Moors Collection (page 7)

Grouse Shooting on the Moors (engraving)
1036352 Grouse Shooting on the Moors (engraving) by Charlton, John (1849-1917) (after); Private Collection; (add.info.: Grouse Shooting on the Moors)

Notes in North Wales (colour litho)
1037805 Notes in North Wales (colour litho) by English School, (19th century); Private Collection; (add.info.: Notes in North Wales)

Coaching in the Highlands (engraving)
1049532 Coaching in the Highlands (engraving) by Ralston, William (1848-1911) (after); Private Collection; (add.info.: Coaching in the Highlands)

Rivaux Abbey, 1812 (etching)
993098 Rivaux Abbey, 1812 (etching) by Turner, Joseph Mallord William (1775-1851); Leeds Museums and Galleries (Leeds Art Gallery) U.K.; (add.info)

The Queen of Grenada (chromolitho)
735484 The Queen of Grenada (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Queen of Granada)

The Castle of the Moors at Sintra (chromolitho)
735766 The Castle of the Moors at Sintra (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Castle of the Moors at Sintra)

Engagement between the Moors and Spaniards near Ceuta (engraving)
2772822 Engagement between the Moors and Spaniards near Ceuta (engraving) by Beck, Augustus J. (19th century); Private Collection; (add.info.: Engagement between the Moors and Spaniards near Ceuta)

Powder-Play, Morocco (colour litho)
2799247 Powder-Play, Morocco (colour litho) by Wright, Henry Charles Seppings (1850-1937); Private Collection; (add.info.: Powder-Play, Morocco)

Sagacity and Stanchness (engraving)
2792660 Sagacity and Stanchness (engraving) by English School, (19th century); Private Collection; (add.info.: Sagacity and Stanchness. Illustration for Chatterbox (1884)

Flock of sheep in Scotland (colour photo)
3098619 Flock of sheep in Scotland (colour photo) by French Photographer, (19th century); Private Collection; (add.info.: Flock of sheep in Scotland)

Photograph of Moors Arms, Bow, London. The main side of the print (shown here) depicts: Corner on view of the pub. The back of the print (available on request) details: Trading Record 1934

Grouse Shooting in the Moors of Scotland (engraving)
1586994 Grouse Shooting in the Moors of Scotland (engraving) by English School, (19th century); Private Collection; (add.info.: Grouse Shooting in the Moors of Scotland)

A Moorland Stream (engraving)
1591281 A Moorland Stream (engraving) by Loye, Charles Auguste (Montbard) (1841-1905); Private Collection; (add.info.: A Moorland Stream. Illustration for The Illustrated London News, 23 July 1887)

Sketches at a Spanish Bull-Fight (engraving)
1595671 Sketches at a Spanish Bull-Fight (engraving) by Woodville, Richard Caton II (1856-1927) (after); Private Collection; (add.info.: Sketches at a Spanish Bull-Fight)

South view of the Bloody Tower within the Tower of London. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T

Decorative panel depicting an angel, Lamego, Portugal. 1738 (ceramic tiles)
1126643 Decorative panel depicting an angel, Lamego, Portugal. 1738 (ceramic tiles) by Portuguese School, (18th century); SantuAario de Nossa Senhora dos Remedios, Lamego

Detail of The Archangel Gabriel pointing at the Dove, decorative panel depicting
1126639 Detail of The Archangel Gabriel pointing at the Dove, decorative panel depicting the Annunciation, Lamego, Portugal

Decorative panel depicting Mary and Joseph arriving at the Inn, Lamego, Portugal
1126638 Decorative panel depicting Mary and Joseph arriving at the Inn, Lamego, Portugal. 1738 (ceramic tiles) by Portuguese School, (18th century); SantuAario de Nossa Senhora dos Remedios, Lamego

Decorative panel depicting the Madonna and Child, Lamego, Portugal. 1738 (ceramic tiles)
1126636 Decorative panel depicting the Madonna and Child, Lamego, Portugal. 1738 (ceramic tiles) by Portuguese School, (18th century); SantuAario de Nossa Senhora dos Remedios, Lamego

