Narrative Collection (page 5)

Scenes from The Book of Joshua: The taking of Jericho, The seven priests carrying the Ark
LRI4001709 Scenes from The Book of Joshua: The taking of Jericho, The seven priests carrying the Ark of the Covenant (mosaic) by Italian School, (5th century); Santa Maria Maggiore, Rome

Adoration of the Magi, detail of Christ surrounded by angels (mosaic)
LRI4001626 Adoration of the Magi, detail of Christ surrounded by angels (mosaic) by Italian School, (5th century); Santa Maria Maggiore, Rome, Italy; Luisa Ricciarini; Italian, out of copyright

Annunciation (mosaic)
LRI4001612 Annunciation (mosaic) by Italian School, (5th century); Santa Maria Maggiore, Rome, Italy; Luisa Ricciarini; Italian, out of copyright

The Gate of Jerusalem with lambs symbolising the Apostles (mosaic)
LRI4001583 The Gate of Jerusalem with lambs symbolising the Apostles (mosaic) by Italian School, (5th century); Santa Maria Maggiore, Rome, Italy; Luisa Ricciarini; Italian, out of copyright

The Port d Antibes in Provence, 1756 (oil on canvas)
LSE995401 The Port d Antibes in Provence, 1756 (oil on canvas) by Vernet, Claude Joseph (1714-89); 265x163 cm; Private Collection; Photo eLeonard de Selva; French, out of copyright

Odysseus recognised by his nurse, Euryclee, 1848 (oil on canvas)
LSE746380 Odysseus recognised by his nurse, Euryclee, 1848 (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); Musee des Beaux-Arts, La Rochelle

Biblical tapestry panel depicting Samson and the Lion, possibly 17th century
1262579 Biblical tapestry panel depicting Samson and the Lion, possibly 17th century, North Germany, Schleswig Holstein or Hamburg (wool & silk) by German School

Scenes from William Cowpers The Task, a boy stringing a bow
1778562 Scenes from William Cowpers The Task, a boy stringing a bow, 1785 (oil on canvas) (pair to 1778561) by Barker of Bath

Regence Gobelins tapestry with the story of Don Quixote, 1717-18 (textile)
937134 Regence Gobelins tapestry with the story of Don Quixote, 1717-18 (textile) by French School, (18th century); Private Collection; (add.info.: After cartoon by Claude-Antoine Coypel)

Miranda - The Tempest, 1916 (oil on canvas)
876439 Miranda - The Tempest, 1916 (oil on canvas) by Waterhouse, John William (1849-1917); 100.4x137.8 cm; Private Collection; Photo eChristies Images; English, out of copyright

A Secret Rendezvous, 1863 (oil on canvas)
CH405681 A Secret Rendezvous, 1863 (oil on canvas) by Brun, Guillaume Charles (1825-1908); 33.3x27.3 cm; Private Collection; Photo eChristies Images; French, out of copyright

Page from La Belle Dame Sans Merci by Alain Chartier, Paris
3082246 Page from La Belle Dame Sans Merci by Alain Chartier, Paris, early 15th century (pen & ink and tempera on vellum) by Dunois Master (fl.c.1430-65)

Mounted nautilus cup, Nagyszeben, mid 17th century (shell & silver-gilt)
lobed, spiral, seashell, metal, whale, biblical, cup, ornate, baroque, sea monster, silverware, fish, stem, chased, metalwork, asymmetrical, curved, repousse, old testament, sea-monster, goblet

The Confidante, 1895 (woodcut)
714788 The Confidante, 1895 (woodcut) by Vallotton, Felix Edouard (1865-1925); 17.8x22.4 cm; Private Collection; (add.info.: V and G 161); Photo eChristies Images; Swiss, out of copyright

"Alice began telling them her adventures", illustration for Lewis Carroll
4075103 " Alice began telling them her adventures", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

