Mixed Race Group Collection

The Battle Between Cribb and Molineaux, September 28, 1811, October 3, 1811. Cribbs second was John Gully and his bottle-holder Joe Ward

Jim Haly and his squaw, between c1900 and 1916. Creator: Unknown
Jim Haly and his squaw, between c1900 and 1916. People and dogs in front of Haly's Road House

Newspaper correspondents and artists at Portsmouth, 1905. Creator: Unknown
Newspaper correspondents and artists at Portsmouth, 1905

Komura and Takahira, with newspapermen, 1905. Creator: Unknown
Komura and Takahira, with newspapermen, 1905

A western Red Cross female doctor(?) and two Japanese women posed in a garden, c1905. Creator: Underwood & Underwood
A western Red Cross female doctor(?) and two Japanese women posed in a garden, c1905

Navajos, 1904, c1905. Creator: Edward Sheriff Curtis
Navajos, 1904, c1905. Group of Pueblo Indians, three men in front holding snakes, two Caucasian men in center

Copr Paul Wernert [ie Weinert] and gunners of Battery "E" 1st Artillery [] /, 1891, c1891. Creator: John C
Copr Paul Wernert [ie Weinert] and gunners of Battery "E" 1st Artillery [] /, 1891, c1891. Seven Lakota scouts and four uniformed Euro-Americans posed behind an artillery piece or Hotchkiss

Chief Rocky Bear's home, 1891. Creator: John C. H. Grabill
Chief Rocky Bear's home, 1891. Rocky Bear, Oglala chief, standing to the left of a Euro-American man on horseback; three tipis in the background--probably on or near Pine Ridge Reservation

The Interview Standing Elk, No 1; Running Hog, No 2; Little Wolf, No 3... between 1887 and 92. Creator: John C. H
The Interview Standing Elk, No 1; Running Hog, No 2; Little Wolf, No 3; Col Oelrich, No 4; Interpreter, No 5, between 1887 and 1892

Tasunka, Ota (alias Plenty Horse[s]), the slayer of Lieut Casey, near Pine Ridge, SD, 1891. Creator: John C. H. Grabill
Tasunka, Ota (alias Plenty Horse[s]), the slayer of Lieut Casey, near Pine Ridge, SD, 1891. Plenty Horses, Oglala man, full-length portrait, facing front, with a blanket wrapped around him

Little, the instigator of Indian Revolt at Pine Ridge, 1890, 1891. Creator: John C. H. Grabill
Little, the instigator of Indian Revolt at Pine Ridge, 1890, 1891. Little, Oglala leader, full-length studio portrait seated between two standing Euro-American men; Chris Mathison ()

At the Dance Part of the 8th US Cavalry and 3rd Infantry at the great Indian Grass Dance... 1890. Creator: John C. H
At the Dance. Part of the 8th U.S. Cavalry and 3rd Infantry at the great Indian Grass Dance on Reservation []. Group portrait of Big Foot's (Miniconjou) band and federal military men

Indian chiefs and US officials 1 Two Strike 2 Crow Dog 3 Short Bull 4 High Hawk 5 Two Lance... 1891 Creator: John C. H
Indian chiefs and U.S. officials. 1. Two Strike. 2. Crow Dog. 3. Short Bull. 4. High Hawk. 5. Two Lance. 6. Kicking Bear. 7. Good Voice. 8. Thunder Hawk. 9. Rocky Bear. 10

Departure for an excursion to the island of Ualan (the Carolinas), 19th century. One of 65 lithographs that were included in the volume of maps published after the round-the-world voyage of

The Dead Tiger; Mort du tigre, 1807 (hand-coloured aquatint)
1196715 The Dead Tiger; Mort du tigre, 1807 (hand-coloured aquatint) by Howitt, Samuel (1756-1822) (after); 46x58.5 cm; Private Collection; Photo © Christies Images

The Embarkment of a Roman Queen (oil on canvas)
827139 The Embarkment of a Roman Queen (oil on canvas) by Forti, Ettore (fl.c.1870-1910); 80x139.7 cm; Private Collection; (add.info.: The Embarkment of a Roman Queen. Ettore Forti (1850-1940)

Smoking the Hookah, 1880 (pencil and watercolour on paper laid down on card)
989238 Smoking the Hookah, 1880 (pencil and watercolour on paper laid down on card) by Simoni, Gustavo (1846-1925); 54x36 cm; Private Collection; (add.info.: Smoking the Hookah)

The Generous Master, 1819. Creator: Charles Williams
The Generous Master, 1819

Self Portrait, 1854 (oil on canvas)
987639 Self Portrait, 1854 (oil on canvas) by Pingret, Edouard (1788-1875); 99.7x80.6 cm; Private Collection; (add.info.: Autorretrato. Edouard Henri Theophile Pingret (1788-1875). Oil on canvas

Poster for Anti-Imperialist Exhibition, 1931 (photo-offset lithograph
991508 Poster for Anti-Imperialist Exhibition, 1931 (photo-offset lithograph, two sheets mounted together, backed on) by Klucis

