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Optical Effect Collection (page 2)

"Unveiling the Illusion: Exploring the Mesmerizing World of Optical Effects" Step into a world where reality blurs and imagination takes flight

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Optical Effect Collection: Still life in trompe l oeil (detail), 17th century (oil on canvas)
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Optical Effect Collection: 'The Phantom Ship'(colour litho)
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Optical Effect Collection: Occulus of the ceiling of the House of Spouses, Ducal Palace of Mantua, Italy (Camera degli Sposi)
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Optical Effect Collection: Research, 1880-90 (oil on board)
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Optical Effect Collection: A Trumpet of Flowers and Fruit decorated with Garlands of Flowers (w / c)
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Optical Effect Collection: Thalie, one of the Muses, patron of comedy and pastoral poesy Detail of the paintings of
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Optical Effect Collection: La chute de Phaeton (Phaethon) (1625) - Fresco en trompe l
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Optical Effect Collection: La chute de Phaeton (Phaethon) (1625) - Fresco en trompe l
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Optical Effect Collection: Magic camel. Painted miniature, circa 1750, art of Rajasthan and Pahari (India)
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Optical Effect Collection: France, Dinan, Ceiling at the Convent of Benedectines
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Optical Effect Collection: Portrait of Charles Coiffier, Baron d Orvilliers, master of the requests of Anne of
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Optical Effect Collection: Portrait of Charles Coiffier, Baron d Orvilliers, master of the requests of Anne of
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Optical Effect Collection: Representations of Prophetes and Angels Fresco by Melozzo da Forli (Melozzo degli Ambrosi
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Optical Effect Collection: Portrait of the artist (or self-portrait) presenting that of a military Painting by
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Optical Effect Collection: Self Portrait, 1646 (Painting)
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Optical Effect Collection: Portrait of a woman, painting by Santiago Rusinol y Prats, 1894
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Optical Effect Collection: Gaspard Monge, Count of Peluse (1746 - 1818), French mathematician during the campaign
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Optical Effect Collection: Letter U Factory;V Car;X;Y Yole;Z Zootropic. Engraving in '
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Optical Effect Collection: Coronation of the Virgin, 1725 (fresco)
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Optical Effect Collection: View of the ceiling, 1720 (fresco)
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Optical Effect Collection: Tete de mort (litho)
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Optical Effect Collection: The Entry of St. Ignatius into Paradise, c. 1707 (fresco) (detail of 101901)
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Optical Effect Collection: Portrait of Louis XIV King of France (1638-1715), Protector of Arts
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Optical Effect Collection: Small cabinet of curiosites in Trompe l oeil (Painting, 17th century)
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Optical Effect Collection: France, Aix en Provence, Hotel de Chateaurenard. Paintings in trompe l oeil
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Optical Effect Collection: La chute de Phaeton (Phaethon) (1625) - Fresco en trompe l
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Optical Effect Collection: The Triumph of Divine Providence, detail, 17th century (fresco)
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Optical Effect Collection: Presume portrait of the doctor Paracelsus (1493-1541) (Paracelsus Aracelsus or
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Optical Effect Collection: Representation of Baruch (Baruch ben Neria) disciple of Jeremiah
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Optical Effect Collection: Landscapes and musicians Fresco by Paolo Veronese (Paolo Caliari) (1528-1588) 1561 approx
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Optical Effect Collection: Optical illusion: the praxinoscope theatre, apparatus invented by Emile Reynaud
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Optical Effect Collection: Light refraction: mirage. Atmospheric refraction gives the illusion of an oasis appearing
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Optical Effect Collection: Coronation of the Virgin, 1725 (fresco)
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Optical Effect Collection: Auditorium and stage of the Teatro Olimpico, Piacenza, Italy
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Optical Effect Collection: Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c
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Optical Effect Collection: Still Life in Trompe-l oeil (Painting, 17th century)
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Optical Effect Collection: Interior of the Theatre, built 1580-85 (b / w photo)
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Optical Effect Collection: Trompe l oeil to the window. Painting by Cornelis Gysbrechts (17th century) Ec. Holl
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Optical Effect Collection: The King of France Henry III (1551-1589) received in Venice by Federico Contarini in 1574
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Optical Effect Collection: Gabrielle d Estrees (1573-1599), mistress of King Henry IV
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Optical Effect Collection: Optical illusions: vision of Napoleons armys in the sky of Verviers (Belgium
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Optical Effect Collection: The nympheas; the clouds. Right part of the triptych painted in Giverny
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Optical Effect Collection: The Death of Cleopatra, lunette, 1531-32 (fresco)
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Optical Effect Collection: Painted cupola, 1685-86 (fresco)


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"Unveiling the Illusion: Exploring the Mesmerizing World of Optical Effects" Step into a world where reality blurs and imagination takes flight. From grand country houses to ancient frescoes, optical effects have been used throughout history to captivate and deceive the eye. In the staircase hall of Kings Weston House, Bristol, an intricately painted urn in a niche plays tricks on perception. Its skillful shading and perspective create an illusion of depth that draws you closer, as if beckoning from another dimension. At Blenheim Palace in Oxfordshire, the Saloon mesmerizes with its north-west view. The clever use of light and shadow gives life to Baroque architecture, making it seem almost tangible. It's a testament to Sir John Vanbrugh's mastery in creating optical illusions within his designs. Radnor House in Middlesex boasts a ground-floor baroque ceiling that defies gravity itself. With its intricate patterns and trompe-l'oeil techniques, it transports visitors into a realm where ceilings become portals to otherworldly realms. Sezincote in Gloucestershire enchants guests with its dining room adorned with trompe-l'oeil paintings. These masterpieces blur boundaries between reality and artistry, transforming plain walls into windows opening onto lush landscapes or scenes from distant lands. Moving beyond architecture, we delve into artistic masterpieces such as "The Ambassadors. " Hans Holbein's iconic painting challenges our perception through anamorphic distortion—a hidden skull only revealed when viewed from an oblique angle—an eerie reminder of mortality lurking beneath beauty. Venturing further back in time, we discover frescoes adorning Santuario della Santa Casa in Loreto. Here, prophets Isaiah and Jeremiah stand alongside celestial beings—each brushstroke breathing life into divine visions that transcend mere paint on plaster. Turning pages of illuminated manuscripts like the Book of Hours reveals opulent creations bound in red velour with metal corners.