Moorland, c. 1907 (oil on canvas)
1128174 Moorland, c.1907 (oil on canvas) by Priestman, Arnold (1854-1925); 123x183 cm; Bradford Art Galleries and Museums, West Yorkshire, UK; eBradford Museums & Galleries; British, out of copyright

Plan of the King of Sines palace, Joal, Senegambia, 18th century. Entrance A, courts B, connecting huts C, kings hut D, wives huts E, reception area F, dining area G, servants huts H

Disturbances in Morocco, Moorish Scouts (litho)
1107565 Disturbances in Morocco, Moorish Scouts (litho) by Loye, Charles Auguste (Montbard) (1841-1905) (after); Private Collection; (add.info.: Disturbances in Morocco, Moorish Scouts)

Johnny Newcome drinking grog in the cockpit with other middys (midshipmen), HMS Victory. Sextants, pistols and muskets hang from hooks on the walls, a tub of grog on the floor. The Cockpit

Moorland View, c. 1800 (grey washes on paper)
1216903 Moorland View, c.1800 (grey washes on paper) by Girtin, Thomas (1775-1802); 11.6x18.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Medals and monuments of the Celtiberians, Celtic people of the Iberian peninsula in the centuries before Christ. Medaglie e monumenti del tempo dei Celtiberieti

The Last Council of Boabdil at the Alhambra, 1492 (colour litho)
STC358024 The Last Council of Boabdil at the Alhambra, 1492 (colour litho) by Valda, John Harris (d.1941); Private Collection; (add.info.: Abu Abdullah (Boabdil) (c)

The Supplicants. The Expulsion of the Gypsies from Spain, 1872 (oil on canvas)
RHC79782 The Supplicants. The Expulsion of the Gypsies from Spain, 1872 (oil on canvas) by Long, Edwin Longsden (1829-91); 182.9x287 cm; Royal Holloway

Monument of Sir Edward Wynter, died 1685, on the south wall of St Marys Church Battersea
6339766 Monument of Sir Edward Wynter, died 1685, on the south wall of St Marys Church Battersea by Smith, John Thomas (1766-1833); (add.info.: Monument of Sir Edward Wynter, died 1685)

Moorish man in turban, jacket, culottes, holding a cane, Algiers, Algeria
6339061 Moorish man in turban, jacket, culottes, holding a cane, Algiers, Algeria by Belgian School, (19th century); (add.info.: Moorish man in turban, jacket, culottes, holding a cane, Algiers)

The soldiers of Pelagius of Asturias rolling boulders down a mountain precipice onto a Muslim army in Spain
5229145 The soldiers of Pelagius of Asturias rolling boulders down a mountain precipice onto a Muslim army in Spain, 8th Century (engraving) by English School

11th Armoured Division exercise, Yorkshire Moors, WW2
11th Armoured Division exercise on the Yorkshire Moors, attended by Winston Churchill during the Second World War. 1941

Odo, Duke of Aquitaine, defeating the Umayyads at the Battle of Toulouse, 721 (engraving)
5233498 Odo, Duke of Aquitaine, defeating the Umayyads at the Battle of Toulouse, 721 (engraving) by French School, (18th century); Private Collection; (add.info.: Odo, Duke of Aquitaine)

In the Highlands, a promotional card for Huntley & Palmers Biscuits, c
488427 In the Highlands, a promotional card for Huntley & Palmers Biscuits, c.1890 (colour litho) by English School, (19th century); Private Collection; (add.info)

The Wayfarers (oil on canvas)
PNH353792 The Wayfarers (oil on canvas) by Hitchcock, George (1850-1913); 109x89 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; American, out of copyright

The Moors gathering Gums and Conveying the Gums to Senegal
941014 The Moors gathering Gums and Conveying the Gums to Senegal, illustration from A Voyage to Senegal... 1806 (litho) by French School, (19th century); New York Public Library, USA; French

The Conquest of Arzila in 1471 (tapestry) (see 177367-70)
MAE177369 The Conquest of Arzila in 1471 (tapestry) (see 177367-70) by Portuguese School, (15th century); Collegiata, Pastrana

Valley of the Washburn, 1818 (w / c and gouache on paper)
LMG100955 Valley of the Washburn, 1818 (w/c and gouache on paper) by Turner, Joseph Mallord William (1775-1851); 33.1x40.9 cm; Leeds Museums and Galleries (Leeds Art Gallery)