Fabio Albergati received by Philip II of Spain, while an Artist Secrectly Executes his
990360 Fabio Albergati received by Philip II of Spain, while an Artist Secrectly Executes his Portrait on the Kings Instructions (oil on canvas) by Burrini or Burino

Two Figures; Zwei Gestalten, (watercolour over charcoal)
656844 Two Figures; Zwei Gestalten, (watercolour over charcoal) by Kirchner, Ernst Ludwig (1880-1938); 35x42 cm; Private Collection; (add.info.: Two Figures; Zwei Gestalten)

In the Harem, 1881 (oil on panel)
824413 In the Harem, 1881 (oil on panel) by Baratti, Filippo (fl.1877-1901); 40x54.9 cm; Private Collection; (add.info.: In the Harem. Filippo Baratti (fl.1877-1901). Oil on panel. Painted in 1881

Landing of Henry Hudson, 1608 at Verplanck Point, Near Peekskill, New York
822694 Landing of Henry Hudson, 1608 at Verplanck Point, Near Peekskill, New York, (oil on canvas) by Weir, Robert Walter (1803-89); 84x122 cm; Private Collection; (add.info)

Ladies on the Bosphorous with Rumeli Hisar Beyond, 1873 (pencil and watercolour on paper)
651532 Ladies on the Bosphorous with Rumeli Hisar Beyond, 1873 (pencil and watercolour on paper) by Preziosi, Amadeo (1816-82); 29.2x46.4

Susanna and the Elders; Susannah et les Vieillards, c. 1921 (oil on canvas)
656604 Susanna and the Elders; Susannah et les Vieillards, c.1921 (oil on canvas) by Pascin, Jules (1885-1930); 81.3x59.6 cm; Private Collection; (add.info)

A Group Portrait of a Christening Party with a Lady Seated Full Length, with Her Husband Behind Her
652192 A Group Portrait of a Christening Party with a Lady Seated Full Length, with Her Husband Behind Her, Her Child Attended by an Ayah and Four Godparents, (oil on canvas) by Hickey

The Marriage at Cana, (on copper)
827938 The Marriage at Cana, (on copper) by Platzer, Johann Georg (1704-61); 43.6x63.5 cm; Private Collection; (add.info.: The Marriage at Cana. Johann Georg Platzer (1704-1761). Oil on copper

Pleasant Hours in the House Lucullus, 1977 (oil on canvas)
989593 Pleasant Hours in the House Lucullus, 1977 (oil on canvas) by Boulanger, Gustave Clarence Rodolphe (1824-88); 70x102 cm; Private Collection; (add.info.: Pleasant Hours in the House Lucullus)

The Visit to the Pyramids in Gizeh, Egypt (oil on canvas)
989348 The Visit to the Pyramids in Gizeh, Egypt (oil on canvas) by Vinck, Franz (1827-1903); 72x122 cm; Private Collection; (add.info.: The Visit to the Pyramids in Gizeh, Egypt)

The Fortune Teller, 1878 (oil on canvas)
989284 The Fortune Teller, 1878 (oil on canvas) by Moreau, Adrien (1843-1906); 39.7x81 cm; Private Collection; (add.info.: The Fortune Teller. Adrien Moreau (1843-1906). Oil on canvas

The Consultants; La Consulta, (oil on board)
824650 The Consultants; La Consulta, (oil on board) by Figari, Pedro (1861-1938); 50x70 cm; Private Collection; (add.info.: The Consultants; La Consulta. Pedro Figari (1861-1938). Oil on board

Mulatto Women on the Banks of the River Roseau, Dominica, (oil on canvas)
990893 Mulatto Women on the Banks of the River Roseau, Dominica, (oil on canvas) by Brunias, Agostino (1728-96); 40.7x85.1 cm; Private Collection; (add.info)

An Exotic Visitor, 1857 (oil on canvas)
827070 An Exotic Visitor, 1857 (oil on canvas) by Didier, Jules (1831-92); 81.3x65.4 cm; Private Collection; (add.info.: An Exotic Visitor. Jules Didier (1831-1892). Oil on canvas. Painted in 1857

The Interrupted Fight, 1858 (oil on canvas)
659773 The Interrupted Fight, 1858 (oil on canvas) by Hall, Thomas P. (fl.1837-67); 76x101.5 cm; Private Collection; (add.info.: The Interrupted Fight. Thomas P. Hall (fl.1837-1867). Oil on canvas

Runaway Steer, (watercolour and gouache on paper)
650430 Runaway Steer, (watercolour and gouache on paper) by Borein, Edward (1872-1945); 36.8x49.5 cm; Private Collection; (add.info.: Runaway Steer. Edward Borein (1872-1945)