"Come on! cried the Gryphon", illustration for Lewis Carroll
4075102 " Come on! cried the Gryphon", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

"At this the whole pack rose up into the air"
4075098 " At this the whole pack rose up into the air", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

"The Hedge-hog was engaged in a fight with another Hedge-hog"
4075094 " The Hedge-hog was engaged in a fight with another Hedge-hog", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

"Don t look at me like that", illustration for Lewis Carroll
4075093 " Don t look at me like that", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

"They both bowed low and their curls got entangled"
4075084 " They both bowed low and their curls got entangled", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

"Old Father William turning a back somersault in at the door"
4075082 " Old Father William turning a back somersault in at the door", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

"Old Father William standing on his head", illustration for Lewis Carroll
4075080 " Old Father William standing on his head", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

"The Dodo solemnly presented the thimble", illustration for Lewis Carroll
4075071 " The Dodo solemnly presented the thimble", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

"The poor little thing sat down and cried", illustration for Lewis Carroll
4075066 " The poor little thing sat down and cried", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

Punchinello as Tailors Assistant, c. 1800 (pen & ink on paper)
3700570 Punchinello as Tailors Assistant, c.1800 (pen & ink on paper) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 35.3x47 cm; Metropolitan Museum of Art, New York, USA; Italian

The Resurrection, from the Small Passion, c. 1510 (woodcut)
3707660 The Resurrection, from the Small Passion, c.1510 (woodcut) by DAorer or Duerer, Albrecht (1471-1528); 12.7x9.8 cm; Metropolitan Museum of Art, New York, USA; German, out of copyright

Robinson Crusoe first sees and rescues his man Friday from "
3614724 A Robinson Crusoe first sees and rescues his man FridayA from A" The Life and Strange Surprising Adventures of Robinson Crusoe, or York, MarinerA" by Daniel Defoe by Stothard

First page from "The Farther Adventures of Robinson Crusoe
3614711 First page from A" The Farther Adventures of Robinson Crusoe; Being the Second and Last Part of His Life, And of the Strange Surprising Accounts of his Travels Round three Parts of

A Map of the World on which is Delineated the Voyage of Robinson Crusoe
3614709 A A Map of the World on which is Delineated the Voyage of Robinson CrusoeA frontispiece foldout map from A" The Farther Adventures of Robinson Crusoe; Being the Second

Elijah Fed By The Ravens (oil on canvas)
3822442 Elijah Fed By The Ravens (oil on canvas) by Ribera, Jusepe de (c.1590-1652); 109.5x122.5 cm; Calderdale Museums Service, West Yorkshire, UK; eCalderdale Borough Council; Spanish

Tam O Shanter (after the poem by Robert Burns), 1825 (oil on canvas)
3744426 Tam O Shanter (after the poem by Robert Burns), 1825 (oil on canvas) by Delacroix, Ferdinand Victor Eugene (1798-1863); 26.2x30.8 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Parody of Kawachi-goe from "Tales of Ise", 1765 (colour woodblock print)
3527245 Parody of Kawachi-goe from " Tales of Ise", 1765 (colour woodblock print) by Harunobu, Suzuki (1725-70) (attr)

Masquerade of Orson and Valentine, 1566 (engraving)
5196970 Masquerade of Orson and Valentine, 1566 (engraving) by Brueghel, Pieter The Elder (c.1525-69) (after); 30x41.4 cm; Rijksmuseum, Amsterdam

Bowl, 1860-70 (earthenware)
5891801 Bowl, 1860-70 (earthenware) by English School, (19th century); 13.8x32 cm; Tyne & Wear Archives & Museums; (add.info.: 19th century white earthenware bowl decorated with pink lustreing)

A set of sixteen tiles arranged in pairs to form eight illustrations of the
1217588 A set of sixteen tiles arranged in pairs to form eight illustrations of the Briar Rose tale, 1862 - 1865 (ceramic) by Burne-Jones, Edward Coley (1833-98); 131.6x40.7 cm; Ashmolean Museum

