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Napoleon Collection (page 21)

Napoleon, known as the King of Kings, left an indelible mark on history that still captivates us today

Background imageNapoleon Collection: Napoleon: Apotheose, Apotheosis (engraving)

Napoleon: Apotheose, Apotheosis (engraving)
5999268 Napoleon: Apotheose, Apotheosis (engraving) by European School, (19th century); Private Collection; (add.info.: Apotheose, Apotheosis)

Background imageNapoleon Collection: Napoleon: Revolte du Caire, Revolt of Cairo (engraving)

Napoleon: Revolte du Caire, Revolt of Cairo (engraving)
5999254 Napoleon: Revolte du Caire, Revolt of Cairo (engraving) by European School, (19th century); Private Collection; (add.info.: Revolte du Caire, Revolt of Cairo)

Background imageNapoleon Collection: Napoleon: Clemence de l Empereur, The Emperors Clemency (engraving)

Napoleon: Clemence de l Empereur, The Emperors Clemency (engraving)
5999253 Napoleon: Clemence de l Empereur, The Emperors Clemency (engraving) by European School, (19th century); Private Collection; (add.info.: Clemence de l Empereur, The Emperors Clemency)

Background imageNapoleon Collection: Napoleon (engraving)

Napoleon (engraving)
5999259 Napoleon (engraving) by European School, (19th century); Private Collection; (add.info.: Napoleon. Illustration for The Napoleon Gallery (Henry G Bohn, 1846)

Background imageNapoleon Collection: Signed letter from Napoleon to his stepson, Prince Eugene de Beauharnais Napoleon

Signed letter from Napoleon to his stepson, Prince Eugene de Beauharnais Napoleon
5862289 Signed letter from Napoleon to his stepson, Prince EugAne de Beauharnais Napoleon (1781-1824) (pen & ink on paper) by Bonaparte, Napoleon (1769-1821); Private Collection; (add.info.: 1 page)

Background imageNapoleon Collection: Jingling Johnnie (brass)

Jingling Johnnie (brass)
1778394 Jingling Johnnie (brass) by French School, (19th century); National Army Museum, London; (add.info.: Jingling Johnny, brass)

Background imageNapoleon Collection: The Eagles Flight, 1857 (oil on canvas)

The Eagles Flight, 1857 (oil on canvas)
1773372 The Eagles Flight, 1857 (oil on canvas) by Merle, Hugues (1823-81); 130x90 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageNapoleon Collection: Sebastopol, First Days Attack by the Allied Fleet and Armies of France and England (engraving)

Sebastopol, First Days Attack by the Allied Fleet and Armies of France and England (engraving)
1602353 Sebastopol, First Days Attack by the Allied Fleet and Armies of France and England (engraving) by English School, (19th century); Private Collection; (add.info.: Sebastopol)

Background imageNapoleon Collection: The Fetes at Paris (engraving)

The Fetes at Paris (engraving)
1618355 The Fetes at Paris (engraving) by English School, (19th century); Private Collection; (add.info.: The Fetes at Paris, Colossal Statue of Napoleon, in the Champs Elysees)

Background imageNapoleon Collection: Napoleon at Boulogne (engraving)

Napoleon at Boulogne (engraving)
1594262 Napoleon at Boulogne (engraving) by Gilbert, John (1817-97) (after); Private Collection; (add.info.: Napoleon at Boulogne. Illustration for The Pictorial Times, 22 August 1846)

Background imageNapoleon Collection: The Czars Visit to Paris (litho)

The Czars Visit to Paris (litho)
1605883 The Czars Visit to Paris (litho) by Haenen, Frederic de (1853-1928); Private Collection; (add.info.: The Czars Visit to Paris, Visit of the Czar and Czarina to the Hotel des Invalides)

Background imageNapoleon Collection: Account of the Battle of Waterloo, 1815 (print)

Account of the Battle of Waterloo, 1815 (print)
3744586 Account of the Battle of Waterloo, 1815 (print) by English School, (19th century); Private Collection; (add.info)

Background imageNapoleon Collection: The Congress of Vienna (hand-coloured etching)

The Congress of Vienna (hand-coloured etching)
3930720 The Congress of Vienna (hand-coloured etching) by Campe, August Friedrich Andreas (1777-1846); State Borodino War and History Museum

