Odyssey Collection (page 8)

Homers Odyssey (engraving)
961861 Homers Odyssey (engraving) by English School, (19th century); Private Collection; (add.info.: Illustration for Pictorial Atlas to Homers Iliad and Odyssey (Grevel, 1892)

Circe and he swine, 1929 (litho)
3060296 Circe and he swine, 1929 (litho) by Wyeth, Newell Convers (1882-1945); Private Collection; (add.info.: Published in The Odyssey of Homer by George Herbert Palmer in 1929; The Odyssey is one)

Telemachus in the chariot of Nestor, 1929 (litho)
3060291 Telemachus in the chariot of Nestor, 1929 (litho) by Wyeth, Newell Convers (1882-1945); Private Collection; (add.info)

The Beggars Fight, 1929 (litho)
3060285 The Beggars Fight, 1929 (litho) by Wyeth, Newell Convers (1882-1945); Private Collection; (add.info.: Published in The Odyssey of Homer by George Herbert Palmer in 1929; The Odyssey is one of)

Ulysses defying the Cyclops (gravure)
665423 Ulysses defying the Cyclops (gravure) by English School, (19th century); Private Collection; (add.info.: Ulysses defying the Cyclops)

Ransom of Hektor (engraving)
662716 Ransom of Hektor (engraving) by English School, (19th century); Private Collection; (add.info.: Ransom of Hektor. Illustration from History of Greece by Victor Duruy (Boston, 1890)

Troy Triptych, 1872-1898 (oil on canvas)
BIR100722 Troy Triptych, 1872-1898 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 273x294.6 cm; Birmingham Museums and Art Gallery; English, out of copyright

Clytemnestra from the Battlements of Argos Watches for the Beacon Fires which are to
LGH162583 Clytemnestra from the Battlements of Argos Watches for the Beacon Fires which are to Announce the Return of Agamemnon, c.1874 (oil on canvas) by Leighton

Ulysses accompanied by Telemachus is recognised by his dog, Argus (wool tapestry)
XIR161757 Ulysses accompanied by Telemachus is recognised by his dog, Argus (wool tapestry) by Vouet, Simon (1590-1649) (after); 320x105 cm; Musee des Beaux-Arts et d Archeologie, Besancon

Nausicaa, 1878 (oil on canvas)
CH35184 Nausicaa, 1878 (oil on canvas) by Leighton, Frederic (1830-96); 57.5x26.5 cm; Private Collection; (add.info.: Nausicaa is a character in Book Six of Homers Odyssey; the daughter of King)

The Ship of Odysseus, from Homer: The Odessy, published Paris 1930-33
STC193215 The Ship of Odysseus, from Homer: The Odessy, published Paris 1930-33 (colour litho) by Schmied, Francois-Louis (1873-1941); Private Collection; The Stapleton Collection; Swiss

Odysseus, titlepage of Homer: The Odessy, published Paris 1930-33 (colour litho
STC193214 Odysseus, titlepage of Homer: The Odessy, published Paris 1930-33 (colour litho) by Schmied, Francois-Louis (1873-1941); Private Collection; The Stapleton Collection; Swiss, out of copyright

Ulysses on Ogygia (pencil on paper)
5888940 Ulysses on Ogygia (pencil on paper) by Paton, Joseph Noel (1821-1901); 19.1x11.4 cm; Private Collection; Photo eThe Ms Gallery, London; Scottish, out of copyright

Odyssey: The Judgment of Paris (engraving)
6026377 Odyssey: The Judgment of Paris (engraving) by Jacomb-Hood, George Percy (1857-1930); Private Collection; (add.info.: The Judgment of Paris)

Ulysses departing from Lacedaemon for Ithaca (engraving)
973730 Ulysses departing from Lacedaemon for Ithaca (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Ulysses departing from Lacedaemon for Ithaca)

Euryclea discovers Ulysses (engraving)
973724 Euryclea discovers Ulysses (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Euryclea discovers Ulysses)

Minerva restoring Ulysses to his own shape (engraving)
973721 Minerva restoring Ulysses to his own shape (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Minerva restoring Ulysses to his own shape)

Scylla (engraving)
973716 Scylla (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Scylla. Illustration for Flaxmans Classical Outlines by John C L Sparkes (Seeley)

The Sirens (engraving)
973715 The Sirens (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Sirens. Illustration for Flaxmans Classical Outlines by John C L Sparkes (Seeley)

Ulysses at the Table of Circe (engraving)
973712 Ulysses at the Table of Circe (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Ulysses at the Table of Circe)

The King of the Lestrigens seizing one of the Companions of Ulysses (engraving)
973711 The King of the Lestrigens seizing one of the Companions of Ulysses (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info)

Leucothea preserving Ulysses (engraving)
973705 Leucothea preserving Ulysses (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Leucothea preserving Ulysses)

Nestors Sacrifice (engraving)
973702 Nestors Sacrifice (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Nestors Sacrifice)

Telemachus in search of his Father (engraving)
973701 Telemachus in search of his Father (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Telemachus in search of his Father)

Penelope surprised by the Suitors (engraving)
973700 Penelope surprised by the Suitors (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Penelope surprised by the Suitors)

The Minstrel singing to the Suitors (colour litho)
3653398 The Minstrel singing to the Suitors (colour litho) by English School, (19th century); Private Collection; (add.info.: The Minstrel singing to the Suitors)

Penelope surprised by the Suitors (colour litho)
3653376 Penelope surprised by the Suitors (colour litho) by English School, (19th century); Private Collection; (add.info.: Penelope surprised by the Suitors)

