Ogiya Collection

Hanaogi of the Ogiya, from the series "Renowned Beauties Likened to the Six Immortal... c. 1795/96
Hanaogi of the Ogiya, from the series "Renowned Beauties Likened to the Six Immortal Poets (Komei bijin rokkasen)", Japan, c. 1795/96

Hanaogi of the Ogiya, from the series "Renowned Beauties Likened to the Six Immortal... c. 1795/96
Hanaogi of the Ogiya, from the series "Renowned Beauties Likened to the Six Immortal Poets (Komei bijin rokkasen)", Japan, c. 1795/96

Takigawa of the Ogiya (Ogiya uchi Takigawa, Onami, Menami, Kisagawa, Hanamichi...Japan, 1793)
Takigawa of the Ogiya (Ogiya uchi Takigawa, Onami, Menami, Kisagawa, Hanamichi, Himekawa, Kumegawa), Japan, 1793

Hanaogi of the Ogiya, from the series "Renowned Beauties Likened to the Six Immortal... c. 1795/96
Hanaogi of the Ogiya, from the series "Renowned Beauties Likened to the Six Immortal Poets (Komei bijin rokkasen)", Japan, c. 1795/96

Miyahito of the Ogiya, Whose Assistants Are Tsubaki and Shirabe (Ogiya uchi... Japan, 1793/94)
Miyahito of the Ogiya, Whose Assistants Are Tsubaki and Shirabe (Ogiya uchi Miyahito, Tsubaki, Shirabe), Japan, 1793/94

Miyahito of the Ogiya, Whose Assistants Are Tsubaki and Shirabe (Ogiya uchi... Japan, 1793/94)
Miyahito of the Ogiya, Whose Assistants Are Tsubaki and Shirabe (Ogiya uchi Miyahito, Tsubaki, Shirabe), Japan, 1793/94

Takigawa, from the series "Array of Supreme Beauties of the Present Day...", Japan, c. 1794
Takigawa, from the series "Array of Supreme Beauties of the Present Day (Toji zensei bijin zoroe)", Japan, c. 1794

Takigawa, from the series "Array of Supreme Beauties of the Present Day...", Japan, c. 1794
Takigawa, from the series "Array of Supreme Beauties of the Present Day (Toji zensei bijin zoroe)", Japan, c. 1794

Courtesans of Ogiya, from the book "Mirror of Beautiful Women of the Pleasure Quarters... 1776. Creator: Shunsho
Courtesans of Ogiya, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami), " vol. 1, Japan, 1776

Courtesans of the Ogiya, from the book "Mirror of Beautiful Women of the Pleasure Quarters... 1776
Courtesans of the Ogiya, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami), " vol. 1, Japan, 1776

Courtesans of the Ogiya, from the book "Mirror of Beautiful Women of the Pleasure Quarters... 1776
Courtesans of the Ogiya, from the book "Mirror of Beautiful Women of the Pleasure Quarters (Seiro bijin awase sugata kagami), " vol. 1, Japan, 1776

The Courtesan Takikawa of Ogiya, from the series Seven Beautiful Komachi (Bijin nana... about 1794)
The Courtesan Takikawa of Ogiya, from the series Seven Beautiful Komachi (Bijin nana Komachi), Edo period (1615-1868), about 1794

The Courtesan Hanaogi of the Ogiya with Her Attendants Yoshino and Tatsuta, from the... c. 1781
The Courtesan Hanaogi of the Ogiya with Her Attendants Yoshino and Tatsuta, from the series " Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)", c

The Courtesan on PaThe Courtesan Toji of the Ogiya with Her Attendants Satoji and Uraji, f... 1784
The Courtesan on PaThe Courtesan Toji of the Ogiya with Her Attendants Satoji and Uraji, from the series " Models for Fashion

The Courtesan Takigawa of the Ogiya with Her Attendants Onami and Menami, from the series... 1783
The Courtesan Takigawa of the Ogiya with Her Attendants Onami and Menami, from the series " Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)", 1783

The Courtesan Hanaogi of the Ogiya and her attendant, from the series "Fans of
The Courtesan Hanaogi of the Ogiya and her attendant, from the series " Fans of the East (Azuma ogi)", c. 1777/78