Background imageNapoleon Collection: 1815, Ligny and Waterloo, by Achille de Vaulabelle with 40 engravings by J

1815, Ligny and Waterloo, by Achille de Vaulabelle with 40 engravings by J
1249070 1815, Ligny and Waterloo, by Achille de Vaulabelle with 40 engravings by J. Worms (engraving) by French School, (19th century); BibliothAque Paul-Marmottan, Ville de Boulogne-Billancourt

Background imageNapoleon Collection: Heroism of the Maid of Sragossa AD 1808

Heroism of the Maid of Sragossa AD 1808
1192503 Heroism of the Maid of Sragossa AD 1808 by Overend, William Heysham (1851-98); Private Collection; (add.info.: Cassells History of England published by Cassell and Company circa 1920 s)

Background imageNapoleon Collection: A Kirman Maha ir carpet, depicting famous people of the ancient and European world

A Kirman Maha ir carpet, depicting famous people of the ancient and European world
1196977 A Kirman Maha ir carpet, depicting famous people of the ancient and European world, from Moses to Napoleon, (textile)

Background imageNapoleon Collection: Parliamentary Elections and Electioneering in the Old Days (engraving)

Parliamentary Elections and Electioneering in the Old Days (engraving)
1041283 Parliamentary Elections and Electioneering in the Old Days (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageNapoleon Collection: Napoleons coach being viewed by fashionable London

Napoleons coach being viewed by fashionable London
986213 Napoleons coach being viewed by fashionable London, from An Historical Account of the Campaign in the Netherlands, in 1815, 1817 (watercolour) by Rowlandson

Background imageNapoleon Collection: The Empress of the French and the Infant Prince Imperial (engraving)

The Empress of the French and the Infant Prince Imperial (engraving)
1106733 The Empress of the French and the Infant Prince Imperial (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageNapoleon Collection: Napoleon seeks rest in a roadside cottage after his defeat at Waterloo (engraving)

Napoleon seeks rest in a roadside cottage after his defeat at Waterloo (engraving)
973082 Napoleon seeks rest in a roadside cottage after his defeat at Waterloo (engraving) by Stone, Marcus (1840-1921) (after); Private Collection; (add.info)

Background imageNapoleon Collection: The Late Prince Imperial, removing the Princes Body from the Orontes to the Enchantress

The Late Prince Imperial, removing the Princes Body from the Orontes to the Enchantress, at Spithead (engraving)
1099956 The Late Prince Imperial, removing the Princes Body from the Orontes to the Enchantress, at Spithead (engraving) by English School

Background imageNapoleon Collection: Battle of Austerlitz, an exhausted Napoleon (colour litho)

Battle of Austerlitz, an exhausted Napoleon (colour litho)
3091138 Battle of Austerlitz, an exhausted Napoleon (colour litho) by Job, pseudonym for Onfray de Breville, Jacques (1858-1931); Private Collection; (add.info.: Battle of Austerlitz)

Background imageNapoleon Collection: The advance of the French troops at Ligny, 16th June 1815

The advance of the French troops at Ligny, 16th June 1815
3082721 The advance of the French troops at Ligny, 16th June 1815, illustration from British Battles on Land and Sea, 1915 (litho) by Wollen

Background imageNapoleon Collection: Madame Sans-Gene at the Gaiety Theatre, London (engraving)

Madame Sans-Gene at the Gaiety Theatre, London (engraving)
1064590 Madame Sans-Gene at the Gaiety Theatre, London (engraving) by English School, (19th century); Private Collection; (add.info.: Madame Sans-Gene at the Gaiety Theatre, London)

Background imageNapoleon Collection: The Prince Imperial at Chatham, Officers at Hand Grenade Practice (engraving)

The Prince Imperial at Chatham, Officers at Hand Grenade Practice (engraving)
1049749 The Prince Imperial at Chatham, Officers at Hand Grenade Practice (engraving) by English School, (19th century); Private Collection; (add.info.: The Prince Imperial at Chatham)

Background imageNapoleon Collection: King William, or 'Roi Denis'of the Gaboon, and his Principal wife (engraving)

