Mid Fifteenth Century Collection

Master of the Vitae Imperatorum: The Trinity, miniature from an illuminated choirbook on vellum, c
986269 Master of the Vitae Imperatorum: The Trinity, miniature from an illuminated choirbook on vellum, c.1440 (paint and burnished gold on vellum) by Italian School

An Augustine Monk reading an Anthiphonary (oil on panel)
990048 An Augustine Monk reading an Anthiphonary (oil on panel) by Vergos, Pau (c.1465-95); 106x45.7 cm; Private Collection; (add.info.: An Augustine Monk reading an Anthiphonary. Pau Vergos (c)

Christ at the Tomb, (tempera on gold ground panel)
659340 Christ at the Tomb, (tempera on gold ground panel) by Giovanni di Paolo di Grazia (1403-82); 14.8x10.4 cm; Private Collection; (add.info.: Christ at the Tomb. Giovanni di Paolo di Grazia (ca)

The Assumption of the Magdalen; and The Annunciation (tempera on panel)
659322 The Assumption of the Magdalen; and The Annunciation (tempera on panel) by Master of Santa Maria de la Hoz (fl.c.1496-c.1520)

Saint George and the Dragon, (oil on panel, shaped top)
827901 Saint George and the Dragon, (oil on panel, shaped top) by Huguet, Jaume (1415-92) (circle of); 187x65.7 cm; Private Collection; (add.info.: Saint George and the Dragon)

Saint James the Greater, (tempera on gold ground panel, shaped top)
827662 Saint James the Greater, (tempera on gold ground panel, shaped top) by Crivelli, Carlo (c.1430/35-1495); 27.7x21 cm; Private Collection; (add.info.: Saint James the Greater)

Adoration of the Magi, c. 1450 (paint and ink on vellum)
986371 Adoration of the Magi, c.1450 (paint and ink on vellum) by Netherlandish School, (15th century); 21x14.5 cm; Private Collection; (add.info.: Adoration of the Magi)

Nativity, c. 1430-1440 (paint and ink on vellum)
986370 Nativity, c.1430-1440 (paint and ink on vellum) by Master of the Munich Golden Legend (1389-1410) (& workshop); 21.5x16.2 cm; Private Collection; (add.info.: Nativity)

The Nativity, ca. 1440 (manuscript on vellum)
1195478 The Nativity, ca.1440 (manuscript on vellum) by French School, (15th century); 22x15 cm; Private Collection; Photo eChristies Images; French, out of copyright

The Madonna and Child, (oil on panel)
659313 The Madonna and Child, (oil on panel) by Lippi, Fra Filippo (c.1406-69); 82.5x63.3 cm; Private Collection; (add.info.: The Madonna and Child. Fra Filippo Lippi (1406-1469). Oil on panel

The Flagellation of Christ (oil on panel)
990401 The Flagellation of Christ (oil on panel) by Baco, Jacomart (Jacomart, Jaime) (c.1413-61) (studio of); 94.5x70.3 cm; Private Collection; (add.info.: The Flagellation of Christ)

Crowned Virgin, c. 1430-1440 (paint and ink on vellum)
986369 Crowned Virgin, c.1430-1440 (paint and ink on vellum) by Master of the Munich Golden Legend (1389-1410) (& workshop); 21.5x16.2 cm; Private Collection; (add.info.: Crowned Virgin)

The Assumption of the Magdalen; and The Annunciation (tempera on panel)
659323 The Assumption of the Magdalen; and The Annunciation (tempera on panel) by Master of Santa Maria de la Hoz (fl.c.1496-c.1520)

The Madonna and Child, (oil on panel)
659276 The Madonna and Child, (oil on panel) by Botticelli, Sandro (1444/5-1510) (studio of); 99.1x57.2 cm; Private Collection; (add.info.: The Madonna and Child)

A rare Swiss pavise of wood covered with gesso painted canvas of green scrolling foliage
1764822 A rare Swiss pavise of wood covered with gesso painted canvas of green scrolling foliage design and the shields of arms of Habsburg, the League of St George, and the town of Winterthur

The Virgin and Child with Saint Mary Magdalen offering the Child a Rose
827836 The Virgin and Child with Saint Mary Magdalen offering the Child a Rose (tempera on gold ground panel) by Master of Liesborn (15th century) (circle of)

