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Ovid Gallery

Available as Prints and Gift Items

Choose from 673 pictures in our Ovid collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.


Medusa, 1596-1598. Artist: Caravaggio, Michelangelo (1571-1610)
Medusa, 1596-1598. Artist: Caravaggio, Michelangelo (1571-1610)
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Anger (Ira), from the series of the The Seven Deadly Sins, engraved
Anger (Ira), from the series of the The Seven Deadly Sins, engraved
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Narcissus, 1598-1599. Artist: Caravaggio, Michelangelo (1571-1610)
Narcissus, 1598-1599. Artist: Caravaggio, Michelangelo (1571-1610)
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Publius Ovidius Naso
Publius Ovidius Naso
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Apollo and Daphne
Apollo and Daphne
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A Sunset or Landscape with Argus Guarding Io (oil on canvas)
A Sunset or Landscape with Argus Guarding Io (oil on canvas)
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Animal magnetism, satirical artwork
Animal magnetism, satirical artwork
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Propertius (Visconti)
Propertius (Visconti)
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Medusa, 1903. Artist: Kotarbinsky, Vasilii (Wilhelm) Alexandrovich (1849-1921)
Medusa, 1903. Artist: Kotarbinsky, Vasilii (Wilhelm) Alexandrovich (1849-1921)
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Pygmalion and Galatea, c. 1890. Artist: Gerome, Jean-Leon (1824-1904)
Pygmalion and Galatea, c. 1890. Artist: Gerome, Jean-Leon (1824-1904)
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Head of Medusa, 1630. Artist: Bernini, Gianlorenzo (1598-1680)
Head of Medusa, 1630. Artist: Bernini, Gianlorenzo (1598-1680)
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Orpheus Leading Eurydice from the Underworld, 1861. Artist: Corot, Jean-Baptiste Camille (1796-1875)
Orpheus Leading Eurydice from the Underworld, 1861. Artist: Corot, Jean-Baptiste Camille (1796-1875)
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Animal magnetism, satirical artwork Featured Image

Animal magnetism, satirical artwork

Animal magnetism. Satirical artwork depicting a patient and animal magnetism practitioner with animal heads. Animal magnetism was developed by the German physician Franz Mesmer (1734-1815) in the 1770s. It involved manipulating a magnetic fluid thought to reside in living objects. The practice was later renamed mesmerism, and eventually led to the development of hypnosis. At lower left is a German copy of Ovid's Metamorphoses'. This 19th century artwork is from Die Karikatur und Satire in der Medizin (Caricature and Satire in Medicine, 1921) by the German art historian and physician Eugen Hollander (1867-1932)

© SCIENCE PHOTO LIBRARY

The Silver Age, 1527. Artist: Lucas Cranach the Elder
The Silver Age, 1527. Artist: Lucas Cranach the Elder
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Perseus turning Phineas and his Followers to Stone, Early 1680s. Artist: Giordano, Luca (1632-1705)
Perseus turning Phineas and his Followers to Stone, Early 1680s. Artist: Giordano, Luca (1632-1705)
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Procris impaled by the never erring javelin, Cephalus running towards her and Aurora
Procris impaled by the never erring javelin, Cephalus running towards her and Aurora
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Io Changed into a Cow: Mercury Cuts Off Argus Head, 1730 (engraving)
Io Changed into a Cow: Mercury Cuts Off Argus Head, 1730 (engraving)
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Procris impaled by the never erring javelin, Cephalus running towards her and Aurora
Procris impaled by the never erring javelin, Cephalus running towards her and Aurora
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Serpent defeated by Phoebus or Appollo Uccide il Serpente Pitone, illustration from Ovid's Metamorphoses, Florence
Serpent defeated by Phoebus or Appollo Uccide il Serpente Pitone, illustration from Ovid's Metamorphoses, Florence
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Io Changed into a Cow: Mercury Cuts Off Argus Head, 1730 (engraving)
Io Changed into a Cow: Mercury Cuts Off Argus Head, 1730 (engraving)
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Perseus and the Origin of Coral, c.1671 (black chalk, sepia and black ink, sepia and gray wash with white)
Perseus and the Origin of Coral, c.1671 (black chalk, sepia and black ink, sepia and gray wash with white)
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Cadmus and the Dragon, 1813 (oil on canvas)
Cadmus and the Dragon, 1813 (oil on canvas)
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The Birth of Venus (detail), c.1485 (tempera on canvas)
The Birth of Venus (detail), c.1485 (tempera on canvas)
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Cadmus kills the Dragon or Cadmo uccide il Drago, illustration from Ovid's Metamorphoses, Florence
Cadmus kills the Dragon or Cadmo uccide il Drago, illustration from Ovid's Metamorphoses, Florence
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Apollo and Diana Kill Niobe's Children with their Arrows: She is Turned to Stone, 1730 (engraving)
Apollo and Diana Kill Niobe's Children with their Arrows: She is Turned to Stone, 1730 (engraving)
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Procris impaled by the never erring javelin, Cephalus running towards her and Aurora and Titone on a chariot pulled by four horses, 1517-18 (fresco) (detail of 2646162) Featured Image

