witness the life cycle unfold as silk moths emerge from cocoons while silkworms feast upon mulberry leaves. This symbiotic relationship between insect and plant showcases nature's remarkable ability to transform itself for survival. A mask adorned with vine leaves and grapes reminds us of Dionysian revelry, where masks allow individuals to shed their identities temporarily, embracing new personas during celebrations - yet another form of metamorphosis experienced by humans throughout history. Orpheus Leading Eurydice from the Underworld depicts an emotional journey filled with hope but ultimately ending in tragedy.