Odyssey Collection (page 5)

Ulysses at the court of Alcinous, king of Phaeax, detail from the Room of Ulysses, 1550-1551 (fresco)
2655127 Ulysses at the court of Alcinous, king of Phaeax, detail from the Room of Ulysses, 1550-1551 (fresco) by Tibaldi, Pellegrino (1527-96); Palazzo Poggi, Bologna

Ulysses and Circe, detail from the Room of Polyphemus, 1550-1551 (fresco)
2655119 Ulysses and Circe, detail from the Room of Polyphemus, 1550-1551 (fresco) by Tibaldi, Pellegrino (1527-96); Palazzo Poggi, Bologna, Italy; (add.info.: Bologna Palazzo Poggi)

Aeolus giving Ulysses the bag with all the winds, detail from the Room of Polyphemus, 1550-1551 (fresco)
2655114 Aeolus giving Ulysses the bag with all the winds, detail from the Room of Polyphemus, 1550-1551 (fresco) by Tibaldi, Pellegrino (1527-96); Palazzo Poggi, Bologna

The Assembly of Gods, detail of 3606292, c. 1560 (fresco)
3606291 The Assembly of Gods, detail of 3606292, c.1560 (fresco) by Castello, Giovanni Battista (Il Bergamasco) (1509-69); Villa Pallavicino delle Peschiere, Genoa, Liguria, Italy; (add.info.: Genoa)

The Assembly of Gods, detail of 3606292, c. 1560 (fresco)
3606290 The Assembly of Gods, detail of 3606292, c.1560 (fresco) by Castello, Giovanni Battista (Il Bergamasco) (1509-69); Villa Pallavicino delle Peschiere, Genoa, Liguria, Italy; (add.info.: Genoa)

Ulysses blinding Polyphemus, detail from the Room of Polyphemus, 1550-1551 (fresco)
2655116 Ulysses blinding Polyphemus, detail from the Room of Polyphemus, 1550-1551 (fresco) by Tibaldi, Pellegrino (1527-96); Palazzo Poggi, Bologna, Italy; (add.info.: Bologna Palazzo Poggi)

Morris and Company tile depicting Penelope, designed by Edward Burne-Jones (1833-98), painted by Kate Faulkner, c
FIT82957 Morris and Company tile depicting Penelope, designed by Edward Burne-Jones (1833-98), painted by Kate Faulkner, c.1865 (painted earthenware) by Morris & Company; diameter

Ulysses killing the suitors
LLM455865 Ulysses killing the suitors by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Ulysses killing the suitors)

Fragment of a Band Depicting Scene from Homers Odyssey, England, 16th / 17th century
Fragment of a Band Depicting Scene from Homers Odyssey, England, 16th/17th century. Possibly the scene where Circe the enchantress turns Odysseus crew into swine

Portolan chart of the Mediterranean Coast, depicting the different stages of the Voyage
JEB940232 Portolan chart of the Mediterranean Coast, depicting the different stages of the Voyage of Ulysses, as told in Homers Odyssey, 1593 (parchment) by French School

Odysseus recognised by his nurse, Euryclee, 1848 (oil on canvas)
LSE746380 Odysseus recognised by his nurse, Euryclee, 1848 (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); Musee des Beaux-Arts, La Rochelle

Circe (oil on paper laid down on canvas)
CH469046 Circe (oil on paper laid down on canvas) by Castiglione, Giovanni Benedetto (Il Grechetto) (1609-64); 41.1x32.9 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Letter U (chromolitho)
3626587 Letter U (chromolitho) by Zweigle, Walter (1859-1904); Private Collection; (add.info.: Letter U. Illustration from Welt-ABC (Gustav Weise, Stuttgart, c1894).); © Look and Learn

Nausicaa throwing the Ball (colour litho)
3653401 Nausicaa throwing the Ball (colour litho) by English School, (19th century); Private Collection; (add.info.: Nausicaa throwing the Ball)

The Meeting of Ulysses and Penelope (colour litho)
3653383 The Meeting of Ulysses and Penelope (colour litho) by English School, (19th century); Private Collection; (add.info.: The Meeting of Ulysses and Penelope)

Penelope bringing the Bow of Ulysses (colour litho)
3653378 Penelope bringing the Bow of Ulysses (colour litho) by English School, (19th century); Private Collection; (add.info.: Penelope bringing the Bow of Ulysses)

