Monochrome Collection (page 7)

View across Talisker Beach, Isle of Skye, Inner Hebrides, Scotland, UK, October 2012

Monochrome image of waterfall breaking on rocks at the base of Lodore Falls, Lake District NP, Cumbria, England, UK, November

Domestic cat, Norwegian Forest / Skogkatt / Skaukatt / Weegie, two longhaired kittens, tabby left and black and white on right, sitting portrait

Ancient Beech woodland (Fagus sylvatica) in mist, significant wood pasture in Saxon part of Transylvannia. Romania, October 2010

Coastal mountains, Svalbard, Norway, September 2009

Clouds over coastal mountains, Svalbard, Norway, September 2009

View of mountains across the valley from Kaunergrat visitor's centre, with mist in the valley, near Fliess, Naturpark Kaunergrat, Tirol, Austria, July 2008

Clouds over coastal mountains, Svalbard, Norway, September 2009

Zebra (Equus quagga) foal peering over its mother's striped back. Monochrome. Etosha National Park, Namibia, January

Reindeer, Lapland, Finland

Reves, c. 1894 (litho)
2630775 Reves, c.1894 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author

Close-up of half polar bear face
Black and white close-up of half polar bear face (Ursus maritimus); Arviat, Nunavut, Canada

Black and white drawing of a turtle

The Holy Family with the Infant Saint John, c. 1495-1505 (engraving)
883703 The Holy Family with the Infant Saint John, c.1495-1505 (engraving) by Brescia, Giovanni Antonio da (c.1460-c.1520); 29.5x25.7 cm; Minneapolis Institute of Arts, MN

Woodcut print. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Woodcut print in Come Christmas. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration

A Victorian greeting card of London Bridge and the Monument, London, c
3604579 A Victorian greeting card of London Bridge and the Monument, London, c.1880 (colour litho) by English School, (19th century); Private Collection; Photo eDavid Pearson; English

Sephirot Tree of Life, 1652 (litho)
GIA702698 Sephirot Tree of Life, 1652 (litho) by Kircher, Athanasius (1602-80); Private Collection; eGiancarlo Costa; German, out of copyright

Good Shepherd
Jesus Christ - The Good Shepherd - tending his metaphorical flock. From " The Childrens Friend - A Monthly Magazine for Boys & Girls" - bound volume XXXIX, Jan-Dec 1899; published by S.W

The Ascension Of Jesus
Engraving From 1873 Featuring The Ascension Of Jesus Into Heaven

Jesus Walking On Water
Engraving From 1873 Featuring Jesus Walking On Water From The Biblical Story

February - Valentines Day
Love-lorn men and women of all shapes, sizes and ages firing cupids arrows at each other across the street on St Valentines Day, 14th February

People on a horse drawn omnibus (1843 engraving)
The conductor, the driver and a press of passengers aboard a horse drawn omnibus. Woodcut engraving in sepia on aged paper

Map of Australasia (1898 engraving)
Old map of Australasia from 1898

Hamlet
Engraving From 1876 Of Hamlet, Horatio, The Grave-Digger And The Skull Of Yorick

Central Park at Night
square black and white photograph of the el dorado building from within central park at night

Windstone Arch (Fire Arch), Valley of Fire State Park, Nevada, USA

Lonely Boat in a Wide Lake

Tribute - Three. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - The Haunted Glen. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - The Dark Wind. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - The Apple. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - Kingcup. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - The Chinese House. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration

Tribute - The Dreamer. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - August. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - June. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - In a theatre. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - Magic. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - Dragon. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - Godstowe Bridge. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - Secrets. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - Earthbound. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - The Willow. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

Tribute - Oracles. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

China Clay - Moonrise. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

China Clay - Escape. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

China Clay - Restraint. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s

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"Exploring the Monochrome: A Journey through Time and Inspiration" Step into a world where shades of black and white intertwine, revealing stories that transcend centuries. Just like Janus, the Roman god of beginnings and transitions, monochrome captures the duality of existence in its purest form. In 1919, as a solar eclipse painted the sky with ethereal darkness, Richard Feynman pondered the mysteries of our universe. His caricature C015/6715 immortalizes his brilliance amidst this monochromatic spectacle. Gaudi's whimsical chimneys atop Casa Mila (La Pedrera), a UNESCO World Heritage Site in Barcelona, stand proudly against a monochrome backdrop. They remind us that even in simplicity lies extraordinary beauty - just like heroes who emerged victorious from the Trojan War. Dmitri Mendeleev's caricature transports us to an era when he meticulously arranged elements on his periodic table. In this grayscale realm, knowledge shines brighter than ever before. A broken wrist bone reveals itself through an X-ray C017/7187; a stark reminder that even in moments of vulnerability, strength can be found within ourselves. The enigmatic Count of St Germain emerges from history books as a French alchemist who sought eternal life. In monochrome hues, we glimpse his quest for immortality through shadows cast by ancient secrets. Amidst Lac Le Jeune Provincial Park's tranquil waters stands a common loon adult carrying its chick on its back. This heartwarming scene reminds us that love knows no boundaries - not even color or shade. Epicycles dance around Mercury and Venus in an intricate celestial ballet captured by 1823 C017/8061 artwork. Monochrome unveils their cosmic harmony while inviting us to marvel at nature's grand design. An 1889 bonsai dwarf pine tells tales of patience and dedication; it embodies resilience against time's relentless march forward.