Procris impaled by the never erring javelin, Cephalus running towards her and Aurora and Titone on a chariot pulled by four horses, 1517-18 (fresco) (detail of 2646162)

2646163 Procris impaled by the never erring javelin, Cephalus running towards her and Aurora and Titone on a chariot pulled by four horses, 1517-18 (fresco) (detail of 2646162) by Peruzzi, Baldassarre (1481-1536) (and workshop); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina, The Hall of Perspectives: the ample frieze with mythological scenes inspired by the Ovid Metamorphoses. Detail of Procris impaled by the never erring javelin and Cephalus running towards her. On the left, Aurora and Titone on a chariot pulled by four horses. Aurora seems to be in some way responsible of the death of Procri, having caused her jealousy.
In the backround, preceeding the cart, Venus, (Hesperus?) holding a star.
Frescoes by Baldassarre Peruzzi and workshop (1517-18).
Roma, Villa Farnesina, Sala delle Prospettive: fregio superiore con scene mitologiche ispirate alle Metamorfosi di Ovidio. Affreschi di Baldassarre Peruzzi (1517-8). Particolare.
Procri e sdraiata in terra morente con una lancia conficcata nel petto. A sinistra e raffigurato il carro di Aurora, in qualche modo responsabile della morte di Procri, avendo la dea instillato nella giovane la gelosia verso il suo amato Cefalo, di cui si era invaghita. Aurora e accompagnata da Titone, principe troiano e musico, rapito e sposato dalla dea, la quale chiese per lui a Giove l'immortalita, dimenticando di chiedere anche l'eterna giovinezza (nell'affresco e infatti raffigurato come un vecchio con una lunga barba bianca). Venere (Espero?) precede in volo il carro, reggendo una stella.); Ghigo Roli

© Ghigo Roli / Bridgeman Images

Vertumnus and Pomona: Vertumnus transformed into a pruner. ca. 1550 (tapestry)
Vertumnus and Pomona: Vertumnus transformed into a pruner. ca. 1550 (tapestry)
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French women's costumes of the 13th century
French women's costumes of the 13th century
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Iris visiting the House of Sleep, asking Hypnos to send Orpheus at Alcyon, 1517-18 (fresco)
Iris visiting the House of Sleep, asking Hypnos to send Orpheus at Alcyon, 1517-18 (fresco)
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Scene of flood withe the myth of Alcyone and Ceyx, 1517-1518 (fresco)
Scene of flood withe the myth of Alcyone and Ceyx, 1517-1518 (fresco)
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Danae and the Shower of Gold, 1753 (oil on canvas)
Danae and the Shower of Gold, 1753 (oil on canvas)
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Meleager and Atalanta, c.1770 (pen & ink with wash on paper)
Meleager and Atalanta, c.1770 (pen & ink with wash on paper)
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Hall of Latona: the Goddess, Rocca dei Rossi, San Secondo, Parma, Italy, detail of 2384739
Hall of Latona: the Goddess, Rocca dei Rossi, San Secondo, Parma, Italy, detail of 2384739
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Spring, 1685-95 (oil on canvas)
Spring, 1685-95 (oil on canvas)
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Portrait of Ovid, 1501-03 (monochrome fresco)
Portrait of Ovid, 1501-03 (monochrome fresco)
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Ovid (fresco)
Ovid (fresco)
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Hall of Latona: the Goddess, Rocca dei Rossi, San Secondo, Parma, Italy
Hall of Latona: the Goddess, Rocca dei Rossi, San Secondo, Parma, Italy
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Portraits of Ovid and Juvenal, 1501-03 (monochrome fresco)
Portraits of Ovid and Juvenal, 1501-03 (monochrome fresco)
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Scene of flood withe the myth of Alcyone and Ceyx, 1517-1518 (fresco) Featured Image