Plate from Chaffagiolo, Tuscany, Renaissance enamel ware, with Moors head within escutcheon, border of dolphins, shells and cornucopia

The Dog Breaker, engraved by Robert Havell the Elder, published 1814 by Robinson and Son
STC254988 The Dog Breaker, engraved by Robert Havell the Elder, published 1814 by Robinson and Son, Leeds (colour litho) by Walker

Horseman with wings, costume design for Le Carrousel des Galants
BLT271768 Horseman with wings, costume design for Le Carrousel des Galants Maures, 1686 (w/c on paper) by Berain, Jean I (the Elder) (1640-1711); Bibliotheque de l Institut de France, Paris

Attack on a Moorish camp (engraving)
3647205 Attack on a Moorish camp (engraving) by Neuville, Alphonse Marie de (1835-85) (after); Private Collection; (add.info.: Attack on a Moorish camp)

Battle of Montiel, a mixed and irregular combat of French, Spaniards, Moors and Jews (engraving)
3655222 Battle of Montiel, a mixed and irregular combat of French, Spaniards, Moors and Jews (engraving) by English School, (19th century); Private Collection; (add.info.: Battle of Montiel)

Christians fighting the Almohads at the Battle of Las Navas de Tolosa, Spain, 1212 (engraving)
3647291 Christians fighting the Almohads at the Battle of Las Navas de Tolosa, Spain, 1212 (engraving) by Vogel, Hermann (1856-1918); Private Collection; (add.info)

Off to the Moors, a Sketch at Inverness (engraving)
2785497 Off to the Moors, a Sketch at Inverness (engraving) by English School, (19th century); Private Collection; (add.info.: Off to the Moors, a Sketch at Inverness)

"The Twelth"- a typical scene on the Scots Moors (litho)
3627027 " The Twelth" - a typical scene on the Scots Moors (litho) by Speed, Lancelot (1860-1931); Private Collection; (add.info)

A Moorish girl of Oran (colour photo)
3096210 A Moorish girl of Oran (colour photo) by French Photographer, (20th century); Private Collection; (add.info.: A Moorish girl of Oran)

Moorish patio in Seville (chromolitho)
2782932 Moorish patio in Seville (chromolitho) by European School, (19th century); Private Collection; (add.info.: Moorish patio in Seville. Liebig card, published in late 19th or early 20th century)

Moors of Beni-Ulixes surrender at Annual, Morocco
Moroccan Campaign - Moors of Beni-Ulixes surrender at Annual, Spanish Morocco, to Franco-Spanish troops. 1925

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The moors, with their vast and captivating landscapes, hold a rich history that spans across different regions and eras. From the medieval kingdoms of Spain and Portugal to the rugged beauty of Clwydian Mountain Range in Wales, these areas have witnessed countless tales unfold. As you traverse Offa's Dyke path leading to the summit of Moel Famau, you can't help but feel a connection to the past. The misty air adds an ethereal touch as if transporting you back to 1893 when Moorland and Mist was captured on canvas by an artist seeking inspiration from nature's wonders. On the North York Moors coastline in Yorkshire, England, Robin Hood's Bay stands proudly against crashing waves. This picturesque spot reminds us that even legends like Merle Oberon and Laurence Olivier found themselves captivated by its charm while filming Wuthering Heights in 1939. In Cairngorms National Park, a majestic reindeer herd gracefully walks across an upland moor. Their antlers covered in velvet symbolize both strength and renewal – traits often associated with these ancient lands since Arab empire times during the mid-700s. The Surrender of Granada depicted in an oil painting from 1882 transports us to one of the most significant events in Moorish history. It marks not only the end of Islamic rule but also showcases how art can capture moments that shape nations forever. A solitary outcrop adorned with flowering Common Heather overlooks farmland below in Rosedale Valley. This juxtaposition between untamed moorland and cultivated fields serves as a reminder of England's diverse landscapes found within places like Hebden Bridge. Even amidst snow-covered terrain near Pen-y-ghent in Yorkshire Dales National Park, domestic sheep stand resiliently on moorland. These hardy creatures embody the spirit of these lands where survival has always been intertwined with nature's whims.