Lid of a Casket depicting the Castle of Love and Knights Jousting, c
1113923 Lid of a Casket depicting the Castle of Love and Knights Jousting, c.1330-50 (ivory) by French School, (14th century); 11.8x25.2x12.9 cm; Walters Art Museum, Baltimore

Mocking of Christ, c. 1630 (etching, engraving)
1070550 Mocking of Christ, c.1630 (etching, engraving) by Dyck, Anthony van (1599-1641); 60.2x20.5 cm; Dallas Museum of Art, Texas, USA; Anonymous Gift; Flemish, out of copyright

The True and Diverting History of the Tiger and the Carrier (chromolitho)
1063345 The True and Diverting History of the Tiger and the Carrier (chromolitho) by Ralston, William (1848-1911) (after); Private Collection; (add.info)

Detail of the Ceiling, Baptistery, Florence (mosaic)
875179 Detail of the Ceiling, Baptistery, Florence (mosaic) by Italian School, (13th century); Baptistery, Florence, Italy; eGiuliano Valsecchi; Italian, out of copyright

Koniaroklik and Neweetioke, 1835 (colour litho)
468761 Koniaroklik and Neweetioke, 1835 (colour litho) by Ross, John (1777-1856) (after); Private Collection; (add.info.: Illustration from Narrative of a second voyage in search of a north-west)

Ikmalick and Apelagliu drawing in the officers quarters, 1835 (colour litho)
468756 Ikmalick and Apelagliu drawing in the officers quarters, 1835 (colour litho) by Ross, John (1777-1856) (after); Private Collection; (add.info)

Bowl with scenes from the Iliad and the Aethiopis (stone) (b / w photo)
AMQ367626 Bowl with scenes from the Iliad and the Aethiopis (stone) (b/w photo) by Greek; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Greek, out of copyright

Adam and Eve in the Garden of Eden, c. 1590-1610 (oil on canvas)
ALM403378 Adam and Eve in the Garden of Eden, c.1590-1610 (oil on canvas) by Dutch School; 130.2x173.4 cm; Allen Memorial Art Museum, Oberlin College, Ohio

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"Narrative: A Journey through Time and Imagination" Step into the enchanting world of narrative, where tales from different eras intertwine to captivate our hearts and minds. From the medieval epic "Sir Gawain and the Green Knight" by William McLaren, we witness Sir Gawain's valiant quest for honor and his encounter with a mysterious green knight. In Dante Alighieri's poetic masterpiece, we find ourselves alongside the Italian poet as he gazes upon his beloved Beatrice, an ethereal muse who inspires him to explore love, spirituality, and redemption in "The Divine Comedy. " Transporting us back to Arthurian legend once more is McLaren's depiction of Odysseus' triumphant return to his faithful wife Penelope after years of trials in Homer's epic poem "The Odyssey. " Their reunion symbolizes enduring love amidst adversity. As we delve deeper into history, a reproduction of "The Creation" from the Sarajevo Haggadah reminds us of ancient religious narratives that shape our understanding of faith and humanity. The intricate details painted on this lithograph invite contemplation about our origins and purpose. Moving forward in time yet again, a tempera painting depicting priests within the Tabernacle evokes biblical stories that have shaped cultures across centuries. These narratives carry profound lessons about devotion, sacrifice, and divine guidance. Amidst these grand tales lies a tender moment captured by an artist in "Little girl at a window - No Walk Today. " This simple scene speaks volumes about childhood innocence and imagination—a narrative unfolding within every child's heart. Finally, Robinson Crusoe emerges from Daniel Defoe's iconic novel titled simply "The Life, " reminding us how individual they can inspire resilience against isolation. Crusoe navigates uncharted territories both physically and emotionally while teaching us valuable lessons about survival against all odds, and are not mere stories; they are windows into worlds both real and imagined.