Neo Assyrian Collection (page 3)

Stone panel. Palace of Tiglath-pileser III. Nimrud. Iraq. Ne
Stone panel from the Central Palace of Tiglath-pileser III. Nimrud (ancient Kalhu). Northern Iraq. Neo-Assyrian. 730-727 BC. British Museum. London. United Kingdom

Kings stele with inscription and a relief depicting King Sennacherib praying in front of the divine symbols. 705-681 BC. Detail. Limestone. From Nineveh. Archaeological Museum

Relief of the palace of Ashurnasirpal II or Northwest Palace
Mesopotamian art. Assyrian. Relief of the palace of Ashurnasirpal II or Northwest Palace at Nimrud. Alabaster. Dated 883-859 B.C. It depicts the lion hunt. Pergamon Museum. Berlin. Germany

Mesopotamian art. Neo-Assyrian Period (912-612 BC). Waterbasin from the Temple of Ashur. 704-681 B.C. Basalt. Decorated with reliefs depicting the rituals of water. Pergamon Museum. Berlin. Germany

Relief depicting a eagle-headed protective spirit. Nimrud
Relief depicting a Eagle-headed protective spirit. 865-860 BC. From Northwest Palace. Nimrud. British Museum. London. United Kingdom

Relief depicting a siege of a city. Nimrud
Relief depicting a siege of a city. 728 BC. Central Palace. Nimrud. British Museum. London. United Kingdom

Alabaster panel of king Tiglath-Pileser III
Alabaster panel depicting King Tiglath-Pileser III in his chariot under an umbrella and a cuneiform inscription which related their campaigns, taking the city of Astartu. 730-727 BC

Assyrian figure of an attendant god. Nimrud
Limestone figure of an attendant god. 811-783 BC. Neo-assyrian. From the Temple of Nabu, from Nimrud (Iraq). Detail. British Museum. London. United Kingdom

Neo- Assyrian Ivory Head of a Man 9th Century B. C
Neo- Assyrian Ivory Head of a Man 9th Century B.C. Some Egyptian blue pigment remains on the head. Metropolitan Museum of Art

Assyrian archers, 7th century BC carving. Neo-Assyrian bas relief from the North Palace of Ashurbanipal, Nineveh, showing Assyrian archers in battle, protected by a reed shield (far right)

Corpses, 7th century BC Assyrian carving
Dead bodies. Neo-Assyrian bas relief from the North Palace of Ashurbanipal, Nineveh, showing corpses floating on a river. Ashurbanipal (reigned 669-631 BC)

Groom with horses
Neo-Assyrian relief sculpture of a groom holding thoroughbred horses; from the North Palace of the Assyrian king, Assurbanipal (668-631 BC), at Nineveh (Kuyunjik). Northern Iraq. Vatican Museum

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The Neo-Assyrian Empire, which thrived from the 9th to the 8th century B. C. , left behind a rich legacy of art and architecture. One remarkable artifact is an openwork plaque featuring a majestic striding sphinx, crafted from ivory. This exquisite piece showcases the intricate craftsmanship that was prevalent during this era. A breathtaking view of the mounds of Kouyunjik and Nebbi Yunus takes us back in time to witness the grandeur of ancient Assyria. These towering structures were once part of mighty cities that stood as symbols of power and dominance. Amongst these ruins lies Carchemish, an ancient city whose remnants offer glimpses into its glorious past. The sight of its crumbling walls evokes a sense of awe at the architectural prowess displayed by our ancestors. An obelisk dedicated to King Adad-Nirari III stands tall, adorned with inscriptions detailing his reign over Assyria. This monument serves as a testament to the might and authority wielded by these kings during their rule. The statue depicting Ashurnasirpal II, an influential ruler in Neo-Assyrian history, captures his regal presence with striking realism. It stands as a reminder of his significant contributions towards expanding and strengthening the empire. Mesopotamian art flourished under Neo-Assyrian patronage, evident in funerary objects like necklaces discovered from ancient tombs. These delicate pieces reflect both beauty and reverence for life beyond death's embrace. A mesmerizing statue portraying a winged lion with a human head found in Nimrud exemplifies mythical creatures often depicted in Mesopotamian art. Its imposing figure symbolizes strength and protection—a guardian against evil forces. Relief panels showcasing scenes from daily life provide valuable insights into Neo-Assyrian society. From hunting expeditions to religious ceremonies, these intricately carved depictions bring alive moments frozen in time.