Oil On Canvas Collection (page 4)

Rinaldo and Armida Signed and dated lower right: Angelica Kaufafmann 1771"
Rinaldo and Armida Signed and dated lower right: " Angelica Kaufafmann 1771", Angelica Kauffmann, 1741-1807, Swiss

A Lugger Driving Ashore in a Gale Signed, lower right: W. Joy, William Joy
A Lugger Driving Ashore in a Gale Signed, lower right: " W. Joy", William Joy, 1803-1867, British

An Imaginary Coast Scene, with the Temple of Venus at Baiae Signed and dated, lower right: " T Jones | 1773", Thomas Jones, 1742-1803, British

Lake Windermere, Julius Caesar Ibbetson, 1759-1817, British

Langdale Pikes from Lowood, Julius Caesar Ibbetson, 1759-1817, British

Self-Portrait, Marcellus Laroon the Elder, 1653-1702, Dutch

Mameluke purchasing an Arabian stallion A Mameluke Purchasing an Arab Stallion From a Horse Dealer Signed in brown paint, lower right: " J.H

Grey Arabian mare and foal, with a family Grey Arab Mare and Foal with a Peasant Family, George Henry Laporte, 1799-1873, British

Kidbrooke Park, Kent, unknown artist, 18th century, British

Saltwood Castle Signed and dated, lower center: G Lambert
Saltwood Castle Signed and dated, lower center: " G Lambert. 1762", George Lambert, 1700-1765, British

Hob Continues Dancing in Spite of his Father, John Laguerre, 1688-1746, British

Hobs Defence, John Laguerre, 1688-1746, British

Hob Taken Out of Ye Well, John Laguerre, 1688-1746, British

Hob Selling Beer at the Wake, John Laguerre, 1688-1746, British

The Reverend Dr. John Lloyd, Curate of St. Mildreds Church, Broad Street John Lloyd, Curate of St. Mildreds Broad Street Dr. John Lloyd Inscribed in brown paint, lower left: " John Lloyd D. D

Landscape with Farmworkers, George Lambert, 1700-1765, British

Restoration Procession of Charles II at Cheapside, London William Hogarth, 1697-1764, British

A Family Group Called The Stafford Family, unknown artist, 18th century, British

A Club of Gentlemen, Joseph Highmore, 1692-1780, British

Miss Wood Miss Wood with her Dog, William Hogarth, 1697-1764, British

Study for a Group Portrait, Joseph Highmore, 1692-1780, British

Studies of Heads, Attributed to William Hogarth, 1697-1764, British

Study of a Girls Head, Attributed to William Hogarth, 1697-1764, British

A Midnight Modern Conversation Signed and dated, lower right: WM: Hogarth: recit
A Midnight Modern Conversation Signed and dated, lower right: " WM: Hogarth: recit: 1729", William Hogarth, 1697-1764, British

Sketch of a Young Girl, Joseph Highmore, 1692-1780, British

Portrait of a landscape painter, possibly George Lambert, Giles Hussey, 1710-1788, British

Mrs. Benjamin Cole, Nathaniel Hone, 1718-1784, Irish

Peter Dolland, John Hoppner, 1758-1810, British

Joseph Wright of Derby, Attributed to Richard Hurleston, active 1763-1780, British

Benjamin Cole Signed and dated, upper left: NHONE P | 1776, Nathaniel Hone
Benjamin Cole Signed and dated, upper left: " NHONE P | 1776", Nathaniel Hone, 1718-1784, Irish

Charles Pinfold Signed and dated in ocher color, left center: T
Charles Pinfold Signed and dated in ocher color, left center: " T. Hudson Pinxit 1756", Thomas Hudson, 1701-1779, British

The Angel of Mercy, Joseph Highmore, 1692-1780, British

The Frigate Surprise at Anchor off Great Yarmouth, Norfolk, Francis Holman, 1760-1790, British

Girl in a Plumed Hat, Attributed to William Hogarth, 1697-1764, British

Nude in an Interior, Harold Gilman, 1876-1919, British

Sir James Gray, Anton Raphael Mengs, 1728-1779, German

Hamlet and his Mother; The Closet Scene Dated in red paint, lower left: PINXIT
Hamlet and his Mother; The Closet Scene Dated in red paint, lower left: " PINXIT 1846", Richard Dadd, 1817-1886, British

A Whole Length of a Lady of Neturrio, a Sea-port in the Popes Territories, George James, active from 1755-died 1795, British

A Whole Length of a Lady of Petrella, in the Kingdom of Naples, George James, active from 1755-died 1795, British

Venus and Anchises, Benjamin Robert Haydon, 1786-1846, British

George Morland on his Hunter George Morland on a grey hunter, with a couple of foxhounds Signed and dated, lower center: " T. Hand | Oct. 9th 1794", Thomas Hand, died 1804, British

The Brothers Clarke with Other Gentlemen Taking Wine, Gawen Hamilton, ca. 1697-1737, British

John Palmer Whalley, William Hamilton, 1751-1801, British

Beads (study) Two Women on a Sofa, 1875, Albert Joseph Moore, 1841-1893, British

The Death of Lucretia The Oath of Brutus, Gavin Hamilton, 1723-1798, British

Evening Glow Signed on back: P. L. R. John Atkinson Grimshaw, 1836-1893
Evening Glow Signed on back: " P.L.R.", John Atkinson Grimshaw, 1836-1893, British

A View of a Lake with Fishermen, William Groombridge, 1748-1811, British

Sir Tatton Sykes Leading in the Horse Sir Tatton Sykes with William Scott Up Sir Tatton Sykes Leading in his Namesake Sir Tatton Sykes, with William Scott Up, Harry Hall, 1838-1886, British

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"Capturing the Essence: A Glimpse into the World of Oil on Canvas" Step into a realm where raindrops dance upon canvas, steam rises from locomotives, and speed becomes an art form. In 1844, Joseph Turner's masterpiece "Rain, Steam and Speed - Great Western Railway" at the National Gallery mesmerized viewers with its dynamic portrayal of movement. Traveling to Whitehaven in Cumbria, we witness a serene landscape unfold before our eyes. "Showing Flatt Hall Prospect View of Whitehaven" transports us to a place where tranquility meets nature's beauty. As morning breaks over Inverary Pier on Loch Fyne, we are greeted by ethereal hues in "Inverary Pier, Loch Shira Monte Rosa. " The shimmering waters reflect the promise of a new day as light dances across the canvas. The Battle of Trafalgar comes alive through John Christian Schetky's brushstrokes. With meticulous detail and patriotic fervor, this British artist immortalizes one of history's most significant naval conflicts. A chestnut horse named Old Partner steals our hearts as it is tenderly held by its groom in "One of Four Portraits of Horses. " The bond between man and beast is beautifully captured in this timeless piece. Parham Mill stands proudly amidst Dorset's picturesque landscapes. Its wheels turn tirelessly while Thomas Phillips paints his ode to industry in "Gillingham Mill at Gillingham. " Samuel Scott takes us back centuries with his depiction of Ludlow Castle with Dinham Weir. From the South-West vantage point, we marvel at this architectural wonder nestled among nature's embrace. Peter the Great gazes sternly from his portrait—a testament to Russian power and influence during his reign. This oil on canvas captures both strength and wisdom within every brushstroke. Canals come alive through Newark Abbey Thames Lighter at Teddington Canal Scene with Barges.