King William, or "Roi Denis"of the Gaboon, and his Principal wife (engraving)
967303 King William, or " Roi Denis" of the Gaboon, and his Principal wife (engraving) by English School, (19th century); Private Collection; (add.info.: King William)

Background imageNapoleon Collection: Costumes at the gates to the coronation of Napoleon I (engraving)

Costumes at the gates to the coronation of Napoleon I (engraving)
957994 Costumes at the gates to the coronation of Napoleon I (engraving) by Jacquemin, Raphael (1821-81); Private Collection; (add.info.: Costumes at the gates to the coronation of Napoleon I)

Background imageNapoleon Collection: Frederick William III of Prussia thanking Moscow for the Rescue of his Empire

Frederick William III of Prussia thanking Moscow for the Rescue of his Empire
956357 Frederick William III of Prussia thanking Moscow for the Rescue of his Empire, 1896 (oil on canvas) by Matveyev, Nikolai Sergeyevich (1855-1939); Tretyakov Gallery, Moscow

Background imageNapoleon Collection: Sir Thomas Picton (litho)

Sir Thomas Picton (litho)
956118 Sir Thomas Picton (litho) by Shee, Martin Archer (1769-1850) (after); Private Collection; (add.info.: Cassells History of England published by Cassell and Company Limited circa 1920); English

Background imageNapoleon Collection: Napoleon signing his abdication (litho)

Napoleon signing his abdication (litho)
956116 Napoleon signing his abdication (litho) by Wollen, William Barnes (1857-1936); Private Collection; (add.info.: Cassells History of England published by Cassell and Company Limited circa 1920)

Background imageNapoleon Collection: Napoleon abandoning his army (litho)

Napoleon abandoning his army (litho)
956111 Napoleon abandoning his army (litho) by Paget, Henry Marriott (1856-1936); Private Collection; (add.info.: Cassells History of England published by Cassell and Company Limited circa 1920)

Background imageNapoleon Collection: The British and French Fleets in Besika Bay, August, 1853 (engraving)

The British and French Fleets in Besika Bay, August, 1853 (engraving)
1097553 The British and French Fleets in Besika Bay, August, 1853 (engraving) by English School, (19th century); Private Collection; (add.info.: The British and French Fleets in Besika Bay, August)

Background imageNapoleon Collection: Napoleon at Wagram (colour litho)

Napoleon at Wagram (colour litho)
3095861 Napoleon at Wagram (colour litho) by Vernet, Antoine Charles Horace (Carle) (1758-1836) (after); Private Collection; (add.info.: Napoleon at Wagram)

Background imageNapoleon Collection: L Entree A Berlin (colour litho)

L Entree A Berlin (colour litho)
3094281 L Entree A Berlin (colour litho) by Job, pseudonym for Onfray de Breville, Jacques (1858-1931); Private Collection; (add.info.: L Entree A Berlin)

Background imageNapoleon Collection: Napoleon walking in his garden when prisoner at St Helena (colour litho)

Napoleon walking in his garden when prisoner at St Helena (colour litho)
3094106 Napoleon walking in his garden when prisoner at St Helena (colour litho) by Job, pseudonym for Onfray de Breville

Background imageNapoleon Collection: Napoleon being approached by a nervous liutenant during a parade at Schoenbrunn (colour litho)

Napoleon being approached by a nervous liutenant during a parade at Schoenbrunn (colour litho)
3094090 Napoleon being approached by a nervous liutenant during a parade at Schoenbrunn (colour litho) by Job, pseudonym for Onfray de Breville

Background imageNapoleon Collection: Napoleon showing consideration for one of his fallen soldiers during the Rhine campaign

Napoleon showing consideration for one of his fallen soldiers during the Rhine campaign (colour litho)
3094079 Napoleon showing consideration for one of his fallen soldiers during the Rhine campaign (colour litho) by Job, pseudonym for Onfray de Breville

Background imageNapoleon Collection: Napoleon Bonaparte (coloured engraving)

Napoleon Bonaparte (coloured engraving)
3093052 Napoleon Bonaparte (coloured engraving) by French School, (19th century); Private Collection; (add.info.: Napoleon Bonaparte)

Background imageNapoleon Collection: The Salon d abdication, Fontainbleau (engraving)