The Sixth Month (Minazuki): Nioteru of the Ogiya, from the series "Models for... c
The Sixth Month (Minazuki): Nioteru of the Ogiya, from the series " Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)", c. 1777/78

Karauta of the Ogiya in Evening Snow (Ogiya Karauta bosetsu), from the series "Eight
Karauta of the Ogiya in Evening Snow (Ogiya Karauta bosetsu), from the series " Eight Views of Famous Beauties of the Pleasure Quarters (Seiro meifu hakkei)", c. 1773/75

Takigawa and Katarai of the Ogiya, from the series "Models for Fashion: New Designs
Takigawa and Katarai of the Ogiya, from the series " Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana hatsu moyo)", c. 1776

"giya Hanaogi (colour woodcut)
2646925 A" giya HanaA'gi (colour woodcut) by Utamaro, Kitagawa (1753-1806); 36.4x25.2 cm; New York Public Library, USA; Japanese, out of copyright

The Courtesan Hanaogi of the Ogiya and her attendant, from the series Fans of the East
2969599 The Courtesan Hanaogi of the Ogiya and her attendant, from the series Fans of the East (Azuma ogi), c.1777-78 (colour woodblock print) by Koryusai

Hanaogi of the Ogiya, Kamuro Yoshino and Tatsuta from a series of courtesans printed in blue (woodcut)
2563153 Hanaogi of the Ogiya, Kamuro Yoshino and Tatsuta from a series of courtesans printed in blue (woodcut) by Kunisada

The courtesan Takigawa and her attendant from the Ogiya in allusion to the poet
873482 The courtesan Takigawa and her attendant from the Ogiya in allusion to the poet, 1800-02 (woodblock) by Utamaro, Kitagawa (1753-1806); 36.35 x24.92 cm; San Diego Museum of Art

The Courtesan Hanahito of the Ogiya and attendants Sakura and Momiji
2969567 The Courtesan Hanahito of the Ogiya and attendants Sakura and Momiji, from the series Beauties of the Five Festivals (Bijin gosekku)

Tsukasa of the "giya, Kamuro Akeba, and Kocho, c. 1795-97 (color woodcut)
1067806 Tsukasa of the "giya, Kamuro Akeba, and Kocho, c.1795-97 (color woodcut) by Eishi, Hosada (1756-1829) (after); 37.8x25.7 cm; Dallas Museum of Art, Texas, USA; gift of Mr. and Mrs

Courtesan Hana-ogi Ogiya Sennin Tekkai series
The Courtesan Hana-ogi of Ogiya as the Sennin Tekkai (from the series Eight Immortals of Sensuality), mid 1790s. Kitagawa Utamaro (Japanese, 1753?-1806)

Courtesan Takigawa Ogiya series Selection Beautiful Women
The Courtesan Takigawa of Ogiya (from the series A Selection of Beautiful Women of the East), c. 1798. Kitagawa Utamaro (Japanese, 1753?-1806)

Hanaōgi Ōgiya series Picture Puzzles
Hanaōgi of Ōgiya from the series Picture Puzzles, c. 1797. Kitagawa Utamaro (Japanese, 1753?-1806). Color woodblock print; ink and color on paper; sheet: 37.6 x 25.4 cm (14 13/16 x 10 in.)

Courtesan Takigawa Ogiya series Seven Aspects
The Courtesan Takigawa of Ogiya (from the series Seven Aspects of Komachi in the Green Houses), 1797 or 1798. Kitagawa Utamaro (Japanese, 1753?-1806)

Takigawa Ōgiya series Beauties Seven Komachi
Takigawa of Ōgiya, from the series Beauties as the Seven Komachi, c. 1793-97. Utagawa Toyokuni (Japanese, 1769-1825). Color woodblock print; ink and color on paper; sheet

µëçÕ▒ïÕåàµÿѵùÑÚçÄÒéÅÒüïÒü¬ ÒüôÒüªÒüå Oiran Kasugano
Artokoloro

µëçÕ▒ïÕåàµÿѵùÑÚçÄ Oiran Kasugano Ogiya Parade under Blossoming Cherry Trees
Artokoloro