Ulysses asleep laid on his own Coast (colour litho)
3653377 Ulysses asleep laid on his own Coast (colour litho) by English School, (19th century); Private Collection; (add.info.: Ulysses asleep laid on his own Coast)

Ulysses at the Table of Circe (colour litho)
3653374 Ulysses at the Table of Circe (colour litho) by English School, (19th century); Private Collection; (add.info.: Ulysses at the Table of Circe)

Ulysses giving Wine to the Cyclops (colour litho)
3653372 Ulysses giving Wine to the Cyclops (colour litho) by English School, (19th century); Private Collection; (add.info.: Ulysses giving Wine to the Cyclops)

The Farewell of Telemachus and Eucharis, 1818 (oil on canvas)
3545833 The Farewell of Telemachus and Eucharis, 1818 (oil on canvas) by David, Jacques Louis (1748-1825); 88.3x103.2 cm; J

The return of Telemachus, 1787-90 (plaster)
3497495 The return of Telemachus, 1787-90 (plaster) by Canova, Antonio (1757-1822); 109x219x17 cm; Fondazione Cariplo, Milan, Lombardy

Dance of the Sons of Alcynous, 1790-92 (plaster)
3497489 Dance of the Sons of Alcynous, 1790-92 (plaster) by Canova, Antonio (1757-1822); 141x281 cm; Fondazione Cariplo, Milan, Lombardy

Sailors don t care! (b / w photo)
6009124 Sailors don t care! (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Sailors don t care)

The meeting of Ulysses and Penelope, engraved by Francesco Bartolozzi
5889638 The meeting of Ulysses and Penelope, engraved by Francesco Bartolozzi, 1788 (stipple engraving) by Rigaud, John Francis (1742-1810); 43.2A--33.6 cm; Rijksmuseum, Amsterdam

Homers Odyssey (engraving)
961858 Homers Odyssey (engraving) by English School, (19th century); Private Collection; (add.info.: Illustration for Pictorial Atlas to Homers Iliad and Odyssey (Grevel, 1892)

Penelope carrying the Bow of Ulysses to the Suitors (engraving)
973726 Penelope carrying the Bow of Ulysses to the Suitors (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Penelope carrying the Bow of Ulysses to the Suitors)

The Harpies going to seize the Daughters of Pandarus (engraving)
973725 The Harpies going to seize the Daughters of Pandarus (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Harpies going to seize the Daughters of Pandarus)

Ulysses preparing to fight with Irus (engraving)
973723 Ulysses preparing to fight with Irus (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Ulysses preparing to fight with Irus)

Ulysses conversing with Eumaeus (engraving)
973719 Ulysses conversing with Eumaeus (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Ulysses conversing with Eumaeus)

Lampetia complaining to Apollo (engraving)
973717 Lampetia complaining to Apollo (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Lampetia complaining to Apollo)

Phemius singing to the Suitors (engraving)
973699 Phemius singing to the Suitors (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Phemius singing to the Suitors)

The Descent of Minerva to Ithaca (engraving)
973698 The Descent of Minerva to Ithaca (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Descent of Minerva to Ithaca)

Council of Jupiter, Minerva and Mercury (engraving)
973697 Council of Jupiter, Minerva and Mercury (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Council of Jupiter, Minerva and Mercury)

Penelopes Dream (engraving)
973703 Penelopes Dream (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Penelopes Dream. Illustration for Flaxmans Classical Outlines by John C L Sparkes (Seeley)

Letter from Alexander Pope to Lord Halifax asking him not to forget his translation of
KDC441038 Letter from Alexander Pope to Lord Halifax asking him not to forget his translation of Homer, which he had given to Lord Halifax prior to publication and also thanking him for favours

Calypso, 1869 (oil on canvas)
487998 Calypso, 1869 (oil on canvas) by Lehmann, Henri (Karl Ernest Rudolf Heinrich Salem) (1814-82); 120.7x153 cm; Minneapolis Institute of Arts, MN

Titlepage to The Whole Works of Homer translated by George Chapman
XJF400601 Titlepage to The Whole Works of Homer translated by George Chapman, published in 1614-16 (engraving) by Hole, William (fl)

