Naturalism Collection (page 12)

Trompe l oeil, 1939 (ink & w / c on paper)
863186 Trompe lA oeil, 1939 (ink & w/c on paper) by Inglis, William (fl.1910-40); 38.1x26.7 cm; Private Collection; Abbott and Holder, London, UK; British, out of copyright

The House of Roses; Les Maison aux Roses, 1936 (oil on canvas)
825229 The House of Roses; Les Maison aux Roses, 1936 (oil on canvas) by Le Sidaner, Henri Eugene Augustin (1862-1939); 65x81.3 cm; Private Collection; (add.info)

The Bowl of Peaches; Le Bol de Peches, 1869 (oil on canvas)
826204 The Bowl of Peaches; Le Bol de Peches, 1869 (oil on canvas) by Fantin-Latour, Ignace Henri Jean (1836-1904); 22.5x31 cm; Private Collection; (add.info.: The Bowl of Peaches; Le Bol de Peches)

A Days Sketching with Field Naturalists (engraving)
1046059 A Days Sketching with Field Naturalists (engraving) by English School, (19th century); Private Collection; (add.info.: A Days Sketching with Field Naturalists)

Walk In, (oil on canvas)
985228 Walk In, (oil on canvas) by Brown, John George (1831-1913); 60x38.5 cm; Private Collection; (add.info.: Walk In. John George Brown (1831-1913). Oil on canvas

on a morning in the autumn
Renate Wasinger

on a morning in october
Renate Wasinger

Lena (1899). Sardanas dancing with the cobla in a village s
Carles Bosch de la Trinxeria (1831-1897). Spanish writer and naturalist. Lena (1899). Sardanas dancing with the cobla in a village square. Engraving of the Chapter VI

Landscape with Trees Surrounding a Pond. Creator: John Constable (British, 1776-1837)
Landscape with Trees Surrounding a Pond

Landscape. Creator: John Constable (British, 1776-1837)
Landscape

Hampstead Heath, Looking Toward Harrow, c. 1821. Creator: John Constable (British, 1776-1837)
Hampstead Heath, Looking Toward Harrow, c. 1821. Interested in the changing light effects of weather, Constable often worked outdoors and made a large number of quick oil sketches on paper

Hampstead Heath, 1800s. Creator: John Constable (British, 1776-1837), imitator of
Hampstead Heath, 1800s

The White Horse. Creator: John Constable (British, 1776-1837), imitator of
The White Horse

Branch Hill Pond, Hampstead, 1828. Creator: John Constable (British, 1776-1837)
Branch Hill Pond, Hampstead, 1828. From 1819 to 1826, Constable rented a summer house at Hampstead, a quarrying district on the northern outskirts of London, where he made drawings, oil sketches

Hume, (1711-1776), 1830. Creator: Unknown
Hume, (1711-1776), 1830. David Hume (1711-1776) Scottish Enlightenment philosopher, historian, economist, and essayist, known for his influential system of philosophical empiricism, scepticism

Don t Ee Tipty-Toe!, c1870, (1936). Creator: Jules Breton
Don t Ee Tipty-Toe!, c1870, (1936). Measuring the height of children in ragged garments in barefeet by Jules Breton (1827-1906). From " Bibbys Annual 1936", edited by Joseph Bibby. [J

In The Beys Garden, 1865, (1920). Creator: John Frederick Lewis
In The Beys Garden, 1865, (1920). Marian Lewis wife of Orientalist artist John Frederick Lewis is portrayed as the wife of the Bey. Oil on Wood. From " The Connoisseur Vol

John Constable, 1881. Creator: Unknown
John Constable, 1881. From " The Leisure Hour 1881", by. [The Religious Tract Society, London, 1881]

The River, c. 1890 (oil on canvas)
3428197 The River, c.1890 (oil on canvas) by Ryder, Albert Pinkham (1847-1917); 46.99x56.99 cm; Los Angeles County Museum of Art, CA, USA; American, out of copyright

Autumn, 1884 (w / c on paper)
3086691 Autumn, 1884 (w/c on paper) by Larsson, Carl (1853-1919); 92x60 cm; Nationalmuseum, Stockholm, Sweden; Swedish, out of copyright

A Bite, 1885 (oil on canvas)
3086670 A Bite, 1885 (oil on canvas) by Larsson, Carl (1853-1919); 32.5x41 cm; Nationalmuseum, Stockholm, Sweden; Swedish, out of copyright

The Sower, c. 1865 (pastel & crayon on paper)
954599 The Sower, c.1865 (pastel & crayon on paper) by Millet, Jean-Francois (1814-75); 43.5x53.5 cm; Walters Art Museum, Baltimore, USA; French, out of copyright

Portrait of Austrian writer Richard Billinger (b / w photo)
RYS355854 Portrait of Austrian writer Richard Billinger (b/w photo) by German Photographer (20th Century); Private Collection; (add.info.: Richard Billinger (1890-1965); ); German, out of copyright

Cover of the second printed edition in Barcelona in 1909 of the work L Escanya Pobre, estudi d una Passio by Catalan writer Narcis Oller

Emilia Pardo Bazan (1851-1921), Galician writer at the age of 30 years, engraving

Gava Venus, from the prehistoric mines of Can Tintorer. It is made of ceramic and represents the figure of a woman with her arms resting on the belly. It is shown with quite naturalism