江戸高名会亭尽　王子　扇屋 Ōgiya
Artokoloro

[igiya hanaAcgi yujo], Courtesan. Katsukawa, ShunchAc, active 1783-1821, artist, [between
[AIgiya hanaAcgi yujo], Courtesan. Katsukawa, ShunchAc, active 1783-1821, artist, [between 1786 and 1790], 1 print : woodcut, color; 64.7 x 12.4 cm

igiya hanaAcgi, The courtesan HanaAcgi of the house of igi. Hosoda, Eishi, 1756-1829
AIgiya hanaAcgi, The courtesan HanaAcgi of the house of AIgi. Hosoda, Eishi, 1756-1829, artist, [between 1794 and 1796], 1 print : woodcut, color; 62.4 x 11.6 cm

igiya yA'giri, The courtesan Yugiri of Ogiya. Utagawa, Toyokuni, 1786-1865, artist
AIgiya yA'giri, The courtesan Yugiri of Ogiya. Utagawa, Toyokuni, 1786-1865, artist, [between 1830 and 1844], 1 print : woodcut, color; 36.7 x 24.7 cm

Yamabuki Acgiya uchi takigawa, Mountain rose: The courtesan Takigawa of igiya. Utamaro II
Yamabuki Acgiya uchi takigawa, Mountain rose: The courtesan Takigawa of AIgiya. Utamaro II, -approximately 1831, artist, [between 1806 and 1810], 1 print : woodcut, color; 39 x 25.7 cm

igiyauchi tsukasa, The courtesan Tsukasa of igiya. Kitagawa, Utamaro, 1753?-1806
AIgiyauchi tsukasa, The courtesan Tsukasa of AIgiya. Kitagawa, Utamaro, 1753?-1806, artist, [between 1804 and 1806], 1 print : woodcut, color; 39.2 x 26.2 cm

igiya uchi hanaAcgi, The courtesan Hanao of igi-ya. Utagawa, Kuniyoshi, 1798-1861
AIgiya uchi hanaAcgi, The courtesan Hanao of AIgi-ya. Utagawa, Kuniyoshi, 1798-1861, artist, [between 1830 and 1844], 1 print : woodcut, color; 38.7 x 25.9 cm

The courtesan Hanao of ogi-ya. Print shows Hanao of ogi-ya, full-length portrait, standing, facing left, with attendant. Date between 1830 and 1844

Descending geese at omon Gate, the courtesan Tsukasa of ogi-ya. Print shows the courtesan Tsukasa, full-length portrait, standing, facing right, with several hairpins

The courtesan Takihashi of ogi-ya. Print shows Takihashi, a courtesan, full-length, standing, facing left, with several large hairpins. Date 1800 or 1801

The tea house ogi-ya at oji

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Ogiya, a name that resonates with elegance and allure in the world of art. These captivating woodblock prints by Torii Kiyonaga transport us to the enchanting realm of courtesans and their attendants. In "The Courtesan Hanaogi of the Ogiya with Her Attendants Yoshino and Tatsuta, " we witness a scene filled with grace and beauty. Hanaogi, adorned in intricate robes, captivates our gaze as she is accompanied by her loyal attendants. The delicate details of their attire evoke a sense of opulence, while their poised expressions hint at hidden stories within these walls. Similarly, "The Courtesan Toji of the Ogiya with Her Attendants Satoji and Uraji" invites us into another world where desire intertwines with tradition. Toji's presence exudes confidence as she is flanked by her devoted companions. Their vibrant garments mirror the vibrancy found within this mysterious establishment. "The Courtesan Takigawa of the Ogiya with Her Attendants Onami and Menami" transports us to yet another chapter in this captivating narrative. Takigawa's enigmatic smile hints at secrets concealed behind closed doors while her attendants stand faithfully beside her, ready to fulfill any wish or desire. As we delve deeper into these mesmerizing prints, we encounter "Hanaogi of the Ogiya" accompanied by an attendant from the series "Fans. " Here, delicately painted fans become symbols not only for cooling oneself but also for concealing emotions beneath their graceful folds. In "Nioteru of the Ogiya, " we are presented with a glimpse into intimate moments shared between courtesans and clients. The subtle playfulness captured here reminds us that even amidst societal expectations, human connection can still flourish.