The Salon d abdication, Fontainbleau (engraving)
3649454 The Salon d abdication, Fontainbleau (engraving) by Allom, Thomas (1804-72) (after); Private Collection; (add.info.: Salon d abdication, Fontainebleau)

Background imageNapoleon Collection: Napoleon and his Escort, (oil on canvas)

Napoleon and his Escort, (oil on canvas)
827129 Napoleon and his Escort, (oil on canvas) by Chelminski, Jan van (1851-1925); 40.6x65.4 cm; Private Collection; (add.info.: Napoleon and his Escort. Jan Chelminski (1851-1925). Oil on canvas

Background imageNapoleon Collection: Napoleons triumphal entry into Milan (engraving)

Napoleons triumphal entry into Milan (engraving)
819129 Napoleons triumphal entry into Milan (engraving) by German School, (19th century); Private Collection; (add.info.: Napoleons triumphal entry into Milan)

Background imageNapoleon Collection: Bravo le rouge! courage! (coloured lithograph)

Bravo le rouge! courage! (coloured lithograph)
818663 Bravo le rouge! courage! (coloured lithograph) by French School, (19th century); Private Collection; (add.info.: Bravo le rouge! courage)

Background imageNapoleon Collection: He hid it in a cave

He hid it in a cave
908651 He hid it in a cave by Rainey, William (1852-1936); Private Collection; (add.info.: The Poetry of the Empire published by TC & EC Jack circa 1910); English, out of copyright

Background imageNapoleon Collection: Napoleon Bust by Antonio Canova (1757)

Napoleon Bust by Antonio Canova (1757)
3476885 Napoleon Bust by Antonio Canova (1757) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info)

Background imageNapoleon Collection: Coin cabinet, c. 1815 (mahogany and silver)

Coin cabinet, c. 1815 (mahogany and silver)
3492864 Coin cabinet, c.1815 (mahogany and silver) by Percier, Charles (1764-1838); 90 high cm; Metropolitan Museum of Art, New York

Background imageNapoleon Collection: Hier! Demain!, from Histoire de la Troisieme Republique, Vol

Hier! Demain!, from Histoire de la Troisieme Republique, Vol
3504410 Hier! Demain!, from Histoire de la Troisieme Republique, Vol. I, l Histoire Politique, pub.1933 (colour litho) by French Photographer

Background imageNapoleon Collection: Le Gateau des Rois, tire au Congres de Vienne en 1815, pub. (hand coloured engraving)

Le Gateau des Rois, tire au Congres de Vienne en 1815, pub. (hand coloured engraving)
2966871 Le Gateau des Rois, tire au Congres de Vienne en 1815, pub. (hand coloured engraving) by French School, (19th century); Private Collection; (add.info)



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Napoleon, known as the King of Kings, left an indelible mark on history that still captivates us today. As we examine the map of the Battle of Waterloo from the 19th century, we are transported back to that fateful day on June 18th, 1815. Hegel's admiration for Napoleon becomes apparent as we delve into their complex relationship and its impact on philosophy. The oil painting depicting the Battle of Waterloo allows us to witness firsthand the chaos and bravery displayed by both sides. It serves as a reminder of Napoleon's strategic genius and his ultimate defeat in this decisive battle. The map showcasing Napoleon's exile on St Helena offers a glimpse into his final years spent far away from power and glory. In another portrayal, we see Napoleon leading his troops fearlessly in the midst of battle at Waterloo in 1815. His unwavering determination shines through even amidst adversity. Gillray's satirical depiction reveals how deeply intertwined politics were with Napoleon's reign during this tumultuous era. The Napoleonic Wars brought forth many heroes, such as the cuirassiers - French heavy cavalry who fought valiantly for their emperor. Their strength and loyalty symbolize the spirit that permeated throughout France during these turbulent times. Stepping away from military matters, let us explore a different side – one depicted in "The Garden of Earthly Delights" from the 1500s. This artwork hints at his grand ambitions beyond warfare; he sought to shape society and culture under his rule. Bismarck's encounter with Napoleon III highlights how influential this enigmatic figure remained long after his reign ended. Even posthumously, he continued to inspire political intrigue and fascination among leaders across Europe. Lastly, gazing upon Moriarty's poster reminds us that even fictional characters can be influenced by historical figures like Napoleon – their cunning minds echoing echoes those attributed to him.