Boy Warrior with two Borzoi Hounds, an illustration from L Odyssee
STC386305 Boy Warrior with two Borzoi Hounds, an illustration from L Odyssee, by Homer, translated by Victor Berard, 1929-33 (colour litho) by Schmied

The meeting of Ulysses and Telemachus (engraving)
2808045 The meeting of Ulysses and Telemachus (engraving) by English School, (19th century); Private Collection; (add.info.: The meeting of Ulysses and Telemachus.); © Look and Learn

Telemachus sitting in the courtyard (engraving)
2798912 Telemachus sitting in the courtyard (engraving) by Robinson, Charles (1870-1937); Private Collection; (add.info.: Telemachus sitting in the courtyard)

Penelope (engraving)
2798911 Penelope (engraving) by Robinson, Charles (1870-1937); Private Collection; (add.info.: Penelope. Illustration for The Adventures of Odysseus retold by Fs Marvin)

Odysseus discovered by Polyphemus (engraving)
2798904 Odysseus discovered by Polyphemus (engraving) by Robinson, Charles (1870-1937); Private Collection; (add.info.: Odysseus discovered by Polyphemus)

Odysseus and his father (engraving)
2798896 Odysseus and his father (engraving) by Robinson, Charles (1870-1937); Private Collection; (add.info.: Odysseus and his father)

The sirens, 1929 (litho)
3060298 The sirens, 1929 (litho) by Wyeth, Newell Convers (1882-1945); Private Collection; (add.info.: Published in The Odyssey of Homer by George Herbert Palmer in 1929; The Odyssey is one of two)

Proteus, the old man of the sea, 1929 (litho)
3060292 Proteus, the old man of the sea, 1929 (litho) by Wyeth, Newell Convers (1882-1945); Private Collection; (add.info)

Attic red-figure oinochoe, depicting the sorceress Circe being pursued by Ulysses
XIR279363 Attic red-figure oinochoe, depicting the sorceress Circe being pursued by Ulysses (ceramic) (see also 190217) by Greek, (5th century BC); Louvre, Paris

Ulysses and his Companions Avoid the Charms of the Sirens, 1731 (engraving)
STC134115 Ulysses and his Companions Avoid the Charms of the Sirens, 1731 (engraving) by Picart, Bernard (1673-1733); Private Collection; The Stapleton Collection; French, out of copyright

Cup depicting Ulysses and his Companions Blinding Polyphemus (ceramic) (b / w photo
XIR196958 Cup depicting Ulysses and his Companions Blinding Polyphemus (ceramic) (b/w photo) (see also in colour FLA 168743) by Greek, (6th century BC); Bibliotheque Nationale, Paris

All Professionally Made to Order for Quick Shipping

"Embarking on an Artistic Odyssey: Exploring the Mythical World through Captivating Masterpieces" Step into the enchanting world of Greek mythology as depicted by renowned artist John William Waterhouse in his mesmerizing painting "Circe Invidiosa, 1892. " With intricate brushstrokes and vivid colors, Waterhouse brings to life the captivating tale of Circe, the sorceress who bewitched Odysseus and his men. In another artistic rendition, we witness Odysseus' unwavering loyalty towards his faithful companion Argos. The painting "Odysseus & Argos / Brown" captures their poignant reunion after years of separation, showcasing the enduring bond between man and beast. Moving further along this odyssey of artistry, we encounter James Joyce's iconic novel "Ulysses, " a modern-day interpretation of Homer's epic poem. Through a caricature drawn by Myron C. Nutting in the 1920s, we catch a glimpse of Leopold Bloom - one of literature's most complex characters - embarking on his own personal journey through Dublin. Delving deeper into Homer's original masterpiece, we come face to face with Ulysses Deriding Polyphemus in Jacques-Louis David's oil painting from 1829. This powerful portrayal depicts Odysseus taunting the Cyclops Polyphemus after blinding him – a pivotal moment that showcases both cunning strategy and bravery. As our odyssey continues, we encounter Scylla – a terrifying sea monster with six heads – lurking amidst treacherous waters. This depiction from "The Odyssey/Scylla" serves as a reminder that even heroes like Odysseus faced unimaginable challenges during their perilous journeys. Shifting gears from art to science, Rutherford and Geiger take center stage in their laboratory where they conducted groundbreaking experiments.