Molly Collection

MARGARET MOLLY BROWN (1867-1932). The Unsinkable Molly Brown. American socialite, philanthropist, activist, and survivor of the Titanic. Photographed c1890

Colour Woodcut print. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Borley People
BORLEY PEOPLE - Investigators Harry Price and Molly Goldney, with the rev. L A Foyster, his wife Marianne Foyster and their two foster- children

Tribute - Return. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Harry Wilkes by George Wilkes - dam Molly Walker by Capt. Walker. Date c1885

Molly Pitcher. The Heroine of Monmouth
The Heroine of Monmouth. Molly Pitcher, the wife of a Gunner in the American Army, who when her husband was killed, took his place at the gun

Aquarium Fish - Giant Sailfin Molly
LA-2546 Aquarium Fish - Giant Sailfin Molly Poecilia velifera Jean Michel Labat Please note that prints are for personal display purposes only and may not be reproduced in any way

Queen Maeve from The Queens Sword. 1928

Duchess of Buccleuch
Vreda Esther Mary Molly Montagu-Douglas-Scott, Duchess of Buccleuch (1900-1993), Wife of 8th Duke of Buccleuch and 10th Duke of Queensberry; daughter of William Frank Lascelles on the front cover of

Molly in the Garden by Mark Symons, a painter working in the realist style between the wars. Date: 1930

MARGARET MOLLY BROWN (1867-1932). The Unsinkable Molly Brown. American socialite, philanthropist, activist and survivor of the Titanic

Mrs Charles Sweeny contemplating her portrait
Mrs Charles Sweeny (1912 - 1993), formerly Miss Margaret Whigham and later the Duchess of Argyll, pictured looking at her own portrait in an exhibition of work by the portraitist Molly Bishop at

The Dream Pedlar - When she laughed, the wind laughed
When she laughed the wind laughed too - illustration in The Dream Pedlar by Lady Margaret Sackville. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration

Elizabeth Welch
Sketch of the coloured star Elizabeth Welch (1904 - 2003) singing Smoke in Your Eyes at the Berkeley Hotel in 1934. The sketch, by portrait artist

Dolls - "Molly and Polly", c. 1937. Creator: Edith Towner. Dolls - "Molly and Polly", c. 1937
Dolls - "Molly and Polly", c. 1937

The Dream Pedlar - A Little Ugly Black Man
A Little Ugly Black Man - illustration in The Dream Pedlar by Lady Margaret Sackville. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration

Woodcut print
Square-format Woodcut print. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration

Tribute - Votaries. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - Sorcery. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - The Quarry. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - Long Dead. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - Poppies. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - Invocation. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - The Watch Tower. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - Ghosts. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - Memory. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - Endpapers. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

China Clay - Captives. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

China Clay - The Priest. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tatler cover, Lord and Lady George Scott by Madame Yevonde
Lord George Scott, younger brother of the Duke of Buccleuch, with his wife, the artist Molly Bishop. Date: 1940

Woodcut print. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Woodcut print in Come Christmas. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration

Tribute - Three. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - The Haunted Glen. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - The Dark Wind. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - The Apple. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - Kingcup. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - The Chinese House. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration

Tribute - The Dreamer. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - August. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - June. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - In a theatre. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - Magic. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - Dragon. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - Godstowe Bridge. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - Secrets. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - Earthbound. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - The Willow. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

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"Molly: A Tapestry of Resilience and Grace" In this captivating colour woodcut print, Molly emerges as the central figure, weaving together various narratives that span time and space. From the Borley People to Margaret Molly Brown, her presence resonates across history. Margaret Molly Brown, known as "The Unsinkable Molly Brown, " was an extraordinary American socialite, philanthropist, activist, and survivor of the Titanic. Captured in a photograph from c1890, she exudes strength and determination. This artwork pays tribute to her indomitable spirit with a powerful visual composition. The image seamlessly transitions from one scene to another – Harry Wilkes by George Wilkes stands proudly beside dam Molly Walker by Capt. Wa; giant sailfin molly fish swim gracefully in an aquarium; Queen Maeve reigns over mythical realms; The Dream Pedlar whispers secrets only wind can carry. Molly's influence extends beyond her own story. She shares a connection with Duchess of Buccleuch – two remarkable women who left their mark on society. And let us not forget about Molly Pitcher – the heroine of Monmouth whose bravery echoes through time. Another photograph captures Margaret Molly Brown during an award ceremony for the captain of the Carpathia in May 1912. Her unwavering dedication to activism shines through even amidst tragedy. Finally, we see Mrs Charles Sweeny contemplating her portrait – perhaps pondering what it means to be a woman like Molly: strong-willed yet compassionate; unyielding yet empathetic. Through this intricate tapestry of images and stories, we glimpse into the essence of "Molly. " She embodies resilience against all odds and reminds us that laughter can conquer even our darkest dreams. As we delve deeper into each thread woven within this artwork's fabric, we are reminded that there is something inherently magical about being called "Molly. " It signifies courage in adversity and a spirit that refuses to be confined by the limitations of time or circumstance.