Narrative Collection (page 8)

The Courtrai Chest depicting scenes from the Battle of the Golden Spurs fought in
NCO179783 The Courtrai Chest depicting scenes from the Battle of the Golden Spurs fought in Courtrai in 1302 (wood) by Flemish School

The Legend of the Holy Cross (tapestry)
MAE181733 The Legend of the Holy Cross (tapestry) by Flemish School; Museo Catedralicio de la Seo, Zaragoza, Spain; ePaul Maeyaert; Flemish, out of copyright

Hans in Luck (after the Brothers Grimm) broadsheet published by Gustav Weise, Stuttgart
DHC379981 Hans in Luck (after the Brothers Grimm) broadsheet published by Gustav Weise, Stuttgart, 1860 (colour litho) by Pletsch, Oskar (1830-88); Private Collection; Sammlung Hecht; German

Scenes from the life of a Bodhisattva, 1776 (mural)
LIT372473 Scenes from the life of a Bodhisattva, 1776 (mural) by Burmese School, (18th century); Ananda Monastery, Pagan (Bagan)

Illustration from Europe: a Prophecy, Lambeth, 1794 (ink & w / c on paper)
715570 Illustration from Europe: a Prophecy, Lambeth, 1794 (ink & w/c on paper) by Blake, William (1757-1827); 37.5x27 cm; Glasgow University Library

Kawalua, Tiagashu and Adlurak, 1835 (colour litho)
468760 Kawalua, Tiagashu and Adlurak, 1835 (colour litho) by Ross, John (1777-1856) (after); Private Collection; (add.info)

The Days Of Creation, 1874 (stained glass)
3475457 The Days Of Creation, 1874 (stained glass) by Burne-Jones, Edward Coley (1833-98); The Church of St Editha, Tamworth, Staffordshire

The Days Of Creation, 1874 (stained glass)
3475455 The Days Of Creation, 1874 (stained glass) by Burne-Jones, Edward Coley (1833-98); The Church of St Editha, Tamworth, Staffordshire

Punchinellos Outside a Circus, c. 1800 (pen & ink on paper)
3700574 Punchinellos Outside a Circus, c.1800 (pen & ink on paper) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 34.9x46.4 cm; Metropolitan Museum of Art, New York, USA; Italian

The Burial of Punchinello, c. 1800 (pen & ink on paper)
3700567 The Burial of Punchinello, c.1800 (pen & ink on paper) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 35.3x47.3 cm; Metropolitan Museum of Art, New York, USA; Italian

The Israelites Rejoicing After Crossing The Red Sea (oil on copper)
3822432 The Israelites Rejoicing After Crossing The Red Sea (oil on copper) by Poussin, Nicolas (1594-1665) (after); 79.5x102.5 cm; Calderdale Museums Service, West Yorkshire

Christ Expelling The Sellers From The Temple (oil on canvas, re-lined
3822369 Christ Expelling The Sellers From The Temple (oil on canvas, re-lined by Jouvenet, Jean-Baptiste (1644-1717) ( attr)

Minnehaha Falls, Minneapolis, Minnesota, USA, with a quotation from Hiawatha, Longfellows long narrative poem. Date: 1935

Detail from The Tristan hanging, 1370-1400 (wool)
3738210 Detail from The Tristan hanging, 1370-1400 (wool) by German School, (14th century); Victoria & Albert Museum, London

Robinson Crusoe and Friday making a Boat from "
3614725 A Robinson Crusoe and Friday making a BoatA from A" The Life and Strange Surprising Adventures of Robinson Crusoe, or York, MarinerA" by Daniel Defoe by Stothard

Robinson Crusoe frontispiece illustration showing Crusoe taking leave of his
3614718 A Robinson CrusoeA frontispiece illustration showing Crusoe taking leave of his Father and Mother. From A" The Life and Strange Surprising Adventures of Robinson Crusoe, or York

Robinson Crusoe first page from "The Life
3614716 A Robinson CrusoeA first page from A" The Life and Strange Surprising Adventures of Robinson Crusoe, or York, MarinerA" by Daniel Defoe, published in 1719 by English School

Robinson Crusoe preface from "The Life and Strange Surprising Adventures
3614715 A Robinson CrusoeA preface from A" The Life and Strange Surprising Adventures of Robinson Crusoe, or York, MarinerA" by Daniel Defoe, published in 1719 by English School

The Passion and Crucifixion of Christ, 1529 (fresco)
3249094 The Passion and Crucifixion of Christ, 1529 (fresco) by Luini, Bernardino (c.1480-1532); Chiesa di Santa Maria degli Angeli, Lugano, Switzerland; Photo eStephen Coyne; Italian

Illustration, Selim and Zuleika, The Bride of Abydos
Illustration, Selim and Zuleika, in The Bride of Abydos, a poem by Lord Byron (1813). 1844

The Queen of the Fishes - Girl fishing for eels (wood engraving)
1218014 The Queen of the Fishes - Girl fishing for eels (wood engraving) by Pissarro, Lucien (1863-1944); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

A set of sixteen tiles arranged in pairs to form eight illustrations of the
1217584 A set of sixteen tiles arranged in pairs to form eight illustrations of the Briar Rose tale, 1862 - 1865 (ceramic) by Burne-Jones, Edward Coley (1833-98); 131.6x40.3 cm; Ashmolean Museum

The History of Elector Friedrich I Palatine (woodcut)
1217336 The History of Elector Friedrich I Palatine (woodcut) by Master C. S. (15th century); 35x56.437.5x59.5 cm; Ashmolean Museum, University of Oxford