Saint Martin and the Beggar; and Saint George and the Dragon - the wings of an altarpiece
827805 Saint Martin and the Beggar; and Saint George and the Dragon - the wings of an altarpiece, (oil on panel) by Koerbecke

The Descent from the Cross and the Entombment - a Section of a Predella
659319 The Descent from the Cross and the Entombment - a Section of a Predella (tempera on gold ground panel) by Master of Torralba (fl.c.1440)

Christ on the Road to Calvary (oil on panel)
990402 Christ on the Road to Calvary (oil on panel) by Baco, Jacomart (Jacomart, Jaime) (c.1413-61) (studio of); 94.4x68.5 cm; Private Collection; (add.info.: Christ on the Road to Calvary)

The Triumph of Eternity, (tempera on panel)
990266 The Triumph of Eternity, (tempera on panel) by Domenico di Michelino, (1417-91); 20.3x49 cm; Private Collection; (add.info.: The Triumph of Eternity. Domenico di Michelino (1417-1491)

A large historiated A with a depiction of the Ascension, c
986277 A large historiated A with a depiction of the Ascension, c.1450 (inks, paint and gold leaf on vellum) by Torelli, Filippo di Matteo (1409-68) (attributed to)

Very large historiated letter A, showing the Resurrection, c
986166 Very large historiated letter A, showing the Resurrection, c.1400-1450 (coloured inks and gold leaf on vellum) by Tuscan School (15th century); 56.7x39 cm; Private Collection; (add.info)

A Drapery Study for a Virgin Annunciate, (black chalk, pen and ink on brown paper)
990012 A Drapery Study for a Virgin Annunciate, (black chalk, pen and ink on brown paper) by Botticini, Francesco (c.1446-97); 32.1x121.8 cm; Private Collection; (add.info)

The Madonna and Child Enthroned, (tempera on panel)
990267 The Madonna and Child Enthroned, (tempera on panel) by Giambono, Michele (fl.1420-62); 94x59 cm; Private Collection; (add.info.: The Madonna and Child Enthroned)

The Presentation in the Temple (oil on panel)
827722 The Presentation in the Temple (oil on panel) by Master of the Iserlohn Altar (fl.c.1450-60); 40x27 cm; Private Collection; (add.info.: The Presentation in the Temple)

The Madonna and Child with the Infant Saint John the Baptist, (tempera on panel
827664 The Madonna and Child with the Infant Saint John the Baptist, (tempera on panel, arched top) by Sellaio, Jacopo del (1441/42-93); 87x56.5 cm; Private Collection; (add.info)

Two women looking at Cheyneys Court in Winchester, Circa 1945

Two women pushing their bicycles through Cheyneys Court in Winchester, Circa 1945

Cheyneys Court in Winchester, Circa 1945

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In the mid-fifteenth century, a tumultuous era of artistic expression unfolded, leaving behind an indelible mark on history. The Massacre of the Innocents, depicted in a mesmerizing miniature from around 1450, showcases the intricate artistry achieved through ink, paint, and gold leaf on vellum. This haunting scene captures the brutality and sorrow that plagued society during this time. The Master of the Vitae Imperatorum presents us with another masterpiece: The Trinity. Painted with meticulous detail and burnished gold accents on vellum around 1440, this illuminated choirbook transports us to a realm where divinity intertwines with earthly existence. An Augustine Monk engrossed in reading an Anthiphonary is immortalized on oil panel. Through delicate brushstrokes and vibrant colors, we catch a glimpse into the spiritual devotion that permeated monastic life during this period. Christ at the Tomb emerges as a testament to both faith and artistic skill. Executed using tempera on a radiant gold ground panel, this piece evokes profound emotions as it portrays Christ's sacrifice and resurrection. The Assumption of the Magdalen; alongside The Annunciation captivate viewers with their exquisite tempera technique on panel. These works transport us to sacred moments imbued with divine grace and celestial beauty. Saint George valiantly slaying the Dragon comes alive through oil painting techniques applied onto shaped top panels. This depiction symbolizes triumph over evil forces while showcasing technical mastery in capturing movement and drama. Saint James the Greater stands tall in his golden glory upon another shaped top panel adorned with tempera pigments. Here we witness religious fervor embodied by intricate details that celebrate his martyrdom for his faith. The Adoration of Magi takes form through delicate paintwork combined with ink strokes delicately placed upon vellum surfaces circa 1450. This enchanting composition invites contemplation as we witness the humble homage paid to the newborn King.