Landscape with Sportsman, and Distant View of Middleburg, c17th century. Artist: Jan Goedart
Landscape with Sportsman, and Distant View of Middleburg, c17th century. Painting held in the Victoria & Albert Museum, London. From The Connoisseur Volume LXXXIV, edited by C. Reginald Grundy

Tete D Homme, c1838. From The Studio Volume 51. [London Offices of the Studio, London, 1910-11]

Camille Desmoulins in the Palais Royal Gardens, 1848-1849. Artist: Honore Daumier
Camille Desmoulins in the Palais Royal Gardens, 1848-1849. Daumier, Honore (1808-1879). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

The Assumption of the Blessed Virgin Mary, 1623. Artist: Guercino
The Assumption of the Blessed Virgin Mary, 1623. Guercino (1591-1666). Found in the collection of the State Hermitage, St. Petersburg

Breast portrait of a young female, 17th century. Artist: Guercino
Breast portrait of a young female, 17th century. Guercino (1591-1666). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Childs figure in drapery, 17th century Artist: Guercino
Childs figure in drapery, 17th century. Guercino (1591-1666). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Jules De Concourt, 1857. Artist: Edmond De Concourt
Jules De Concourt, 1857. Private collection

Through the Industrial Landscape, 1850-1855. Artist: Edmond De Concourt
Through the Industrial Landscape, 1850-1855. Private collection

Crispin and Scapin, c1863-1865. Artist: Honore Daumier
Crispin and Scapin, c1863-1865. Found in the collection of the Musee d Orsay, Paris, France

The Third Class Carriage, c1863-1865. Artist: Honore Daumier
The Third Class Carriage, c1863-1865. Found in the collection of the The Metropolitan Museum of Art, New York

Family in a Barricade during the Paris Commune, 1870. Artist: Honore Daumier
Family in a Barricade during the Paris Commune, 1870. Located in the collection at, Narodni Galerie, Prague

Jean Baptiste Lamarck, (1744-1829), French naturalist. Said to be the first to use the term biology. Lamarcks own theory of evolution was in fact based on the idea that individuals adapt during their

The Martyrdom of Saint Peter, end 1620s. Artist: Guercino
The Martyrdom of Saint Peter, end 1620s. Guercino (1591-1666). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Gothic Art. Spain. 15th century. Jesus walked to Calvary (1483-1487). Altarpiece of the Holy Cross of Blesa. Oil painting on wood by Martin Bernat (1454-1497) and Miguel Ximenez (1462-1505)

Henri RenA©Albert Guy de Maupassant, 1850 - 1893. French writer. After a contemporary print
Henri ReneAlbert Guy de Maupassant, 1850 - 1893. French writer. After a contemporary print

Zola in his study. Emile Edouard Charles Antoine Zola, 1840 - 1902. French novelist, playwright and journalist. From The International Library of Famous Literature, published c. 1900

David Hume, 1711 - 1776. Scottish philosopher, historian, economist, and essayist. From The International Library of Famous Literature, published c. 1900

Pierre-Auguste Renoir Bath Avant le bain c. 1875
Pierre-Auguste Renoir: Before the Bath (Avant le bain), Pierre-Auguste Renoir, c. 1875, Oil on canvas, When Renoir first exhibited this painting publicly at an 1875 auction in Paris

Portrait of August Strindberg (1849-1912) by Carl Larsson
August Strindberg (1849-1912). Swedish writer. Portrait by Carl Larsson (1853-1919), 1899. National Museum. Stockholm. Sweden

Georg Brandes, Danish critic and scholar
Georg Brandes (1842-1927), Danish critic and scholar, regarded as the theorist behind the Modern Breakthrough of Scandinavian culture. circa 1900s

GOYEN, Jan Van (1596-1656). Dutchman painter. Outskirts of a village with travelers, 1630. Museum of Fine Arts. Budapest. Hungary

Emile Zola (1840-1902). French writer. Portrait. Engraving in La Ilustracion Espanola y Americana, 1890. Colored

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Naturalism in art refers to a movement that sought to depict the world as it is, without idealization or romanticism. It emerged in the late 19th century as a reaction against the prevailing academic style of painting. One notable artist associated with naturalism is Giuseppe Pellizza da Volpedo. His work "The Fourth Estate" exemplifies this style, depicting a group of workers united in their struggle for social justice. The painting captures the harsh realities of industrialization and highlights the plight of the working class. Another significant artwork that embodies naturalism is Guercino's "Saint Sebastian. " This powerful depiction of martyrdom showcases the human body in its vulnerability and suffering, emphasizing realism over idealized beauty. Jean-Francois Millet's "The Gleaners" also epitomizes naturalism by portraying rural laborers collecting leftover crops from a field. The painting celebrates their hard work and resilience while shedding light on social inequality and poverty. In addition to paintings, naturalistic tendencies can be observed in other art forms such as photography. An example is Gustave Le Gray's photograph titled "Twilight on Lake Leman in Bon Port, " which captures a serene moment with remarkable detail and fidelity to nature. Literature also embraced naturalism during this period, with Émile Zola being one of its prominent figures. His novel Germinal explores the lives of coal miners, exposing their grueling conditions and advocating for social change. Nature itself became an important subject for many artists practicing naturalism. Konstantin Korovin's "Birch Trees" beautifully portrays these slender trees against a backdrop of vibrant colors, capturing their delicate elegance while remaining true to reality. Similarly, Philip Wilson Steer's "The Palace, Summer Morning (Hampton Court)" depicts sunlight filtering through trees onto water bodies with meticulous attention to atmospheric effects—showcasing nature's ever-changing beauty under different lighting conditions.