Odysseus in the Land of the Dead, 1929 (litho)
3060297 Odysseus in the Land of the Dead, 1929 (litho) by Wyeth, Newell Convers (1882-1945); Private Collection; (add.info)

Athene, 1929 (litho)
3060290 Athene, 1929 (litho) by Wyeth, Newell Convers (1882-1945); Private Collection; (add.info.: Published in The Odyssey of Homer by George Herbert Palmer in 1929; The Odyssey is one of two major)

Circe and Odysseus (oil on panel)
3674579 Circe and Odysseus (oil on panel) by Jordaens, Jacob (1593-1678); 74x106.3 cm; Private Collection; (add.info.: stamped with the Antwerp hand)

Odysseus at the throne of Arete (engraving)
2798906 Odysseus at the throne of Arete (engraving) by Robinson, Charles (1870-1937); Private Collection; (add.info.: Odysseus at the throne of Arete)

Ino giving Odysseus the veil (engraving)
2798908 Ino giving Odysseus the veil (engraving) by Robinson, Charles (1870-1937); Private Collection; (add.info.: Ino giving Odysseus the veil)

Odysseus at the Swineherds hut (engraving)
2798901 Odysseus at the Swineherds hut (engraving) by Robinson, Charles (1870-1937); Private Collection; (add.info.: Odysseus at the Swineherds hut)

A Princess, an illustration from L Odyssee, by Homer
STC386357 A Princess, an illustration from L Odyssee, by Homer, translated by Victor Berard, 1929-33 (colour litho) by Schmied

Poseidon, , an illustration from L Odyssee, by Homer
STC386306 Poseidon, , an illustration from L Odyssee, by Homer, translated by Victor Berard, 1929-33 (colour litho) by Schmied

Weeping Penelope and her attendants, an illustration from L Odyssee
STC386304 Weeping Penelope and her attendants, an illustration from L Odyssee, by Homer, translated by Victor Berard, 1929-33 (colour litho) by Schmied

The Worship of Zeus, an illustration from L Odyssee, by Homer
STC386310 The Worship of Zeus, an illustration from L Odyssee, by Homer, translated by Victor Berard, 1929-33 (colour litho) by Schmied

The City of Troy from the Sea, an illustration from L Odyssee, by Homer
STC386303 The City of Troy from the Sea, an illustration from L Odyssee, by Homer, translated by Victor Berard, 1929-33 (colour litho) by Schmied

Sleep and death conveying the body of Sarpedon to Lycia
LLM455880 Sleep and death conveying the body of Sarpedon to Lycia by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Sleep and death conveying the body of Sarpedon to Lycia)

Penelopes dream
LLM455874 Penelopes dream by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Penelopes dream. Illustration from Stories from Homer by Alfred Church (London, 1878)

Ulysses asleep laid on his own coast by the Phaeacian sailors
LLM455871 Ulysses asleep laid on his own coast by the Phaeacian sailors by Flaxman, John (1755-1826) (after); Private Collection; (add.info)

Ulysses preparing to fight with Irus
LLM455867 Ulysses preparing to fight with Irus by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Ulysses preparing to fight with Irus)

Morning
LLM455887 Morning by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Morning. Illustration from Stories from Homer by Alfred Church (London, 1878)

The meeting of Hector and Andromache
LLM455884 The meeting of Hector and Andromache by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The meeting of Hector and Andromache)

Homer. Portrait
6317533 Homer. Portrait. by Unknown Artist, (17th century); (add.info.: Imaginary portrait of ancient Greek author Homer. After a 17th century engraving by Hieronymus Wierix)

A Sorceress, probably Circe with the cup of poison and Odysseus with his companions
STC88316 A Sorceress, probably Circe with the cup of poison and Odysseus with his companions from the Nuremberg Chronicle by Hartmann Schedel (1440-1514) 1493 (woodcut) by German School

Circe (bronze)
MIB122066 Circe (bronze) by Mackennal, Edgar Bertram (1863-1931); Private Collection; eWhitford Fine Art, London, UK; Australian, out of copyright

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"Embarking on an Artistic Odyssey: Exploring the Mythical World through Captivating Masterpieces" Step into the enchanting world of Greek mythology as depicted by renowned artist John William Waterhouse in his mesmerizing painting "Circe Invidiosa, 1892. " With intricate brushstrokes and vivid colors, Waterhouse brings to life the captivating tale of Circe, the sorceress who bewitched Odysseus and his men. In another artistic rendition, we witness Odysseus' unwavering loyalty towards his faithful companion Argos. The painting "Odysseus & Argos / Brown" captures their poignant reunion after years of separation, showcasing the enduring bond between man and beast. Moving further along this odyssey of artistry, we encounter James Joyce's iconic novel "Ulysses, " a modern-day interpretation of Homer's epic poem. Through a caricature drawn by Myron C. Nutting in the 1920s, we catch a glimpse of Leopold Bloom - one of literature's most complex characters - embarking on his own personal journey through Dublin. Delving deeper into Homer's original masterpiece, we come face to face with Ulysses Deriding Polyphemus in Jacques-Louis David's oil painting from 1829. This powerful portrayal depicts Odysseus taunting the Cyclops Polyphemus after blinding him – a pivotal moment that showcases both cunning strategy and bravery. As our odyssey continues, we encounter Scylla – a terrifying sea monster with six heads – lurking amidst treacherous waters. This depiction from "The Odyssey/Scylla" serves as a reminder that even heroes like Odysseus faced unimaginable challenges during their perilous journeys. Shifting gears from art to science, Rutherford and Geiger take center stage in their laboratory where they conducted groundbreaking experiments.