Illustration to Rokeby, narrative poem by Sir Walter Scott
Illustration to Rokeby, a narrative poem by Sir Walter Scott. early 19th century

Lalla Rookh, oriental romance by Thomas Moore
Illustration to Lalla Rookh, an oriental romance by Thomas Moore. 1817

Illustration, Hilda, Lalla Rookh
Illustration, Hilda, in Lalla Rookh, a narrative poem by Thomas Moore. 19th century

Job Covered With Boils c. 1525 (woodcut)
1066736 Job Covered With Boils c.1525 (woodcut) by German School, (16th century); 14.3x15.2 cm; Dallas Museum of Art, Texas

Agony in the Garden, 1509 (engraving)
1066666 Agony in the Garden, 1509 (engraving) by Leyden, Lucas van (c.1494-1533); 22.2x22.2 cm; Dallas Museum of Art, Texas, USA; Junior League Print Fund; Netherlandish, out of copyright

Tankard, the sides repousse and chased with scenes from the life of Joseph, Danzig, c
CH469705 Tankard, the sides repousse and chased with scenes from the life of Joseph, Danzig, c.1690 (parcel gilt silver) by Polish School

"I m a poor man, your Majesty, the Hatter began
4075100 " I m a poor man, your Majesty, the Hatter began, in a trembling voice", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

"The king and Queen of Hearts were seated on their throne"
4075099 " The king and Queen of Hearts were seated on their throne", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

"They began solemnly dancing round and round Alice"
4075096 " They began solemnly dancing round and round Alice", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

"Off with her head", illustration for Lewis Carrolls Alice
4075091 " Off with her head", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

"The Caterpillar and Alice looked at each other"
4075079 " The Caterpillar and Alice looked at each other", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

"The Puppy jumped into the air", illustration for Lewis Carrolls Alice
4075078 " The Puppy jumped into the air", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

"Catch him, you by the hedge", illustration for Lewis Carrolls Alice
4075076 " Catch him, you by the hedge", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

"Down she came upon a heap of dry leaves", illustration for Lewis Carroll
4075065 " Down she came upon a heap of dry leaves", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

Falsehood, from Piers Ploughman, by William Langland, 1873 (stained glass)
3475442 Falsehood, from Piers Ploughman, by William Langland, 1873 (stained glass) by Burrow, Harry (fl.1868-83); St Marys Church, Cleobury Mortimer, Shropshire, UK; (add.info.: Cleobury Mortimer)

Vanity from Piers Ploughman by William Langland, 1873 (stained glass)
3475440 Vanity from Piers Ploughman by William Langland, 1873 (stained glass) by Burrow, Harry (fl.1868-83); St Marys Church, Cleobury Mortimer, Shropshire, UK; (add.info.: Piers Plowman (written c)

Preface from "The Farther Adventures of Robinson Crusoe
3614710 Preface from A" The Farther Adventures of Robinson Crusoe; Being the Second and Last Part of His Life, And of the Strange Surprising Accounts of his Travels Round three Parts of

Goblet with the Fall of Adam and Eve, c. 1710 - 1720 (Glass)
1217738 Goblet with the Fall of Adam and Eve, c. 1710 - 1720 (Glass) by English School, (18th century); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

A set of sixteen tiles arranged in pairs to form eight illustrations of the
1217586 A set of sixteen tiles arranged in pairs to form eight illustrations of the Briar Rose tale, 1862 - 1865 (ceramic) by Burne-Jones, Edward Coley (1833-98); 131.6x40.5 cm; Ashmolean Museum

Young Woman Holding a Kerria Branch (parody of Ota Dokan), c
3527246 Young Woman Holding a Kerria Branch (parody of Ota Dokan), c.1764/65 (colour woodblock print) by Harunobu, Suzuki (1725-70); 31x13.9 cm; The Art Institute of Chicago, IL

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"Narrative: A Journey through Time and Imagination" Step into the enchanting world of narrative, where tales from different eras intertwine to captivate our hearts and minds. From the medieval epic "Sir Gawain and the Green Knight" by William McLaren, we witness Sir Gawain's valiant quest for honor and his encounter with a mysterious green knight. In Dante Alighieri's poetic masterpiece, we find ourselves alongside the Italian poet as he gazes upon his beloved Beatrice, an ethereal muse who inspires him to explore love, spirituality, and redemption in "The Divine Comedy. " Transporting us back to Arthurian legend once more is McLaren's depiction of Odysseus' triumphant return to his faithful wife Penelope after years of trials in Homer's epic poem "The Odyssey. " Their reunion symbolizes enduring love amidst adversity. As we delve deeper into history, a reproduction of "The Creation" from the Sarajevo Haggadah reminds us of ancient religious narratives that shape our understanding of faith and humanity. The intricate details painted on this lithograph invite contemplation about our origins and purpose. Moving forward in time yet again, a tempera painting depicting priests within the Tabernacle evokes biblical stories that have shaped cultures across centuries. These narratives carry profound lessons about devotion, sacrifice, and divine guidance. Amidst these grand tales lies a tender moment captured by an artist in "Little girl at a window - No Walk Today. " This simple scene speaks volumes about childhood innocence and imagination—a narrative unfolding within every child's heart. Finally, Robinson Crusoe emerges from Daniel Defoe's iconic novel titled simply "The Life, " reminding us how individual they can inspire resilience against isolation. Crusoe navigates uncharted territories both physically and emotionally while teaching us valuable lessons about survival against all odds, and are not mere stories; they are windows into worlds both real and imagined.