A Visit to the Jail, 1849 (pencil, pen, brown ink, w / c)
1196934 A Visit to the Jail, 1849 (pencil, pen, brown ink, w/c) by Trench, Philip Charles (fl.1820-50); 23.5x28 cm; Private Collection; (add.info.: Trench)

Two Young Girls with Flowers; Deux Jeunes Filles en Fleurs, 1912 (oil on canvas)
652489 Two Young Girls with Flowers; Deux Jeunes Filles en Fleurs, 1912 (oil on canvas) by Redon, Odilon (1840-1916); 62.5x51.2 cm; Private Collection; (add.info)

Travellers Resting in a Tavern, 1852 (oil on canvas)
652198 Travellers Resting in a Tavern, 1852 (oil on canvas) by Goodall, Frederick Trevelyan (1848-71); 59.7x71.8 cm; Private Collection; (add.info.: Travellers Resting in a Tavern)

A Full Company of Bluecoats in Winter Quarters, c. 1861-1865 (half-plate tintype
991460 A Full Company of Bluecoats in Winter Quarters, c.1861-1865 (half-plate tintype, hand coloured, in leather case) by American Photographer

A Stag at Sharkey s, 1947 (lithograph)
827991 A Stag at Sharkey s, 1947 (lithograph) by Bellows, George Wesley (1882-1925); 47x60.9 cm; Private Collection; (add.info.: A Stag at Sharkeys (M.46). George Wesley Bellows (1882-1925)

The Odalisque, 1882 (oil on canvas)
651359 The Odalisque, 1882 (oil on canvas) by Constant, Jean Joseph Benjamin (1845-1902); 109.2x210.8 cm; Private Collection; (add.info.: The Odalisque. Jean Joseph Benjamin Constant (1845-1902)

Costumes of Bahia, from Picturesque Voyage to Brazil
986011 Costumes of Bahia, from Picturesque Voyage to Brazil, 1835 (lithographed plate with contemporary hand-colouring) by Rugendas

Latin title-page (of the 1697 edition), 1697-1701 (hand-coloured engraving)
985698 Latin title-page (of the 1697 edition), 1697-1701 (hand-coloured engraving) by Dutch School, (17th century); 39.5x26 cm; Private Collection; (add.info.: Latin title-page (of the 1697 edition)

Habiba, 1892 (oil on canvas)
657580 Habiba, 1892 (oil on canvas) by Lavery, John (1856-1941); Private Collection; (add.info.: Habiba. Sir John Lavery (1856-1941). Oil on canvas. Signed and dated 1892

Off Duty, 1890 (oil on canvas)
651429 Off Duty, 1890 (oil on canvas) by Doerstling, Emil (b.1859); 64x78 cm; Private Collection; (add.info.: Off Duty. Emil Doerstling (b. 1859). Oil on canvas. Signed and dated 1890. 64 x 78cm

The Prince of Wales in the Terai Beating the Jungle with Sir Jung Bahadur Rana
1196706 The Prince of Wales in the Terai Beating the Jungle with Sir Jung Bahadur Rana, 1876 (pencil, w/c, heightened touches of white and gum arabic) by Simpson

Colonial Scene; Escena Colonial, (oil onn board)
824612 Colonial Scene; Escena Colonial, (oil onn board) by Figari, Pedro (1861-1938); 23.5x30 cm; Private Collection; (add.info.: Colonial Scene; Escena Colonial. Pedro Figari (1861-1938)

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"Embracing Diversity: A Tapestry of Cultures and Histories" In the midst of a changing world, where identities intertwine and cultures collide, a mixed race group emerges as a testament to unity and resilience. Their story unfolds through various historical moments that have shaped our understanding of diversity. From the intense battle between Cribb and Molineaux in September 1811, where two fighters defied racial boundaries to prove their worth, to "The Dead Tiger; Mort du tigre, " an exquisite hand-colored aquatint capturing both the beauty and fragility of life itself. "The Spoils of War" reminds us that conflicts often lead to unexpected consequences, while "The Punishment of a Slave" depicts the cruel realities endured by those oppressed throughout history. Yet amidst these struggles, there are also triumphs like "Sir Charles Blunt at the Death of the Boar, " showcasing how individuals can rise above adversity. As we journey further into time, we witness encounters between indigenous people and European explorers in "Meeting of the Indians with European Explorers. " This engraving from Picturesque Voyage to Brazil serves as a reminder that cultural exchange can be both enlightening and challenging. "The Picnic, " painted in 1934-1935, portrays a harmonious gathering where different races come together under one sky. Meanwhile, "Palm Reader" captures an intimate moment when diverse perspectives converge through art's lens. Traveling back centuries ago with "From the Four Parts of The World - Africa: A European Merchant Bartering with a Black Chief, " we see commerce bridging gaps between continents despite societal barriers. And within ancient Pompeii's ruins lies "Lo Stilisa", reminding us that even lost civilizations were once vibrant melting pots. Finally, in quieter moments such as "Reading Tea Leaves, " we find solace in shared experiences transcending borders – for tea has no color or creed but brings people together.