Scene of flood withe the myth of Alcyone and Ceyx, 1517-1518 (fresco)

2646081 Scene of flood withe the myth of Alcyone and Ceyx, 1517-1518 (fresco) by Peruzzi, Baldassarre (1481-1536) (and workshop); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina, The Hall of Perspectives: the ample frieze with mythological scenes inspired by the Ovid Metamorphoses.
Scene of flood withe the myth of Alcyone and Ceyx.
Frescoes by Baldassarre Peruzzi and workshop (1517-18).
In Greek mythology, Ceyx was the son of Eosphorus and the king of Thessaly. He was married to Alcyone. They were very happy together, and often called each other "Zeus" and "Hera". This angered Zeus, so while Ceyx was at sea, the god threw a thunderbolt at his ship. Ceyx appeared to Alcyone as an apparition to tell her of his fate, and she threw herself into the sea in her grief. Out of compassion, the gods changed them both into halcyon birds. It is said that the halcyon birds build their nests when the water is calm since both of them died at sea.
Roma, Villa Farnesina, la Sala delle Prospettive, fregio superiore con scene mitologiche ispirate alleMetamorfodidi Ovidio.
Scena di diluvio con Alcione e Ceice.
Affreschi di Baldassarre Peruzzi e bottega (1517-18).
Ceice e una figura della mitologia greca, figlio di Espero e discendente di Eracle.
Sposo Alcione e la loro unione fu tanto felice che questa un giorno lo volle apostrofare "Zeus". Il re degli dei si indigno per questo affronto e scateno una tempesta mentre Ceice era in viaggio per mare, facendolo annegare. La sua ombra apparve ad Alcione che, capita la morte, si getto nelle acque per raggiungerlo.
Gli dei, commossi, ne ebbero pieta e li trasformarono in alcioni (un tipo di uccello, probabilmente un martin pescatore o una specie di gabbiano). Il loro nido vicino al mare, veniva continuamente distrutto dalle onde. Zeus ebbe nuovamente pieta e placo il mare per sette giorni, prima e dopo il solstizio d'inverno, affinche potessero riprodursi.
Gli alcioni (uccelli) vennero consacrati a Teti ed erano il collegamento tra cielo e mare. Divennero anche il simbolo di una celere pace e tranquillita.); Ghigo Roli

© Ghigo Roli / Bridgeman Images

Parnassus, with Pegasus and Poets, 1517-18 (fresco) (detail of 2646096)
Parnassus, with Pegasus and Poets, 1517-18 (fresco) (detail of 2646096)
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Parnassus, with Pegasus and Poets, 1517-18 (fresco0)
Parnassus, with Pegasus and Poets, 1517-18 (fresco0)
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Apollo - Helios driving the chariot of the Sun, 1517-18 (fresco) (detail of 2646164)
Apollo - Helios driving the chariot of the Sun, 1517-18 (fresco) (detail of 2646164)
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Thiasus of Dionysus, 1517-18 (fresco) (detail of 2646092)
Thiasus of Dionysus, 1517-18 (fresco) (detail of 2646092)
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Apollo and Daphne, 1517-18 (fresco) (detail of 2646086)
Apollo and Daphne, 1517-18 (fresco) (detail of 2646086)
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Deucalion and Pyrrha throwing stones, 1517-18 (fresco) (detail of 2646084)
Deucalion and Pyrrha throwing stones, 1517-18 (fresco) (detail of 2646084)
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Deucalion and Pyrrha throwing stones, detail
Deucalion and Pyrrha throwing stones, detail
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Triumph of Venus, marine scene with dolphins and cupids, 1517-18 (fresco) (detail of 2646158)
Triumph of Venus, marine scene with dolphins and cupids, 1517-18 (fresco) (detail of 2646158)
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Venus and Adonis, 1517-18 (fresco) (detail of 2646090)
Venus and Adonis, 1517-18 (fresco) (detail of 2646090)
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Venus and Adonis, 1517-18 (fresco)
Venus and Adonis, 1517-18 (fresco)
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Venus and Adonis, 1517-18 (fresco)
Venus and Adonis, 1517-18 (fresco)
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Portrait of Ovid, 1501-03 (monochrome fresco)
Portrait of Ovid, 1501-03 (monochrome fresco)
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